Mats Bengtsson schreef:
Accidental, DynamicText, Tie and several others. What confuses me,
though, is why the property also is set on the Slur object.
because PhrasingSlur should avoid Slur.
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LilyPond Software Design
A. Deubelbeiss schreef:
Below is the log from a failed run with LILYPOND_VERBOSE=1.
This is interesting. A lot of messages don't actually make it to the
logfile. Darn.
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bernie arai schreef:
On 5/19/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
\context DrumVoice = "1"
\with { \consists "Parenthesis_engraver" }
{ s1 *2 }
this syntax at least doesn't generate any errors from lilypond, but
still doesn't result i
c4*9/10 \gliss \hideNotes g'4*1/10
I think this is called a "fall." Price: 65 EUR; I will need some scans
to be sure that we're talking about the same thing, though.
I've found some printed and hand-written examples. I'll scan them as
soon as I can, but expec
2006/5/24, Joe Neeman <[EMAIL PROTECTED]>:
It appears it didn't, thanks.
Can I apply this to 2.8, Han-Wen?
please do.
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Trent Johnston schreef:
Hi Han-Wen and Lilyponders,
I am looking at the potential to sponsor more changes to the figured bass
system. While the figured bass system is comphrehensive and looks good it's
placement within a score that needs adjusting. There is often a wide a gap
between the
ible to design new number glyphs, but it is _a lot_ of work.
It's much easier to change the positioning of the slash for the 6
specifically. Have a look at slashed-digit in
define-markup-commands.scm. I can also do it as a (tiny) sponsored feature.
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27;ve thought it would be pretty nice to have
specific settings for the "title-page". I would be interested in sponsoring
this feature too.
I can add code to override all relevant page dimensions for the first
page only, for 130 EUR.
Cheers,
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s" parameter of \epsfile? I guess it is something
like "horizontal" or "vertical" coded into an integer, but which one
X = 0 , Y = 1
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e #0 #5 #"part01.eps"
the axis is not about alignment, but rather about which dimension should
be scaled to the 2nd argument.
Use #X for #0 , as it's clearer.
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Trent Johnston schreef:
|
|
| what's this code ?
Here it is. Nicolas Sceaux passed it on to me.
To help the the layout of a large score and to use the two-pass system to
stretch staves.
Can you take this issue up with Nicolas?
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r fingers right.
thank you for your help, I can't seem to be able to find anything in
the manuel...
nor on the web...
if it's not possible yet... will il be in the future ?
It's not possible, but I can add it as a sponsored feature.
Cheers!
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Orm Finnendahl schreef:
Hi Han-Wen,
sorry, forgot the attachment...
Am 31. Mai 2006, 13:38 Uhr (+0200) schrieb Han-Wen Nienhuys:
see http://lilypond.org/~hanwen/eps-demo.zip
I can't get the barlow.ly example to compile. the log file is
attached. gs version is 8.15.2 on my machine.
Ah, I see. Lilypond code is fine, but examples are not.
Han-Wen, could you modify tex/texinfo.tex so quotes inside an
@example
c'
@end example
remain as ascii? (I can't understand texinfo.tex)
should be fixed in CVS.
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Russell Lang schreef:
Is there an easy way to configure lilypond to embed fonts in the PS
file, instead of just inserting a reference to the location on disk?
YEs,
add
-dno-gs-font-load
to the commandline.
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LilyPond
F will not work.
I think it was a stopgap measure related installer bugs on windows. We
might be able to do without today.
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m exactly? (cpu architecture?)
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Roman V. Isaev schreef:
On 06/05, Han-Wen Nienhuys wrote:
/usr/local//lilypond/usr/bin/lilypond: error while loading shared
libraries: /usr/local/lilypond/usr/bin/../lib/libfreetype.so.6: cannot
restore segment prot after reloc: Permission denied
What's wrong?
Never seen this before. W
cases, you get some sort of
average. I haven't been able to work out what that solution should be
though.
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it listens to, and
tuplet-bracket isn't among them.
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Graham Percival schreef:
The most important thing is the printed output, though, so I've never
really looked into this issue.
there are some PS commands to introduce hinting for line-art, but I've
never bothered to investigate if it might help with this.
--
Han-Wen Nienhuy
default, but turns out
to do it if you call setstrokeadjust in the PS file, which I did for CVS.
GS claims to have strokeadjust on by default when running GS from the
command line; I (mistakenly) thought that GS' PDFs would have it
switched on as well.
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missing? I am half thinking of rolling up my sleeves
Check out the archives. There has been some discussion on this before.
As for issues, I'm sending you notes regarding full MusicXML import by
private mail.
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LilyPond Sof
e.
Erik, can you add a regression test file after you've fixed this, so we
don't make this error twice?
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___
Mats Bengtsson schreef:
This clearly looks like a bug, so I forward it to bug-lilypond.
/Mats
fixed in cvs.
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Pedro Kröger schreef:
Eduardo Vieira <[EMAIL PROTECTED]> writes:
I was just curious, nothing else, to know how many users are
subscribed to this list.
63
nice try. The correct answer is 193 however.
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Li
Han-Wen Nienhuys schreef:
Pedro Kröger schreef:
Eduardo Vieira <[EMAIL PROTECTED]> writes:
I was just curious, nothing else, to know how many users are
subscribed to this list.
63
nice try. The correct answer is 193 however.
sorry, DRL is right. 193 is the number of users
(and
rename to KeyChange ?). KeyChange remains an odd event; it should really
be a property set for keySignature.
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Shamus schreef:
Meeting Han-Wen last time I asked him how the name `Nieuwenhuizen'
actually does sound. To make it short: I'll stay with `Jan' and
`Han-Wen'.
I'll take a stab at it, though I'm no expert at this kind of thing (the
words nine, when, an
change that). The problem is that
I'm not sure that this is an improvement; if you do this, how will you deal with
c4\glissando
?
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nt, I thought, an emulation of ottava-line might work. Hence
my question.
check out the ottavation property, which will produce the line without
altering notes. Still, I think you should produce the real pitches, and
not the ones which are written. It makes post-editing the .ly files easier.
--
s wrong; see attached.
(In other words, you can have "4:3" together with "3:2" OR you can
have "3" together with "3"; but you can not mix and match.)
Is there a way around this?
It might be possible with
\tweak ...stuff.. \times
unfortunately the
Fonts
and
/Library/Fonts
this will speed up future calls as well.
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in Stem.
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rd. I think it's "Alt-P" for previous, 'Alt-n'
for next, 'Alt-u' for up. Maybe it should be mentioned somewhere in the
texinfo output.
Karl?
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Trevor Bača schreef:
[proportional spacing for grace notes]
OK; let's ask Han-Wen for a sponsorship price for proportional grace
notes. I think we have to wait a week or so before he returns, and
maybe then he can take a look at the code and make a quote.
Hello,
I can add this for E
tures that I *do* want to take up space ... which is at odds with
strict-note-spacing).
> So is there a way to get grace notes to take up no space (without
> setting strict-note-spacing to true)?
No, but I can add it. 45 EUR.
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Trevor Bača schreef:
Hi,
What's the right way to end a piece with a trill on the last note?
what happens if you dn'ot terminate it?
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. But for other users it
is necessary to build the font cache in /System/Library/Fonts on the
machine they are using. I don't understand this difference.
Frankly, I don't know what's happening there. I have never used Macs in
networked setting.
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between each later. I would never have guessed this as a possibility.
It should also work without the spaces.
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__
Johannes Schöpfer schreef:
hello all,
can someone please tell me who the package master is at this time?
pedro kroeger doesn't answer.
regards,
johnny
We don't have one at the moment. What's the problem?
--
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ont metric
font, return the corresponding file name) what is the syntax for font?
what problem are you trying to solve?
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et inside the Stem_engraver. This setting overwrites
the \override
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Steve D wrote:
Hello all--
I would like to sponsor a feature, if it does not already exist in
LilyPond and if Han-Wen thinks it would be practical to implement:
the ability to quickly and easily add or subtract a little horizontal
space between musical elements in a staff, something like
Steve D wrote:
Thank you for your reply Han-Wen. When Mats Bengtsson mentioned that my
previously attached GIF which illustrated some crowded dotted eigth-note
chords looked like it might be a bug, I decided to take those same notes
out of the context of my piano piece and piano staff, and
gs-font-load to force font embedding.
Graham, maybe this should be mentioned (esp. the tagline trick) in the
manual?
You can also run
-deps-font-include
which will cause the individual per-system EPS files to contain fonts.
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n to do it for you, in the form of
\tagsOn / \tagsOff for EUR 100, but you might want to experiment with
the bare bones first.
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LilyPond Software Design
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http://www.lilypond-design.com
__
it would take a couple of 100 euro.
Another option would be to forfeit beams on glissando stems, and/or
require them to have preset directions.
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sponsoring a feature in LilyPond
which one could use to prevent one or more notes within a chord from
being tied.
At any rate, if Han-Wen thinks this is worthy of some thought and
effort, I would be happy to sponsor such a user-specified "selective
exclusion of notes" or partially tied cho
Kieren MacMillan wrote:
Hi, Han-Wen:
There is the keepAliveInterfaces, which you could set for each lyrics
line separately.
You should be able to do it with
\context Lyrics = "SA" \set keepAliveInterfaces = #'()
\context Lyrics = "SA" \set keepAliveInterf
Werner LEMBERG wrote:
it's easiest to add a property so you can do
cost: 65 EUR.
Just wondering what the much simpler syntax
costs...
I can put it in for 35 eur extra, I hope.
(the tie engraver is quite tricky, and handling offers more
potential for bugs)
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___
Trevor Bača wrote:
On 8/22/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
Hello,
I once made an estimate for doing x-staff chords, for 400 EUR. I think
that would be the most difficult task. If the stems + noteheads work
correctly, adding arpeggios and ties should be relatively easy
ists in (at least part of) the
model (and nobody seems to complain)
people do complain occasionally, because it's harder to get an efficient
layout with the fixed distance.
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Graham Percival wrote:
Han-Wen Nienhuys wrote:
Use the -dno-gs-font-load to force font embedding.
-deps-font-include
which will cause the individual per-system EPS files to contain fonts.
I've added this under general lilypond arguments. Can this be used in
lilypond-book? I can&#x
Graham Percival wrote:
Sorry, I'm confused now. Does
\header{
tagline = ##f
}
reduce the BBox, or must we use
use
oddFooterMarkup=##f
oddHeaderMarkup=##f
bookTitleMarkup = ##f
scoreTitleMarkup = ##f
Setting oddFooterMarkup obviates the tagline setting.
--
Han-Wen Nie
Graham Percival wrote:
Han-Wen Nienhuys wrote:
Graham Percival wrote:
Han-Wen Nienhuys wrote:
Use the -dno-gs-font-load to force font embedding.
-deps-font-include
which will cause the individual per-system EPS files to contain fonts.
I've added this under general lilypond argu
Will Oram wrote:
This is the smallest reproduction I could manage. Note that this does
not include any of the parameter changes I listed in the original mail.
This is, for the most part, strictly basic engraving.
fixed.
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Steve D wrote:
On Tue, Aug 22, 2006 at 10:55:05AM +0200, Han-Wen Nienhuys wrote:
it's easiest to add a property so you can do
cost: 65 EUR.
Werner LEMBERG then asked:
Just wondering what the much simpler syntax
costs...
Han-Wen Nienhuys responded:
I can put it in for 35 eur extr
e din.
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-line-breaking but didn't manage.
the right approach is to add an option to accidental-engraver.cc to
ignore tied notes completely.
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ange. What platform are you on? The lily and NCSB aren't any
special.
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u can draw
inspiration from fall::print (output-lib.scm) for drawing curved segments.
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lil
t;spanning" construct, that just connects the stems of individual
instruments, right?
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lilypo
spect.
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ycall should be deprecated. Just run the lilypond binary directly.
(The manual at 13.2 "Notes for the MacOS app" mentions that scripts
exist in /Applications/LilyPond.app/Contents/Resources/bin, but is
silent as to the best way to invoke the app.)
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now due to time constraints.
I'll try 2.8 and see if that works.
segfaults are bugs. Please submit the offending .ly.
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"bold"
command that uses Pango's facilities to format text.
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lilypo
stopStaff/startStaff.
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stead ...
\transposition is intended to get automatic cue notes correct: those
have to take into account the key of the playing instrument and the cued
instrument.
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Mats Bengtsson wrote:
Han-Wen Nienhuys wrote:
Pango actually supports a simple markup scheme of itself. It would be
nice if there were a
\pangoMarkup #"bold"
command that uses Pango's facilities to format text.
I don't see the point of introducing yet another "p
nk the proper thing to do is allow a new property to override
associatedVoice, by eg. associatedVoices, a list of strings. The lyric
engraver/iterator combo could then try a second context if the first one
is inactive.
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n the input file.
At this point, I wonder why the functions in part-combine.scm were
unnested (by whom?), which makes this slightly more involved.
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I don't know the
proper way in lilypond scheme to do this. I'm also assuming that "or"
in Scheme will work the way it does in Common Lisp.
Someone correct this if it is wrong?
You need to get the value out of the parser (use ly:parser-lookup),
which is supplied as an argumen
8*2/3 c8*1/3
Doing note splitting with correct ties would be a royal pain in the behind.
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___
following it. I suppose it's just another multiplier
on the dotted quarter.
Yes. Use c8 * 4/3 in that case.
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commands, they caused
me some
confusing results).
You're looking for \with-dimensions
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y the constraint
cannot be satisfied, in fact I'd like to put the line break in the
middle of the duration of a note, that is, in fact, the common situation
if you start to have complex music.
I think you're looking for Forbid_line_break_engraver. Try removing it.
--
Han-Wen Ni
words using something similar to a tie between notes, to emphasize the
fact that both belong to the same note?
If you have a Unicode compliant editor, you can try using the undertie
character "‿" (U+203F).
Sounds like a good trick for the manual. Graham?
--
Han-Wen Nienhuys - [EM
this sequence (that I'll need when
it becomes longer!)
\set Score.proportionalNotationDuration = #(ly:make-moment 1 16)
\new Staff {% first staff
\time 3/4
c c c
c c c \break
put \bar "" here.
--
Han-Wen Nienhuys - [EMA
polyphonic music. Can you check what
happens if you do \set Score.whichBar = #"" where you want the break?
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down stem-encompass-penalty from its default 30.0 in
#'details of the Slur.
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lilypond-u
Han-Wen Nienhuys wrote:
determined by looking at the whichBar property (Score level), but that
gets set at Staff level if you do polyphonic music. Can you check what
(Polymetric music, of course)
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Kieren MacMillan wrote:
Hi, Han-Wen:
try tuning down stem-encompass-penalty from its default 30.0 in
#'details of the Slur.
Thanks for the suggestion. However, I tried
I forgot, in some cases, the first position considered is at the end of
the stem. It will need some C++ massagi
h, as it's in the generated documentation.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
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lilypond-us
?
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LilyPond Software Design
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http://www.lilypond-design.com
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If there isn't
a specific value in scm/script.scm, use (avoid-slur . around) ?
perhaps we should just remove the warning.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www
using it for all of my classroom needs.
I spend less time messing around with the mouse, and the results are far more
readable. Thank you to all the individuals who develop Lilypond!
great to hear that. Have fun!
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond
ments.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
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Mats Bengtsson schreef:
If you can isolate the problem, please send a bug report,
a segmentation fault is always a serious bug!
We're only interested in bugreports for the latest devel release though.
(2.9.22, currently).
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4a
Bertalan Fodor schreef:
Hello
I'm trying to use the eps backend (also by lilypond-book) and it doesn't
work. I get the following error
Please Help! I'm very frustrated.
you have to use -dinclude-eps-fonts, otherwise GS will try to load fonts
on its own, which usually fails
user running
OOoLilyPond will have problem deleting or overwriting these files.
You should use mkstemp or similar to make sure that the /tmp file names
are unique and unpredictable. Otherwise, you can take control of a local
user account by installing suitable symlinks in /tmp/
--
Han-Wen
, m, a.
\rightHandFinger #0 ... #11.
0 and greater than 5 appear as "x".
Is there a way to tweak the way it displays the fingerings?
check out the digit-names property of StringFinger
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Desig
Rick Hansen (aka RickH) schreef:
Yes, it seems to work great for all my initial tests so far. Han-Wen is very
fast. I have already made a word processor document that references several
EPS clips from the original score. Now I only have one score to maintain
and one document to maintain, and
nt paper variables influence
each other. For example, the default for line-width depends on the paper
size, so what should happen when you do
-dpaper-size="a4" -dline-width="16.\cm"
and what if
-dline-width="16.\cm" -dpaper-size="a4"
--
Han-Wen N
atever the default
paper currently is, but I dont know how to set it from those values.
this is possible in CVS by doing
\paper {
right-margin = #(* 5 cm)
left-margin = #(* 5 cm)
#(set-paper-size "a4")
}
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
Lily
Rick Hansen (aka RickH) schreef:
Thanks, so line-width will take whatever is left over after the margins are
set and the paper size established?
yes.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http
change it.
I'm too busy to fix this, but you could add a property.
See beam.cc, where it says
Real notehead_width =
Stem::duration_log (segs[j].stem_) == 1
? 1.98
: 1.32; // URG.
--
Han-Wen Ni
/var/cache/fontconfig is an empty
folder, should there be something in it?
Unfortunately, I deleted 2.8.5 before I discovered the error so I cannot
compare with the older version of the app.
Any advice? Or should I just ignore this error...
just ignore it.
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