I'm currently looking in detail at the repertoire of glyphs included in
Emmentaler to cross-check it against the repertoire of glyphs currently
encoded in SMuFL[1], in an effort to ensure that there are no glaring
omissions.
Jan Nieuwenhuizen and David Kastrup have been very kind in trying to
On Wed, 2014-04-02 at 07:48 +0200, Jan-Peter Voigt wrote:
> Hi Graham,
>
> you will most likely have a PianoStaff for the keys and a ChoirStaff
> or StaffGroup (or the like) for the choir. You can consist a grouping
> context (ChoirStaff,StaffGroup,...) with:
>
>
> \consists "Keep_alive_together
On Wed, 2014-04-02 at 02:50 +0200, Thomas Morley wrote:
> 2014-04-02 0:42 GMT+02:00 Graham King :
> > In a vocal score (SATB on separate staves + keyboard), it is useful to
> > suppress empty staves when all the singers are silent, using:
> > \score { \layout { \context { \RemoveEmptyStaffContext
Hi Daniel,
here:
http://www.lilypond.org/doc/v2.19/Documentation/snippets/keyboards#keyboards-changing-the-text-for-sustain-markings
is one example of Staff.pedalSustainStrings.
Best / Fredrik
On 2 April 2014 11:18, Daniel Spreadbury wrote:
> I'm currently looking in detail at the repertoire o
Fredrik wrote:
> here: http://www.lilypond.org/doc/v2.19/Documentation/snippets/
> keyboards#keyboards-changing-the-text-for-sustain-markings
> is one example of Staff.pedalSustainStrings.
Aha, so it's supposed to be like a hyphen in a split dynamic marking like
"cresc - en - do po - co a po - c
Daniel, you wrote Wednesday, April 02, 2014 11:38 AM
> Aha, so it's supposed to be like a hyphen in a split dynamic marking like
> "cresc - en - do po - co a po - co" or similar.
>
> I have never seen an edition where a pedal marking is written as "P - e -
> d". Do you have a feel for whether
Trevor Daniels Wednesday, April 02, 2014 12:12 PM
> Daniel, you wrote Wednesday, April 02, 2014 11:38 AM
>
>> Aha, so it's supposed to be like a hyphen in a split dynamic marking like
>> "cresc - en - do po - co a po - co" or similar.
>>
>> I have never seen an edition where a pedal marking
> That example doesn't make much sense to me, but an earlier example
> by Han-Wen using pedalSustainStrings set to ("Ped." "-P" "*")
> makes more sense. In this case it indicated an intermediate pedal
> lift. This example is no longer in the code base, having been replaced
> by the pedalSustainSt
I'm having trouble using lilypond-book on my Windows machine. The
program sees to hang during the initial run of the typesetting engine
that's used to determine the page settings. In this case, by hang I
mean that everything proceeds normally up to this point, but then
nothing happens, even i
http://postimg.org/image/feebk5qp1/
please see my screenshot for a better picture of my problem.
I know I can make repeats using:
\repeat volta 2 { musicexpr }
,but my musicexpr is part of <<>> group because I have two voices.. and
after that few measures continue as a separate music expr., so h
> -Original Message-
> From: Simon Albrecht [mailto:simon.albre...@mail.de]
> Sent: Tuesday, April 01, 2014 10:42 AM
> To: lilypond user list
> Subject: The pleasantry of Lilyponding
>
> Hello Lilypond aficionados,
>
> It’s like a mixture of a logical
> puzzle and a strategy game, with th
On Wed, Apr 02, 2014 at 08:58:52AM -0400, Br. Samuel Springuel wrote:
> I'm having trouble using lilypond-book on my Windows machine. The
> program sees to hang during the initial run of the typesetting engine
> that's used to determine the page settings. In this case, by hang I
> mean that ev
Perhaps I wasn't clear, but I did not include a test document because I
get the fault no matter what. I've even tested a document which was
devoid of content and consisted of exactly 5 commands:
\documentclass{article}
\begin{document}
\begin{lilypond}
\end{lilypond}
\end{document}
The same
Hello all,
I'm having trouble with this:
global = { \override TupletNumber.whiteout = ##t }
working in my project. I've also tried: \override
Score.TupletNumber.whiteout... and \override Staff.TupletNumber.whiteout...
Am I missing something? I obviously am somewhere...
IC,
Josh
_
Dear All,
I am writing a new email regarding something I spotted in Guy’s example. When
I played the Midi file through Frescobaldi, it started counting 3/4 beats as if
the pickup beat was beat 1. Is this the normal way Midi files are produced, or
specifically a Frescobaldi issue, and can it b
2014-04-02 23:59 GMT+02:00 Joshua Nichols :
> Hello all,
>
Hi Josh,
> I'm having trouble with this:
>
> global = { \override TupletNumber.whiteout = ##t }
>
> working in my project. I've also tried: \override
> Score.TupletNumber.whiteout... and \override Staff.TupletNumber.whiteout...
>
> Am I
On 3-Apr 8:59, Joshua Nichols wrote:
Hello all,
I'm having trouble with this:
global = { \override TupletNumber.whiteout = ##t }
Use
\omit TupletNumber
If you want it back:
\undo \omit TupletNumber
IC,
Josh
___
lilypond-user mailing list
l
Am 02.04.2014 22:10, schrieb Daniel Rosen:
-Original Message-
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Tuesday, April 01, 2014 10:42 AM
To: lilypond user list
Subject: The pleasantry of Lilyponding
Hello Lilypond aficionados,
It’s like a mixture of a logical
puzzle and
Well, ain't that embarrassing! You see what you expect to see. /voiceOne vs.
/oneVoice. Good grief!
Thanks to those who replied.
On April 2, 2014 12:08:34 AM CDT, Urs Liska wrote:
>Am 02.04.2014 07:22, schrieb Guy Stalnaker:
>> I noticed this recently but did not have time to post to the list.
Branko,
I have looked at your picture and read your message several times. I am not
sure what you want.
Do you want a repeat to start within the second ending? Or to start after the
second ending?
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bo
Hi Mark, please see updated screenshot on
http://postimg.org/image/eoc74bqkx/
I hope it's clear now what I want.. thanks!
On 3 April 2014 01:50, Mark Stephen Mrotek wrote:
> Branko,
>
>
>
> I have looked at your picture and read your message several times. I am
> not sure what you want.
>
> Do
I just realized that I had isolated the problem to other layers getting
priority over it, so it wouldn't become whiteout. Is it the higher the
level number, the farthest forward that that engraver sits?
On Wed, Apr 2, 2014 at 5:24 PM, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrot
just to clear up, what makes problem for me, is that 2. volta, as it is
musicexpr in \alternative {} block, so how to put that now as a beginning
of another repetition.. Don't know if I am clear enough..
On 3 April 2014 01:50, Mark Stephen Mrotek wrote:
> Branko,
>
>
>
> I have looked at your p
Branko,
That is what I thought. I have tried several things, none work as of yet. The
various { … } groups – repeat and alternative – seem to conflict.
I cannot say that it cannot be done, just that what I have tried does not.
I shall keep working on this later tonight.
Mark
From: Br
Hello,
In a piano staff the pedal commands are within "\new Dynamics { . }."
I want the pedal notated with brackets, \set Staff.pedalSustainStyle =
#'bracket.
This command has been put in various places within the \score { . }, and,
obviously, not the correct one!
Where should it be placed?
On 3-Apr 13:32, Mark Stephen Mrotek wrote:
Branko,
That is what I thought. I have tried several things, none work as of
yet. The various { ... } groups -- repeat and alternative -- seem to
conflict.
I cannot say that it cannot be done, just that what I have tried does not.
I shall keep wo
On 3-Apr 15:46, Graeme Lee wrote:
On 3-Apr 13:32, Mark Stephen Mrotek wrote:
Branko,
That is what I thought. I have tried several things, none work as of
yet. The various { ... } groups -- repeat and alternative -- seem to
conflict.
I cannot say that it cannot be done, just that what I h
Trevor Daniels writes:
> Daniel, you wrote Wednesday, April 02, 2014 11:38 AM
>
> texidoc = "The standard piano pedals style comes with Ped symbols.
> The pedal string can be also tuned, for example, to a shorter tilde/P variant
> at the end of the melody."
That says it all. P -P is used in ti
Hello list,
I'd like to detect the current voice-number for the voice-context:
for example it might be something like:
\oneVoice -> 0
\voiceOne -> 1
\voiceTwo -> 2
\voiceThree -> 3
If I look at the horizontal-shift for the NoteColumn, I get
\oneVoice -> #f
\voiceOne -> 0
\voiceTwo -> 0
\voiceThre
Hello,
I'm working on a multi-movement piece, so far using a separate file for the
score of each movement. I'm trying to add a file to the project that
compiles all the movements and frontmatter into a single pdf, using
bookparts, and I'm having trouble figuring out the best way to do that. The
ni
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