On Wed, Aug 7, 2013 at 7:02 PM, Glen Larsen wrote:
> I often use this when developing guitar tabs so the MIDI output doesn't
> double up:
>
> \new TabStaff = "Guitar tabs" \with {
> \remove "Staff_performer"
> }
Excellent! This is just what I was looking for. Many thanks!
_
Am 08.08.2013 04:29, schrieb SoundsFromSound:
Thoughts?
http://blog.steinberg.net/2013/08/development-diary-part-two/?fb_source=pubv1
For now just one:
Let's see if Kieren's comments on the post provoke _any_ response.
Anybody ready to write a post on lilypondblog.org about polymetrics,
absenc
Most scores I do (renaissance choral editions) have no slurs and
hundreds of \melisma and \melismaEnds. My source code would look a lot
nicer if I could redefine ( and ) to mean \melisma and \melismaEnd.
What is wrong with this code?
\version "2.16.1"
slurStart = #(make-span-event 'SlurEvent STAR
I'm surprised that no one else in those comments responded to any of the
LilyPond mentions.
As a former SCORE user, personally I can't possibly imagine /ever /going
back now that I've tried LilyPond. There truly is just no comparison.
Period.
With LilyPond, you're only limited by your imagination
Vaughan McAlley writes:
> Most scores I do (renaissance choral editions) have no slurs and
> hundreds of \melisma and \melismaEnds. My source code would look a lot
> nicer if I could redefine ( and ) to mean \melisma and \melismaEnd.
> What is wrong with this code?
>
> \version "2.16.1"
>
> slurS
Am 08.08.2013 10:35, schrieb SoundsFromSound:
I'm surprised that no one else in those comments responded to any of the
LilyPond mentions.
As a former SCORE user, personally I can't possibly imagine /ever /going
back now that I've tried LilyPond. There truly is just no comparison.
Period.
With Lil
SoundsFromSound writes:
> I'm surprised that no one else in those comments responded to any of the
> LilyPond mentions.
Yes, it could be very interesting to know why comments about Lilypond
are ignored.
The blog did inspire me a little bit, we could add two new glyphs
to the feta font that have
Am 08.08.2013 11:06, schrieb Jan Nieuwenhuizen:
SoundsFromSound writes:
I'm surprised that no one else in those comments responded to any of the
LilyPond mentions.
Yes, it could be very interesting to know why comments about Lilypond
are ignored.
The blog did inspire me a little bit, we could
Urs Liska writes:
> And I think that adding text input as an option (if it is thoroughly
> thought through) would be a great step forward for the resulting
> program.
Aren't they talking about keyboard entry, instead of text input?
Text input is about the storage format. Most wordprocessors hav
Am 08.08.2013 11:11, schrieb Jan Nieuwenhuizen:
Urs Liska writes:
And I think that adding text input as an option (if it is thoroughly
thought through) would be a great step forward for the resulting
program.
Aren't they talking about keyboard entry, instead of text input?
Text input is about
Am 08.08.2013 11:08, schrieb Urs Liska:
Am 08.08.2013 11:06, schrieb Jan Nieuwenhuizen:
SoundsFromSound writes:
I'm surprised that no one else in those comments responded to any of
the
LilyPond mentions.
Yes, it could be very interesting to know why comments about Lilypond
are ignored.
The
I'm not that surprised.
During the last few years I became something nerd-like. After beeing a
Mac-User for a long time, I now only use Ubuntu or Debian and all its
related tools for my everyday work.
So for me using lilypond is a quite natural thing and I am getting
better and quicker using em
On 8 August 2013 18:45, David Kastrup wrote:
> Vaughan McAlley writes:
>
>> Most scores I do (renaissance choral editions) have no slurs and
>> hundreds of \melisma and \melismaEnds. My source code would look a lot
>> nicer if I could redefine ( and ) to mean \melisma and \melismaEnd.
>> What is
Jan Nieuwenhuizen writes:
> SoundsFromSound writes:
>
>> I'm surprised that no one else in those comments responded to any of the
>> LilyPond mentions.
>
> Yes, it could be very interesting to know why comments about Lilypond
> are ignored.
Maybe because some people don't comment on things they
Am 08.08.2013 12:47, schrieb David Kastrup:
Jan Nieuwenhuizen writes:
SoundsFromSound writes:
I'm surprised that no one else in those comments responded to any of the
LilyPond mentions.
Yes, it could be very interesting to know why comments about Lilypond
are ignored.
Maybe because some pe
SoundsFromSound writes:
> I'm surprised that no one else in those comments responded to any of the
> LilyPond mentions.
Frankly, if I were Daniel, I'd be pissed already. I think he is
perfectly correct to remind people that his blog is not the place for
LilyPond advocacy. Since it is also not
Am 08.08.2013 13:13, schrieb David Kastrup:
SoundsFromSound writes:
I'm surprised that no one else in those comments responded to any of the
LilyPond mentions.
Frankly, if I were Daniel, I'd be pissed already. I think he is
perfectly correct to remind people that his blog is not the place fo
On Thu, 08 Aug 2013 12:06:36 +0200
Jan-Peter Voigt wrote:
> If I import some musicXML the virtual instruments sound
> much better than the standard midi output of either timidity or
> mac-quicktime.
Isn't this just a question of which soundfont is bundled? We distribute
Denemo with a samll (5Mb
Am 08.08.2013 14:02, schrieb Richard Shann:
On Thu, 08 Aug 2013 12:06:36 +0200
Jan-Peter Voigt wrote:
If I import some musicXML the virtual instruments sound
much better than the standard midi output of either timidity or
mac-quicktime.
Isn't this just a question of which soundfont is bundled
Urs Liska writes:
> Am 08.08.2013 13:13, schrieb David Kastrup:
>>
>> He does have misconceptions about LilyPond, but his blog is not the
>> place to address them. Yes, that's unfortunate, but please behave
>> like one would expect guests to behave. We are not doing our case a
>> favor by makin
Am 08.08.2013 14:08, schrieb Jan-Peter Voigt:
Am 08.08.2013 14:02, schrieb Richard Shann:
On Thu, 08 Aug 2013 12:06:36 +0200
Jan-Peter Voigt wrote:
If I import some musicXML the virtual instruments sound
much better than the standard midi output of either timidity or
mac-quicktime.
Isn't thi
Francois Planiol wrote:
>Probably a good news? (many guys downloading lily or consulting
>manuals online...)
Maybe...I was wondering about a DDOS, but who knows
Makes it difficult for somebody that I clue in about Lily to take a
look. Anyway, it seems to be back up now.
--
Tim Slattery
slatte
Hi Urs,
> What could be useful however (I don't know _anything_ about it) would be to
> add a chapter to the documentation talking about how to get high-quality
> audio output from/through LilyPond, referencing useful free soundfonts or
> whatever is useful to get this to work.
Agreed.
I have
Am 08.08.2013 15:19, schrieb Kieren MacMillan:
Hi Urs,
What could be useful however (I don't know _anything_ about it) would be to add
a chapter to the documentation talking about how to get high-quality audio
output from/through LilyPond, referencing useful free soundfonts or whatever is
us
Hello,
I've written a bash script and a set of .ly templates to generate scales in
various modes for all 21 pitches.
Should I create a post to show how it's done thanks to the power of LP?
Two sample output files can be found at
http://picpaste.com/aes_Trebble-eUkTiH8o.png and
http://picpaste
Richard Shann writes:
> On Thu, 08 Aug 2013 12:06:36 +0200
> Jan-Peter Voigt wrote:
>
>> If I import some musicXML the virtual instruments sound
>> much better than the standard midi output of either timidity or
>> mac-quicktime.
> Isn't this just a question of which soundfont is bundled? We d
Oh, forgot to send a CC to the list. And yes, I’m from germany an meant
“b flat minor”, not “b minor” …
Original Message
Subject: Re: Example worth placing in lilyblog?
Date: Thu, 08 Aug 2013 16:38:11 +0200
From: Malte Meyn
To: Jacques Menu
Hello,
isn’t melodic minor downw
Kieren MacMillan writes:
> Hi Urs,
>
>> What could be useful however (I don't know _anything_ about it) would
>> be to add a chapter to the documentation talking about how to get
>> high-quality audio output from/through LilyPond, referencing useful
>> free soundfonts or whatever is useful to get
Am 08.08.2013 17:24, schrieb Johan Vromans:
Kieren MacMillan writes:
Hi Urs,
What could be useful however (I don't know _anything_ about it) would
be to add a chapter to the documentation talking about how to get
high-quality audio output from/through LilyPond, referencing useful
free soundf
On Aug 8, 2013, at 5:06 AM, Jan-Peter Voigt wrote:
> I'm not that surprised.
> During the last few years I became something nerd-like. After beeing a
> Mac-User for a long time, I now only use Ubuntu or Debian and all its related
> tools for my everyday work.
> So for me using lilypond is a qu
At 10:32 08/08/2013 -0500, Tim McNamara wrote:
I use LibreOffice because the default operation for text is
fine. If I was writing out complex math equations, it'd be a different story.
Surely not: you'd use LibreOffice's Math facility!
Brian Barker
__
Am 08.08.2013 17:40, schrieb Brian Barker:
At 10:32 08/08/2013 -0500, Tim McNamara wrote:
I use LibreOffice because the default operation for text is fine. If
I was writing out complex math equations, it'd be a different story.
Surely not: you'd use LibreOffice's Math facility!
Brian Barker
- Original Message -
From: "Tim McNamara"
To: "LilyPond Users"
Sent: Thursday, August 08, 2013 4:32 PM
Subject: Re: Steinberg's progress report on new notation software
Similarly LilyPond is probably not the most appropriate tool for most
people just looking to print out some chord c
Tim McNamara writes:
> On Aug 8, 2013, at 5:06 AM, Jan-Peter Voigt wrote:
>
>> I'm not that surprised.
>> During the last few years I became something nerd-like. After beeing
>> a Mac-User for a long time, I now only use Ubuntu or Debian and all
>> its related tools for my everyday work.
>> So f
on 2013-08-08 at 14:16 Urs Liska wrote:
> What could be useful however (I don't know _anything_ about it) would be
> to add a chapter to the documentation talking about how to get
> high-quality audio output from/through LilyPond, referencing useful free
> soundfonts or whatever is useful to g
Am 08.08.2013 18:05, schrieb luis jure:
on 2013-08-08 at 14:16 Urs Liska wrote:
What could be useful however (I don't know _anything_ about it) would be
to add a chapter to the documentation talking about how to get
high-quality audio output from/through LilyPond, referencing useful free
soundf
> Message: 9
> Date: Thu, 8 Aug 2013 01:35:47 -0700 (PDT)
> From: SoundsFromSound
> To: lilypond-user@gnu.org
> Subject: Re: Steinberg's progress report on new notation software
> Message-ID: <1375950947119-148848.p...@n5.nabble.com>
> Content-Type: text/plain; charset=us-ascii
>
> I'm surprised
2013/8/8 Johan Vromans
> Generating audio is one of the important reasons to use LilyPond.
>
> I use Timidity++ on a Linux system with CrisisGM351 soundfont, and I
> get very acceptable results. I must admit that I cannot remember where I
> got this soundfont from, but AFAIK it's a free font.
>
I agree. That's the main reason why I chose to write that comment on this
mailing list vs. his blog post ;)
David Kastrup wrote
> SoundsFromSound <
> soundsfromsound@
> > writes:
>
>> I'm surprised that no one else in those comments responded to any of the
>> LilyPond mentions.
>
> Frankly,
2013/8/7 Glen Larsen
> I often use this when developing guitar tabs so the MIDI output doesn't
> double up:
>
> \new TabStaff = "Guitar tabs" \with {
> \remove "Staff_performer"
> }
>
Thanks Glen, I never realized it!
I see that the size of the midi file is reduced by an half.
Most
SCORE was amazing and practically limitless. Back in the DOS days.
Now, with "newer" versions of the program? I'd only use it if I was forced.
YMMV
Tim Reeves-3 wrote
>> Message: 9
>> Date: Thu, 8 Aug 2013 01:35:47 -0700 (PDT)
>> From: SoundsFromSound <
> soundsfromsound@
> >
>> To:
> lilypo
Federico Bruni writes:
> maybe this one?
> http://www.bismutnetwork.com/04CrisisGeneralMidi/Soundfont3.0.php
>
> free as in beer, but not Free
I definitely didn't get it from there (you need to register to get a
password).
You can find "GM SoundFonts - Crisis GM 3 51 ZSF Edit Sf2" on many
torre
Urs Liska writes:
> Would you mind uploading an example somewhere?
Not at all. Do you have a MIDI file you want to have processed?
-- Johan
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