, but I do not know the
property name for the size of a notehead in a chord. Tried: fontSize,
font-size; size.
Thanks!
Daniel Tonda Castillo
begin:vcard
fn:Daniel Tonda Castillo
n:Tonda Castillo;Daniel
email;internet:[EMAIL PROTECTED]
version:2.1
end:vcard
Never mind, I found the answer, thanks!
--
Tomamos extrañas medicinas para mejorar nuestra salud, por lo que
debemos tener extraños pensamientos para fortalecer la sabiduria. --
Brian Aldiss.
begin:vcard
fn:Daniel Tonda Castillo
n:Tonda Castillo;Daniel
email;internet:[EMAIL PROTECTED]
version:2
ing
pattern is indicated with different pointing arrows, it is not intended
to be arpeggiated.
Suggestions?
Regards,
Diosnel
- Original Message - From: "Daniel Tonda Castillo"
<[EMAIL PROTECTED]>
To:
Sent: Thursday, July 26, 2007 21:23
Subject: Tweaking arpeggios
Greetings:
Sorry for the cross-posting but I think I've found a bug.
When I put a section like this in a lilypond file and compile it the
spacing is fine.
\paper{
line-width = 170.000 \mm
textheight = 250.000 \mm
between-system-space = 1.5\cm
between-system-padding = #1
ragged-bottom=##f
Hello:
Is there a way to set the squiggly line of the arpeggio to a straight
line with the arrow included?
This is because in guitar music, sometimes the direction of the strum is
indicated with an arrow pointing upwards in case the strum s from the
low strings to the high strings, and vicev
My mails do not seem to be getting through, they do not appear in the list.
¿Am I blacklisted or something?
Daniel Tonda Castillo
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eeds to be done?
Please, any help will be appreciated.
Thanks
Daniel Tonda Castillo
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Graham Percival wrote:
>
> On 30-Aug-05, at 4:40 PM, Daniel Tonda Castillo wrote:
>
>> I'm having trouble with the alignment and line breaking (\break) with
>> lilypond-book.
>
>
> Have you read
> http://lists.gnu.org/archive/html/lilypond-user/2005-08/ms
Hello:
A question:
Is there some functionality in Lilypond that enables a score with fonts
like the Sibelius inkpen font?
Whenever I play live, many times it's in a venue that has dim lights and
reading the regular notehead is
difficult, but the inkpen font is thicker and has better visibility f
Hello:
I seem to be getting strange midi output from lilypond.
After including another \score section, for the purpose of getting midi
output:
...
\score {
\Notes
\midi {
\tempo 4 = 108
}
}
After all the output from lilypond, when I play the generated midi file,
all I get i
Nice of you to answer, I attach a png of the file, to show you how it
looks like.
Yeah the gif you send is exactly how it sounds.
I can't figure it out...
Daniel Tonda C.
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Hi:
Lilypond 2.7.9 in Fedora Core 4 now produces decent midi output
except that it doesn't assign the instrument patch name in
Staff.midiInstrument.
If I put something like this:
...
\set Staff.midiInstrument = "acoustic guitar (nylon)"
...
The output will have a piano patch assigned to it i
I downloaded and built ghostscript-afpl version 8.54. It built without
problems.
I ran the makefile script and the same error appeared, so I ran:
lilypond-book -b eps -o OUT --psfonts -V Compendio.lytex (the V for
more verboseness).
The errors that appeared were concerning gs cant find or c
I've tried the OOoLilypond and after a change in openoffice version or
a change in lilypond it somehow puts the version of the lilypond back to
2.6.
I changed it back, and checked the path for the macro and it worked.
Daniel T.
Gordon Gilbert wrote:
Samuel Hartmann wrote:
Hi Gordon,
Gordo
Hi:
When dealing with Tablatures, I usually separate the voices right from
the start, to avoid double work.
For each voice create a voice context. The equivalent in TabStaff is
TabVoice. This I think will work in 2.6.3.
I do it this way because as you say: << { } // { ... } >> doesn't
I've found that the addition of FretBoard greatly enhances chords and
wanted to congratulate everyone involved.
I also would like the possibility of muted strings in tablature, like
the X in notation that I haven't been able to accomplish so far...
Daniel T.
Mats Bengtsson wrote:
I hope you ha
Pierre Abbat wrote:
On Monday 25 December 2006 10:36, Geoff Horton wrote:
It would be better to call them "brackets" or "braces" consistently,
rather than switching.
The curly ones {} are braces. The square ones [] are brackets. Greater-than
and less-than signs, when used to enclose s
Greetings to all:
I get a warning when compiling a piece of music:
Ignoring grob for slur. avoid-slur not set? What does this mean?
I shortened the example and also found out that there are a bunch of
collisions that appear when using fingerings and string numbers.
Just for the purpose of ma
Greetings!
¡I've been following up on the absolute beginnner thread and am thrilled
about it!
Several items: the guide is set from MacOS, which opens the door for an
adaptation for other OS'es and then there's the language thing.
If we translate the guide to spanish (for example), then there
Greetings to all:
I get a warning when compiling a piece of music:
Ignoring grob for slur. avoid-slur not set? What does this mean?
I shortened the example and also found out that there are a bunch of
collisions that appear when using fingerings and string numbers.
Just for the purpose of ma
Manuel wrote:
Pierre, I just wrote to Anthony about this, now I remember that you
are a Linuxer.
There is now a Spanish translation of the beginner's guide's first
chapter. Daniel is doing that, but I can't help him with his Linux
needs. So I thought perhaps you might drop him some hints to g
Manuel wrote:
Am 28/12/2006 um 16:38 schrieb David Bobroff:
No se preocupe aún por los naturales/becuadros. Explicaremos esto
cuando
lleguemos a las armaduras.
I say drop "naturales". "Becuadros" is well known, at least to me
who learned the French word first, and can't be confused with
any
David Bobroff wrote:
Pierre Abbat wrote:
On Wednesday 27 December 2006 18:21, Daniel Tonda Castillo wrote:
Claves/Llaves
Professional musicians in Mexico usually refer to "Clave de Sol"
meaning G clef. In popular slang, people refer to the "Llave de Sol",
meaning
Greetings to all fellow spanish-speaking-LilyPond-users!
¡Decision time!
Clave or Llave?
Armadura or Armadura tonal or Armadura de clave?
For God's sake:
"Como" is accentuated only when it is in question form in México, in
Argentina it is also accentuated in comparative, let's decide how to
Please help me with the names of these symbols:
AFAIK the symbol "/" is called in spanish "Diagonal"
The backslash: "\" I've seen it referred to as: Diagonal invertida.
The symbol "|" I've seen it referred to as: Barra.
¿Are these terms universal or are they usually called by some other term?
I was thinking if I could add a section to the Wiki.
I use ubuntu and my main desktop environment is GNOME. I've added a
couple of nautilus scripts for the nautilus-actions that do two things
basically:
1) Right click on a Lilypond file gives the option to convert the file
to the latest lily
Hi to all:
I just wanted to thank you for giving me the opportunity of translating
lilypond to spanish. Doing this has helped me understand it much better
than I thought I did.
In the process of translating, one can find inconsistencies or places
where in the original version, things do no
Jay Hamilton wrote:
Hello-
I've searched the manual for 2.8x and come up with the line to remove the time
signature however no matter where I put it ( and I've tried all 3 places- in
layout, in score after \time, above score plus a couple of others that I didn't
see in the manual) and I just
Greetings!
I've put (with Manuel's) permission, the beginners tutorial for absolute
beginners (spanish) in the Wiki:
http://lilypondwiki.tuxfamily.org/index.php?title=Tutorial_para_principiantes
Manuel:
Try modifying the last section to include your information, so that you
start getting th
Greetings to everyone:
I've been following the thread and reading the tutorial, so far, and I'm
ready to voice my very personal and subjective opinion.
I think that the idea behind the absolute beginners' tutorial is
precisely what it's title implies. It's for the absolute beginner, not
for
Hello everyone:
I know I've read where to do this but I can't find how to set ties for
different alternative endings, can somone point me in the right direction?
eg:
\relative {
\repeat "volta" 2 {
c4 e d f4~ %% Repeat this tie in the second ending
}
\alternative {
{
Hi everyone, I found it, sorry.
Daniel Tonda Castillo wrote:
Hello everyone:
I know I've read where to do this but I can't find how to set ties for
different alternative endings, can somone point me in the right
direction?
eg:
\relative {
\repeat "volta" 2 {c
Daniel Tonda Castillo from Mexico, answering roll-call.
:)
Francisco Vila wrote:
I would like to contact all spanish-speaking users in this list, just
to have an estimation of how many of us are there, and possibly
foundate a lilypond-user-spanish list.
Here at the Conservatorio Superior de
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