On 6 sept. 2012, at 08:49, Werner LEMBERG wrote:
>> unpure-pure stuff is:
>>
>> http://lilypond.org/doc/v2.16/Documentation/notation/unpure_002dpure-containers
>
> Looking more closely at this page, I don't fully understand how it
> works. It is stated that the unpure-pure stuff affects y-axi
Dear Werner,
useful as it can be for editing, I found at least one case (a score with three
voices, six pages total) where "point-and-click" generated artefacts
(incomplete lines and empty final pages) when viewed with Preview (Mac 10.6.8),
while Acrobat 9 showed no such problems - possibly som
>> How comes? I think this deserves some more explanation.
>
> You can check out the CG link for info about how the lilypond
> spacing engine works with unpure-pure-containers.
Will do. Maybe it is sufficient to simply add a link to
http://lilypond.org/doc/v2.17/Documentation/contributor/un
> You can check out the CG link for info about how the lilypond
> spacing engine works with unpure-pure-containers.
BTW, why the heck is this central part of LilyPond's layout engine
located in the Contributor's Guide? This certainly belongs to the
`notation' or `extending' guide, I reckon.
012/9/6 Janek Warchoł :
> On Thu, Sep 6, 2012 at 1:21 AM, Nick Payne
> wrote:
>> Elysium (the Eclipse plugin for Lilypond editing) is not listed in the
>> documentation as one of the editing environments for Lilypond. It should
>> probably be there
>> http://elysium.thsoft.hu/
>
> I didn't found
> After reading the CG stuff, If you feel any info should be brought
> over to the users manual, post a patch and we can discuss it. And,
> of course, if after reading the CG stuff is still unclear on how
> they work, lemme know.
OK, I've read it, and the concept of purity is explained well, tha
> I found at least one case (a score with three voices, six pages
> total) where "point-and-click" generated artefacts (incomplete lines
> and empty final pages) when viewed with Preview (Mac 10.6.8), while
> Acrobat 9 showed no such problems -
Bug report, please! If possible, reduce the example
On 06/09/12 16:27, Janek Warchoł wrote:
> On Thu, Sep 6, 2012 at 1:21 AM, Nick Payne
> wrote:
>> Elysium (the Eclipse plugin for Lilypond editing) is not listed in the
>> documentation as one of the editing environments for Lilypond. It should
>> probably be there
>> http://elysium.thsoft.hu/
> I
Dear Werner,
I do not think this is necessarily a bug in LilyPond: as Acrobat has no problem
displaying the PDF and shorter scores work fine in Preview, my guess is that
this is a Preview-specific problem - but I will investigate further and create
a minimal example to reproduce the behaviour.
Further to my recent query I have deduced from various confusing manual entries
that my solution could be as follows
%
% variables for later use to avoid repititions
%--
luis jure wrote:
... chords with some non-standard notation
...
i'd be very grateful for any pointers.
This an old annoyance [1].
You could try using my besideCN and replaceCN.
See stencilCN.ly for recent code and a demo.
Make sure you update it to your lilypond version. [2]
Two example
Dear community,
in the below quoted latex-document, I get the following error:
test.tex:13:9: error: cannot find file: `rousselraga.ly'
This is my document and the file rousselraga.ly
%
\documentclass[a4paper,12pt]{article}
\usepackage[ngerman]{babel}
\usepackage[utf8]{inputenc}
%\usepackage[pa
I should have mentioned, that I compile those files with a script:
lilypond-book -I /home/stefan/partituren/lilyponds/vorlagen/ --pdf $1.tex
--output=out
cd out/ &&
pdflatex "$1".tex
pdflatex "$1".tex
mv "$1".pdf ../
cd ../ &&
rm -r out/
2012/9/6 Stefan Thomas
> Dear community,
> in the below
On Thu, Sep 06, 2012 at 10:37:37AM +0100, Peter Gentry wrote:
> It is a shame that the manuals do not contain a single source including a
> precise definition of all the markup options - similar to
> a c++ manual say.
Notation A.10 is intended to give such a source of definitions.
- Graham
___
Hi all!
In the following snippet you will notice that the lyric extender after
the line break doesn't start at the beginning of bar 2 but is just a
single dash under the hidden c'4.
The same happens using rests instead of spacer rests.
The glissando is not part of the problem, it is there just to
Hi guys..it is an old post..but i got it working right now..so i want to
share it with you..
I made a script vim-lilypond.sh
#!/bin/bash
FILENAME=`echo $1 | cut -d ":" -f 2`
LINE=`echo $1 | cut -d ":" -f 3`
CHAR=`echo $1 | cut -d ":" -f 4`
COLUMN=`echo $1 | cut -d ":" -f 5`
vim --servername lilyp
On 6 sept. 2012, at 09:49, Werner LEMBERG wrote:
>
>> After reading the CG stuff, If you feel any info should be brought
>> over to the users manual, post a patch and we can discuss it. And,
>> of course, if after reading the CG stuff is still unclear on how
>> they work, lemme know.
>
> OK, I
Is there a way to ignore descenders (q, g, y, etc.) in lyrics? It messes up
base lines and line spacing and makes for a very unattractive misalignment.
I think this was briefly discussed back in 2.13, but it doesn't seem to
have been resolved by 2.16.
___
> Message: 5
> Date: Wed, 05 Sep 2012 23:47:31 +0200
> From: Reinhold Kainhofer
> To: David Kastrup
> Subject: Re: update all files with convert.ly
> On 2012-09-04 11:37, David Kastrup wrote:> Stefan Thomas
> writes:
>>
>>> Dear community,
>>> how can I update all my ly files (including subf
Hi,
if I typeset a key change from b major to g major, f remains sharp and
LilyPond prints out the naturals necessary for c, g, d, and a. Makes
perfect sense, but the standard I'm required to follow has it that an
extra # for fis should precede the group of naturals. Is there a way
to achieve this
Try
$ find -name '*.ly' -print -exec convert-ly -ed {} \;
to print the file name before each conversion.
> From: Reinhold Kainhofer
> To: David Kastrup
> Subject: Re: update all files with convert.ly
> On 2012-09-04 11:37, David Kastrup wrote:> Stefan Thomas
> writes:
>
thanks for the report - I forwarded it to the bug list:
http://lilypond.1069038.n5.nabble.com/Lyric-extender-lines-and-rests-after-line-break-td132414.html
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Lyric-extender-lines-and-rests-after-line-break-tp132390p1324
Hi Trevor,
Awesome work with lilybin.com. Are you planning on open sourcing the code
for this? It would be really cool to see a public repo on GitHub for this. I
would love to contribute to this project and I know some other javascripters
that would probably contribute too. Perhaps you could creat
On Thu, 6 Sep 2012 03:36:40 -0700 Graham Percival wrote
Notation A.10 is intended to give such a source of definitions.
>
>- Graham
>
Ah I had downloaded all twelve of the pdf manuals which I routinely search via
the Adnaced Search option to find inspiration and or
confusion.
Notation A.10 is i
On Thu, Sep 06, 2012 at 07:55:32PM +0100, Peter Gentry wrote:
> On Thu, 6 Sep 2012 03:36:40 -0700 Graham Percival wrote
>
> > Notation A.10 is intended to give such a source of definitions.
>
> Ah I had downloaded all twelve of the pdf manuals which I routinely search
> via the Adnaced Search op
On 07/09/12 04:55, Peter Gentry wrote:
> On Thu, 6 Sep 2012 03:36:40 -0700 Graham Percival wrote
>
> Notation A.10 is intended to give such a source of definitions.
>> - Graham
>>
> Ah I had downloaded all twelve of the pdf manuals which I routinely search
> via the Adnaced Search option to find i
2012/9/6 Janne Uusitalo :
> Hi,
>
> if I typeset a key change from b major to g major, f remains sharp and
> LilyPond prints out the naturals necessary for c, g, d, and a. Makes
> perfect sense, but the standard I'm required to follow has it that an
> extra # for fis should precede the group of nat
I don't really understand it, but I can modify the examples of how to create
custom dynamics to get what I want.
I have a document with several examples like:
rinforzamf = #(
make-dynamic-script (
markup #:line (
#:left-align
#:normal-text
#:whiteout
#:italic "rinf
Thomas Morley writes:
> 2012/9/6 Janne Uusitalo :
>> Hi,
>>
>> if I typeset a key change from b major to g major, f remains sharp and
>> LilyPond prints out the naturals necessary for c, g, d, and a. Makes
>> perfect sense, but the standard I'm required to follow has it that an
>> extra # for fis
Hi James,
On Thu, Sep 6, 2012 at 5:00 PM, james wrote:
> I don't really understand it, but I can modify the examples of how to create
> custom dynamics to get what I want.
> I have a document with several examples like:
> rinforzamf = #(
>make-dynamic-script (
> markup #:line (
>
With a large staff size and a longish composer field, the composer name
runs off the right-hand edge of the page, even though there is plenty of
room for it to be accommodated within the left and right margins:
%===
\version "2.16.0"
#(set-global-staff-size 33)
\paper { #(set-pap
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On 09/06/2012 07:57 PM, Nick Payne wrote:
> With a large staff size and a longish composer field, the composer
> name runs off the right-hand edge of the page, even though there
> is plenty of room for it to be accommodated within the left and
> rig
Hello!
Just a general question about something I cannot find in the manuals
anywhere...
How do I insert, lets say, a bass and treble clef into the title or
subtitle of a piece? I am building a worksheet and wish to use the symbols
instead of the full text.
Pointers? I've done every possible sear
On Thu, Sep 06, 2012 at 09:02:10PM -0500, Joshua Nichols wrote:
> Hello!
>
> Just a general question about something I cannot find in the manuals
> anywhere...
>
> How do I insert, lets say, a bass and treble clef into the title or
> subtitle of a piece? I am building a worksheet and wish to use
Thanks Keith,
I appreciate the answer. It was what I was afraid of. Since I really don't know
Scheme well enough to hack things like that, I guess I'll stick with the
default glyphs. I wanted to avoid articulations since that means the underlying
tones in the Lilypond would be incorrect (e.g.,
On Thu, Sep 06, 2012 at 10:40:15PM -0700, Jim Long wrote:
>
>
> \header {
> title = \markup { "Song " \musicglyph #"scripts.segno" " Title" }
> } % header
Forgive me, in pursuing an answer to your inquiry I
inadvertently digressed from your actual question.
On Thu, Sep 06, 2012 at 09:02:10PM
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