On Sun, Oct 28, 2012 at 2:57 AM, James Harkins wrote:
> Actually not a complaint! But inspired by the thread on upgrading vs not
> upgrading, where it was suggested that LP has become inherently more complex
> and harder to use, even for simple typesetting.
>
> [...]
>
> I just wanted to mention i
Peter O'Doherty-2 wrote
>>> On 10/30/2012 11:43 PM, Thomas Morley wrote:
or
if you want to affect only a single line of the score, use
\overrideProperty #"Score.NonMusicalPaperColumn"
#'line-break-system-details #'((alignment-distances . (30)))
after rethinking I
Hi Keith,
you wrote:-
The first one I ran across is getting alignment correct for a flexa on a
single syllable.
\version "2.16.0"
\score {
<<
\new VaticanaStaff
\new VaticanaVoice = "Hymn40" {
e' e' \[\melisma d'
Hi,
sorry for delay, i was very busy...
On Sun, Oct 28, 2012 at 11:21 AM, Wim van Dommelen wrote:
> But the top part of the example shown uses an include-file.
> That is not "tiny", anything can happen there. So I would add
> to the rules for a tiny example no use of include files.
You mean
\in
Janek Warchoł writes:
> Hi,
>
> sorry for delay, i was very busy...
>
> On Sun, Oct 28, 2012 at 11:21 AM, Wim van Dommelen wrote:
>> But the top part of the example shown uses an include-file.
>> That is not "tiny", anything can happen there. So I would add
>> to the rules for a tiny example no
> Message: 6
> Date: Wed, 31 Oct 2012 21:30:59 -0400
> From: "Keith N. McKenna"
> To: lilypond-user@gnu.org
> Subject: Well there be improvements to Gregorian Chant?
> Message-ID:
> Content-Type: text/plain; charset=UTF-8; format=flowed
>
> Good-day All;
>
> I have recently been experimenting wit
On Thu, Nov 1, 2012 at 10:03 AM, David Kastrup wrote:
> Janek Warchoł writes:
> > You mean
> > \include "english.ly"
> > in the page about tiny examples? Actually, english.ly is a file
> > bundled with Lilypond, which allows to spell note names with english
> > names ('fsharp' or 'fs' instead of
Hi Wim,
Please reply to the whole list, so that others might benefit from our
discussion.
On Thu, Nov 1, 2012 at 11:48 AM, Wim van Dommelen wrote:
> The other discussion would be: Are you going to use the Tiny Examples as a
> way of showing small pieces of code doing some specific action? Is tha
On 1 nov. 2012, at 00:11, Paul Morris wrote:
> On Oct 31, 2012, at 4:52 PM, Thomas Morley
> wrote:
>
>> Hi Paul,
>>
>> postscript is scaled with global-staff-size only.
>>
>> To work around you could use:
>>
>> TwinNoteNoteHeads =
>> #(lambda (grob)
>> (let* ((sz (ly:grob-property grob 'fo
On 1 nov. 2012, at 12:44, m...@mikesolomon.org wrote:
> On 1 nov. 2012, at 00:11, Paul Morris wrote:
>
>> On Oct 31, 2012, at 4:52 PM, Thomas Morley
>> wrote:
>>
>>> Hi Paul,
>>>
>>> postscript is scaled with global-staff-size only.
>>>
>>> To work around you could use:
>>>
>>> TwinNoteNo
On Sun, Oct 28, 2012 at 10:15 PM, Thomas Morley
wrote:
> 2012/10/28 Thomas Morley :
>> 2012/10/28 Olivier Biot :
>>> On Sun, Oct 28, 2012 at 8:29 PM, Thomas Morley
>>> wrote:
2012/10/28 Olivier Biot :
> Hi all,
>
> I'm using the book-titling.ily macros by Nicolas Sceaux to create
Thomas Morley wrote
> I've never seen this before, but it _is_ possible.
>
> Try this workaround:
>
> \version "2.16.0"
>
> \paper {
> ragged-right = ##f
> }
>
> strangeLyricHyphens =
> \override LyricHyphen #'after-line-breaking =
> #(lambda (grob)
> (let* ((l-bd (ly:
Hi all,
Is there a way to display and increment bar numbers only after a double bar?
Example:
\score {
a16-.-\upbow b (c) d(c) b ( | % DO NOT count the following bar,
and DO NOT print the bar number here
a) b (c) d(c) b-\laissezVibrer \bar "||"
a16 (b) c(d) c(b)
Hi,
On Wed, Oct 31, 2012 at 11:51 PM, soundsfromsound
wrote:
> I just wanted to say hello and introduce myself. My name is Ben and I am a
> composer based out of Boston, MA (USA) and I am an active LilyPond user. In
> my opinion, LilyPond is the best music engraving program out there and I'm
>
On Thu, Nov 1, 2012 at 9:51 AM, Eluze wrote:
>
On 10/30/2012 11:43 PM, Thomas Morley wrote:
> if you want to affect only a single line of the score, use
>
> \overrideProperty #"Score.NonMusicalPaperColumn"
> #'line-break-system-details #'((alignment-distances . (30)))
>
>
Fellow Users:
Using the Frescobaldi wizard (Tools/Setup New Score), I created a Piano
Staff for three polyphonic voices. (I am coding WTC 1 Fugue 3.)
\score {
\new PianoStaff \with {
instrumentName = "Piano"
} <<
\new Staff = "right" \with {
midiInstrument = "acousti
On Thu, Nov 1, 2012 at 7:49 PM, Mark Stephen Mrotek
wrote:
> how to have the notation for the middle voice move from the
> treble staff to the bass staff and back (This to avoid ledger lines.) The
> online documentation (Notation Reference 2.2.1) provides instruction for all
> pitch notations in t
Hi,
most discussions on this mailing list follow this course:
1) how can I achieve this: description
2) some answers are given
3) perhaps the person asking finds his best solution
Others having the same problem or question have to follow the mailing
list or hope for a snippet in the LSR. Click
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Hash: SHA1
Le jeu. 01 nov. 2012 20:54:03 CET, Noeck a écrit :
> Imho, something like http://stackoverflow.com would be perfect for
> Lilypond. I know it from python programming and it's so convenient to
> see if there is a question matching the own problems and t
Hi,
is there a bar line that spans only the upper half of the staff?
I'd like to use it (according to common notation in hymn books) to
indicate that the original notation did not have bar lines.
What I am looking for is not: \divisioMaxima/Minima/Maior and not \bar
"'". (At least not untweaked v
> is there a bar line that spans only the upper half of the staff?
> I'd like to use it (according to common notation in hymn books) to
> indicate that the original notation did not have bar lines.
>
> What I am looking for is not: \divisioMaxima/Minima/Maior and not \bar
> "'". (At least not untw
01.11.2012 21:53, Toine Schreurs:
> \override Staff.BarLine #'bar-extent = #'(0 . 2)
Thank you, that's what I was looking for!
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Janek Warchoł-2 wrote
>> after rethinking I wonder why one has to use such special functions -
>> doesn't LilyPond already do a good job on vertically spreading the
>> systems
>> on one ore more pages.
>> do you have an example where this doesn't work?
>
> Yes, and it's very painful when LilyPond
wjm wrote:
Hi Keith,
you wrote:-
The first one I ran across is getting alignment correct for a flexa on a
single syllable.
\version "2.16.0"
\score {
<<
\new VaticanaStaff
new VaticanaVoice = "Hymn40" {
e' e' \
HI keith,
You wrote:-
+
Now I just have to conquer where to but the \relative c' statement so
that it applies to the entire voice.
+
This is how I would set it out.
Note the use of 'variables' to store the music and words and how they
are
On 2012-11-01 22:54, Eluze wrote:
Janek Warchoł-2 wrote
This may sound surprising, but there are many cases when LilyPond's
vertical spacing could be noticeably improved (i admit that most of
these cases would matter only to a demanding professional engraver).
+999
Except that some very easy
wjm wrote:
HI keith,
You wrote:-
+
Now I just have to conquer where to but the \relative c' statement so
that it applies to the entire voice.
+
This is how I would set it out.
Note the use of 'variables' to store the music and words and how
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