I see. Thank you so much.
On Mon, Mar 13, 2017 at 7:49 PM, Thomas Morley
wrote:
>
>
> 2017-03-14 1:06 GMT+01:00 Allen Wu :
>
>>
>> Hey Guys,
>>
>> I was trying the example of crossing staff tremolo, but I found it
>> difficult to repeat the same one to the next. Can someone tell me what did
Hi,
hope to find some informations here about reading error messages
Example:
Processing `.../file.ly'
Parsing...
.../file.ly:16:30: error: unrecognized string, not in text script or \lyricmode
fis8 fis fis fis d d d4 g (
h) h h8 h8
.../file.ly:16:33: error: unrec
Am 14.03.2017 um 08:49 schrieb Scoutladen - Ralph Fröhlich:
Hi,
hope to find some informations here about reading error messages
Example:
Processing `.../file.ly'
Parsing...
.../file.ly:16:30: error: unrecognized string, not in text script or
\lyricmode
fis8 fis fis fis d d d4 g (
Ok... so far so good... thank you for the tipp. That works fine.
Am 14.03.2017 um 08:54 schrieb Marc Hohl:
Am 14.03.2017 um 08:49 schrieb Scoutladen - Ralph Fröhlich:
Hi,
hope to find some informations here about reading error messages
Example:
Processing `.../file.ly'
Parsing...
.../file.
Scoutladen - Ralph Fröhlich writes:
> Hi,
>
> hope to find some informations here about reading error messages
>
> Example:
>
> Processing `.../file.ly'
> Parsing...
> .../file.ly:16:30: error: unrecognized string, not in text script or
> \lyricmode
> fis8 fis fis fis d d d4 g (
>
Thank you very much. This will help me.
Am 14.03.2017 um 09:00 schrieb David Kastrup:
Scoutladen - Ralph Fröhlich writes:
Hi,
hope to find some informations here about reading error messages
Example:
Processing `.../file.ly'
Parsing...
.../file.ly:16:30: error: unrecognized string, not in
OK, I'll start by saying that I'm doing some things that
are wrong as far as musical purists are concerned,
but there *is* a reason.
I'm typesetting scores for folk dance music sets.
Typically, (but not exclusively) music for folk dance
consists of an 8 bar 'A' part and an 8 bar 'B' part.
It is o
Am 14.03.2017 um 09:00 schrieb David Kastrup:
> and then the offending line, split into two just at the offending
> location. In your case, the first occurences of h are flagged since h
> is not part of the default note language.
To add something more general to that: The "error: unrecognized s
Urs Liska writes:
> Am 14.03.2017 um 09:00 schrieb David Kastrup:
>> and then the offending line, split into two just at the offending
>> location. In your case, the first occurences of h are flagged since h
>> is not part of the default note language.
>
> To add something more general to that:
Am 14.03.2017 um 10:43 schrieb David Kastrup:
> Urs Liska writes:
>
>> Am 14.03.2017 um 09:00 schrieb David Kastrup:
>>> and then the offending line, split into two just at the offending
>>> location. In your case, the first occurences of h are flagged since h
>>> is not part of the default not
Urs Liska writes:
> Am 14.03.2017 um 10:43 schrieb David Kastrup:
>> Urs Liska writes:
>>
>>> Am 14.03.2017 um 09:00 schrieb David Kastrup:
and then the offending line, split into two just at the offending
location. In your case, the first occurences of h are flagged since h
is n
Am 14.03.2017 um 11:02 schrieb David Kastrup:
> Urs Liska writes:
>
>> Am 14.03.2017 um 10:43 schrieb David Kastrup:
>>> Urs Liska writes:
>>>
Am 14.03.2017 um 09:00 schrieb David Kastrup:
> and then the offending line, split into two just at the offending
> location. In your case
May I bump this?
Is there a way to detect a broken tie/slur at a moment where the first
note column of a system can still be pushed to the right?
Urs
Am 10.03.2017 um 18:51 schrieb Urs Liska:
> Hi all,
>
> Is it possible to push the first note column of a system to the right
> when it ends a tie
Am 14.03.2017 um 09:11 schrieb Don Gingrich:
> OK, I'll start by saying that I'm doing some things that
> are wrong as far as musical purists are concerned,
> but there *is* a reason.
>
> […]
>
> So it breaks the rules of music theory, but there is
> a reason.
If I understand correctly: No, it
Hi Malte,
I had a look into this for Don. The partial after a repeat throws a new bar
number, although it should not. Is there a way to control this, or is it a
defect?
Andrew
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Hi Don,
2017-03-14 9:11 GMT+01:00 Don Gingrich :
> OK, I'll start by saying that I'm doing some things that
> are wrong as far as musical purists are concerned,
> but there *is* a reason.
>
> I'm typesetting scores for folk dance music sets.
> Typically, (but not exclusively) music for folk dance
Malte Meyn writes:
> Am 14.03.2017 um 09:11 schrieb Don Gingrich:
>> OK, I'll start by saying that I'm doing some things that
>> are wrong as far as musical purists are concerned,
>> but there *is* a reason.
>>
>> […]
>>
>> So it breaks the rules of music theory, but there is
>> a reason.
>
> I
Hi,
I'm trying to determine if a slur includes ties in order to do some
layout calculations.
I'm overriding a stencil and have retrieved the slur's 'note-columns.
Now I want to know if any of these note-columns (or enclosed note heads
has a tie attached to it.
I see that NoteColumn has a note-he
2017-03-14 11:52 GMT+01:00 Urs Liska :
> Hi,
>
> I'm trying to determine if a slur includes ties in order to do some
> layout calculations.
>
> I'm overriding a stencil and have retrieved the slur's 'note-columns.
> Now I want to know if any of these note-columns (or enclosed note heads
> has a tie
Urs Liska writes:
> Hi,
>
> I'm trying to determine if a slur includes ties in order to do some
> layout calculations.
>
> I'm overriding a stencil and have retrieved the slur's 'note-columns.
> Now I want to know if any of these note-columns (or enclosed note heads
> has a tie attached to it.
>
Am 14.03.2017 um 11:35 schrieb David Kastrup:
>> Maybe you should use a newer (“unstable”/development version); 2.19.xx
>> allows \partial after the start of a piece and handles bar numbers
>> correctly. The development versions aren’t unstable in the sense that
>> they will crash or damage your
Hi Don,
Here's a way to do it I believe, simplifying your sample.
I personally don't have any musical objections to this - it's perfectly
clear, and clarity of intent what I am always seeking. Musicians will read
this just fine I reckon.
Andrew
== snip
\version "2.19.56"
treble = {
\time 2/
Am 14.03.2017 um 12:50 schrieb David Kastrup:
> Urs Liska writes:
>
>> Hi,
>>
>> I'm trying to determine if a slur includes ties in order to do some
>> layout calculations.
>>
>> I'm overriding a stencil and have retrieved the slur's 'note-columns.
>> Now I want to know if any of these note-colum
Am 14.03.2017 um 11:30 schrieb Andrew Bernard:
> I had a look into this for Don. The partial after a repeat throws a new
> bar number, although it should not. Is there a way to control this, or
> is it a defect?
I don’t really understand what you mean. Which LilyPond version did you
use? Which r
HI Malte,
Using 2.91.56, if you refer to the code I just posted for Don (trying to be
compact not repeating example in this email), if not making the bar number
invisible at the partial of the second half, it prints 4, but Don wants it not
to have a bar number at all. The NR says a partial afte
Dear All,
urgently need some code for the following phrase:
tuplet example
The issue is the placement of the a2 in Voice one which should be merged
with the a2 in the 5/4 tuplet of the second Voice.
The basic code is
\version 2.18.2
\relative fis'' { {a4 a4 d4} \tuplet 5/4 {fis32 a fis d a} \c
Hi All,
What David has written is naturally true. But I just wanted to say
that I have been using the progressive development versions for some
years and as far as open source software goes I am compelled to say
they are incredibly stable and reliable. I hammer lilypond with
engraving really dense
Urs Liska writes:
> Am 14.03.2017 um 12:50 schrieb David Kastrup:
>> Urs Liska writes:
>>
>>> Hi,
>>>
>>> I'm trying to determine if a slur includes ties in order to do some
>>> layout calculations.
>>>
>>> I'm overriding a stencil and have retrieved the slur's 'note-columns.
>>> Now I want to k
Dear Gerard,
not a finished solution but a pointer:
{ s4*1/10 a4*9/10~ a4 d4 }
IISC the a2 in voice one is starting a bit delayed. So you might enter a
skip here. Then you will need to scale the durations: The skip needs to
be 1/5 of an eighth, that is 1/10 of a quarter. To make the quarter
"Andrew Bernard" writes:
> HI Malte,
>
> Using 2.91.56, if you refer to the code I just posted for Don (trying
> to be compact not repeating example in this email), if not making the
> bar number invisible at the partial of the second half, it prints 4,
> but Don wants it not to have a bar number
Gerard writes:
> Dear All,
> urgently need some code for the following phrase:
> tuplet example
> The issue is the placement of the a2 in Voice one which should be merged with
> the
> a2 in the 5/4 tuplet of the second Voice.
>
> The basic code is
>
> \version 2.18.2
> \relative fis'' { {a4 a4 d
Hi David,
If I do that all the subsequent bar numbers have a 'b' appended. What's
happening here? How do we unset the alternativeNumberingStyle, and why does
it still apply to bars that are not in a \aternative section?
Andrew
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
"Andrew Bernard" writes:
> Hi David,
>
> If I do that all the subsequent bar numbers have a 'b' appended. What's
> happening here?
Now _that_ may be a bug.
> How do we unset the alternativeNumberingStyle, and why does it still
> apply to bars that are not in a \aternative section?
Bug? Can yo
Am 14.03.2017 um 13:37 schrieb David Kastrup:
>> (let ((ties (ly:grob-array->list (ly:grob-object grob 'ties
>>
>> but in that case "grob" is a TieColumn, and I don't know how I could
>> access that (which is something I need anyway in order to do further
>> formatting later).
> Well, looks
On Tue, Mar 14, 2017 at 9:46 AM, Urs Liska wrote:
>
>
> Am 14.03.2017 um 13:37 schrieb David Kastrup:
>
> (let ((ties (ly:grob-array->list (ly:grob-object grob 'ties
>
> but in that case "grob" is a TieColumn, and I don't know how I could
> access that (which is something I need anyway in ord
On Tue 14 Mar 2017 at 19:11:31 (+1100), Don Gingrich wrote:
> OK, I'll start by saying that I'm doing some things that
> are wrong as far as musical purists are concerned,
> but there *is* a reason.
>
> I'm typesetting scores for folk dance music sets.
> Typically, (but not exclusively) music for
Hello,
I find that, given my somewhat dubious understanding of the relationship
between engravers, I spend a lot of time looking at the internals and
overriding values to see if that will have the effect I’m trying to achieve.
Thinking about this, I realised that it might be very helpful to have
The answer might be found in in scm/time-signature-settings.scm
On Tue, Mar 14, 2017 at 2:05 PM, Juan Cristóbal Cerrillo
wrote:
> Hello,
>
> I find that, given my somewhat dubious understanding of the relationship
> between engravers, I spend a lot of time looking at the internals and
> overr
Hello:
Can someone help with an answer that I cannot find by searching the Lilypond
documentation?
In some plainsong settings in the Hymnal 1982, a vertical tick represents a
bar line.
See the following tiny example.
\version "2.19.54"
\relative c {
\time 2/4
c' c \bar"'" |
2017-03-14 19:57 GMT+01:00 Joseph N. Srednicki :
> Hello:
>
>
>
> Can someone help with an answer that I cannot find by searching the Lilypond
> documentation?
>
>
>
> In some plainsong settings in the Hymnal 1982, a vertical tick represents a
> bar line.
>
>
>
> See the following tiny example.
>
>
On Mar 14, 2017, at 2:57 PM, Joseph N. Srednicki
wrote:
>
> \version "2.19.54"
> \relative c {
> \time 2/4
> c' c \bar"'" |
> c c \bar "|."
> }
You can modify the \breathe mark or just \include “gregorian.ly” in your file.
You also have to set the regular bar line not to print, so I like
2017-03-14 23:05 GMT+01:00 Joseph N. Srednicki :
> Thanks so much. Your suggestion works fine!
Glad it works for you.
Please don't forget to reply to all, so that others know as well. ;)
Cheers,
Harm
>
> -Original Message-
> From: Thomas Morley [mailto:thomasmorle...@gmail.com]
> You c
Thanks. This works fine.
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, March 14, 2017 4:16 PM
To: Joseph N. Srednicki
Cc: lilypond-user
Subject: Re: Using a tick as a bar line and vertically repositioning it
2017-03-14 19:57 GMT+01:00 Joseph N.
Hi all,
How can I achieve proportional spacing when I only have chord names
and bar lines, and no staff or notes? Attached is a file with a very
naive attempt which fails to achieve this; corrections would be most
welcome.
For the curious, the background and motivation behind this question is
as
Just a thought - you apply the SpacingSpanner modifications to context
\Score ... did you already try to apply those to context \ChordNames
instead? That *does* change something, but I'm not sure if it is what
you want ...
Cool analysis, by the way!
Best,
Robert
Am 15/03/2017 um 01:11 schrie
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