- Original Message -
From: "madhg" <[EMAIL PROTECTED]>
To:
Sent: Friday, June 06, 2008 10:53 AM
Subject: slur breaks compound ornament \prall\turn
I'm having problems with a slur ending on a note with the early classical
ornament \prall\turn.
Sometimes the slur ends between the \p
I noticed a typo in the LSR doc pages ; 6.4.5 Bar lines :
http://lsr.dsi.unimi.it/LSR/html/doc/Documentation/user/lilypond/Bar-lines.html#Bar-lines
One can read in the middle of the page :
In scores with many staves, a \bar command in one staff is automatically
applied to all staves. The resul
- Original Message -
From: "C A Lewis" <[EMAIL PROTECTED]>
To:
Sent: Tuesday, June 10, 2008 9:26 PM
Subject: Documentation
I have downloaded the tarball file. What program is needed to open it?
TIA
on unix, type : tar -xvf filename
on win, use for example winrar (maybe 7zip will
Hello,
I went into a trouble trying to globally modify a context property. One of the
purposes was to turn off the auto-beaming feature. According to NR 5.1.4, I
keyed in :
\version "2.11.47"
\layout { %% global layout, before any \score
\context {
\Staff
\remove T
- Original Message -
From: "Kieren MacMillan" <[EMAIL PROTECTED]>
To: "Germain G. Ivanoff-Trinadtzaty" <[EMAIL PROTECTED]>
Cc: "Lilypond users" ; "Graham Percival"
<[EMAIL PROTECTED]>
Sent: Thursday, June 12,
Hello,
I've got two problems defining a new context \StaffSA, based on \Staff.
I followed instruction from NR 6.2.5 Defining new contexts.
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Defining-new-contexts#Defining-new-contexts
With the definitions that follow :
1) I get two staves f
- Original Message -
From: "Mats Bengtsson" <[EMAIL PROTECTED]>
To: "Germain G. Ivanoff-Trinadtzaty" <[EMAIL PROTECTED]>
Cc: "Lilypond users"
Sent: Friday, June 13, 2008 11:38 AM
Subject: Re: Fw: définition d'un nouveau contexte
Germ
Dear all,
(PNG illustration attached)
Given two music variables, "sopone" and "soptwo", would you show me how to get
an output like "desired 1" or "desired 2" ?
I want to combine the to music expressions, having same noteheads merged, and
use the resulted combination as a \voiceOne (all stems up,
nt to specify an alto part as \voiceTwo.
Germain
- Original Message -
From: "Germain G. Ivanoff-Trinadtzaty" <[EMAIL PROTECTED]>
To: "Lilypond users"
Sent: Tuesday, July 22, 2008 4:34 PM
Subject: combine music, merge noteheads
Dear all,
(PNG illustration atta
Hello,
Does anyone here engrave russian orthodox church (vocal) music ?
If so, I would enjoy to swap with you music sheets, and Lilypond tips !!!
Thanks,
Germain G.I.T.
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Hello all you Lilypond users,
o Is it possible to engrave (vocal) music with NON-UNICODE fonts for lyrics
?
I try to engrave russian orthodox church music with the help of Lilypond.
Most of my fonts are either non unicode, either not correctly handled by
Lilypond. For example :
- UCS8 Irmolo
This works fine !
Thank you very much for your (instant) reply.
I should have figured out myself.
Germain G.I.T.
--
Mats Bengtsson wrote:
Germain G. Ivanoff-Trinadtzaty wrote:
Hello,
Could anyone help me with this ?
o Context :
- Lilypond v. 2.11.22 on windows XP home
- Vocal trio
Monk Panteleimon" <[EMAIL PROTECTED]>
> On Mon, Jun 04, 2007 at 06:40:52PM +0200, Germain G. Ivanoff-Trinadtzaty
> wrote:
>> Hello all you Lilypond users,
>>
>
> Здраздвуйте.
>
>> Is it possible to engrave (vocal) music with NON-UNICODE fonts for
Hi,
I'm setting polyphonic vocal music.
Same noteheads from different voices are engraved on the same place. This is ok.
Same rests are not. Bad for me.
%%
\version "2.11.22"
TenorOneNotes = \relative c' { c4 d e a, | d2 r }
TenorTwoNotes = \relative c' { a4 b c a | gis2 r }
\
variable to set...
Nevertheless, I'm grateful towards you for sharing these.
Germain G.I.T.
Arvid Grøtting wrote:
"Germain G. Ivanoff-Trinadtzaty" <[EMAIL PROTECTED]> writes:
Would you know ano
Dear all,
I'm having trouble with tweaking the layout of non-musical notation.
Dozens of try/retry sequences didn't get LilyPond to do the job.
First, I point you at this unexpected feature :
%%% begin %%%
%%% The following code outputs and at
%%% different horizontal sh
Dear all,
I'm setting vocal scores with, say, russian lyrics.
I'd like to remind (outside of the score) the text,
and to propose a translation
These paragraphs should be justified,
and could possibly appear on two columns.
So I use \justify to compute the gaps between words.
The gaps are sometime
\version "2.11.26"
Dear all,
In the \paper block, we can use :
ragged-bottomto stretch down all pages
ragged-last-bottom to stretch down last page
ragged-rightto stretch right all systems
Is there a way to stretch all systems right BUT the very last one ?
I didn't find any t
Arjen,
for some ornaments this sounds great. Even if this a bit offtopic, I dont
have a program to convert a bitmap graphic (TIFF, JPG,...) to EPS. Does
anbody knows any program that runs with Windows XP?
/Helge
OpenOffice.org Draw will do the job ; in a new drawing :
Insert/image...
File/E
hi,
I had the same problem recently and also tried to tweak in the header
directly.
But what you actually have to do is, to create your own header.
In the manual it's explained in chapter '10.2.2. Custom Titles'.
You'll have to define the bookTitleMarkup variable in the \paper block to
make th
Hi Tao,
Thank you for your interest. Actually, I want this:
fixed| center
<--->v
| |
| Index Title |
| Sub-title |
|
Thank you Rune,
Your trick is just ...fine !
It looks very promising. I'm not sure I understand its _exact_
behaviour, or LilyPond's behaviour towards text layout tweaks,
but I post hereby the results of my investigations, starting
with your snippet.
Please have a look at the following source : I
Instant reply ! Well done !
I'll find a way to convert spaces to mm.
So \hspace disappeared. But \struts appeared !
Having a look at lily's help ; well it deals with _height_ of a box.
Here is probably the last improvement to be done.
Indeed, 'myTitle' and 'mySubtitle' are still misaligned...
Am
Again, thank you for responsiveness, and sharing knowledge.
Part of typesetting music is typesetting the text that describes it.
Indeed. And I have (surprised ?) a couple of questions on this topic.
Starting with my past post/request : "[layout tweaks] 2. \justify,
hyphenation, shift"
but no
SIMPLER IS BETTER !!! :))
Challenge overcome.
I don't remember why I started to play with \fill-line.
By the way, I learned much more Lily syntax.
ciao,
Germain
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Hi,
I want to define new commands (without arguments):
\sansbis : would be an exact alias to the call \sans
\myfont : would be a modified version of \sans
I can't figure out the way to define these, though I've read a couple of
sheme snippets.
Any idea ?
Thanks,
Germain
...all you Lilyponders ?
Fete de la musique !
June 21st
G.
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Just put multiple :
\score
{
c c c c% ...music...
\header
{
opus = "left title"
piece = "right title"
}
}
blocks in a single file.
There's a lot of info on lilypond.org
Germain
- Original Message -
From: "Joey Coyle" <[EMAIL PROTECTED]>
To:
Sent:
Hi,
The bug list states of 2.11.28 and 2.10.28 versions (issue 383 reported 2007
June 23th).
Since I'm quite a new LP-user, I'm not aware of availability delays; by now
I can't find updates of our favorite music sheet engraver on lilypond.org to
download.
Is it ok ?
Germain
__
Hi,
I want to define new commands (without arguments):
\sansbis : would be an exact alias to the call \sans
\myfont : would be a modified version of \sans
I can't figure out the way to define these, though I've read a couple of
scheme snippets.
Any idea ?
Thanks,
Germain
I still can't mak
> Arvid wrote :
...
> Slightly off-topic, the spacing can get somewhat strange when
> typesetting multi-staff vocal music on minimal space, like in these
> cases. Nothing I can easily reproduce in a minimal bug report, just
> a bit too wide at times. Has anyone else seen this? (That's with
> 2.1
John Mandereau a écrit:
If the comand jEdit uses to call lilypond is parsed by a shell,
LANG= lilypond ...
or
LANG=de lilypond ...
should work. If it doesn't, set the environment variable LANG
permanently in 'My Computer' (the icon showing a computer on desktop)
properties.
If German messa
Thank you very much, Werner.
I have post this evening a mail to the author of LilyPondTool (the plug-in
for jEdit).
I hope that he can update it.
Germain
chcp 65001 && lilypond
I asked my son to open the command line window, entering
chcp 65001
and then calling lilypond manually. He c
Bertalan Fodor a écrit :
An idea: Create a .cmd file into the lilypond bin directory calling this
command, and set that file as lilypond command.
e.g. run-lilypond.cmd would be something like this:
chcp 65001 && lilypond %1 %2 %3 %4 %5 %6 %7 %8 %9
Thank you Bertalan,
Good idea. It works (I m
hi,
Typesetting vocal scores.
In music definitions for each voice, I put dynamic marks ( \mp ) and
articulations ( \fermata ).
I want to get different layouts.
At the rendering time, I'm able to get dynamics not be printed on all voices,
by removing Dynamic_engraver in selected Voice contexts.
W
Bertalan Fodor a écrit :
It is a problem with jEdit's Console plugin - there is no automatic
encoding recognition: but go to Plugin Options > Console and set Character
encoding to UTF-8.
Yes.
Setting encoding to UTF-8 in the console options, works fine, as we can see
in the SYSTEM console.
If
if you read the according chapter in the manual you'll see a link at the
bottom which leads to the corresponding part in the program reference, in
this case 'Script'.
so, you'll need to remove Script_engraver.
Thank you, Tao.
Do you know a way to exclude some types of articulation, or some giv
Hi,
When setting a whole mesure rest, say in time 3/4, you'll enter { R } rather
than { r2. }
And you'll get a beautifull, centered rest.
Is there a way to obtain a beautifully centered { c2. } in the next bar ?
(if of course, other voices contain either a rest, either a same length note)
Thank
typo:
> When setting a whole mesure rest, say in time 3/4, you'll enter { R }
of course, you 've read { R2. }
G.___
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Hi,
In the following code:
before = 14
after = 10
\markup { \with-dimensions #'(0 . 0) #'(-10 . 14) AZERTY }
I would like to use the variables in the markup, instead of hardcoded numbers.
I tried multiple combinations of # ' , ` ... prefixes, but I can't get it to
work.
What is the correct synta
Hi,
does anyone understand this section: "12.4.3 New markup command definition" ?
I can't complete myself the smallcap definition in the begining.
So what is the complete definition of smallcap ?
Thanks,
Germain
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Rune Zedeler a écrit:
before = 14
after = 10
\markup { \with-dimensions #'(0 . 0) #'(-10 . 14) AZERTY }
The easiest is probably to use explicit cons instead of the shorthand
'-notation:
\markup { \with-dimensions #(cons 0 0) #(cons (- after) before) AZERTY }
alternatively the correct mumbo-
>> does anyone understand this section: "12.4.3 New markup command definition"
>> ?
>
> If I understand correctly, this section explains the possibility to
> define your own markup commands using Scheme.
>
>> I can't complete myself the smallcap definition in the begining.
>> So what is the compl
Hi,
> Hi, I have bundled LilyPondTool along with Java 1.6 and jEdit 4.3pre9 and
> SumatraPDF as external PDF viewer, preconfigured for a Windows
> environment.
Thank you. My Java's ok, so I probably won't try this bundle UNLESS...
...the embedded LilyPondTool is updated in relation to the standal
Germain G. Ivanoff-Trinadtzaty wrote:
I can no longer find (with the 2.11 docs) how to put special
(reserved) characters into text markup. Can someone please remind me?
TIA,
Paul Scott
Maybe :
\markup \char #'2014-Germain
That's a good answer which I can use.
I was actuall
Dear all,
1) In the following snippet, I'd like the accents to be placed above the
staff :
{
d'1-> d'2-> a'-> a'1->
}
2) Here I want all the accents be aligned (horizontally), outside (above)
the staff :
<<
{d'1-> d'2-> a'-> a'1->}
\\
{d'1 d'2 a' a'1}
I played with :
\override DynamicLin
Dear all,
1) In the following snippet, I'd like the accents to be placed
above the staff :
{
d'1-> d'2-> a'-> a'1->
}
have you tried
{
d'1^> d'2^> a'^> a'1^>
}
?
Not suitable for my general purpose.
G.
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lilypond-
Thanks to Neil Thornock, I've worked it out :
1) In the following snippet, I'd like the accents to be placed above the
staff :
{
d'1-> d'2-> a'-> a'1->
}
{
\override Script #'direction = #UP
d'1-> d'2-> a'-> a'1->
}
2) Here I want all the accents be aligned (horizontally), outside (above)
t
Mats Bengtsson wrote :
I would rather recommend the following setting:
\override Script #'quantize-position = ##f
(or perhaps \override Score.Script #'quantize-position = ##f
to make sure that it applies also to the temporary Voice contexts
created when you use the <<{...} \\ {...} >> construct.)
Dear all,
I'd like to print, say a markup, or whatever else that I can control the size
or padding of, at the end of every system on my pages. I suspect one should set
some line-break-invisible property, or catch the linebreak events... Any idea ?
G.
__
Dear all,
Vocal music, with lyrics following 1st voice.
How to draw a [dashed, dotted, normal] line from the 3rd or 4th voice "do"
to the syllabe "tse" ?
Ideally, one could adjust a #'position = #'(n . m) property for this line
(along with #'line-style).
Similarly, how to draw a left vertica
ggioBracket for the
last case.
Germain
- Original Message -
From: "Carl Sorensen"
Sent: Monday, June 14, 2010 3:17 PM
On 6/14/10 5:15 AM, "Germain G. Ivanoff-Trinadtzaty"
wrote:
Dear all,
Vocal music, with lyrics following 1st voice.
How to draw a [dashed, dotted, nor
Dear all,
please help me with these markups.
Thanks,
Germain
\version 2.12.3
1) Creating a new markup with two (number-pair?) parameters.
- calling :
{ a4-\myline #'(x . y) #'(dx . dy) }
- should produce the same result as :
{ a4-\markup {\postscript #"[0.2 0.4] 0 setdash x y m
I'm usually writing files in "cadenzaOn" mode, multiple voices, lyrics. Using
manual breaks is very constraining, time consuming, and anti-productive.
Besides this, placing automatic invisible bars in all *relevant* places (for
automatic line breaks, in different layouts) is typically a kind of
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