cks is assumes that there is only one
evaluation going on at the same time.
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lypond documentation on my dual core notebook.
To use,
$ cat local.make
CPU_COUNT=2
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ption speeds up rendering many scores in the same run. A single
score will not be sped up.
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nction is
> (let* ((hide_note (eq? #t (ly:context-property context
> 'tempoHideNote))) which doesn't concern me -- I want this to always
> resolve to false. How do I give the function a Context?
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unfortunately still held hostages by the French publishers
> :-(
Is Ravel? He died in 1937, that would make his music PD as of 2008.
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lil
ake out that part of the manual.
The problem with copyright law is that it is so complicated that
realistically noone is able to follow the letter of the law, and
everyone is forced to figure for himself what the spirit of the law
is.
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unction take a boolean instead, and use
another function (calling the one using the bool) to plug in to the
engraver.
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gt;
> Certain fonts are not available in OTF format. The feta fonts, for example,
> are only in SVG and type1 format. If there's a way to use the SVG fonts in
> Windows, I'd appreciate any tips. I can't seem to find anything.
Look for emmentaler-XX.otf, it
g times
should differ little between windows, linux and mac.
The problem is that the problem is often hard to diagnose and
reproduce without having the afflicted machine at hand. In general,
my takeaway from it is that shipping software on top of Windows is a
religious experience. You can never be
;ve built lilypond or fontconfig. I don't see any
> other options, and my fontconfig has the default cache directory set as
> /var/cache/fontconfig.
>
>
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should thereafter work correctly.
That sounds rather complicated ; you could just touch the file so it's
timestamp is more than an hour in the future.
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delete ~/.lilypond-fonts.cache-2 and run
> LilyPond again to rebuild the cache. The "Automatically adjust ..." box
> can then be checked again and all should thereafter work correctly.
>
> For releases earlier than 2.11.34 the font cache was saved in
> ~/.fontconfig. Other
LP's output is great, indeed.
>
>>
>> -- Johan
>
> --
> Dmytro O. Redchuk
>
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>
-
es, part-combination is mostly
> done on a measure-base rather than per note.
the partcombiner is severely limited and should probably be written
from scratch again.
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l
The only person that really did this was me, and I stopped doing it
about 1.5 years ago.
On Tue, Dec 9, 2008 at 3:01 PM, Jonathan Klein <[EMAIL PROTECTED]> wrote:
> Any suggestions about where to find a Lilypond developer for contract work?
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wrote:
> On Wed, Dec 10, 2008 at 02:35:59AM -0200, Han-Wen Nienhuys wrote:
>> The only person that really did this was me, and I stopped doing it
>> about 1.5 years ago.
>
> May I ask why you stopped ?
> I'm kind of burned out as a developer in GIS and Flash techologies
&
On Wed, Dec 10, 2008 at 4:25 PM, Valentin Villenave
<[EMAIL PROTECTED]> wrote:
> 2008/12/10 Han-Wen Nienhuys <[EMAIL PROTECTED]>:
>
>> In the end, I took a job at Google, which is equally challenging
>> (although perhaps less artistic).
>
> Just a side question
rlin (Deutschland)
Tel +49 30 42020091 | Mob +49 162 6843570
jmmmp...@googlemail.com | skype: jmmmpjmmmp
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> http://lists.gnu.org/mailman/listinfo/lilypond-user
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)44 926 65 26
> Skype: thomas_fehr
>
> www.floetenbau.ch
>
>
>
>
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e scm directory for examples.
ly:get-glyph should probably be removed as it presupposes some kind of
unspecified encoding.
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c1 | d1 | e1 | f1 |
>\applyContext
> #(lambda (x)
>(set! lastBarNumber (ly:context-property x 'currentBarNumber)))
> }
>
> However, I wasn't able to make lilypond use the computed value. I
> tried both `\set' and `\applyContext' (us
er lastBarNumber))
what happens if you make this happen at score level?
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how to get to the causing event. You probably can bypass the
entire solfa note head mechanism.
good luck
Han-Wen
2007/5/9, Kevin Dalley <[EMAIL PROTECTED]>:
I have to admit that I'm stuck here.
I see some documentation for gros here:
http://lilypond.org/doc/v2.11/Documentation/us
bsd-ports&m=117940219518892&w=2
>
> Please send any comments and test reports back to me (PM, i.e.
> offlist). Note that this port is a little zombie wrt guile (still
> at 1.6) -- i didn't notice any problem with this, though.
It will be soon. Lily 2.11 requires GUIL
e (can this be improved?).
checkout -dhelp, You probably want to use
-dgs-load-fonts
and preferably pdflatex.
If you're technically inclined, you can run
make web >& logfile
and see how we build the documentation. We try to minizime font loads too
as it slows down the build.
-
ht, is particularly directed at
people who might be willing to take a look at the source code and tell
me what I could do better.
And a typographic nit: the margins seem rather on the small side.
Have you done the page layout yourself? I recommend copying margins
from reknowned publications.
--
H
.
In the example below, the second system should break after six bars, just
like the first system - shouldn't it?
Any ideas how to solve this?
Best regards / Jonas
\version "2.8.1"
there is a faint possibility that this may have changed in the past
years; we're at 2.11.2
string, for
example
"note-info:x=640&y=232&pitch=64&duration=128"
That's not a bad idea at all. I'll gladly help anyone who wants to
write this feature.
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re robust, but for an individual snippet
to be converted to PDF, it must contain fonts, hence the
-dinclude-eps-fonts option.
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http://
eciate
some feedback on the spacing changes.
Awesome that you've been able to get your fingers dirty in the spacing
engine. You've breached into one of the last domains of the "Han-Wen
only" code. Probably only the grace-timing code in the iterators is
left as the last o
error; I'm also missing which "symbol" isn't
found. Can you run the actual binary from a terminal, and send me the
output?
The binary is in lilypond.app/contents/resource/bin/lilypond
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font already installed as OTF font.
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ape can crop the image automatically.
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f you are
> certain that this is common enough to deserve a place in the
> documentation, please see
> http://lilypond.org/web/devel/participating/documentation-adding
> or add an example to the LSR.
I'm not sure whether that's the whole story; you probably need to remove
t
you doublecheck that it does this with other files too?
Also, which version was the first to exhibit this problem? Does it
happen with 2.11.x too?
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those of you following git can do so straight away.
I'll try to build a new release this week.
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t work with \override
Clef #'space-alist #'ambitus #'(extra-space . 20.0)
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ures before - so the pageBreak
command is located not at the exact point of the bar line but 3/80 of a
measure /after/ the bar line.
pageBreak should include a bar check by default. Anyone for a patch?
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es not work with bar-lines, though.
Oh, but you could simply add
\override Score.BarLine #'thickness = #100
problem solved :-)
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ople that need such uncommon constructs can deal with
the extra warning. They are fewer than people making mistakes.
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. -1))
\override TextSpanner #'thickness = #2
}
}
%%% EX 1 %%%
See attached.
Bug?
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t-coding" of this value?
in Git.
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ce unit in the
stencil is exactly one global staff space.
If you want a foolproof solution, define a markup-command, that
constructs the brackets, and adjusts lengths with the magstep of
font-size.
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_
sn't able to adjust
> the extra-offset parameter in a scaled way. Can you help?
extra-offset is scaled by the staff-space of the StaffSymbol, so you
should be able to use \tweak with extra-offset for \vbracket.
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c music with changes
(eg. French horn, cello), I've seen both, and personally think that
extra space looks better, provided that there is enough room on the
line.
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lily
Joe Neeman escreveu:
> On Saturday 18 August 2007 11:48, Han-Wen Nienhuys wrote:
>> 2007/8/16, Joe Neeman <[EMAIL PROTECTED]>:
>>> I'm trying to tweak the spacing code, and I've come across a case where
>>> I'm not sure what to do. In the attach
. no glaring bugs in the new features.
I seem to recall that we have a nasty bug in reverting nested
properties, but except for that I can't recall anything notable.
Comments, ideas?
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ver"
}
}
timeSignatures = { \time 2/4 s2 \time 3/4 s2. \time 4/4 s1 }
\score {
<< \new TimeSig \timeSignatures
\new Staff \relative { c'2 c2. c1 }
\new Staff { a2 a2. a1}
>>
}
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Ole Schmidt escreveu:
> Dear all,
>
> is there a way to place a rest (higher) in \drummode? (like with \rest
> command in normal staffs)
\override the staff-position of the Rest, or perhaps using tweak.
Untested code follows:
< \tweak #'staff-position #5 r >
ter the clef on the start of the
system.
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r you want, bar checks when you want, and many cool features.
>From the top of my head, this is because ! and ? only make sense
for notes, where pitches make sense in a broader context. If you
look at parser.yy, you see
simple_element:
pitch exclamations questions octave_check optional_notem
elpful.
Thanks,
Johnny
Connect to the next generation of MSN Messenger Get it now!
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elatively cheaply. that's
> probably more efficient than shipping.
>
> --
> .pltk.
>
>
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; Yours sincerely
>
> David Gippner
>
>
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adds the size of any tremolo and the heights of the beams to that as
well. It's not completely clear to me that these two are independent.
Unfortunately this code is old and very hairy.
Jan, can you comment?
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t; mention it...
It's a germanism from Kirchenpause ; better ideas warmly appreciated.
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xcept for the png files. It gives me
> eps
> files, and I assume that it's supposed to convert them to png, but it seems to
> skip that step without telling me anything about it. The lines below are what
> happens. Any ideas?
you have to make sure that --format=png gets passed to
> general warnings:
> - explanations about what the notation means should go in the glossary.
> I might keep the first sentence in your explanation, but move other
> parts to the glossary.
>
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2007/11/11, Paul Scott <[EMAIL PROTECTED]>:
> Thanks very much. Sorry I missed the bug report.
>
> Will there be a 2.11.35?
Yes. There is finally light at the end of the GUB tunnel, so
hopefully this or next week.
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tical space
(mozart: 5 iso. 4 pages, typography-demo 2 iso. 1, wtk1-fugue2: 3 iso
2.)
Was this expected? It seems the balance has gone too much to avoiding
dense horizontal spacing.
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2007/11/21, Paul Scott <[EMAIL PROTECTED]>:
> > I've just release 2.11.35.
> >
> I'll be happy to test it when it's available.
it's already on lilypond.org, however, something must have broken with
our mirroring process to linuxaudio.org
--
Ha
2007/11/21, Stan Sanderson <[EMAIL PROTECTED]>:
>
> I get the same error reported by Paco on Macintosh PPC-Darwin,
> OS 10.4.11.
I just verified that 2.11.35-2 (I released a -2 yesterday) woks on
darwin-x86. Can you check if it does for ppc too?
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2007/11/23, Francisco Vila <[EMAIL PROTECTED]>:
> 2007/11/22, Han-Wen Nienhuys <[EMAIL PROTECTED]>:
> > I just verified that 2.11.35-2 (I released a -2 yesterday)...
>
> Thank you, now it works and it seems to be much faster. Or, is it only
> a sensation of mine?
2007/11/29, Trevor Bača <[EMAIL PROTECTED]>:
> Excellent. I think what clued me in was the error message about going
> *backwards* in time ...
>
> And, yes: I think Han-Wen and the gurus really *really* got it right on the
> time-keeping: AFAICS, it's all rationals all
on than 32-bit values, there could be a problem.
>
> Is a possible solution to use 64-bit representation internally?
It's an option, but it's a stopgap measure. The real solution is to
have a arbitrary precision arithmetic. GUILE already provides that,
but it would have a slight but not
s.
Unfortunately, I don't have a vista machine handy to test this.
Can you check if older versions (2.7, 2.8, 2.9, 2.10, etc.) exhibit
the same behavior? If no, can you use bisection to figure out which
version introduced the slowness?
--
Han-Wen N
firm for me that the current version doesn't do the
double font caching in XP with these versions?
> ps. what funky business is the uninstaller up to, given that it seems to be
> a magnitude slower to uninstall the files than install them ?
I don't know. Maybe it's a wind
2007/12/1, Mats Bengtsson <[EMAIL PROTECTED]>:
> Quoting Han-Wen Nienhuys <[EMAIL PROTECTED]>:
>
> > 2007/11/30, Simon Dahlbacka <[EMAIL PROTECTED]>:
> >
> >> didn't find anything 2.7 at
> >> (http://download.linuxaudio.org/lilypond/bin
file C:/WINDOWS/fonts/CenturySchL-Roma.ttf
Do you know where this font came from? It might help to remove it.
Lily also uses CenturySchoolbook, but this TTF obviously has some
problems.
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ent/fonts/otf/CenturySchL-Roma.otf
>
> (not surprisingly, no error with the Linux version... :)
>
> Valentin
when did this start? was .34 ok?
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SDK for Mac OSX Leopard.
> (http://article.gmane.org/gmane.comp.gnu.lilypond.devel/12674
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ight be something that interests you, and
I would be glad to guide you. Unfortunately, I don't have any time to
take this on myself.
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g enough
> Try
> \override Beam #'damping = #+inf.0
I think the proper solution is to insert a ideal-dy property, which is read
in Beam::calc_least_squares_position(). If we had that mechanism, you
could set the property to 0 to get horizontal beams.
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it;a=shortlog;h=macos-lilypad
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require
> building on multiple platforms? I have a GNU/Linux x86 box capable of
> doing the builds and a Mac G3 and possible access to an XP box.
That would you also make you a candidate for testing all the different
binary builds. :-)
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rally we don't do enhancements on the stable branch.
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eside (PDF viewer is external, what if user doesn't have any,
> application is cross-platform etc.).
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d PDF) on
> RHEL5. The attached files bad.* show the crippled pdf and ps files of
> test.ly where it looks like good.png with fc7.
Can you post the output of a --verbose run on the RHEL5 box?
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different caching mechanisms across versions,
and /usr/bin/fc-cache and lilypond's Fontconfig may not look at the
same directories.
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ts.
Can you run an strace of the binary? You'll probably have to modify
the wrapper script (bin/lilypond) to be like
strace path/to/lilypond
The output will be huge. I'm just looking for the places where
libfontconfig.so.X.Y and libpango.so.X.Y is opened, so grep for
libfontc
I'm stumped; I have no idea what is going on.
Sorry.
2008/2/8, Ozgur Yuksel <[EMAIL PROTECTED]>:
> On Feb 7, 2008 5:00 PM, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> > 2008/2/7, Ozgur Yuksel <[EMAIL PROTECTED]>:
> > > > > I am working with "
hard requirement, but I could definitely see the use in some special staves
> I've had in recent pieces to show things like bowing patterns and special
> types of breath in the flute ...
I'm pretty sure that the scheme bindings are powerful enough to write
a stencil callback
ships
with 2.3 in /usr/bin . On other platforms, we ship 2.4 inside the
lilypond package.
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ring)
> #{
> \score {
IIRC #{ can only contains music expressions.
> << #(eval (string->symbol (string-append piece instr #"Staff"))) >>
Inside scheme the # before a string is not necessary.
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s to lilypond internals.
Sorry, I messed up the explanation. You can set the \layout block
with this function, which may be useful if you want to set custom
margins programmatically for some reason. Not sure if you need it.
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not in raggedright mode, lily will
pack as much bars of music as possible into a line, but the
line will then be stretched to fill the whole linewidth.
"
}
\version "2.11.40"
\layout {
ragged-right = ##t
}
\relative {
\override Score.SpacingSpanner #'
izontal (analysis) brackets?
>
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eate logfiles), we don't want to flash
cmd.exe windows.
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he window and then by choosing File -> Generate Fonts... ->
> PS Type 1 (Ascii) save it again to .../type1/feta20.pfa. When I process
> a file containing for example
I recommend against this, but if you insist, you should be editing the
emmentaler-20.otf file.
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M_ASSERT_TYPE (ly_is_module (module), module, SCM_ARG2,
> __FUNCTION__,
> + "module");
> +
> + Score *sc = unsmob_score (score);
> + return sc->get_header ();
> }
>
>
> Shoudn't ly:score-set-header! actually set the header, rather than
> r
core (make-module ... ))
in .41
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t exactly the same as
> \score {
Correct. If you want to know what lily is up to, best is to look at
lily/parser.yy, where you can see the scorify-music call in the
score_body rule.
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ntation guys?) link to this from the
website? as a news entry on the front-page and from the essay?
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ic_function_calls_another.ly:4:76: Wrong type to apply: # #>
You have to use ly:music-function-extract to get the scheme function
from the object.
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t;
>
>
> ___
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2008/2/24, Rune Zedeler <[EMAIL PROTECTED]>:
> Han-Wen Nienhuys skrev:
> > This is pretty obvious for single-voice notes; for chords it gets
> > hairier: which part of the chord notes do we use to decide this?
>
> I think we should look at both top notes and bottom no
2008/2/22, Oscar van Eijk <[EMAIL PROTECTED]>:
>
> Any suggestions? Is this a bug?
Yes;
without delving deeper into this, I'd say it might be related to the
recent changes wrt. page layout.
Joe?
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?
It's necessary for some constructions, with music functions IIRC,
\tag #'foo -\staccato
and I'm certain its necessary for the abbreviations,
\tag #'foo -.
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