2015-11-28 23:54 GMT+01:00 Kieren MacMillan :
> If this snippet achieves "production-ready” status,
I'll try to reply more detailed, as soon as I find the time. Pretty
busy with non-LilyPond tasks this weekend...
Cheers,
Harm
___
lilypond-user maili
Kieren MacMillan writes:
>> Maybe affecting 'self-alignment-X is the wrong method at all,
>> instead I could probably set 'X-offset.
>
> Perhaps someone else [with a more encyclopedic knowledge of the
> back-end] can weigh in on that. I am (and always have been) a little
> confused by the differe
Thank you for the help I received with this problem.
I have finally had time to get back to the project, and have ended up with:
\paper {
inner-margin = 30\mm
outer-margin = 30\mm
print-page-number = ##f
tocTitleMarkup = \markup {
\vspace #10
\fontsize #6
\column {
\fill
Hello all,
I've been developing a tool which is at a very early stage now, but I
humbly guess you should like the idea. Check this very simple page and
click the "play" button (or you can click any note or rest).
http://www.mathieudemange.fr/lilypond-html-live-score-demo/
There's a public re
This seems like it might be exceedingly cool, but I'm running into a
problem. When running make-live-score.sh I get this:
Drawing systems...
Layout output to `score-page-1.svg'...
Layout output to `score-page-2.svg'...
Layout output to `score-page-3.svg'...
Success: compilation successfully comple
Ow! That's because I clearly didn't except anyone to try the script
that quick :D It's not fail-proof, yet, but here are some hints (before
all this gets managed automatically):
- make sure you adapt the paper format so that your score fits into one
single page (see the \paper block in the ori
> Ow! That's because I clearly didn't except anyone to try the script that
> quick :D
Ha! I've been looking for something like this for a while. There's
another out there but I've had no luck getting it working and I think
it's been abandoned.
> - make sure you adapt the paper format so that you
Hello all,
Here's the first step towards a comprehensive Brandt & Roemer chord-naming
include file. I’ve attached both the exceptions/markup include file
(ChordNames-brandtroemer.ly) and a "test suite” score file
(ChordNames-brandtroemer-test.ly).
There are still lots of things I know how to i
On 22/11/15 22:27, tisimst wrote:
I think there was a misunderstanding about the voicing in Valse 2. The
beamed groups should NOT be in \voiceOne. They should be in \oneVoice.
That should clean up the space taken up by their respective slurs, too.
Hi, Abraham.
Fixed those issues now. I think
p.s. Thanks to Tim McNamara for the root-namer Scheme function!
(Full documentation and credits will be added to the entire file before it
"goes public”…)
On Nov 29, 2015, at 4:32 PM, Kieren MacMillan
wrote:
> Hello all,
>
> Here's the first step towards a comprehensive Brandt & Roemer chord-
Hell, Simon
On 23/11/15 00:03, Simon Albrecht wrote:
The last measure of the Introduction actually has only two quarters (the
half note isn’t dotted), to be complemented by the immediately following
upbeat for Valse 1.
I need your help with this. Although I got it working for the upper
voice,
Alberto,
On Sunday, November 29, 2015, Alberto Simões-2 [via Lilypond] <
ml-node+s1069038n184252...@n5.nabble.com> wrote:
>
>
> On 22/11/15 22:27, tisimst wrote:
> > I think there was a misunderstanding about the voicing in Valse 2. The
> > beamed groups should NOT be in \voiceOne. They should be
On 27.11.2015 21:10, Craig Dabelstein wrote:
Any idea how I can prevent the rehearsal marks from being pushed
upwards by the tempo indication, and get the tempo marks to be moved a
little to the right.
Another way: \once\override MetronomeMark.self-alignment-X = #-0.2 or
the like.
Yours, Si
On 29/11/15 21:49, tisimst wrote:
Alberto,
On Sunday, November 29, 2015, Alberto Simões-2 [via Lilypond] <[hidden
email] > wrote:
On 22/11/15 22:27, tisimst wrote:
> I think there was a misunderstanding about the voicing in Valse
2. The
> beamed groups should NOT be in \vo
On 29.11.2015 03:07, Joshua Nichols wrote:
I'm looking to force a \markup{} after a score block to the bottom of
the page for a project I am in. In LaTeX, this looks like \vfill,
which forces the next bit of text/content to the bottom of the page.
Is there something like it in LilyPond?
No, u
On 29.11.2015 22:45, Alberto Simões wrote:
Hell, Simon
On 23/11/15 00:03, Simon Albrecht wrote:
The last measure of the Introduction actually has only two quarters (the
half note isn’t dotted), to be complemented by the immediately following
upbeat for Valse 1.
I need your help with this. Alt
Thanks Lilyponders. These ideas are really helpful.
Craig
On Mon, 30 Nov 2015 at 07:57 Simon Albrecht wrote:
> On 27.11.2015 21:10, Craig Dabelstein wrote:
> > Any idea how I can prevent the rehearsal marks from being pushed
> > upwards by the tempo indication, and get the tempo marks to be mo
2015-11-29 19:08 GMT+01:00 Mathieu Demange :
> Hello all,
>
> I've been developing a tool which is at a very early stage now, but I humbly
> guess you should like the idea. Check this very simple page and click the
> "play" button (or you can click any note or rest).
>
> http://www.mathieudemange.f
Hi all,
I found a workaround for my problem and I am sharing it here. If I define
these in the beginning of the score and use the articulate.ly script, the
grace notes will behave as I expect:
#(define ac:defaultGraceBackwardness 0)
#(define ac:defaultGraceFactor 1)
Example:
\include "articulat
Oh, don't give me credit for that! It was sent to me by another list member a
few years back as the pop-chords.ly file.
> On Nov 29, 2015, at 3:42 PM, Kieren MacMillan
> wrote:
>
> p.s. Thanks to Tim McNamara for the root-namer Scheme function!
> (Full documentation and credits will be added
2015-11-30 0:04 GMT+01:00 Noeck :
> Hi Kieren,
>
> as a guitar player, I am used to not having standards in chord notation
> (the German note names confusion (H=B) being one of the constant issues
> with that). So please forgive my ignorance when talking about consistent
> systems of chord notation
Hi Harm,
> is Joram's pdf really what Brandt&Roemer propose??
The black and green are, I believe, exactly what B&R propose.
> Looking at the chord no 5 and 6 of this pdf I'd read the symbol's as
> e-major with added lowered 6th and f-major with added sharpened 6th.
Their system is hardly a stan
Hi Joshua (et al.),
Search the archives for put-mm.
I use it all the time for exactly the purpose you describe.
Hope that helps!
Kieren.
On Nov 29, 2015, at 5:02 PM, Simon Albrecht wrote:
> On 29.11.2015 03:07, Joshua Nichols wrote:
>> I'm looking to force a \markup{} after a score block to th
Hi Joram,
Thanks for the helpful response!
> I was interested in a direct comparison to the current style. That's why
> I created the attachment from your testing code.
> red = Lilypond's default style
> black = your Brandt-Roemer style
> green = differences I noticed (only once)
Very nice —
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