Hi, Friends
Can anybody give me an help on how to mimic the output sent in attach?
What I can get is just one expression line :(
Thanks
Alberto
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the previous one failed)
My question is another (or, my questions...)
- is it known why the 10.4 binary doesn't work under 10.5?
- if so, is there any work on preparing a standard binary for Leopard?
Cheers
Alberto
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ectly. And a few of the required ports were broken the day I tried
the install. When that happens you have to know the macports system
pretty well to get things running. Maybe I can help you? Let me know
if you want to try again with some assistance.
-Eric
On Fri, Jul 18, 2008 at 1:05 PM, Alberto S
I made it.
The problem was the use of ccache. I am not sure why, but lilypond build
system does not like it. So, if you are using ccache, it might be a good
idea to disable it.
Cheers
Alberto
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John Mandereau wrote:
On 2008/07/20 10:36 +0100, Alberto Simões wrote:
About compiling it from source: I made it.
The problem was the use of ccache. I am not sure why, but lilypond build
system does not like it. So, if you are using ccache, it might be a good
idea to disable it.
Which
itex extension for inline rendering.
Cheers,
Mike
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Cam
Hi
How can I force the note... erm... tail to go up or down, instead of the
automatic orientation based on the note position in the stave?
Thank you
Alberto
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Valentin Villenave wrote:
2008/8/9 Alberto Simões <[EMAIL PROTECTED]>:
How can I force the note... erm... tail to go up or down, instead of the
automatic orientation based on the note position in the stave?
In LilyPond, this is called a Stem. You can use
Thanks, I was missing the c
ied to make it end in one of
the voices from the polyphonic portion, but didn't had any success.
What is the better way to do this?
- put the first 4 chords in a polyphonic notation?
- or is there any trick?
Thanks
Alberto
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Mats Bengtsson wrote:
Please read the section called "Explicitly instantiating voices"
in the Learning Manual for version 2.11.
Thanks. Got it.
Thanks
Alberto
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|
piano+voz.ly:62:66: warning: barcheck failed at: -5/8
<< { e2 ~ e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>>
|
Thanks for
b4 a4 ~
|
piano+voz.ly:93:30: warning: barcheck failed at: -5/8
fis2 b4 b4
|
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uminho.pt/~ambs/piano+voz.ly
Cheers
Alberto
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www, but I let that to your criteria :)
Cheers
Alberto
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Hello
Is there any way to write above a \bar "||" ?
In this case the composer wrote a simple "End" that is ignorable.
But if it is possible (and easy) to do, I'ld like to add it.
Thanks
Alberto
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John Mandereau wrote:
> Le vendredi 02 janvier 2009 à 20:34 +0000, Alberto Simões a écrit :
>> But when following the link to documentation
>> http://lilypond.org/web/documentation
>> it fails.
>
> What is your browser and which failure do you get exactly? What
nd play around with the offset values to get the correct position.
>
> Nick
>
>> -Original Message-
>> From: lilypond-user-bounces+nick.payne=internode.on....@gnu.org
>> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
>> Behalf Of Alberto Simões
>&
pper" \upper
\new Staff = "lower" \lower
>>
>>
...
}
Now, I added a variable named "song":
song = \lyricmode { Song to be re- ad. }
But I can't find a suitable way to associate this lyrics to the upperA
melody (and if possible above the
> }
>
> the alignAboveContext hast to be a named Staff in this case because lyrics
> are attached to a Staff.
>
> I hope it's clear.
Well, I am not yet sure how it works, but it works!!
Thank you :)
My best regards,
Alberto
>
> Regards,
>
> Tao
>
Hello.
I am typesetting a music where in a chord, one note is parenthesized.
Is there any way of doing so?
Thanks
Alberto
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Campus de Gualtar - 4710-057 Braga - Portugal
Hello
I would like to extract (automatically, or automagically) the first line
from any score, just like Mutopia does, for instance, to create an index
in a web-page.
Does Lilypond has any builtin solution for this?
TIA,
Alberto
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Carl D. Sorensen wrote:
>
>
> On 1/10/09 3:11 PM, "Graham Percival" wrote:
>
>> On Sat, Jan 10, 2009 at 09:48:37PM +, Alberto Simões wrote:
>>> I would like to extract (automatically, or automagically) the first line
>>> from any score, just
I searched in the documentation for a way to specify bar lengths
without defining a specific time signature, but didn't find it. I am
sure it was my bad english/music knowledge.
Can anybody point me with some example?
Thank you in advance,
Alberto
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Dmytro O. Redchuk wrote:
> 2009/1/15 Alberto Simões :
>> Hello
>>
>> I am transcribing a music with psamls.
>>
>> What this mean: there is a standard music portion, with a correct time
>> signature, but there is a portion where the singer will say a l
Hello
Anybody has any idea how to simulate the notes in the image with lilypond?
I can write something to mimic the produced sound, but it would not be
as clean as this notation.
Thank you
Alberto
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Campus
Hello,
Thanks for the point.
Received also a direct reply suggesting to use
\set tieWaitForNote = ##t
That did the trick \o/
Thank you
Patrick McCarty wrote:
> Hi Alberto,
>
> On Thu, Jan 15, 2009 at 1:32 PM, Alberto Simões
> wrote:
>> Hello
>>
>> Anybod
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ere are more complicated ways as well (using \set
> associatedVoice, etc.).
>
> Hope this helps!
Yes, it helps! Thank you so much!
Alberto
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Hi
I remember seeing emails on this list complaining that Lilypond was not
working under Leopard.
Is that fixed? What version should I use?
Thank you
ambs
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Campus de Gualtar - 4710-057 Braga - Portugal
music sheets for
Lilypond, or is the best way to go through MIDI?
Thank you for your advice,
Alberto
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Campus de Gualtar - 4710-057 Braga - Portugal
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lilypond
Hi, Valentin
Valentin Villenave wrote:
2008/4/27 Alberto Simões <[EMAIL PROTECTED]>:
Is there any known (good) way to convert sibelius music sheets for
Lilypond, or is the best way to go through MIDI?
Kirill was working on a sib2ly export plugin in 2006, but we haven't
heard f
the order hand, what is the usual behavior for a four-hand piece?
Thank you ;)
Alberto
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Campus de Gualtar - 4710-057 Braga - Portugal
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: warning: can't add text scripts to
individual note heads
2( 4 )
Hints? Fixes?
Thanks ;)
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lil
x chords.
HTH
Trevor
- Original Message - From: "Alberto Simões"
<[EMAIL PROTECTED]>
To: "lilypond"
Sent: Sunday, May 04, 2008 5:58 PM
Subject: Fingering (two fingers/possibilities)
Hi, Folks
I have a chord, where the note at the top can use one of two fin
rst C. There is a common
notation where the dotted minim is drawn with the beam down, and another
beam up that is together with the other notes.
Is this possible?
Thanks for any help
Alberto
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Campus de Gualtar
n. I think this is new with 2.11, and I couldn't make 2.11 work on
Leopard :(
Thanks, anyway
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best
d
On 6 May 2008, at 20:57, Alberto Simões wrote:
Simon Bailey wrote:
try:
<<
{
\override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g c g c])
} \\
{ c,2. }
>>
found here:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Col
.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Thanks
Alberto
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aries/darwin-ppc/lilypond-2.11.45-2.darwin-ppc.tar.bz2
[EMAIL PROTECTED] tmp]$ pwd
/Users/ambs/tmp
[EMAIL PROTECTED] tmp]$ find LilyPond.app/ -name libstd*
[EMAIL PROTECTED] tmp]$
I would say that that tbz is borked
Cheers
d
On 6 May 2008, at 21:36, Alberto Simões wrote:
Mats Bengtsson wrote
Mats Bengtsson wrote:
Quoting Alberto Simões <[EMAIL PROTECTED]>:
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Since you want to me
Alberto Simões wrote:
Mats Bengtsson wrote:
Quoting Alberto Simões <[EMAIL PROTECTED]>:
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Hi,
How does one typeset a tremollo (not sure this is the correct name in
english) in lilypond?
I am sending an attach of an image for disambiguation of the name :)
Thanks for the help
Alberto
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Campus de
found it, sorry for the spam :)
Alberto Simões wrote:
Hi,
How does one typeset a tremollo (not sure this is the correct name in
english) in lilypond?
I am sending an attach of an image for disambiguation of the name :)
Thanks for the help
Alberto
Alberto Simões wrote:
Hi,
How does one typeset a tremollo (not sure this is the correct name in
english) in lilypond?
ok, I found in the manual that:
\repeat "tremolo" 2 { c16 d16 }
should do the trick.
My current problem is understanding how it works. I need a tremolo t
anation to the documentation
file. I was looking into:
http://lilypond.org/doc/v2.8/Documentation/user/lilypond/Tremolo-repeats.html#Tremolo-repeats
Thanks again, :)
Alberto
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fingers
[...]
Is there any way to fix this? Not that it is too bad, but :)
And, by the way, when I play midis with QuickTime, they just play in an
incredible speed. I change the \tempo, but quicktimes seems to ignore it.
Thank you
Alberto
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Hi
I am doing some musicology studies using as base documents from Mutopia.
I discovered that lilypond supports both relative and absolute notation.
Is there any available tool to convert from absolute notation to the
relative one?
Thank you in advance,
Alberto Simoes
--
Alberto Simões
Hi,
I'm getting this:
Error invoking `latex \\nonstopmode \\input diabeli.op149.1.tex >
/dev/null 2>&1 '. Return value 256
but all seems to be working.
SHould I just... ignore it?
Thanks
ambs
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Hi!
I have a line like this:
e8([ cis-3 \acciaccatura e8-5 d8-4 b)]
and lilypond complains with
diabeli.op149.22.ly:67:38: warning: No slur to end:
e8([ cis-3 \acciaccatura e8-1 d8-2 b
)]
and the slur starting at the first e8 ends at
Thanks. That solves the problem :)
Alberto
Graham Percival wrote:
On 11-May-05, at 2:20 PM, David Sanders wrote:
e8([ cis-3 \acciaccatura e8-5 d8-4 b)]
Try
e8[( cis-3 \acciaccatura e8-5 d8-4 b])
Since an \acc creates a slur, you can't have another slur happening
at the same time. Use a
Hi
I'm trying to get an arpeggio.
I've tried
4.(\arpeggio f8 d4) r
and
4.\arpeggio( f8 d4) r
but none of the options give me it.
What am I doing wrong?
THanks
Alberto
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Hi
I'm typesetting a sonatinen with four parts. I would like to have a part
in different files, and combining them all together.
I'm almost sure there should be an \import{file.ly} command, but I can't
find the docs for it. Can anybody give me an hint?
THanks
Alberto
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ff like that.
Any hind is welcome.
Thanks
ALberto
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Patrick McCarty wrote:
> Hi Alberto,
>
[... snip ...]
> install the New Century Schoolbook fonts, as detailed in "Compilation"
> here:
>
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Requirements#Requirements
>
Thank you. Installing GS no
>>
[...]
Now, lilypond complains with:
4vozes.ly:64:16: warning: cannot find Voice `sop'
\lyricsto "sop" \new Lyrics \firstverse
Any hint?
Thank you
Alberto
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>
>
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Grammostola Rosea wrote:
> Alberto Simões wrote:
>> Hello
>>
>> Grammostola Rosea wrote:
>>
>>> hi,
>>>
>>> this melody:
>>>
>>> g4 a bes | es1( | es4) f, g a | d2 d
>>>
>>>
Heh.
Fixed
Was easy... just adding some notes made the trick :$
Cheers
Alberto
Alberto Simões wrote:
> Hello
>
> I am trying to produce a SATB where S and A share the same staff.
>
>
> This is my definition:
>
> \score{
> \context ChoirStaff
> <
desired result anyway. Have you checked if the warning is just such a
> warning or an indication of a real problem?
>
>/Mats
>
> Trevor Daniels wrote:
>>
>> It should work, unless you have no notes in \upperOne
>>
>> Trevor
>>
>> - O
).
Thank you
Alberto
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r" { \upper }
melody = \relative c {
...
\cueDuring #"upper" #UP { c4 bes aes c }
...
}
But the upper cue is not being rendered. Any hint?
Thank you
Alberto
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Hi
Alberto Simões wrote:
> This approach isn't working as I was expecting:
>
> upper = \relative c'' { ees4 d ees f }
> \addQuote "upper" { \upper }
>
> melody = \relative c {
>...
>
>\cueDuring #"upper" #UP { c4 bes aes
Hello
In a music I am transcribing there is a portion where I had to force two
voices with
<< { ... } \\ { ... } >>
Now my problem is that lyrics in that part of the music are not shown.
Is there any tweak to solve this issue?
Thank you
Alberto
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Hello
James E. Bailey wrote:
>
> El 27.02.2009, a las 22:38, Alberto Simões escribió:
>
>> Hello
>>
>> In a music I am transcribing there is a portion where I had to force two
>> voices with
>>
>> << { ... } \\ { ... } >>
>>
>
Hello
I have a music that starts with two staffs, and at some points splits to
three (for four voices).
Is there any way to force this change?
Or is the solution to make two separate melodies?
Thanks for any hint and link
Cheers
Alberto
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-mail.
It wasn't properly that (I think) what I want.
Basically, there is a portion of the music for piano (two staves), and
it continues with a SATB (with three staves). Thus, I need to "add a
staff" somewhere.
Thank you
> On Sun, Mar 1, 2009 at 10:31 AM, Alberto Simões
> wrot
rStaffTwo" \relative c'' { c c c a }
>
> So you can put them on separate staves.
Not exactly that my problem. Consider I have just one music, it starts
with a piano music (about 20 bars). After that, the piano shuts up,
forever, and starts the voices.
Basically, I do not want to
James E. Bailey wrote:
>
> El 01.03.2009, a las 19:24, Alberto Simões escribió:
>
>>
>>
>> James E. Bailey wrote:
>>>> Basically, there is a portion of the music for piano (two staves), and
>>>> it continues with a SATB (with three st
e break mid-measure.
>
> See also 'Hiding Staves' (p. 133 in 2.12 manual).
>
> Kris Shaffer
> graduate student, Yale University
> music director, Trinity Baptist Church, New Haven, Conn.
> www.shaffermusic.com
>
>
> On Mar 1, 2009, at 1:24 PM, Alberto Simões wr
lilypond to do this?
Thanks
Alberto
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Alberto Simões wrote:
> Hello,
>
> I am having this warning:
>
> warning: ignoring too many clashing note columns
>
> It is normal, as there are, in fact, clashing notes.
>
> I would like to make some notes to be displayed a little to the right
> (so we can s
Hello.
I am trying to write the symbol in attach with lilypond, but as I do not
know its name in English I have no clue where to find it (checked the
repetitions section on the manual, but did not find it).
Thank you
Alberto
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Mark Knoop wrote:
> At 17:26 on 11 Mar 2009, Alberto Simões wrote:
>> I am trying to write the symbol in attach with lilypond, but as I do
>> not know its name in English I have no clue where to find it (checked
>> the repetitions section on the manual, but did not find i
), but I do
not know how to make this second note appear as if the previous one has
just half of its duration.
In ascii art:
| |
O(X)
Thank you :)
Alberto
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Graham Percival wrote:
> See Scaling durations, NR 1.2.something. a2*1/2
>
> Cheers,
> - Graham
Did the trick.
Thanks :)
Alberto
>
> On Sun, Mar 15, 2009 at 06:31:57PM +0000, Alberto Simões wrote:
>> Hello
>>
>> I know, the subject is not clear.
>>
Hello
By default Lilypond is considering that beamed notes are used for the
same syllable. While that is used in many cases (most, in fact), I am
dealing with a specific music where I want a different syllable for each
note.
How can I force this?
Thank you
Alberto
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Jonathan Kulp wrote:
> Alberto Simões wrote:
>> Hello
>>
>> By default Lilypond is considering that beamed notes are used for the
>> same syllable. While that is used in many cases (most, in fact), I am
>> dealing with a specific music where I want a di
lly, using { } to delimit this portion,
but it seems this is not properly Perl :)
Any help is welcome.
Thanks
Alberto
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Hello
Is there any chance to produce cross-staff ties?
I was trying with
\change Staff = "upper" \stemDown a4 ~
\change Staff = "lower" \stemUp
a2 ~
but this is not doing it right :)
Thank
Alberto
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those specific clashes.
Is there any way to do that?
Thanks
Alberto
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Hello.
Are there any conditions on which shiftOn will not do a thing?
I have a music where I am using a lot of shiftOn and shiftOff, but in a
specific part they start not producing any result.
TIA
Alberto
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Trevor
>
> ----- Original Message - From: "Alberto Simões"
>
> To: "lilypond"
> Sent: Friday, March 20, 2009 2:40 PM
> Subject: shiftOn doing.. nothing?
>
>
> Hello.
>
> Are there any conditions on which shiftOn will not do a thing?
>
It seems that it does nothing as well.
Unless I am missing something.
I am trying to do
...
\partial 4 r8 e'\mf
\once \override NoteColumn #'force-hshift = #1.5 e[ fis e b']
e,[ fis e g]
...
but the note does not move. :-/
Thank you
Alberto
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iels wrote:
> I believe shiftOn and friends only have an effect if
> there would otherwise be a collision of note heads.
>
> Maybe you are looking for the 'force-hshift property
> of NoteColumn? See Learning Manual 4.5.2, towards the
> bottom.
>
> Trevor
>
>
Hello
For the last days I am working on a new Portuguese web-site.
It is available at http://musica-liturgica.net/, and includes Portuguese
liturgical music.
Probably it will not be that useful for most of the readers of this
list, but I think I own Lilypond a lot :)
Cheers
Alberto
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Alberto
Hello, Reinhold
Reinhold Kainhofer wrote:
> On Freitag, 20. März 2009 22:32:50 Alberto Simões wrote:
>> Hello
>
>> For the last days I am working on a new Portuguese web-site.
>> It is available at http://musica-liturgica.net/, and includes Portuguese
>> liturgica
is happening: lowerB voice is being drawn in the upper staff.
Thanks for any help
Alberto
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Campus de Gualtar - 4710-057 Braga - Portugal
\version "2.12.2"
\header {
title = "Cristo Ressusci
Hello, Carl
No, I am under MacOS, and I noticed the warnings. I just didn't
understand why it was complaining. I'll try to use your solution.
Thank you.
Alberto
Carl Sorensen wrote:
> Alberto Simões alfarrabio.di.uminho.pt> writes:
>
>> Hello.
>>
>> I am
Alberto
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Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
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Hello, Jonathan
Jonathan Kulp wrote:
> Alberto Simões wrote:
>> Hello.
>>
>> I am transcribing a music that defines the time signature as
>>
>> (2-3)/4
>>
>> That is, some bars are 2/4, some others are 3/4.
>>
>> While I can change time sig
Hello
I think the subject says it all... how can I just not print the time
signature? :)
Thank you ;)
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Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
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Alberto Simões wrote:
> Hello
>
> I think the subject says it all... how can I just not print the time
> signature? :)
Google is my friend.
\once \override Staff.TimeSignature #'stencil = ##f
Probably adding this to the documentation (Time Signature section) would
be great
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Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
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David Bobroff wrote:
> Alberto Simões wrote:
>> Hello
>>
>> I am transcribing a music that uses a lot of quarter notes that have
>> their beam stroked. Acccordingly with my few music knowledge, this means
>> that the note can be splited in two notes.
>>
Hello
Probably there is already one of these.
But in attach you can find a lilypond png badge that I am preparing to
use on my website.
Cheers
Alberto
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Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
Dmytro O. Redchuk wrote:
> 2009/6/26 Alberto Simões :
>> Hello
>>
>> Probably there is already one of these.
>> But in attach you can find a lilypond png badge that I am preparing to
> Great!-)
>
>> use on my website.
> Am I allowed to use it on "
Heh...
Kieren MacMillan wrote:
> Hi Anthony (et al.),
>
>> DON'T assume web browsers are full screen!
>
> +1
+1
Just because more and more people have big screens.
Cheers
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Alberto Simões - Departamento de Informática - Universidade do Minho
Campu
Hello
Any hint on how to produce the output similar to the one in the picture?
(regarding the small bar and ff bellow).
Thanks
Alberto
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
Hi
Marek Klein wrote:
> Hi,
>
> 2009/8/16 Alberto Simões <mailto:al...@alfarrabio.di.uminho.pt>>
>
> Hello
>
> Any hint on how to produce the output similar to the one in the picture?
> (regarding the small bar and ff bellow).
>
> T
barline or bellow
the clef.
Unfortunately it is not possible to add \f bellow these objects (as far
as I know).
Any hint how to do this?
(If this is not easily understandable, let me know and I'll try to
produce some images).
Thanks you
Alberto
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Alberto Simões - Departamento de Inform
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