Am 14.10.2014 08:54, schrieb Mike Solomon:
Need to sleep more…
:-/
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Hi Abraham,
> YES!, this can be done quite easily. As I explained on my personal
> website (the link is found near the bottom of fonts.openlilylib.org),
>
> https://sites.google.com/site/tisimst/Home/custom-font-how-to#localized-font-changes
>
That's great! That's what I meant for this kind of
Hello folks,
We have set, override, temporary/revert and tweak available, and maybe others I
don’t know yet: when should one or the other be used, and with what kind of
settings?
Thanks for you help!
JM
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On Mon, 2014-10-13 at 14:47 +0200, David Kastrup wrote:
> Richard Shann writes:
>
> > On Sun, 2014-10-12 at 17:49 +0100, Richard Shann wrote:
> >> Perfect!
> >
> > hmm, I spoke a little too soon. It seems that \with-dimensions kills
> > point-and-click. Understandable with 0 as the dimension, but
Thanks for all the interest!
I would hope to make whatever might be useful to others available. It would
be great to let other people work on this code as I'm sure much of it could
be improved.
Thus far this code has only been for my purposes so it is only designed to
work in the musical situatio
Wow! It works perfectly! I am officially replacing my software method with
your Lilypond approach. Not only does it do everything I wanted but it has
better fined-grained control since it uses ledger lines and not octave
markings (like mine does). And it's got to be more efficient than mine (I
had
Hi-
I'm working on a piece for handbells and needed to borrow some articulation
marks from (gasp) a Finale font.
I have the font in my ~/.fonts directory, have refreshed my cache, and can
use it in other programs (LibreOffice, etc.). The font also shows up with
"lilypond -dshow-available-fonts
On Tue, Oct 14, 2014 at 1:57 AM, Janek Warchoł
>
>
> What i find most fascinating about your work is that you say this
> after already making the function quite intelligent :)
>
I appreciate that, but I'd like to have some sort of analysis of context,
so you wouldn't end up shutting it off for inc
David,
On Tue, Oct 14, 2014 at 10:53 AM, David Bellows
wrote:
> Wow! It works perfectly! I am officially replacing my software method with
> your Lilypond approach. Not only does it do everything I wanted but it has
> better fined-grained control since it uses ledger lines and not octave
> marki
Hi David,
> But maybe this is an enhancement which could come later?
I was going to chime in a lot earlier in this thread, with a suggestion for a
“minimum in/out” parameter… but I thought better of it, since you were pushing
ahead with improvements so quickly. =)
Clearly, such an enhancement
thanks a lot david, i learned a lot from studying this!
looks like there would be two options to get lilypond to report pitch info:
\void \displayLilyMusic % types absolute pitches to console
\include "event-listener.ly" % writes file w/midi numbers
but your example inspired me to figure
Jon,
On Tue, Oct 14, 2014 at 10:33 AM, Jon Arnold
wrote:
Hi-
I'm working on a piece for handbells and needed to borrow some
articulation
marks from (gasp) a Finale font.
That's nothing to be (too) ashamed of :)
I have the font in my ~/.fonts directory, have refreshed my cache,
and can
Thanks so much! That worked instantly!
For the record, I just used http://everythingfonts.com/ttf-to-otf to
convert.
On Tue, Oct 14, 2014 at 2:50 PM, Abraham Lee
wrote:
> Jon,
>
> On Tue, Oct 14, 2014 at 10:33 AM, Jon Arnold
> wrote:
>
> Hi- I'm working on a piece for handbells and needed to b
When I compile the following:
\version "2.19.15"
Drum = \drummode {
\set Staff.midiInstrument =#"woodblock"
hiwoodblock4 wbh8 wbh wbh wbh wbh4
r4 r8 wbh8 r4 r8 wbh8
wbh4 \repeat unfold 12 { wbh16 }
}
\score {
\new DrumStaff \with { drumStyleTable = #percussion-style
2014-10-14 21:54 GMT+02:00 Patrick or Cynthia Karl :
>
> When I compile the following:
>
> \version "2.19.15"
>
> Drum = \drummode {
> \set Staff.midiInstrument =#"woodblock"
> hiwoodblock4 wbh8 wbh wbh wbh wbh4
> r4 r8 wbh8 r4 r8 wbh8
> wbh4 \repeat unfold 12 { wbh16 }
> }
>
> \score
Hi Erik,
On Tue, Oct 14, 2014 at 1:28 PM, erik flister
wrote:
> thanks a lot david, i learned a lot from studying this!
>
>
Glad to hear it!
> looks like there would be two options to get lilypond to report pitch info:
>
> \void \displayLilyMusic % types absolute pitches to console
> \in
On Oct 14, 2014, at 3:30 PM, Peter Crighton wrote:
> 2014-10-14 21:54 GMT+02:00 Patrick or Cynthia Karl :
>
> When I compile the following:
>
> \version "2.19.15"
>
> Drum = \drummode {
> \set Staff.midiInstrument =#"woodblock"
> hiwoodblock4 wbh8 wbh wbh wbh wbh4
> r4 r8 wbh8 r4 r8 wb
Hi Marco,
please always reply to all.
2014-10-13 5:40 GMT+02:00 Marco Bagolin :
> Oh, ok!
> the code of MySample1.png is the following:
>
> \version "2.18.2"
>
> \relative c''
>
> {e1 \trill \p \< |
> b'1 \trill|
> 1
> \trill
> ^\markup {\tiny \italic \halign #2 \raise #1.5
Hi folks,
consider the following code.
\version "2.19.13"
%\version "2.16.0"
add-to-script =
#(define-event-function (parser location mrkp music)(markup? ly:music?)
#{
\tweak #'stencil
#(lambda (grob)
(let (
;(X-offset (ly:grob-property grob 'X-offset))
Hi Harm,
On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley
wrote:
> Hi folks,
>
> consider the following code.
>
>
>
> \version "2.19.13"
> %\version "2.16.0"
>
> add-to-script =
> #(define-event-function (parser location mrkp music)(markup? ly:music?)
> #{
> \tweak #'stencil
> #(lambda
Hi David,
2014-10-15 0:54 GMT+02:00 David Nalesnik :
> Hi Harm,
>
> On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley
> wrote:
>>
>> Hi folks,
>>
>> consider the following code.
>>
>>
>>
>> \version "2.19.13"
>> %\version "2.16.0"
>>
>> add-to-script =
>> #(define-event-function (parser location mrk
Hi Harm,
On Tue, Oct 14, 2014 at 6:15 PM, Thomas Morley
wrote:
> Hi David,
>
> 2014-10-15 0:54 GMT+02:00 David Nalesnik :
> > Hi Harm,
> >
> > On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley >
> > wrote:
> >>
> >> Hi folks,
> >>
> >> consider the following code.
> >>
> >>
> >>
> >> \version "2.1
On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley
wrote:
>
> Why does this happen? X-offset is _never_ called in the body!
>
But doing this:
#(let ((message (display "boo!\n"))) '())
shows that what you're binding message to is evaluated.
--David
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l
First of all, thanks to Simon for answering my previous question about how
to get a split centered title in the running header. My adaptation of his
solution is included below.
Next, I am trying to use bookpart to separate songs in a multi-song book.
The title of the piece remains the same, and I
2014-10-15 2:15 GMT+02:00 David Nalesnik :
>
>
> On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley
> wrote:
>>
>>
>> Why does this happen? X-offset is _never_ called in the body!
>
>
> But doing this:
>
> #(let ((message (display "boo!\n"))) '())
Ah, great example!
> shows that what you're binding
Hi,
I want to try to produce PDF/A-1b files from Lilypond to submit to the
Australian Music Centre (australianmusiccentre.com.au). It looks like it
would be possible to do this by exporting to Postscript and using
Ghostscript:
http://www.ghostscript.com/doc/9.14/Ps2pdf.htm#PDFA
Has anyone done t
It looks like this patch never made it into the current development
repository (or it got put into some place I couldn't find it). I've manually
tweaked my event-listener.ly for now, but wondered if this just sort of got
mis-placed. We need to output some drum part events for some experiments
we're
Hi all,
I can not reproduce the attached Sample1.png.
The best result I obtained is the attached MySample1.png with the
following code:
\version "2.18.2"
\relative c''
{e1 \trill \p \< |
b'1 \trill|
1
\trill
^\markup {\tiny \italic \halign #2 \raise #1.5 div.}
^\marku
Hello Flaming Hakama,
I did this with a small piece of Scheme.
%% Bookpart first page and last page predicates
#(define (not-part-first-page layout props arg)
(if (= (chain-assoc-get 'page:page-number props -1)
(ly:output-def-lookup layout 'first-page-number))
empty-stencil
Hello,
I occasionally have a rehearsal mark fall on the first measure of a line,
and I have to manually make it left-aligned so it will print. (I use small
margins.) However, then I have more manual work if the music layout
changes enough that the rehearsal mark is no longer on the first measure
May be of interest to some of us too.
Regards
Urs
Original-Nachricht
Betreff:[MEI-L] Music Encoding Conference 2015 - Call for proposals
Datum: Wed, 15 Oct 2014 06:06:41 +0200
Von:Christine Siegert
Antwort an: Music Encoding Initiative
An: Music Encoding
I live in Florence. If any of you attend the event let me know
Il 15/ott/2014 08:12 "Urs Liska" ha scritto:
> May be of interest to some of us too.
>
> Regards
> Urs
>
>
> Original-Nachricht Betreff: [MEI-L] Music Encoding
> Conference 2015 - Call for proposals Datum: Wed, 15
Hi russ,
Maybe I misunderstood you there, but rehearsal marks should be put at the place
where they are supposed to appear.
In your case:
\relative c'' {
\mark \markup "at start of measure"
c2 \mark \markup "after 2 beats" c2 |
\break
\mark \markup "at start of next measure" c1
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