Re: regular bar numbers, or measure counter engraver?

Hi Kieren, On Sun, Nov 4, 2012 at 7:44 PM, Kieren MacMillan wrote: > Hi all, > >> I think it is doable with the new engraver, and it should be included in >> 2.17.6. > > I didn't see the Measure_counter_engraver listed at >

Re: misplaced rest

On 5/11/2012 7:00 AM, Mark Stephen Mrotek wrote: Fellow Users: Please look at this: \version "2.16.0" global = { \key c \major \numericTimeSignature \time 3/8 } bassVoice = \relative c { \global << { \stemDown g4.} \\ { \override Stem #'direction = #UP r8 < c e g > } >> }

Re: Reheaseals with irregular bars

Hi Jacques, Difficult for me to answer, because I don't know the programmer internals of LP to give you a correct answer. Also I see in reality different kinds of numbering also in scores done by commercial publishers. For example the numbering of the bars underneath the first repeat alte

Re: pitch name transpose into numeric per key signature

Additional question: Can the numeric line up horizontally? I am 3 days late answering. The traditional way to do that is to override the padding property, but I wanted to explore the method using context, that I was not used to. Here are the result of my tries.

Re: pitch name transpose into numeric per key signature

Hi, Gilles, Thank you for the solution.  It seems the padding method is simplier.  I am not a programmer.   Blessing in+, Ming. > > From: Gilles >To: lilypond-usermailinglist ; MING TSANG > >Sent: Monday, November 5, 2012 11:30:39 AM >Subject: Re: pitch nam

Bass and chords

Hi, I'm using Lilypond to write traditional folk music for diatonic accordion. On that kind of instrument you have the melody (done with the right hand) and the bass and chords done by the left hand. Typically the melody is written as a normal score and the left hand (bass and chord) is written lik

RE: misplaced rest

Mr. Payne: Thank you for your reply and instructions. You mentioned a detail that I did not follow. By trial and error I got the same done. Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Nick Payne

Dashed Pseudo-Bar Line

I'm transcribing a piece that has a dashed bar line in the middle of a bar, in only one staff in a system. The dashed line is marking a change of phrase. Is there an easy way to do that? I think I know how to do it by subverting the bar line process, making two short measures and suppressing the

Re: Bass and chords

Frédéric Fanchamps writes: > Hi, > I'm using Lilypond to write traditional folk music for diatonic > accordion. > On that kind of instrument you have the melody (done with the right > hand) and the bass and chords done by the left hand. > Typically the melody is written as a normal score and the

Re: Dashed Pseudo-Bar Line

On Mon, Nov 5, 2012 at 8:40 PM, Tim Roberts wrote: > I'm transcribing a piece that has a dashed bar line in the middle of a bar, > in only one staff in a system. The dashed line is marking a change of > phrase. Is there an easy way to do that? I think I know how to do it by > subverting the bar

Re: Dashed Pseudo-Bar Line

Am 05.11.2012 20:40, schrieb Tim Roberts: > I'm transcribing a piece that has a dashed bar line in the middle of a > bar, in only one staff in a system. The dashed line is marking a change > of phrase. Is there an easy way to do that? I think I know how to do > it by subverting the bar line pr

Help debugging music function

Could someone with knowhow help me to debug this music function? I want a function to create arrows in a Lilypond score: arrow = #(define-music-function (parser location arg1 ) ( pair?) #{ \markup { \line \draw-line #arg1 \arrow-head #X #RIGHT ##t }} #}) When I process: \version "2.16.0"

Re: Dashed Pseudo-Bar Line

2012/11/5 Tim Roberts : > I'm transcribing a piece that has a dashed bar line in the middle of a bar, > in only one staff in a system. The dashed line is marking a change of > phrase. Is there an easy way to do that? I think I know how to do it by > subverting the bar line process, making two sh

Re: Help debugging music function

2012/11/5 Vivian Barty-Taylor : > Could someone with knowhow help me to debug this music function? I want a > function to create arrows in a Lilypond score: > > arrow = #(define-music-function (parser location arg1 ) ( pair?) > #{ > > \markup { \line \draw-line #arg1 \arrow-head #X #RIGHT ##t }

Re: Help debugging music function

Vivian Barty-Taylor writes: > Could someone with knowhow help me to debug this music function? I > want a function to create arrows in a Lilypond score: > > arrow = #(define-music-function (parser location arg1 ) ( pair?) > #{ > > \markup { \line \draw-line #arg1 \arrow-head #X #RIGHT ##t }} >

2.16.0 Open string fingering marks have _ and ^ behave as ^

Dear all, I think I just found a Lilypond bug. The following snippet with fingerings does only show one "open string" fingering while TWO have been written. The order of _ and ^ play no role in this bug. Expected behavior: both "\open" fingerings are displayed, one above and one below selected n

Re: 2.16.0 Open string fingering marks have _ and ^ behave as ^

2012/11/5 Olivier Biot : > Dear all, > > I think I just found a Lilypond bug. > > The following snippet with fingerings does only show one "open string" > fingering while TWO have been written. The order of _ and ^ play no > role in this bug. > > Expected behavior: both "\open" fingerings are displ

Adventures in defining custom Staff contexts

Hi all, I was tempted by this page to try to create my own custom Staff context: http://lilypond.org/doc/v2.16/Documentation/notation/defining-new-contexts I currently use a number of overrides in the Staff \with block, so was hoping this would be a more elegant way of achieving that (because i

Ambitus placed after clef and key signature

I'm trying to find a way to print an ambitus between the key signature and time signature, as here (http://www3.cpdl.org/wiki/images/3/37/TALL-SA1.pdf). Is this possible? DR ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/m

Re: Ambitus placed after clef and key signature

2012/11/6 Daniel Rosen : > I'm trying to find a way to print an ambitus between the key signature and > time signature, as here (http://www3.cpdl.org/wiki/images/3/37/TALL-SA1.pdf). > Is this possible? > > DR > > > ___ > lilypond-user mailing list > lil

How to adjust padding (if at all) underneath lyrics in SATB reductions?

Is it possible to adjust the padding/vertical spacing between the final line of a multi-stanza hymn and the TB staff in an SATB choir reduction? I am aware of some solutions that use hard-coded values (i.e., assuming a set number of stanzas), but as this is intended as the basis for a template for

RE: Ambitus placed after clef and key signature

Works perfectly, thanks! DR -Original Message- From: Thomas Morley [mailto:thomasmorle...@googlemail.com] Sent: Monday, November 05, 2012 7:40 PM To: Daniel Rosen Cc: lilypond-user@gnu.org Subject: Re: Ambitus placed after clef and key signature 2012/11/6 Daniel Rosen : > I'm trying to

RE: How to adjust padding (if at all) underneath lyrics in SATB reductions?

This should do the trick by centering the Lyrics between the two staves: \version "2.16.0" \score { << ... music here ... >> \layout { \context { \Lyrics \override VerticalAxisGroup #'staff-affinity = #0 } } } DR From: Aristotle Esguerra [mailto:aristo...@esguerra.info

Incipit issues

I've created an incipit for a piece I'm working on, but there's a minor issue with it. Here's the code. %%% Example begins \version "2.16.0" disIncip = \markup { \score { { \set Staff.instrumentName = \markup \right-column { Discantus [Tenor] } \override Staff.InstrumentName #