Hi
I am working on some Haydn piano music and want to distinguish between
urtext and my version music. (I plan to write out the variations I use when
I repeat.) A neat way to do it would be to change the colour of the staff
lines. I can't find a way that works. I can change the colour easily enough
Hi Paul,
Am 04.06.21 um 16:36 schrieb Paul McKay:
I am working on some Haydn piano music and want to distinguish between
urtext and my version music. (I plan to write out the variations I use
when I repeat.) A neat way to do it would be to change the colour of
the staff lines. I can't find a w
At 20:26 03/06/2021 +0200, Hans Aikema wrote:
Ah you're right on that, overlooked the first entry. But fairly
certain that the statement on not interpreting the wildcard holds
(It's a difference between Windows and shells like bash that is
often overlooked - in bash the shell takes care of expa
Hi Paul,
This works
for what you are after I believe.
musicB = {
\new PianoStaff <<
{ \new Staff = "right" {
\override Staff.StaffSymbol.color = #blue
c'1-\markup "blue"
\stopStaff \override Staff.StaffSymbol.color = #magenta
\startS
> -- Forwarded message --
> From: Amelie Protscher
> To: lilypond-user
> Cc:
> Bcc:
> Date: Thu, 3 Jun 2021 08:58:27 +0200
> Subject: Nashville Number System, again
> Hi all,
>
> in 2015 we had a discussion on this list if and how Lilypond should
> support output of chord changes
Hi Elaine, Jacques,
indeed the Jianpu system is somewhat similar, so some routines could
probably be taken from there.
Regarding the Nashville system, the ruleset is as follows:
FORMAL:
Key, time signature, feel, tempo, and title are stated on top of chart.
Every section gets a new line, with
Hello Amy,
I’d need a sample in both Nashville and standard notation to see what would
have to be done.
JM
> Le 4 juin 2021 à 21:04, Amelie Protscher a écrit :
>
> Hi Elaine, Jacques,
>
> indeed the Jianpu system is somewhat similar, so some routines could
> probably be taken from there.
>
Hi all,
I am trying to engrave a turn with a flat above it, all under a slur.
I can't seem to get it no matter what I try. Here is a fairly minimal
example:
%%%
\version "2.22.1"
\language "english"
\relative c'' {
\key ef \major
\time 12/8
\partial 8 bf8( |
g'4
\once \override TextSc
On 2021-06-04 5:28 pm, Flaming Hakama by Elaine wrote:
However, there is one other Nashville rule that would need to be
accommodated, which is that for minor, the numbers still follow the
relative major.
So, for a song in A minor that goes A- D- A- E7 A- it is not 1- 4- 1-
57 1-
as you might e
On Fri, Jun 4, 2021 at 5:46 PM Aaron Hill wrote:
> On 2021-06-04 5:28 pm, Flaming Hakama by Elaine wrote:
> > However, there is one other Nashville rule that would need to be
> > accommodated, which is that for minor, the numbers still follow the
> > relative major.
> >
> > So, for a song in A mi
Sorry, that version didn't have Chas on it!
Here's the one with guitar
https://soundcloud.com/david-elaine-alt/goat-on-the-tracks
Elaine Alt
415 . 341 .4954 "*Confusion is
highly underrated*"
ela...@flaminghakama.com
Producer ~ Composer ~ Instrumentalist
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