Sorry, that version didn't have Chas on it! Here's the one with guitar https://soundcloud.com/david-elaine-alt/goat-on-the-tracks
Elaine Alt 415 . 341 .4954 "*Confusion is highly underrated*" ela...@flaminghakama.com Producer ~ Composer ~ Instrumentalist ~ Educator -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- On Fri, Jun 4, 2021 at 6:22 PM Flaming Hakama by Elaine < ela...@flaminghakama.com> wrote: > > > On Fri, Jun 4, 2021 at 5:46 PM Aaron Hill <lilyp...@hillvisions.com> > wrote: > >> On 2021-06-04 5:28 pm, Flaming Hakama by Elaine wrote: >> > However, there is one other Nashville rule that would need to be >> > accommodated, which is that for minor, the numbers still follow the >> > relative major. >> > >> > So, for a song in A minor that goes A- D- A- E7 A- it is not 1- 4- 1- >> > 57 1- >> > as you might expect, but is rather 6- 2- 6- 37 6- >> >> I thought the numerals were always relative to the key. So a "1" is >> always an "A" even if it is "A major" or "A minor". Where "A major" and >> "A minor" differ is in the assumed chord types: >> >> (from Wikipedia) >> >> Nashville numerical notation 1 2 3 4 5 >> 6 7 >> >> ---------------------------------------------------------------------------------------------- >> Chord type (major key) major minor minor major >> major minor diminished >> Chord type (minor key) minor diminished major minor >> minor major major >> Chord type (harmonic minor key) minor diminished augmented minor >> major major diminished >> >> So if you wanted "Am Dm Am E7" then that becomes "1 4 1 5M7" in "A >> minor" and "1 4 1 57" in "A harmonic minor". >> >> >> -- Aaron Hill >> > > > It seems that there is variation among practitioners. > > Attached is the first pages of the lilypond and Nashville chart in minor > that uses the numbers of the relative major. > > While my knowledge of this system is limited to this little firsthand > knowledge, I can't say whether this is more or less common than using 1 for > the tonic. > > What I can say, is that the guitarist on this session was none other > than Chas Williams, author of THE NASHVILLE NUMBER SYSTEM 10th Edition > https://nashvillenumbersystem.com/ > > He was not the author of these charts, but he certainly read them without > hesitation. > > https://soundcloud.com/david-elaine-alt/bluegrass-train > > > Cheers, > > Elaine Alt > 415 . 341 .4954 "*Confusion is > highly underrated*" > ela...@flaminghakama.com > Producer ~ Composer ~ Instrumentalist ~ Educator > > -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- >
