> On 20 Mar 2017, at 00:31, David Kastrup wrote:
>
> Hans Åberg writes:
>
>>> On 19 Mar 2017, at 23:54, Trevor Daniels wrote:
>>>
>>> David Kastrup wrote Sunday, March 19, 2017 10:11 PM
>>>
Here is my version using
\new TabStaff \with { stringTunings = \lute-tuning
tabl
Hello folks,
I’ve noticed that only the following languages:
nederlands deutsch english espanol or espa~nol français italiano
portugues
are mentioned at page 9 regarding:
semi-sharp semi-flat sesqui-sharp sesqui-flat
accidentals.
How does one write them in catalan, norsk, suo
Am 20.03.2017 um 11:38 schrieb Menu Jacques:
> I’ve noticed that only the following languages:
>
> nederlands deutsch english espanol or espa~nol français italiano
> portugues
>
> are mentioned at page 9 regarding:
>
> semi-sharp semi-flat sesqui-sharp sesqui-flat
>
> accidentals
Hello Malte,
Thanks, I was afraid it was missing information in the docs.
A nice day!
JM
> Le 20 mars 2017 à 12:04, Malte Meyn a écrit :
>
>
>
> Am 20.03.2017 um 11:38 schrieb Menu Jacques:
>> I’ve noticed that only the following languages:
>>
>> nederlands deutsch english espanol or
Hello guys, I am Vac.
I have invented an extremely robust and perfectly extensible plaintext file
format called Parallel Squares.
The prototypical use of this format is to encode premusic (I use this word to
describe instructions for how to play music, as opposed to any audio recording
- thu
Hello Vac,
Welcome to the lilypond community.
What are you asking us?
Andrew
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Hello,
Is it possible to use lily pond online from a server so I can use it on
my chromebook!
thanks
cr
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On Mon, Mar 20, 2017 at 10:36 AM, Carlos R Martinez wrote:
> Hello,
>
> Is it possible to use lily pond online from a server so I can use it on
> my chromebook!
> thanks
http://lilybin.com/
>
> cr
>
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On Sun, Mar 19, 2017 at 2:57 PM, Allen Wu wrote:
> Hey guys,
>
> Anyone knows how to align music staff to the middle of the page instead of
> the top?
>
I guess you could fake it with top-margin:
\version "2.19.56"
\relative { c'4 d e f | g f e d | c1 | }
\paper {
top-margin = 100
}
---
Kn
Yes, Lilybin is cool.
I would like to see some of the functionality of Lilybin - uploading a
lilypond file and downloading the resulting PDF and MIDI files - in the
form of a commandline tool, without the fancy GUI webbrowser functionality.
Would such a commandline interface to the Lilybin ser
On Mon, Mar 20, 2017 at 11:27 AM, Martin Tarenskeen
wrote:
> Yes, Lilybin is cool.
>
> I would like to see some of the functionality of Lilybin - uploading a
> lilypond file and downloading the resulting PDF and MIDI files - in the form
> of a commandline tool, without the fancy GUI webbrowser fun
Am 20.03.2017 um 17:02 schrieb Jeffery Shivers:
> On Mon, Mar 20, 2017 at 11:27 AM, Martin Tarenskeen
> wrote:
>> Yes, Lilybin is cool.
>>
>> I would like to see some of the functionality of Lilybin - uploading a
>> lilypond file and downloading the resulting PDF and MIDI files - in the form
>>
Hi Allen,
> Anyone knows how to align music staff to the middle of the page instead of
> the top?
This should give you a hint about what parameters to consider:
\version "2.19.54"
\paper {
tagline = ##f
ragged-bottom = ##f
ragged-last-bottom = ##f
top-system-spacing =
#
Hi! Thank you!
Tim
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View this message in context:
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Sent from the User mailing list archive at Nabble.com.
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Well, I have never begun a project like this before and am a little intimidated
by the potential it has in the field of music. I have furthermore noticed that
a similarly structured parallel square format could entirely separately
revolutionize the International Phonetic Alphabet, by rendering a
Hello, all. I need to reduce the space between the header (specifically,
the piece) and the staff.
I found a post to this mailing list from awhile back about increasing this
space, but I have not been able to adapt the solution to decrease it
instead. As far as I can tell (and I very easily may be
writes:
> I'm very certain that Parallel Squares will revolutionize the field of
> music notation. There simply has never been anything like it.
But there have been statements like that for every discipline of science
and arts a billion times over. It's almost a telltale sign where they
lead wh
Hi Cal,
> I need to reduce the space between the header (specifically, the piece) and
> the staff.
Define a custom scoreTitleMarkup — you can make the space “arbitrarily small”.
Hope this helps!
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan
>> I'm very certain that Parallel Squares will revolutionize the field
>> of music notation. There simply has never been anything like it.
>
> But there have been statements like that for every discipline of
> science and arts a billion times over. It's almost a telltale sign
> where they lead
Hi Cal,
> I wish I could say it does, but I'm afraid I’m too novice to go on just that.
> I looked at scoreTitleMarkup already, but without any spacing commands in it
> already for me to modify, I'm not really sure what changes to make. I tried
> the naive vspace I mentioned, but it did not wor
It's not hard to hit LilyBin from the command line, but the interface isn't
great. Try curl -X POST -H "Content-Type:application/json"
https://7icpm9qr6a.execute-api.us-west-2.amazonaws.com/prod/prepare_preview/stable
-d '{"code": "% LilyBin\n\\score{\n\t{\n\t\t\\repeat unfold 120 { c4. d e f
}\n\t
u...@openlilylib.org writes:
> Hi,
>
> I recall that we had such a discussion some years ago when we worked
> at the Layout Control Options for Frescobaldi. IIRC there wasn't a
> viable solution, but maybe things have changed and maybe I know more
> today ...
>
> Is it possible to determine from i
Well, let's think about this.
Sheet music, which I prefer to call sheet premusic, was developed over
centuries to be comfortably written by hand. In the year 2017, premusic is
encoded into a computer via really complicated file formats like MusicXML or
Lilypond designed to describe sheet premus
Am 20.03.2017 um 22:48 schrieb have@anti.capital:
> These are the first measures of Beethoven's Fifth in premusic.
This is missing tempo, fermatas and dynamics.
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writes:
> Why don't I ask you to name a notation that does something that
> Parallel Squares could NOT do? Or, if I reversed the roles, and every
> tune on http://abcnotation.com were in my notation, and I approached,
> telling you about the ABC or GUIDO notation I invented, would you see
> any m
Greetings -
I'm running LilyPond 2.19.50 under Windows 7 and Frescobaldi.
I'd like to increase the spacing between two notes, to accommodate a fall.
I've checked "spacing" issues in the Notation Reference and in the snippet
repository, but can't find anything that will increase the distance betwe
Am 20.03.2017 um 02:11 schrieb have@anti.capital:
> I have invented an extremely robust and perfectly extensible plaintext file
> format called Parallel Squares.
This sounds very promising, let’s do a partial fact check.
> premusic (I use this word to describe instructions for how to play music,
[]tm 108
[]dy ff
Fermatas I want to discuss with others before I make very specific plans. I
don't see much reason for an entire newline of squares for fermatas, when
"daa!" could be equivalent to "daaa" with a fermata. That's just one way to do
it.
- Original Message - Su
Am 20.03.2017 um 23:31 schrieb Ralph Palmer:
> Greetings -
>
> I'm running LilyPond 2.19.50 under Windows 7 and Frescobaldi.
>
> I'd like to increase the spacing between two notes, to accommodate a
> fall. I've checked "spacing" issues in the Notation Reference and in
> the snippet repository, b
Am 20.03.2017 um 22:48 schrieb have@anti.capital:
> MusicXML […] but it is an unwise solution here.
As you mentioned several times, you’re not a programmer so probably
others know a little better about how to store music in a way that
programs can easily read.
> ABC […] lacks the perfect and int
On Mon, Mar 20, 2017 at 7:04 PM, wrote:
> []tm 108
> []dy ff
>
> Fermatas I want to discuss with others before I make very specific plans. I
> don't see much reason for an entire newline of squares for fermatas, when
> "daa!" could be equivalent to "daaa" with a fermata. That's just one way to
To explain the concept of a square character, let's look at a separate project
to mine: the International Phonetic Alphabet. It is used by dictionaries and
the like to unambiguously describe how to pronounce any word in any language.
It has a symbol for every sound your mouth can conceivably mak
> As an example of what David is mentioning, have a look at the attached
> png image (taken from Chopin's prelude op. 28/24) and try to notate
> this.
Oops, wrong image. Here's the right one.
Werner
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On Mon, Mar 20, 2017 at 7:45 PM, have@anti.capital wrote:
> Viral Anticapital will get back to you shortly.
>
> If this is a throwaway email account, that's fine if unnecessary - please
> remember to keep checking it, though!
Seriously?
--
Jeffery Shivers
jefferyshivers.com
soundcloud.com/j
Hello Have,
I don’t understand what you mean by square characters: can you make that more
clear?
There are text editors you can use I guess for the parallel aspect of what
seems to be a measure-wise notation IIUC, i.e. those that offer block-mode
editing such as Win-EDT on Windows.
There’s a
Shouldn’t this discussion be happening elsewhere?
The relevance to Lilypond is what exactly?
best,
jc
> On Mar 20, 2017, at 5:42 PM, Jacques Menu Muzhic
> wrote:
>
> Hello Have,
>
> I don’t understand what you mean by square characters: can you make that more
> clear?
>
> There are text ed
Woah, I forgot about that. Haha, disabled signatures. Sorry folks.
- Original Message - Subject: Re: [Auto-Reply] Re: Re: What can
Premusic do that others can't?
From: "Jeffery Shivers"
Date: 3/20/17 6:49 pm
To: "Lilypond-User Mailing List"
On Mon, Mar 20, 2017 at 7:45 PM, hav
Please trim quotes in replies.
On Mon, 20 Mar 2017, Jeffery Shivers wrote:
> On Mon, Mar 20, 2017 at 7:04 PM, wrote:
> > me out? And what about my code is so cryptic? Can't anyone read a
> > "dadadaaa"?
>
> No. Probably for the same reason *anyone* can't just read binary code.
>
> You might be a
-- Forwarded message --
From:
Date: Mon, Mar 20, 2017 at 8:20 PM
Subject: RE: Re: Re: What can Premusic do that others can't?
To: Jeffery Shivers
I'm interested to know how you would pronounce the phrase "Can't
anyone read 'dadadaaa'?". Could you supply an audio recording?
I h
Using some stuff from that thread, I've managed to get everything to
look as I want, except the brackets themselves (as well as forbidding
line breaks):
\context Devnull = "coda"
\tweak self-alignment-X #RIGHT
\mark "D.S. al coda"
\bar "||"
\stopStaff
\cadenzaOn
\noBreak
s1
Am 20.03.2017 um 23:31 schrieb Ralph Palmer:
I'd like to increase the spacing between two notes, to accommodate a fall.
Maybe you can use
\override BendAfter.springs-and-rods = #ly:spanner::set-spacing-rods
d4-\tweak minimum-length 3 -\bendAfter #-3
?
Sorry, didn’t test it.
Best, Simon
__
Am 20.03.2017 um 22:48 schrieb have@anti.capital:
I have invented the perfect plaintext file format for premusic.
Sorry, but I find this preposterous as well as amusing…
You really need to be somewhat aware of the complexity of the problem,
before you can start a salespitch for the solution.
Very good, Jeffery, maybe the others can contribute to my study of methods of
pronunciation of "dadadaaa".
Werner, thanks for asking. I scored the second image you sent me. At least, the
parts of music exemplifying the complexity of Chopin. Slurs and everything else
have to be discussed. http
> Werner, thanks for asking. I scored the second image you sent me. At
> least, the parts of music exemplifying the complexity of
> Chopin. Slurs and everything else have to be
> discussed. http://pastebin.com/raw/APgfGgQz Here is the code, but
> you will have to paste it into a text editor to dis
A composer who uses an irrational tuplet is a composer who is going out of his
way to exclude his music from comfortable notation. I'm not too concerned about
that corner case of corner cases and am frankly honored you have to dig so deep
to try and break my format. But in any case, there's prec
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