'bach accidental style

Hello, I would like to have a custom accidental style acting like manuscripts and first editions of Seb. Bach do: – do not remember accidentals* – unless a pitch is immediately repeated – or with chromatic steps: an accidental should always be printed if the previous note has the same pitch, b

Re: 'bach accidental style

On 06.12.2015 15:59, BB wrote: I am not sure what you want to get. What I want is not one of the accidental styles already available, as may be read from the word ‘custom’. Let me give an example: this %% \version "2.19.32" \relative { \accidentalStyle baroque dis'4 cis dis fis dis

Re: 'bach accidental style

On 06.12.2015 15:31, Simon Albrecht wrote: Hello, I would like to have a custom accidental style acting like manuscripts and first editions of Seb. Bach do: and, in fact, was common at the time. I think the assumption of our docs that the default style were corresponding to 18th century usage

Re: 'bach accidental style

n _example_! No, the whole point of this is to _not_ make any changes to the actual music, but having _one_ accidental style to do it automatically. Else I’d be using explicit accidentals, but that’s tedious and inflexible. Yours, Simon On 06.12.2015 16:12, Simon Albrecht wrote: On 06.12

Re: 'bach accidental style

request was about the technical implementation, in case you didn’t notice. Yours, Simon ... On 06.12.2015 16:35, Simon Albrecht wrote: On 06.12.2015 16:28, BB wrote: May be like this? % \version "2.19.32" \relative { %\accidentalStyle baroque \accidentalStyle do

Re: 'bach accidental style

On 06.12.2015 16:47, Simon Albrecht wrote: From studying Bach’s Clavierübung III from a first edition facsimile [1] I am well aware of the conventions. Forgot the footnote: <http://imslp.org/wiki/File:PMLP03269-Bach_-_Dritter_Theil_der_Clavier_%C3%9Cbung,_bestehend_in_verschiedenen_Vorspiel

Re: A problem with the svg backend

On 07.12.2015 16:15, Richard Shann wrote: If I use markup and include a \with-url that contains embedded quotes the svg generated is invalid. Here is a simple example. \version "2.19.25" \score { << { c d -\markup { \with-url #'"\"some quotes\"" hello} e f } >>

Re: Grace note kicks tuplet number away

Hello Gilberto, it seems the feature announced in (at about 2/3, search for ‘knee-to-beam’) has been implemented without providing for this situation. So we should create a follow-up for

Re: Moving a single note (optical spacing once more)

On 09.12.2015 17:07, Kieren MacMillan wrote: Hi Urs, It is surprising that LilyPond makes it that hard to move a single note that doesn't have any dependencies … Is this maybe a case where #'extra-offset is your [current] best option? It’s possible to wrap into a music function to deal with

Re: NR 4.1.4 ragged bottom and vertical spacing

On 11.12.2015 13:28, Federico Bruni wrote: Hi all Can you please explain this paragraph taken from here? http://www.lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables % If a page has a ragged bottom, the resulting distance is the largest of: basic

Clef-BarLine crash with changed break-align-orders

Hello, in a repeat structure I need the clef to be shown after the bar. But with the break-align-orders override applied, there is no working spacing between clef and bar: \version "2.19.32" { \repeat volta 2 { 1 } \alternative { { \clef alto 1 } { \once\override Score

Re: Clef-BarLine crash with changed break-align-orders

On 11.12.2015 18:55, Noeck wrote: Hi Simon, I think you need to spell the StaffBar and the Clef in lower case like this to have an effect: \once\override Score.BreakAlignment.break-align-orders = #(make-vector 3 '(staff-bar clef)) D’oh. Of course. Thanks a lot, Simon ___

Re: More Gounod :-)

On 11.12.2015 22:27, Alberto Simões wrote: hello, Just finished transcribing and validating the Funeral March of a Marionette, by Charles Gounod. It is in the common place: https://github.com/ambs/music/tree/master/Gounod/FuneralMarchOfAMarionette If any of you have some time and look into

Re: Controlling hairpin length

On 12.12.2015 17:46, David Sumbler wrote: Although I quite often find myself needing to use \override Voice.Hairpin.minimum-length = #2 or similar, I find that the results are unpredictable (to me!) You’re not alone with the problem: …

Re: converting svg glyph to path data for use in scheme

On 13.12.2015 13:04, Graham Breed wrote: From: "N. Andrew Walsh" Actually, coverting between the ratios and semitones has alread been done, as there's a simple set of log and mround functions that do it. Have a look in the OLL repository under notation-tools and you should find the .ily file

Re: lilypond linux does not like b flat !!!!

On 13.12.2015 19:11, Eby Mani wrote: Thanks David, after removing \language, everything working fine. Learned something new. I used template created by Frescobaldi, it would have inserted the \language part. Do you mean the Score Setup Wizard? It allows selecting pitch name language: in th

Re: \breakDynamicSpan in a Dynamics context?

On 15.12.2015 21:06, Dominic wrote: I was reading the latest Steinberg 'Making Notes' blog, particularly this image , and it got me thinking about Lilypond dynamic alignment for piano scores. I would like so

Re: parameters in lyrics?

Hello Graham, allow me to advertise a feature recently (though before 2.19.21, which you were using) introduced by David K.: Music functions may now directly be called as Scheme procedures, so #{ \italic #syllable #} may be replaced with the much more elegant (italic syllable) !!! Revised ver

Re: [OT} Was "Re: Rounded beams"

On 17.12.2015 03:53, Kieren MacMillan wrote: Hi Andrew, Judging by the sheer number of these fonts and the number of professional type designers who devote sincere effort to making this style, there is a desire in people to overcome the stiff rigidity of the typical printed letterform. The o

Re: Adjusting a slur after line break

On 20.12.2015 00:45, Chris Yate wrote: I can't get /alterBroken to work properly at all on control points. When I try the "tweak" version, that I assume would look like: r4. d,16-\alterBroken control-points #'(((0.0 . 0.0) (0 . 1.2) (0 . 1.2) (4 . 1)) ((0.0 . 0.0) (0 . 1.2) (0 . 1.2) (4 . 1

Re: Adjusting a slur after line break

On 20.12.2015 01:50, Chris Yate wrote: On 20 December 2015 at 00:41, Simon Albrecht <mailto:simon.albre...@mail.de>> wrote: On 20.12.2015 00 :45, Chris Yate wrote: I can't get /alterBroken to work properly at all on control points. When I try the &

Re: Telemann's "Strich"

On 20.12.2015 12:44, Robert Blackstone wrote: Dear list, I’m working on a bilingual edition of Telemann’s Singe-, Spiel- und General-Baß-Übungen, a very nice little tutorial consisting almost entirely of songs with a figured bass line and a written-out realization. In the bass lines Telemann

pretty-print and localAlterations

Hello, if I compile the following code: \version "2.19.32" #(use-modules (ice-9 pretty-print)) printKeysig = \applyContext #(lambda (context) (format #t "~a" (pretty-print (ly:context-property context 'localAlterations \relative { es'4 \printKeysig e' }

Re: Telemann's "Strich"

On 21.12.2015 01:23, Ralf Mattes wrote: Am Montag, 21. Dezember 2015 01:10 CET, Simon Albrecht schrieb: I definitely agree with Richard’s interpretation that these are figured bass extenders. The quote in your first example makes it really obvious: „Der Strich bedeutet, dass die rechte

Re: lilypond-user Digest, Vol 157, Issue 92

OttavaBracket (Kieren MacMillan) 7. Re:Telemann's "Strich" (Simon Albrecht) 8. pretty-print and localAlterations (Simon Albrecht) -- Message: 1 Date: Sun, 20 Dec 2015 17:50:55 -0500 From: Kieren MacMilla

Re: Digest quoting

On 21.12.2015 10:24, David Kastrup wrote: Simon Albrecht writes: Pardon, did you want to include any text with this e-mail? Also please remember editing the subject line. Simon, how many copies of this weekly digest do you think we'll want fully quoted in the next weekly digest?

Re: How to transpose an entire piece of music?

On 22.12.2015 22:04, Bernhard Kleine wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA256 I had a christmas carol "Zu Bethlehem geboren" with is in F-Dur. That piece has a bass voice going to "großem F" more than once. Since the other voice are not at all at their upper limit, I thought to t

Re: Notation snippets

On 27.12.2015 16:32, Jayaratna wrote: Hope I can keep both versions on my system. Of course you can – I’ve about a dozen versions installed here. Just install them in another directory, e.g. using the --prefix option with the sh installer (don’t know what way you’re installing it). HTH, Sim

Re: adding a markup ("sim.") to the end of a SustainPedalBracket

Hello Kieren, the bug is a consequence of issue 2504 . To fix it, just change line 89 of your attached file into (stencil-whiteout new-sim-stil 'outline thickness 1) Yours, Simon On 27.12.2015 23:32, Kieren MacMillan wrote: Argh! Here’s t

Re: Strings as variable names

On 28.12.2015 20:28, Johan Vromans wrote: NR refers to http://www.lilypond.org/doc/v2.19/Documentation/learning/organizing-pieces-with-variables which does not mention the quoted syntax, and explicitly disallows dashes Ugh, that’s bad. Especially since it’s an important feature in interlocking

Re: Strings as variable names

On 28.12.2015 23:35, David Kastrup wrote: Simon Albrecht writes: On 28.12.2015 20:28, Johan Vromans wrote: NR refers to http://www.lilypond.org/doc/v2.19/Documentation/learning/organizing-pieces-with-variables which does not mention the quoted syntax, and explicitly disallows dashes Ugh

Re: Segmentation Fault in music with cueDuring

Hello Pat, this is definitely a bug, I’d say. I’ll write to the bug list. Two or three policy issues with this: 1. Don’t hijack existing threads, if your message has nothing at all to do with their subject. Just compose a new message to the list – sorry, but what’s so difficult about that? 2.

Re: Segmentation Fault in music with cueDuring

On 30.12.2015 00:53, Simon Albrecht wrote: this is definitely a bug, I’d say. I’ll write to the bug list. FWIW, I created a tracker issue directly: <https://sourceforge.net/p/testlilyissues/issues/4718/> How did you get that log output, i.e. how did you invoke LilyPond? Yours,

Re: Segmentation Fault in music with cueDuring

On 30.12.2015 01:38, Thomas Morley wrote: You'll see that only the chord's first note is quoted! Still, the in-chord tie makes the difference, without that tie, the chord is properly quoted. So I’m not sure whether your testing function is useful here. Yours, Simon

Re: Segmentation Fault in music with cueDuring

On 30.12.2015 01:06, Patrick Karl wrote: On 12/29/15 5:53 PM, Simon Albrecht wrote: Hello Pat, this is definitely a bug, I’d say. I’ll write to the bug list. Two or three policy issues with this: 1. Don’t hijack existing threads, if your message has nothing at all to do with their subject

Re: does not save file automatically after "run" lilypond "

On 30.12.2015 07:08, MING TSANG wrote: I saw a lot additional info that I did not see when running frescobaldi 2.18.1 and lilypond 2.19.34 The additional info is there by error and will be removed in 2.19.35. Yours, Simon ___ lilypond-user mailing li

Re: trying to attach lyrics to global variable in /score

On 03.01.2016 20:40, Ryan Michael wrote: I have the following lilypond code: \score { \new StaffGroup << \new Staff << \global \recorder >> \new Lyrics \lyricsto "recorder" { \verseOne } \new Staff << \global \viola >> >> \layout { } \midi { } } \lyricsto "recor

Re: Strings as variable names

On 03.01.2016 21:34, Johan Vromans wrote: On Sun, 03 Jan 2016 21:16:27 +0100 David Kastrup wrote: Johan Vromans writes: Is this going to be taken seriously or can I spare the efforts? There is a tracker issue for it and some discussion. [..] Have you followed the discussion in the tracker?

Re: trying to attach lyrics to global variable in /score

Staff << \new Voice \global \new Voice = "recorder" \recorder \new Lyrics \lyricsto "recorder" \verseOne >> \new Staff << \global \viola >> >> \layout { } \midi { } } And I still get this error: *cannot find Voice `recorder

Re: trying to attach lyrics to global variable in /score

On 04.01.2016 03:29, David Wright wrote: ... but it does mean that you can't use \addlyrics, and dispense with naming the context when not required (ie simple cases). True, I deliberately left that one out, since it’s error-prone. Yours, Simon ___ l

Re: Strings as variable names

On 04.01.2016 08:02, Johan Vromans wrote: On Sun, 3 Jan 2016 21:36:30 +0100 Simon Albrecht wrote: No, for the simple reasons that a) noone mentioned on the list there was a tracker item and b) even though I know now, I have been unable to find it. May I kindly request mentioning the URL to

Re: ly:one-line-breaking

On 06.01.2016 18:18, Mathieu Demange wrote: Hi all, Is there a way to make LilyPond also automatically adjust the paper height when using this? \paper { page-breaking = #ly:one-line-breaking } I do not think there is a vertical analogon to this. Seems like you are condemned to trial &

Re: \addlyrics affects midi channel selection

On 06.01.2016 19:55, Patrick Karl wrote: The following snippet: \version "2.19.32" S = \relative c'' { c d e f } SLyrA = \lyricmode { tra la la la } T = \relative c'' { c d e f } \score { << \new Staff \S \addlyrics \SLyrB \new Staff \T >> \layout

Re: When to Use Pound Signs

On 06.01.2016 19:55, Tim Reeves wrote: > > Message: 6 > > Date: Tue, 5 Jan 2016 21:55:42 -0700 > > From: Colin Campbell > > To: lilypond-user@gnu.org > > Subject: Re: When to Use Pound Signs > > Message-ID: <568c9e4e.6060...@shaw.ca> > > > > On 16-01-05 09:47 PM, Andrew Bernard wrote: > > > > I

Re: placing crescendo and decrescendo markings within span of a whole note

On 06.01.2016 21:40, Ryan Michael wrote: i want a dis1 with < > (cresencendo / decrescendo) underneath it. How can I do that and size the crescendo and decresendo to my liking (say span the < to last 3 quarters of the whole note and the > to last a quarter) I have a very handy music funct

Re: placing crescendo and decrescendo markings within span of a whole note

On 07.01.2016 00:08, David Kastrup wrote: Simon Albrecht writes: On 06.01.2016 21:40, Ryan Michael wrote: i want a dis1 with < > (cresencendo / decrescendo) underneath it. How can I do that and size the crescendo and decresendo to my liking (say span the < to last 3 quarters of

Re: placing crescendo and decrescendo markings within span of a whole note

On 06.01.2016 22:05, Simon Albrecht wrote: On 06.01.2016 21:40, Ryan Michael wrote: i want a dis1 with < > (cresencendo / decrescendo) underneath it. How can I do that and size the crescendo and decresendo to my liking (say span the < to last 3 quarters of the whole note and the

Re: How to reproduce this?

On 07.01.2016 19:23, Pierre Perol-Schneider wrote: Oops, my fault, I forgot about the slur. So here it goes, \version "2.18.2" %\language "german" \layout { \context { \ChordNames \override ChordName.font-family = #'serif \override ChordName.font-size = #0 } } << \chords {

Re: How to reproduce this?

On 07.01.2016 23:00, Malte Meyn wrote: Am 07.01.2016 um 22:53 schrieb Malte Meyn: Am 07.01.2016 um 21:59 schrieb Simon Albrecht: \offset positions #'(.5 . .5) Beam I’ve never seen that function before and I don’t find it in the documentation. Since when does this exist?

Re: Bravura svg font

On 08.01.2016 00:31, Nathan Ho wrote: The least serious use is the recent Christmas font adaptation by Leigh Verlag :) In case others be interested: Nice and funny :-) Thanks, Abraham (and Mark)! Yours, Simon __

Re: Repeat 8va

On 08.01.2016 23:08, John Gourlay wrote: As an exercise in learning to use LilyPond I’m engraving “The Entertainer” by Scott Joplin. Without wanting to spoil your efforts and interest: I’ve only just updated the engraving on Mutopia. Since the pull request is still pending, you must retrieve

Re: Outliner markup command

On 12.01.2016 15:37, Pierre Perol-Schneider wrote: \header { title = \markup\outliner #3 #'"orange" #'"yellow" { Some Music } } Nice idea! You needn’t quote the strings, and #"orange" is at least a little less convoluted. Yours, Simon ___ lilyp

Re: slurs across bar lines with glissandi and hidden noteheads

On 12.01.2016 22:12, Ryan Michael wrote: I would like to make a slur from the g4 of the first bar to the cis2 of the next bar Slurs in Lilypond use postfix syntax, so you need to type { g4( cis2) } instead of { ( g4 cis2 ) }. HTH, Simon ___ lilypo

Re: slurs across bar lines with glissandi and hidden noteheads

On 12.01.2016 22:40, Blöchl Bernhard wrote: cis8glissando does not work, do not forget the "\"! \relative c'' { \once \hide NoteHead a\glissando c } The original post contained the backslash – it must have been lost on the way to you. Yours, Simon Am 12.01.2016 22:12, schrieb Ryan Micha

Re: slurs across bar lines with glissandi and hidden noteheads

Two more remarks: On 12.01.2016 22:12, Ryan Michael wrote: I do the following: %51% \tuplet 3/2{ r8-\markup{\italic "gesprochen"} d'8 dis8} \tuplet 3/2{ r16 cis cis a r16 cis} \tuplet 3/2{ cis a r16 a cis8\glissando} \once \hide NoteHead (g4\glissando %52% cis,2 ) r4 r8 dis'-\markup{\itali

Re: Outliner markup command

On 13.01.2016 00:09, Thomas Morley wrote: Though, there might be a bug in `stencil-whiteout-outline', Paul cc-ed. Here you are. Look at: \markup \stencil #(stencil-whiteout-outline (make-filled-box-stencil '(-1 . 1) '(-1 . 1)) 0.5 red 16 1) \markup \stencil #(stencil-whiteou

Re: startGraceMusic

On 13.01.2016 07:27, Andrew Bernard wrote: There are startGraceMusic and stopGraceMusic functions that are helpful for adjusting the appearance of grace notes. Are there startAfterGraceMusic etc functions for \afterGrace? Currently I have to manually adjust afterGrace notes to be the same as th

Re: Outliner markup command

On 13.01.2016 13:24, Pierre Perol-Schneider wrote: Hi David, 2016-01-12 23:52 GMT+01:00 David Kastrup >: \override #`(color . ,red) And yes, I use a backward tick here. The forward tick will not cooperate with the comma later. I'm not sure to clearly unders

Re: Repeat 8va

On 13.01.2016 20:02, John Gourlay wrote: There it is! I don’t know why I missed it the first time. I”m sorry to be a bother. Never mind, the docs _are_ difficult to penetrate sometimes… Yours, Simon ___ lilypond-user mailing list lilypond-user@gnu.

Re: Ossia problem

On 29.12.2015 17:32, Abraham Lee wrote: David, On Tuesday, December 29, 2015, David Kastrup > wrote: Ralph Palmer > writes: > Greetings - > > I'm running ly 2.19.33 under Win7. > > I'm trying to remove the first line of the ossia staff from the

Re: Behavior of non-flag side with strictBeatBeaming

On 15.01.2016 01:09, Urs Liska wrote: F) is interesting as it*only* has strictBeatBeaming set. There is no subdivision in the middle of the beam (7-8) because subdivideBeams is not set. However, the beamlets at stems 2 and 10 force the subdivisions 2-3 and 9-10, each resulting in the beam count

Re: Help with unexpexted double barline trouble and \markup

On 15.01.2016 16:58, Carl-Henrik Buschmann wrote: 1) My experience is that reading rhythms with the stemlets over the rests helps alot. It is a tad "modern" but generally approved. Is there a way to make it global? No problem: just insert \context { \Voice \override Stem.stemlet-leng

Re: Help with unexpexted double barline trouble and \markup

On 15.01.2016 17:50, Urs Liska wrote: Am 15.01.2016 um 17:46 schrieb Simon Albrecht: On 15.01.2016 16:58, Carl-Henrik Buschmann wrote: 1) My experience is that reading rhythms with the stemlets over the rests helps alot. It is a tad "modern" but generally approved. Is there a way

Alignment of ‘non-extremal’ bass figures

Hello, does anyone know how to vertically align the 9 and 8 in the following example? \version "2.19.35" \score { << { s1 } \figures { <10 9>4 <8> } >> } TIA, Simon \version "2.19.35" \score { << { s1 } \figures { <10 9>4 <8> } >> }___

Re: Alignment of ‘non-extremal’ bass figures

On 16.01.2016 00:44, Simon Albrecht wrote: Hello, does anyone know how to vertically align the 9 and 8 in the following example? \version "2.19.35" \score { << { s1 } \figures { <10 9>4 <8> } >> } Forgot to mention: I already

Re: Alignment of ‘non-extremal’ bass figures

On 16.01.2016 12:48, Richard Shann wrote: The syntax Denemo uses is this <10 9>4 \once \override Staff.BassFigureAlignmentPositioning #'Y-offset = #'7 You could use Staff.BassFigureAlignmentPositioning.Y-offset here – unless you want to support 2.16 syntax, but other than that there’s no reaso

Re: Alignment of ‘non-extremal’ bass figures

On 16.01.2016 12:16, Thomas Morley wrote: 2016-01-16 0:44 GMT+01:00 Simon Albrecht: >Hello, > >does anyone know how to vertically align the 9 and 8 in the following >example? > >\version "2.19.35" >\score { > << > { s1 } > \figures {

Re: Instrument names and smallest possible bounding box

On 17.01.2016 12:10, Carl-Henrik Buschmann wrote: The default placement of instrument names seems a bit messy compared to my default Sibelius output. They seem "off", not alligned properly. This is of course the fault of the author. Most likely there is a easy fix. Suggestions? Well, it’s not

Re: smallest possible bounding box

On 17.01.2016 12:10, Carl-Henrik Buschmann wrote: 2) I need to export pngs for my latex documents and i would like the bounding box to be as small as possible. How do i do this? It’s not quite clear what you want. Perhaps: \paper { top-margin = 0 bottom-margin = 0 left-margin = 0 righ

Re: smallest possible bounding box

Simon Albrecht <mailto:simon.albre...@mail.de>>: On 17.01.2016 12:10, Carl-Henrik Buschmann wrote: 2) I need to export pngs for my latex documents and i would like the bounding box to be as small as possible. How do i do this? It’s not quite clear what you want. When making snippets I

Re: smallest possible bounding box

xt { \Staff \omit TimeSignature \override InstrumentName.self-alignment-X = #RIGHT %% or 1 } } } HTH, Pierre 2016-01-17 12:30 GMT+01:00 Carl-Henrik Buschmann <mailto:chbuschm...@mac.com>>: > 17. jan. 2016 kl. 12.22 skrev Simon Albrecht mailto:simon.albre...@mail

Re: Lilypond and Jazz chords

On 17.01.2016 22:35, Carl-Henrik Buschmann wrote: Thank you. This is indeed a good start! However. How to adjust the lenght of the parenthesis? As of now they only encapsule 1/3 of the stack. I havent the foggiest on how to make them "flexible". You might have a look in the NR, section A.11

Re: temporarily escaping chordmode

On 18.01.2016 02:00, Kieren MacMillan wrote: Hello all, If I’ve want to explicitly enter a chord in a chordmode block, e.g., \chordmode { c1 d1:m6 } what’s the incantation? In case you should need that for which you initially asked :-) – there’s \notemode {}. Normally

Re: Lilypond and Jazz chords

On 18.01.2016 14:33, BB wrote: On 18.01.2016 13:29, Kieren MacMillan wrote: might be named Dm9no5/C, Cno5add2add4, Fmaj7add6no3/C depending on the context. Names are interpretations of the notes and always depend on the context. Your chords in the posting be labelled as Bb/C or C7(sus2,sus4

Re: Configuring beam count at subdivisions

On 18.01.2016 17:32, Urs Liska wrote: This gives arguably the best option as default and still gives Sibelius-converts the chance to redo their familiar shortcomings ;-) Opinions? LGTM :-) Best, Simon ___ lilypond-user mailing list lilypond-user@gn

Re: Configuring beam count at subdivisions

On 18.01.2016 18:12, Urs Liska wrote: Thanks for the feedback. off-list I got one strong opinion against providing the #'one option because it's incorrect. ‘Because it’s incorrect’ being one of the weaker arguments. Actually it impedes legibility, so… I know it's incorrect, and that's wh

Re: Handling of subdivisions with shortened beams

On 18.01.2016 18:27, Urs Liska wrote: Am 18.01.2016 um 18:24 schrieb Kieren MacMillan: Hi Urs, c) Take a) as the default and provide a context property This. Thanks, Kieren. Any suggestions for a better name than \set subdividedBeamCountAddForShortenedBeam = ##t It would almost cal

Re: Swedish letters in Lilypond lyrics?

On 18.01.2016 20:33, Karin wrote: Hi! I have just recently discovered the world of Lilypond and was really pleased as long as I wrote the lyrics in English. When switching to Swedish I ran into trouble. There are three specific characters in Swedish and only onle of them is available in the Lily

Re: Swedish letters in Lilypond lyrics?

ook if you can find an option in your editor to save it in UTF-8 encoding. Best, Simon BR, Karin Den mån 2016-01-18 skrev Simon Albrecht : Ämne: Re: Swedish letters in Lilypond lyrics? Till: "Karin" , lilypond-user@gnu.org Datu

Re: Swedish letters in Lilypond lyrics?

Karin Den mån 2016-01-18 skrev Simon Albrecht : Ämne: Re: Swedish letters in Lilypond lyrics? Till: "Karin" , lilypond-user@gnu.org Datum: måndag 18 januari 2016 21:47 On 18.01.2016 20:33, Karin wrote: > Hi! > > I have just recen

Re: Swedish letters in Lilypond lyrics?

On 18.01.2016 22:18, k...@aspodata.se wrote: Simon Albrecht: On 18.01.2016 22:03, Karin Glasmästar wrote: Now I found the way to what Karl wrote: I am using the built-in crude editor of Lilypond itself - doesn't that editor support UTF-8? I don’t know, I’m not even sure if there is a

Re: Swedish letters in Lilypond lyrics?

On 19.01.2016 01:52, Andrew Bernard wrote: Hi Karin, Lilypond is Unicode aware. HTML escape codes have no relevance to lilypond. There are the text replacements, see NR A.13 (2.19.35). Best, Simon ___ lilypond-user mailing list lilypond-user@gnu.o

Re: Displaying variables and parameter values

On 19.01.2016 16:20, David Sumbler wrote: Is there a way of displaying the current value of particular variables and parameters during Lilypond compilation? Of course, e.g. with #(format "Variable ‘foo’ currently has the value ~a\n" foo) where foo is the variable, ~a references the next argumen

Re: Swedish letters in Lilypond lyrics?

On 19.01.2016 17:07, k...@aspodata.se wrote: David Kastrup: k...@aspodata.se writes: ... BTW, does someone know why add-text-replacements in attached file doesn't work ? I got the syntax from: http://www.gnu.org/software/guile/manual/html_node/String-Syntax.html#String-Syntax That's the Gu

Re: Swedish letters in Lilypond lyrics?

On 19.01.2016 22:34, David Kastrup wrote: k...@aspodata.se writes: David Kastrup: k...@aspodata.se writes: David Kastrup: k...@aspodata.se writes: ... BTW, does someone know why add-text-replacements in attached file doesn't work ? I got the syntax from: http://www.gnu.org/software/guile

Re: Swedish letters in Lilypond lyrics?

On 19.01.2016 22:13, k...@aspodata.se wrote: David Kastrup: k...@aspodata.se writes: David Kastrup: k...@aspodata.se writes: ... BTW, does someone know why add-text-replacements in attached file doesn't work ? I got the syntax from: http://www.gnu.org/software/guile/manual/html_node/String

Re: Infinite page length

On 20.01.2016 12:18, Richard Shann wrote: see the thread: Re: ly:one-page-breaking (was: ly:one-line-breaking) the last email in this thread was yesterday! Is there an easy way of linking to a thread from and email? I use to search it on and

Re: Swedish letters in Lilypond lyrics?

On 18.01.2016 20:33, Karin wrote: There are three specific characters in Swedish and only onle of them is available in the Lilypond "list of special characters". I need the letters å, ä, ö, Å, Ä and Ö - or as a HTML-person would put it: å ä ö Å Ä Ö Can you help me fix this? I have only found &aa

Re: Algorithm for calculating slur shape

On 21.01.2016 23:49, Michael Kassler wrote: I am a user of the Guido music notation system. I believe that Lilypond has developed an algorithm for calculating slur shape given parameters such as the (x,y) positions of notes in a passage to be slurred, the number of notes in such a passage, etc. H

Re: Determine the including file

On 22.01.2016 12:38, k...@aspodata.se wrote: I don't know of any way to check if aria_ily is defined or not. Tried with #(if (defined? aria_ily) (display "Yes\n") (display "no\n")) but it gives: aria.ly:15:2: error: GUILE signaled an error for the expression beginning here # (if (defined?

Access a stem’s notehead

Hello, I want to write a before-line-breaking callback for stem and need the staff-position of the associated NoteHead. (There aren’t going to be any chords.) This % \version "2.19.35" { \override Stem.before-line-breaking = #(lambda (grob) (format #t "~a\n" (ly:gr

Re: Access a stem’s notehead

On 22.01.2016 14:26, Paul Morris wrote: On January 22, 2016 7:47:11 AM EST, Simon Albrecht wrote: How do I retrieve the NoteHead from the Column? Hi Simon, this snippet should help: http://lsr.di.unimi.it/LSR/Item?id=621 It shows how to get a Stem from a NoteHead, using ly:grob-object

Re: Access a stem’s notehead

On 22.01.2016 16:11, Simon Albrecht wrote: The feature is designed for a very specific case: Renaissance vocal music, one voice per staff, no chords, no dynamics etc. With this callback, I crop those stems which protrude beyond the staff, such as to allow for still closer vertical spacing

Re: Access a stem’s notehead

On 22.01.2016 16:30, Simon Albrecht wrote: Oops, there was an else-statement missing. And it didn’t work with rests. I forgot to test the code on a real score before posting… %%% #(define crop-outside-staff-stem (lambda (grob) (let* ((note-col (ly:grob-parent grob 0

Re: Access a stem’s notehead

On 22.01.2016 16:41, Simon Albrecht wrote: On 22.01.2016 16:30, Simon Albrecht wrote: Oops, there was an else-statement missing. And it didn’t work with rests. What’s more, we have to avoid programming errors if there are beams. I’m learning a lot at this… %% \version

Re: default note duration

On 22.01.2016 19:16, Gianmaria Lari wrote: Hello, the lilypond default note duration is 1/4. For example if I write { a b } lilypond generates two quarter notes. There is any way to set the _default_ note value to another value for example to 1/8 so that the previous code would generate two

Re: Displaying variables and parameter values

On 22.01.2016 22:18, David Sumbler wrote: On Tue, 2016-01-19 at 16:26 +0100, Simon Albrecht wrote: On 19.01.2016 16:20, David Sumbler wrote: Is there a way of displaying the current value of particular variables and parameters during Lilypond compilation? Of course, e.g. with #(format

Re: Slashed grace with long slur

On 24.01.2016 15:08, Kristin Rollins wrote: It worked for me to move the \slurUp command inside the \slashedGrace, as in: \slashedGrace { \slurUp e8( } d b) Even easier: { \slashedGrace { e8^( } d b) } And, astoundingly this minimal example works here: (but your larger example doesn’t) %%

Re: Determining what parameters exist for an item

On 24.01.2016 18:22, Kieren MacMillan wrote: Lilypond has grobs, and those grobs have properties, and those properties have values, I think the point is that some properties either do not have values at all, or those values are determined during compilation, depending on other circumstances.

Re: Determining what parameters exist for an item

On 24.01.2016 21:15, Thomas Morley wrote: Now, if I want to reduce or enlarge KeyCancellation.X-extent, knowing that default is (0.0 . 5.82)*** gives me critical information that I can actually use as a reference point; without that information, the trial-and-error factor increases dramati

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