On 12 nov. 2012, at 14:47, David Kastrup wrote:
> Mario Lang writes:
>
>> David Kastrup writes:
>>
>>> Would it be useful if LilyPond could export BMC?
>>
>> Of course! Actually, thats something that blind people are wishing
>> for for a long time so that they could make use of the huge bod
"m...@mikesolomon.org" writes:
>> It would probably raise more interest to first tackle MusicXML export
>> and then use the code as a starting base for doing Braille as well.
>>
>
> I could agree more with this statement. Please consider doing this.
In my "topical sort order" of things to do,
Hi,
On Mon, Nov 12, 2012 at 10:00 PM, Marc Hohl wrote:
> Am 12.11.2012 21:37, schrieb Mate:
>
>> Hi,
>>
>> I am trying to have standard notation + guitar tab where the tab only
>> contains
>> (fret) numbers. No stems, no bars, no rests, no dots, no circles, nothing.
>>
>> [...]
>>
>> Do I have t
Hello ponders.
Id like to set up a TempoSpanner, using all current settings for
MetronomeMark (offsets, paddings, fonts etc) and placing the
MetronomeMark in the usual manner, but also including a
spanner-interface to get stipled lines etc. towards the next \tempo mark
(or an explicit \tempoSpanSt
David Kastrup writes:
> Mario Lang writes:
>
>> David Kastrup writes:
[...]
>>> Computers are fast enough nowadays that the choice of implementation
>>> language is almost irrelevant compared to the choice of algorithm and
>>> consequently the algorithmic complexity.
>>
>> Having experienced
Mario Lang writes:
> David Kastrup writes:
>
>> Taught me a lesson about "optimization" and "computer scientists".
>
> Yes, I know about the pitfalls that premature optimisation can open.
> In the case I was talking about, I actually went from roughly 70
> seconds runtime of my first naive imple
Am 12.11.2012 19:16, schrieb Rutger Hofman:
Hello list,
I am typesetting a piece by Alban Berg. Its accidental style is like Lilypond's
dodecaphonic (explicit accidental for each note), but it differs in that
immediately repeated notes within a bar don't get an accidental. How can I make
an a
Peter O'Doherty-2 wrote
> In unmetered/ cadenza-style passages one often finds a time signature in
> the form of an 'X'.
could you give a (scanned) example, I don't really see what you mean
thanks
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/unmetered-time-si
On Nov 13, 2012, at 7:26 AM, MING TSANG wrote:
> Hi, Paul: I apply the change, it pushes the display above the staff. However
> I notice (1) that the distance is not constant from system to system - it
> diminishes;
That is expected. It sets the padding (distance) between the top of the
high
So, is this possible?
I tried to set the #'first-note property of the BarLine's #'space-alist to 0
but no effect.
What I'm basically trying to achieve is a lot of RhythmicStaff in a
StaffGroup so that the span bars mark the first beat in a measure rather
than separating two measures.
Maybe using b
Hi,
On Tue, Nov 13, 2012 at 12:29 PM, TaoCG wrote:
> So, is this possible?
> I tried to set the #'first-note property of the BarLine's #'space-alist to 0
> but no effect.
>
> What I'm basically trying to achieve is a lot of RhythmicStaff in a
> StaffGroup so that the span bars mark the first beat
Am 13.11.2012 10:00, schrieb Mate Szalay:
[...]
This is to confirm, that the default behavior of 2.16.1-1 is indeed
exactly what I wanted.
And I'm quite amazed that I got the first response to my question in
5 minutes and even a pointer the git commit(!) in 3 hours.
That's when I learned tha
Hi, Paul:
For now I just do alternate key signature on the top staff only or use manually
by hand . Hope you have time to re-work to use rehearsal approach.
Blessing in+,
Ming
>
> From: Paul Morris
>To: MING TSANG
>Cc: lilypond-usermailinglist
>Sent: Tu
TaoCG wrote
> What I'm basically trying to achieve is a lot of RhythmicStaff in a
> StaffGroup so that the span bars mark the first beat in a measure rather
> than separating two measures.
> Maybe using bar lines isn't even the right approach but I wouldn't know
> how to mimic the span bars.
what
David Nalesnik-2 wrote
> Hi,
>
> On Tue, Nov 13, 2012 at 12:29 PM, TaoCG <
> tao_lilyponduser@
> > wrote:
>> So, is this possible?
>> I tried to set the #'first-note property of the BarLine's #'space-alist
>> to 0
>> but no effect.
>>
>> What I'm basically trying to achieve is a lot of RhythmicS
Whoa --
It's marvelous to see such a detailed response to my question.
Most importantly, frameEngraver4 works! I will study the differences
between 3 and 4 to see what changed.
As mentioned, it seems to me that the best course of action would be to
make dynamic spanner creation a high developmen
Hi there,
Three trill questions for you experts:
1) I'm having trouble spanning some notes with a trill spanner when the
first spanned note has a bass clef mark attached and the trill spanner has
a specified pitch in parentheses --
When my staff looks like,
\new Staff {
\pitchedTrill
\c
Yup.
http://erato.uvt.nl/files/imglnks/usimg/5/57/IMSLP01776-Mozart_EineKleineNachtmusik_Score.pdf
from IMSLP; cf. pp. 2 and 4 in the violin parts.
DR
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Monday, November 12, 2012 12:59 AM
To: Daniel Rosen
Cc: Thomas Morl
I'm trying to wrap my head around the frameEngraver4 and can't quite grasp
the syntax and how to customize the code to suit my needs.
Is there a guide or cheat-sheet that explains how to use frameEngraver to
it's fullest potential? I feel like it's a bit over my head and I feel lost
when trying
Hi Ben,
On Tue, Nov 13, 2012 at 8:46 PM, SoundsFromSound
wrote:
> I'm trying to wrap my head around the frameEngraver4 and can't quite grasp
> the syntax and how to customize the code to suit my needs.
>
> Is there a guide or cheat-sheet that explains how to use frameEngraver to
> it's fullest po
Hi Ming, I took another look at this and since there's only one key signature
where the accidentals do not extend above the staff (F major / D minor) I just
added extra padding for those keys. Now the key names always appear above the
staff, regardless of the clef.
The sizing of the acciden
Hi David,
This is a very help description. Maybe you could describe for me: I see
both the box duration as a spacer duration and the line duration as
"extender length," in what seem to be unitless units.
Here is an addition -- although I'm not sure if it's an improvement -- that
might be importan
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