Jim Long writes:
> I will say that the merging of noteheads onto stems is probably
> the weak spot in my knowledge.
[...]
> The piece also generates several warnings about clashing note
> columns.
Small wonder:
> \new Voice { \voiceOne \hornA }
> \new Voice { \voiceOne \ho
On Fri, Feb 22, 2013 at 09:41:01AM +0100, David Kastrup wrote:
> Jim Long writes:
>
> > I will say that the merging of noteheads onto stems is probably
> > the weak spot in my knowledge.
>
> [...]
>
> > The piece also generates several warnings about clashing note
> > columns.
>
> Small wonder
Am 22.02.2013 11:18, schrieb Jim Long:
On Fri, Feb 22, 2013 at 09:41:01AM +0100, David Kastrup wrote:
Jim Long writes:
I will say that the merging of noteheads onto stems is probably
the weak spot in my knowledge.
[...]
The piece also generates several warnings about clashing note
columns.
Jim Long writes:
> On Fri, Feb 22, 2013 at 09:41:01AM +0100, David Kastrup wrote:
>> Jim Long writes:
>>
>> > I will say that the merging of noteheads onto stems is probably
>> > the weak spot in my knowledge.
>>
>> [...]
>>
>> > The piece also generates several warnings about clashing note
>
Urs Liska writes:
> I was trying to reproduce the example .png given in the blog,
> accessible at http://felixrosch.com/example.png.
>
> That example shows two grouped staves, each with two horn parts
> written on the same stem, as though they were a chord.
>
> Ah, that makes it clearer.
> If y
Am 22.02.2013 11:27, schrieb David Kastrup:
Urs Liska writes:
I was trying to reproduce the example .png given in the blog,
accessible at http://felixrosch.com/example.png.
That example shows two grouped staves, each with two horn parts
written on the same stem, as though they were a chord.
Am 22.02.2013 04:41, schrieb Jim Long:
> 1) label a staffgroup with a centered instrument name, instead of
> only being able to label each separate staff of the group;
>
> 2) splitting out separate instrument parts whilst also being able
> to flexibly combine parts on the conductor's score.
Tha
Am 22.02.2013 11:33, schrieb Noeck:
Am 22.02.2013 04:41, schrieb Jim Long:
1) label a staffgroup with a centered instrument name, instead of
only being able to label each separate staff of the group;
2) splitting out separate instrument parts whilst also being able
to flexibly combine parts on
Hi,
I have been using Lilypond for quite some time now and couldn't live
without it anymore.
I never tried to use lilypond-book before and want to give it a try.
But I can't get the example from Lilypond-Usage 3.1 work for me:
http://lilypond.org/doc/v2.16/Documentation/usage/an-example-of-a
Hi,
here is a website that could be used for crowdfunding LilyPond issues:
www.freedomsponsors.org/
Bitcoin accepted:
http://blog.freedomsponsors.org/freedomsponsors-is-now-accepting-bitcoins/
Regards,
Carlo
--
.-. | Registered Linux User #443882| .''`.
oo| | ht
On 22 February 2013 04:41, Jim Long wrote:
>
> I don't do any ensemble scoring to speak of, but I used to play
> french horn, so I decided to take a crack at one wishlist example
> from the blog, the ability to:
>
> 1) label a staffgroup with a centered instrument name, instead of
> only being abl
- Original Message -
From: "Martin Tarenskeen"
To: "lilypond-user mailinglist"
Sent: Friday, February 22, 2013 11:40 AM
Subject: lilypond-book
Hi,
I have been using Lilypond for quite some time now and couldn't live
without it anymore.
I never tried to use lilypond-book before a
Carlo Stemberger writes:
> Hi,
> here is a website that could be used for crowdfunding LilyPond issues:
>
> www.freedomsponsors.org/
That would make a modicum of sense if we had issues worth putting behind
able to pair with available resources. Available resources are mostly
what can be done by
"Phil Holmes" writes:
> From: "Martin Tarenskeen"
> To: "lilypond-user mailinglist"
> Sent: Friday, February 22, 2013 11:40 AM
> Subject: lilypond-book
>
>> ERROR: In procedure primitive-load-path:
>> ERROR: Unable to find file "lily.scm" in load path
>> command failed: /bin/lilypond --formats=
Hi all,
thanks to answers on this list I managed to set up a 'compilation
engine' that works somewhat like in the attached minimal example. (The
actually used function compileScore is more complex and creates
different output based on several conditions.)
\compileScore takes a \score {}, the
Hi, lily users,
I have trouble displaying number 7 on a chord, but 9 is OK. Please refer to
.ly file
I also don't know how to code these chord ( refer to .png : G(add2) G(sus4) &
A(add9) )
Thank you for the help and is much appreciated.
Ming.
test-chord.ly
Description: Binary data
<><><>_
Is there a way to make the default rehearsal mark a
filled-in box/circle/rounded-box with white text?
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
How do you change the relative size of all text
(titles, bar numbers, marks, page numbers, etc.) in a document?
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Am 22.02.2013 17:14, schrieb Nels Daily:
How do you change the relative size of all text
(titles, bar numbers, marks, page numbers, etc.) in a document?
#(set-global-staff-size X) as a toplevel expression.
X is the staff-size, I think 20 is normal.
___
On Fri, Feb 22, 2013 at 7:55 AM, Nels Daily wrote:
> Is there a way to make the default rehearsal mark a
> filled-in box/circle/rounded-box with white text?
>
>
Here's what I got:
#(define-public (format-mark-inverse-rounded-box mark context)
(markup #:bold #:combine
#:center-align #:
On Fri, Feb 22, 2013 at 8:25 AM, Nathan wrote:
> On Fri, Feb 22, 2013 at 7:55 AM, Nels Daily wrote:
>
>> Is there a way to make the default rehearsal mark a
>> filled-in box/circle/rounded-box with white text?
>>
>>
> Here's what I got:
>
> #(define-public (format-mark-inverse-rounded-box mark co
On Fri, Feb 22, 2013 at 7:29 AM, MING TSANG wrote:
> Hi, lily users,
>
> I have trouble displaying number 7 on a chord, but 9 is OK. Please refer
> to .ly file
>
> I also don't know how to code these chord ( refer to .png : G(add2)
> G(sus4) & A(add9) )
>
>
LilyPond already supports sus4, althou
On Fri, 22 Feb 2013, David Kastrup wrote:
Well, you obviously have a non-working /bin/lilypond for some reason.
Figure out where you got that first and try whether you can't get rid of
it. And try to figure out what version of LilyPond you are using
instead usually.
I have done some experi
On Fri, 22 Feb 2013, Martin Tarenskeen wrote:
If I type "which lilypond" in my terminal "/bin/lilypond" is returned.
And I can type any of:
lilypond -v
/bin/lilypond -v
/usr/bin/lilypond -v
with the same normal result
But strange things start to happen only when I try to compile a lilypond
Martin Tarenskeen writes:
> I managed to get lilypond-book working with an ugly work-around.
> But it does illustrate what is going wrong.
>
> When I run lilypond using "lilypond" or "/usr/bin/lilypond" the
> lilypond files are searched under /usr/share/lilypond/
>
> But when I use "/bin/lilypond
(Apologies to David, I hit "Reply" instead of "Reply List" when first writing
this response.)
On 02/22/2013 12:10 AM, David Kastrup wrote:
If the file format describes exactly how the finished score will appear,
what will happen with the spacing when transposing? Presumably it is
ingrained int
Hi, Nathan:
Thank you for your solution code.
c1:3.5.9 c1:2.3.5 c1:sus4 >> what is 3.5.9 and 2.3.5? I am not a musician.
Ming.
>
> From: Nathan
>To: MING TSANG
>Cc: lilypond-usermailinglist
>Sent: Friday, February 22, 2013 11:52:14 AM
>Subject: Re
I'm a little familiar with Issue 34 I think (is it the grace note one?) -
but, why would funding not help this issue? I'm not much of a programmer,
though I do know a bit of SCHEME, so I'm curious about why funding won't be
able to save Issue 34. Is it just not technologically possible to fix, no
Am 2013-02-22 um 19:16 schrieb Joseph Rushton Wakeling:
> (Apologies to David, I hit "Reply" instead of "Reply List" when first writing
> this response.)
>
> On 02/22/2013 12:10 AM, David Kastrup wrote:
>> If the file format describes exactly how the finished score will appear,
>> what will hap
On Fri, Feb 22, 2013 at 11:04 AM, MING TSANG wrote:
> Hi, Nathan:
>
> Thank you for your solution code.
>
> c1:3.5.9 c1:2.3.5 c1:sus4 >> what is 3.5.9 and 2.3.5? I am not a
> musician.
>
> Ming.
>
Hello,
This section of the docs may help you:
http://lilypond.org/doc/v2.16/Documentation/n
I'm re-setting my wife's part of Grainger's "Irish Tune from County
Derry", because it doesn't have the authentic English-language tempo
and dynamic instructions. Everything went well (I think) until the
last measure, where a slur terminates on a fermata that decrescendoes
from p to ppp. As a first
SoundsFromSound writes:
> I'm a little familiar with Issue 34 I think (is it the grace note
> one?) - but, why would funding not help this issue? I'm not much of a
> programmer, though I do know a bit of SCHEME, so I'm curious about why
> funding won't be able to save Issue 34. Is it just not te
It looks like you you have a typo. Fix the first voice to <<{[d4( |
d1)\fermata }\\
regards,
Shane
On Fri, Feb 22, 2013 at 3:36 PM, Garrett Fitzgerald wrote:
> I'm re-setting my wife's part of Grainger's "Irish Tune from County
> Derry", because it doesn't have the authentic English-language te
Garrett Fitzgerald writes:
> I'm re-setting my wife's part of Grainger's "Irish Tune from County
> Derry", because it doesn't have the authentic English-language tempo
> and dynamic instructions. Everything went well (I think) until the
> last measure, where a slur terminates on a fermata that de
On Fri, Feb 22, 2013 at 3:46 PM, David Kastrup wrote:
> Garrett Fitzgerald writes:
>> As a first attempt at this, I used
>>
>> d4( | << d1)\fermata \\ { s4\p\> s8 s s s s s\ppp } >>
>>
>> which renders the decrescendo well, but warns me of an unterminated
>> slur.
>
> Try removing \\ here. I doe
2013/2/22 Garrett Fitzgerald :
> I'm re-setting my wife's part of Grainger's "Irish Tune from County
> Derry", because it doesn't have the authentic English-language tempo
> and dynamic instructions. Everything went well (I think) until the
> last measure, where a slur terminates on a fermata that
On Fri, 22 Feb 2013, David Kastrup wrote:
Martin Tarenskeen writes:
I did "sudo mkdir /share" and "ln -s /usr/share/lilypond
/share/lilypond" and now everything, including lilypond-book works as
expected.
I am glad this works, but does anyone know how to fix this properly ?
It's appare
Martin Tarenskeen writes:
> On Fri, 22 Feb 2013, Martin Tarenskeen wrote:
>
>> If I type "which lilypond" in my terminal "/bin/lilypond" is returned.
>>
>> And I can type any of:
>> lilypond -v
>> /bin/lilypond -v
>> /usr/bin/lilypond -v
>>
>> with the same normal result
>>
>> But strange things
On 02/22/2013 09:02 PM, Henning Hraban Ramm wrote:
I think his point was that _no_ file format ever describes exactly how the
finished score would appear
No? We have PDF. Maybe they have too. >:->>
Write once, read many, edit difficult ;-)
___
l
On Fri, Feb 22, 2013 at 4:04 PM, Thomas Morley
wrote:
> 2013/2/22 Garrett Fitzgerald :
>> As a first attempt at this, I used
>>
>> d4( | << d1)\fermata \\ { s4\p\> s8 s s s s s\ppp } >>
>>
>> which renders the decrescendo well, but warns me of an unterminated
>> slur.
> \new Staff {
> \ove
I see, thanks for clearing that up David! I wish we could just wave a magic
wand :)
dak wrote
> SoundsFromSound <
> soundsfromsound@
> > writes:
>
>> I'm a little familiar with Issue 34 I think (is it the grace note
>> one?) - but, why would funding not help this issue? I'm not much of a
>> p
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