Hi,
I'm writing a scale book. I would like to have the key signature but
also an accidentals in front of each note. For example, in d \major, I
would like to print f# c# as key signature and a # in front of each f
and c.
I see 2 possibilities:
1. define a custom Key_engraver which just prints the k
On 5/21/20, Francesco Petrogalli wrote:
> I have written it with lilypond, but it hasn't been performed yet. I
> wanted to secure the copyright before performing it. Given that there
> is no performing artist yet, there is no recording, so I cannot
> register it with ASCAP. Have I got this right?
Frédéric writes:
> Hi,
> I'm writing a scale book. I would like to have the key signature but
> also an accidentals in front of each note. For example, in d \major, I
> would like to print f# c# as key signature and a # in front of each f
> and c.
> I see 2 possibilities:
> 1. define a custom Key
Il giorno gio 21 mag 2020 alle 10:33, Valentin Villenave
ha scritto:
All you
need to have is a way of proving your anteriority if anyone were to
come and claim they’ve written it instead of you.
A modern alternative to sending a sealed package is digital
watermarking.
Francesco, as you are
Hi David,
> \fixed c'
> { \key d\major \accidentalStyle dodecaphonic
> c' d' e' f'
> cis' dis' eis' fis'
> ces' des' es' fes'
> }
I tested that one already but I do not want the natural signs.
Thanks
This is a message for the italian users subscribed to this mailing list.
Some years ago I asked if anybody were interested in creating an
italian mailing list. We were just three :-( so I gave up:
https://lists.gnu.org/archive/html/lilypond-user/2011-12/msg00653.html
As I'm seeing more and more
Hi Federico
In data giovedì 21 maggio 2020 11:37:34 CEST, Federico Bruni ha scritto:
> This is a message for the italian users subscribed to this mailing list.
> Some years ago I asked if anybody were interested in creating an
> italian mailing list.
> [...]
> Please let me know if you are interes
Dear Federico and all,
I'm interested to partecipate too! On choosing between a mailing
list or a Google group, I have no particular preferences.
Thnak you!
Luca
Il 21/05/20 11:37, Federico Bruni ha scritto:
This is a message for the italian users subscribed to this mailing list.
So
Il giorno gio 21 mag 2020 alle ore 11:42 Federico Bruni
ha scritto:
> I think it's the moment to create a new italian
> "community place".
> Please let me know if you are interested.
I'm interested and I believe it would attract many users.
> What would you suggest to use?
I would prefer
> 1.
Hi Frédéric,
If you want to get a custom style, see Simon's here:
http://lilypond.1069038.n5.nabble.com/Custom-accidental-styles-td190776.html#a190788
Otherwise you could do:
\version "2.20.0"
\fixed c' {
\accidentalStyle dodecaphonic
\key d\major
c' d' e' f'
cis' dis' eis' fis'
ces' d
On 5/21/2020 4:37 AM, Federico Bruni wrote:
2. Google group
Con: Google might dismiss it one day;
I administer a small (~100 member) Google Group list for others in my
occupation. It works OK for what it is, although it can get badly
confused when someone wants to join with a non-Google em
See also: http://lsr.di.unimi.it/LSR/Item?id=1113
Cheers,
Pierre
Le jeu. 21 mai 2020 à 11:04, Federico Bruni a écrit :
> Il giorno gio 21 mag 2020 alle 10:33, Valentin Villenave
> ha scritto:
> > All you
> > need to have is a way of proving your anteriority if anyone were to
> > come and claim
Pierre Perol-Schneider writes:
> Hi Frédéric,
> If you want to get a custom style, see Simon's here:
> http://lilypond.1069038.n5.nabble.com/Custom-accidental-styles-td190776.html#a190788
>
> Otherwise you could do:
>
> \version "2.20.0"
>
> \fixed c' {
> \accidentalStyle dodecaphonic
> \key
David Kastrup writes:
> Pierre Perol-Schneider writes:
>
>> Hi Frédéric,
>> If you want to get a custom style, see Simon's here:
>> http://lilypond.1069038.n5.nabble.com/Custom-accidental-styles-td190776.html#a190788
>>
>> Otherwise you could do:
>>
>> \version "2.20.0"
>>
>> \fixed c' {
>> \a
INTRO
A big "Hello" to this list!
I am new to Lilypond and worked through the intro documentation. My name is
Roland Hüttmann from Switzerland. I am an amateur piano player for almost
all genres, but mainly classical music, currently learning the Prelude and
Fugue IX of the Well Tempered Clavier
On 21/05/2020 01:49, David Wright wrote:
I don't understand your equivalence between .ily and .h files. The
.ily file(s) can contain just as much code as the .ly file(s), whereas
.h files don't contain any code at all (in the sense of producing
executable code for the next stage.
a) just like .
Hello Roland,
It will be easier for the people on this list to help you if you can post an
image of the score look you’re aiming at.
JM
> Le 21 mai 2020 à 14:53, R.H. a écrit :
>
> INTRO
>
> A big "Hello" to this list!
>
> I am new to Lilypond and worked through the intro documentation. My
Hi Roland,
welcome!
I started to encode the Bach's Fugue Nr. IX in Lilypond. I stumbled
over a problem which I could not yet (as a beginner) solve. The music
is polyphonic with three distinct voices. There is a bass voice, a
soprano voice and an alt voice. The alt voice uses both clefs in the
> On May 21, 2020, at 3:34 AM, Valentin Villenave
> wrote:
>
> On 5/21/20, Francesco Petrogalli wrote:
>> I have written it with lilypond, but it hasn't been performed yet. I
>> wanted to secure the copyright before performing it. Given that there
>> is no performing artist yet, there is no
> On 21 May 2020, at 14:53, R.H. wrote:
>
> I started to encode the Bach's Fugue Nr. IX in Lilypond. I stumbled over a
> problem which I could not yet (as a beginner) solve.
One way to learn is looking at examples, here is one for BWV 861 instead of BWV
854:
http://lilypond.org/doc/v2.19/Doc
antlists writes:
> On 21/05/2020 01:49, David Wright wrote:
>> I don't understand your equivalence between .ily and .h files. The
>> .ily file(s) can contain just as much code as the .ly file(s), whereas
>> .h files don't contain any code at all (in the sense of producing
>> executable code for t
Hi Roland,
Here's a template, made as clear as possible, in a fixed mode (no
relative).
(First measures taken from:
https://imslp.simssa.ca/files/imglnks/usimg/9/9b/IMSLP411479-PMLP05948-bach-wtk-ur-1.pdf
)
HTH,
Cheers,
Pierre
Le jeu. 21 mai 2020 à 15:34, Hans Åberg a écrit :
>
> > On 21 May
Roland,
I have set several of the Bach Fugues. Attached (and below) is the template I
use. It is for four voices.
Mark
\version "2.19.49"
\header {
}
\new PianoStaff <<
\new Staff = "upper" <<
\time 4/4
\key f \minor
\new Voice = "soprano"
{ \voiceOne \rel
On 21/05/2020 14:36, David Kastrup wrote:
antlists writes:
On 21/05/2020 01:49, David Wright wrote:
I don't understand your equivalence between .ily and .h files. The
.ily file(s) can contain just as much code as the .ly file(s), whereas
.h files don't contain any code at all (in the sense of
On Thu 21 May 2020 at 13:57:00 (+0100), antlists wrote:
> On 21/05/2020 01:49, David Wright wrote:
> > I don't understand your equivalence between .ily and .h files. The
> > .ily file(s) can contain just as much code as the .ly file(s), whereas
> > .h files don't contain any code at all (in the sen
Dear
Mark Stephen Mrotek
Pierre Perol-Schneider
Hans Åberg
Lukas-Fabian Moser
Jacques Menu
Wow, the extremely quick response here is more than anyone could expect.
Thank you all for your very nice comments and suggestions. I have to do
some homework to get it right. I am confident with your hints
Hi Pierre,
Am 21.05.20 um 15:53 schrieb Pierre Perol-Schneider:
Here's a template, made as clear as possible, in a fixed mode (no
relative).
(First measures taken from:
https://imslp.simssa.ca/files/imglnks/usimg/9/9b/IMSLP411479-PMLP05948-bach-wtk-ur-1.pdf)
But what's the point in using
> On 21 May, 2020, at 9:36 AM, David Kastrup wrote:
>
> antlists writes:
>
>> On 21/05/2020 01:49, David Wright wrote:
>>> I don't understand your equivalence between .ily and .h files. The
>>> .ily file(s) can contain just as much code as the .ly file(s), whereas
>>> .h files don't contain any
So here you go.
Cheers,
Pierre
(typos possible)
Le jeu. 21 mai 2020 à 19:09, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> a écrit :
> Right, I did that quickly without checking the whole score.
> Also, as I use \fixed, I found it faster to type.
> But again, you're right, it's a sin
Okay, for number one:
If you name the Staves, i.e. You got something like
\new PianoStaff
<<
\new Staff = "right" { ... }
\new Staff = "left"{ ... }
>>
You can switch a voice between these staves by
\change Staff = "right"
Also see
http://lilypond.org/doc/v2.19/Documentation/notation/common-nota
On 21/05/2020 16:36, David Wright wrote:
On Thu 21 May 2020 at 13:57:00 (+0100), antlists wrote:
On 21/05/2020 01:49, David Wright wrote:
I don't understand your equivalence between .ily and .h files. The
.ily file(s) can contain just as much code as the .ly file(s), whereas
.h files don't cont
Right, I did that quickly without checking the whole score.
Also, as I use \fixed, I found it faster to type.
But again, you're right, it's a single voice.
Cheers,
Pierre
Le jeu. 21 mai 2020 à 18:29, Lukas-Fabian Moser a écrit :
> Hi Pierre,
>
> Am 21.05.20 um 15:53 schrieb Pierre Perol-Schneide
Hi,
I'm helping my partner create a book of interval exercises, and I'm
getting very inconsistent vertical spacing coming from lilypond-book,
here is an example:
https://files.robehickman.com/problem.pdf
Weird thing is that this is very inconsistent between pages, and I
have verified there is no
OK, thank you all for the kind reply.
Here is my understanding, just double cheking with you guys is my
reasoning is right.
Step 1: secure the copyright of the PDF of the composition.
I am tempted to say that this is already done by the fact that I have
stored all commits of the development of th
This email hasn’t been posting for several months. Trying again.
Most likely the scores are for some obscure reason cropped to different
heights. For a quick workaround, you can try putting the images in a parbox
with a specified height.
signature.asc
Description: This is a digitally signed message part.
Hi Caio,
I'm not sure if there's a way to customize the coded order of accidentals,
and for some reason tweaking the X-offset property doesn't seem to work
either. In your case, making a couple of manual tweaks to the flat's and
double-flat's extra-offset properties (which are added after all the
> > \key d\major
> > \set Staff.keyAlterations = #'()
> > \accidentalStyle dodecaphonic
>
> Obviously not \accidentalStyle dodecaphonic though.
> \accidentalStyle forget I think?
apparently, this doesn't work:
\version "2.19.0"
\language "english"
{
\key d \major
\set Staff.keyAlterations = #'
On Thu 21 May 2020 at 18:40:53 (+0100), Robert Hickman wrote:
>
> I'm helping my partner create a book of interval exercises, and I'm
> getting very inconsistent vertical spacing coming from lilypond-book,
> here is an example:
>
> https://files.robehickman.com/problem.pdf
>
> Weird thing is tha
Hi David,
The .tex file contains the following (a snippet of), The idea about it
being where a new paragraph or line starts seems to make sense as the
added space seems to be about 1em.
\vspace{-0em}\Ssubsection{Scale}\vspace{-0em}
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\e
n 21/05/2020 07:35, Frédéric wrote:
Hi,
I'm writing a scale book. I would like to have the key signature but
also an accidentals in front of each note. For example, in d \major, I
would like to print f# c# as key signature and a # in front of each f
and c.
I see 2 possibilities:
1. define a custo
On 21/05/2020 19:38, Frédéric wrote:
\key d\major
\set Staff.keyAlterations = #'()
\accidentalStyle dodecaphonic
Obviously not \accidentalStyle dodecaphonic though.
\accidentalStyle forget I think?
apparently, this doesn't work:
\version "2.19.0"
\language "english"
{
\key d \major
\set S
On Thu 21 May 2020 at 17:54:38 (+0100), antlists wrote:
> On 21/05/2020 16:36, David Wright wrote:
> > On Thu 21 May 2020 at 13:57:00 (+0100), antlists wrote:
> > > On 21/05/2020 01:49, David Wright wrote:
> > > > I don't understand your equivalence between .ily and .h files. The
> > > > .ily file(
> \accidentalStyle teaching is close but parenthesises the accidental, so
> switch off the parentheses.
>
> {
>\override AccidentalCautionary.parenthesized=##f
>\accidentalStyle teaching
>\key d\major
>d'4 e' fis' g' a' b' cis'' d''
> }
This is really good and so simple!
Thanks a l
Hi,
I'm using Abraham's function: http://lsr.di.unimi.it/LSR/Item?id=1028
However, the overrides are killed by the shape adjustment:
%%
\version "2.20.0"
#(define (variable-bow-thickness min-l max-l min-t max-t)
(lambda (grob)
(let (;; get the procedure to calculate the control-points
Hi,
\caps does not work with non ASCII characters:
\version "2.19.84"
\markup { \caps "Blée" }
In this example, the 3rd character "é" is not converted to É.
Kind regards,
F
Hi Frédéric,
See: http://lilypond.org/doc/v2.19/Documentation/changes-big-page.html
%\version "2.20.0"
\version "2.19.84"
\markup{ \override #'(font-features . ("smcp")) "Blée" }
Cheers,
Pierre
Le ven. 22 mai 2020 à 07:36, Frédéric a écrit :
> Hi,
> \caps does not work with non ASCII characters:
> \caps does not work with non ASCII characters:
> \version "2.19.84"
> \markup { \caps "Blée" }
> In this example, the 3rd character "é" is not converted to É.
> Kind regards,
Irrespective of the problem, the character 'é' is *not* part of ASCII.
The ASCII character is quite an old 7bit characte
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