On 13/03/12 10:21, Thomas Morley wrote:
2012/3/11 David Kastrup:
Thomas Morley writes:
Hi Nick,
2012/3/9 Nick Payne:
Thanks. I gave it a try. The one shortcoming I've found is that the ends of
LV ties on a chord containing a second no longer align.
That's because "factor" is used in a mul
On Mar 13, 2012, at 4:25 AM, David Nalesnik wrote:
> I've defined a grob, Frame, and given it several properties. One of these,
> 'padding, adds space between the frame and its contents, as you would expect.
> The length of the continuation line is controlled by the property
> 'extender-lengt
- Original Message -
From: "Kieren MacMillan"
To: "Vaughan McAlley"
Cc: "lilypond-user"
Sent: Tuesday, March 13, 2012 4:09 AM
Subject: Re: Sibelius user looking for the easiest way to learn LilyPond
Hi Vaughan,
Finale does automatic word extensions for lyrics.
Um… so does Lilypon
Did you try to press number 3 in sibelius..i think it would create a
third interval..and so on..i'm not sure..
On Tue, Mar 13, 2012 at 8:57 AM, Phil Holmes wrote:
> - Original Message - From: "Kieren MacMillan"
>
> To: "Vaughan McAlley"
> Cc: "lilypond-user"
> Sent: Tuesday, March 13,
Hi Mike,
Excellent work!
I'm glad you think so!
>
> I've attached a new file that addresses some of the issues you identify
> above:
>
> --) It uses axis-group::width to box accidentals
>
Beautiful! Now there's really no need for the extra padding properties.
(I've kept them in the attached
Thanks for saving me.
I knew it would be possible :-)
Uwe
--
Quoting "Trevor Daniels" :
Uwe, you wrote Monday, March 12, 2012 2:32 AM
I have just started to use lilypond to set some drum scores. As I
need to add a
few patches of backing vocals, I'd attempted to add extra (normal) staf
Ah, Trevor, the simple example worked well with your advice (thanks again),
but I am lost in real life ...:
\score {
\new DrumStaff <<
%% done some redefinitions, hope that doesn't affect anything, omitted
here ...
% \set DrumStaff.drumStyleTable = #(alist->hash-table mydrums)
\new DrumVoice
> "Thomas" == Thomas Morley writes:
Thomas> \version "2.14.2" \include "articulate.ly"
Thomas> \score { \unfoldRepeats \articulate << \relative c' { c8-. d-.
Thomas> e-. f-. g-.-"rall" f-. e-. d-. c-. d-. e-. f-. g-.
Thomas> f-. e-. d-. c1-. }
>>>
Thomas> \midi { } }
The ral
Dear all, I had not subscribed to the lsit until just a few minutes
ago, hence my reply below was received by trevor but not by the list.
Should work now ..
Uwe
- Forwarded message from fa...@horst.in-chemnitz.de -
Date: Mon, 12 Mar 2012 18:05:11 +0100
From: "Uwe Falke"
Subjec
Is there a way to expand and contract the horizontal spacing on a
measure-to-measure basis? For a simple example, three measures of quarter
notes:
a4 a4 a4 a4
a4 a4 a4 a4
a4 a4 a4 a4
Can I get the second measure to be widely spaced and then the third measure
back to more closely spaced?
Many tha
Stjepan Horvat writes:
> Did you try to press number 3 in sibelius..i think it would create a
> third interval..and so on..i'm not sure..
Now this is actually a great example about what makes LilyPond so much
better to work in the long run with than Sibelius or other GUI/WYSIWYG
programs.
It su
Hm, this works in my simple example. Thank you. However, it does not
so for what I really want to do - sorry for having oversimplified.
I just sent another example which is a snippet of the real score,
employing two \DrumVoice contexts, and that might be the turning
point: I read :
"This c
Hello,
I'd like to write this song with Lilypond:
http://www.taize.fr/spip.php?page=chant&song=203&lang=en
(in fact I'm writing with portuguese lyrics)
Just so you don't need to click the site, here's the problem. Many of these
songs have identical rhythm, except for some parts. When the rhythm i
Quoting "Trevor Daniels" :
Uwe Falke wrote Monday, March 12, 2012 5:05 PM
Ah, Trevor, the simple example worked well with your advice (thanks again),
but I am lost in real life ...:
[snip]
You had
\notemode { \new staff { r4 a4 fis2 } }
"Staff" needs a capital S
omg
what an i
2012/3/13 David Kastrup :
> Stjepan Horvat writes:
>
>> Did you try to press number 3 in sibelius..i think it would create a
>> third interval..and so on..i'm not sure..
>
> Now this is actually a great example about what makes LilyPond so much
> better to work in the long run with than Sibelius o
Hi Nick,
I also played around with trying to make a callback function for \override
> LaissezVibrerTie #'control-points, but although Lilypond gives no error on
> the console, the LV tie doesn't appear at all when I try to use the
> callback.
>
>
The following should work. (I've also substituted
On 3/13/2012 10:01 AM, David Kastrup wrote:
Stjepan Horvat writes:
Did you try to press number 3 in sibelius..i think it would create a
third interval..and so on..i'm not sure..
Now this is actually a great example about what makes LilyPond so much
better to work in the long run with than Sib
I tried sending this earlier, but didn't receive it myself, so I am
trying again.
I am trying to figure out how I can get Old Style numerals to be used
for the page numbers. I found some lilypond scheme code here
(http://www.mrlauer.org/music/) that defines a markup command
oldStyleNum that will
2012/3/13 eriksbike :
>
> Is there a way to expand and contract the horizontal spacing on a
> measure-to-measure basis? For a simple example, three measures of quarter
> notes:
> a4 a4 a4 a4
> a4 a4 a4 a4
> a4 a4 a4 a4
>
> Can I get the second measure to be widely spaced and then the third measure
On Mon, Mar 12, 2012 at 2:52 PM, John Link wrote:
>
> On Mar 12, 2012, at 9:42 AM, David Bobroff wrote:
>
> On 3/11/2012 6:39 PM, John Link wrote:
>
> A few years ago I was encouraged to try LilyPond as an alternative to
> Sibelius because LilyPond produced more beautiful scores. I was also told
>
I am trying to figure out how I can get Old Style numerals to be used for the
page numbers. I found some scheme code here (http://www.mrlauer.org/music/)
that defines a markup command oldStyleNum that will replace any digit with the
unicode string for the appropriate old style numeral. However
eriksbike wrote:
>
> Is there a way to expand and contract the horizontal spacing on a
> measure-to-measure basis? For a simple example, three measures of quarter
> notes:
> a4 a4 a4 a4
> a4 a4 a4 a4
> a4 a4 a4 a4
>
> Can I get the second measure to be widely spaced and then the third
> measure
2012/3/13 Francisco Vila :
> {
> \override Score.SpacingSpanner
> #'base-shortest-duration = #(ly:make-moment 1 2)
> b4 b b b
> \newSpacingSection
> \override Score.SpacingSpanner
> #'base-shortest-duration = #(ly:make-moment 1 16)
> b4 b b b
> \newSpacingSection
> \override Score.SpacingS
Hello,
On 13 March 2012 12:02, Rodolfo Zitellini wrote:
...
> If you are used to
> finale/sibelius, this is indeed shocking as the first times you use
> lilypond it is very difficult to correlate your textual input to what
> will end up in the pdf. It took me some deal of time to stop finding
Hello,
On 13 March 2012 17:15, Francisco Vila wrote:
> 2012/3/13 Francisco Vila :
>> {
>> \override Score.SpacingSpanner
>> #'base-shortest-duration = #(ly:make-moment 1 2)
>> b4 b b b
>> \newSpacingSection
>> \override Score.SpacingSpanner
>> #'base-shortest-duration = #(ly:make-moment 1 1
For me..After moving to Lilypond 3, 4 years ago..When i changed to NO
MOUSE interface..i stoped having headaches couse i didnt have to look
in the music sheet for the wrong notes..and didnt have to think of
kombinations of keys and clicking with mouse..Now when i typeset music
and if i'm not lazy i
2012/3/13 James :
> Hello,
>
> On 13 March 2012 17:15, Francisco Vila wrote:
>> 2012/3/13 Francisco Vila :
>>> {
>>> \override Score.SpacingSpanner
>>> #'base-shortest-duration = #(ly:make-moment 1 2)
>>> b4 b b b
>>> \newSpacingSection
>>> \override Score.SpacingSpanner
>>> #'base-shortest-
2012/3/13 Felipe Pereira :
> Hello,
>
> I'd like to write this song with Lilypond:
> http://www.taize.fr/spip.php?page=chant&song=203&lang=en
> (in fact I'm writing with portuguese lyrics)
>
> Just so you don't need to click the site, here's the problem. Many of these
> songs have identical rhythm,
Hello,
On 13 March 2012 17:39, Francisco Vila wrote:
> 2012/3/13 James :
>> Hello,
>> What would one use if (for instance) one wanted all notes to touch or
>> rather be exactly touching the edge of the 'note column' of the
>> previous note so if I were to write
>>
>> a32 a a a a a a a a a a a a
Hello
On 13 March 2012 15:40, Benjamin Bloomfield wrote:
> I tried sending this earlier, but didn't receive it myself, so I am
> trying again.
For some reason this email ended up marked as 'spam' for me. So maybe
that was the reason?
--
--
James
_
James wrote:
> Oh if you've ever had to transcribe a piece of 'real' music (by real I
> mean an old dog-eared printed complete score that's in the 'wrong'
> pitch for your instrument) I cannot believe that typing letters on a
> keyboard is anything but *significantly* faster than dragging and
> dro
On Mon, Mar 12, 2012 at 9:50 AM, Wilbert Berendsen wrote:
> Please let me know the things you miss most! Note that F2 is only
> (roughly) one year old and really written from scratch, the first commit
> is of Nov 11, 2012. I intend to keep developing and adding new
> features. I think the current
I was trying to make a callback function to lengthen LV ties (thanks to
David Nalesnik for his help). It works fine when applied to single
notes, but on a chord, only one of the two ties is lengthened. Is this
due to an error in the code below or some more deep-rooted problem. If I
reverse the
Hi Nick,
I was trying to make a callback function to lengthen LV ties (thanks to
> David Nalesnik for his help). It works fine when applied to single notes,
> but on a chord, only one of the two ties is lengthened. Is this due to an
> error in the code below or some more deep-rooted problem. If I
On 8 mars 2012, at 07:51, Janek Warchoł wrote:
> On Wed, Mar 7, 2012 at 11:14 PM, Jean-Alexis Montignies
> wrote:
>>
>> On 7 mars 2012, at 22:14, Janek Warchoł wrote:
>>
>> As for your question, any reason not to set page-count = #1 to force
>> Lily to fill one page only?
>>
>> Yes: I didn't
2012/3/13 Peter Chubb :
> If I add a \displayLilyMusic before the \unfoldRepeats I see:
>
> << {
> { c'8*1/2 r } { d' r } { e' r } { f' r } { \set tempoWholesPerMinute =
> #(ly:make-moment 9 1 0 1)
>
>
> { g'-"rall" r } } { f' r } { e' r } { d' r } { c' r } { d' r } { e' r
> } { f' r }
I did not use (or do not remember to) the KDE version and do not
'miss' all those things, but
2012/3/13 Valentin Villenave :
> - aesthetically speaking, the difference is huge and the interface
> looks a lot less pretty (pinkish background in the PDF preview: wtf?).
I think this is a matter of de
2012/3/13 Tim Roberts :
> Amen. There are people who tell me they can do data entry in Finale
> quite efficiently using a MIDI keyboard, but for me, from a standard
> computer keyboard, entering LilyPond data could not be more efficient.
I used to master Finale's Speedy Entry and liked to sing an
Looks like there's been a semantic change in Lilypond.
It used to be you could
\set tempoWholesPerMinute = 60
or similar anywhere in the Lilypond input and the result would be a
tempo change at that point. It looks as if now there's a different
event, TempoChangeEvent, that does the work.
I
Many thanks!
Francisco Vila wrote:
>
> 2012/3/13 eriksbike :
>>
>> Is there a way to expand and contract the horizontal spacing on a
>> measure-to-measure basis? For a simple example, three measures of quarter
>> notes:
>> a4 a4 a4 a4
>> a4 a4 a4 a4
>> a4 a4 a4 a4
>>
>> Can I get the second me
On Wed, Mar 14, 2012 at 1:29 AM, Francisco Vila wrote:
> 2012/3/13 Tim Roberts :
>> Amen. There are people who tell me they can do data entry in Finale
>> quite efficiently using a MIDI keyboard, but for me, from a standard
>> computer keyboard, entering LilyPond data could not be more efficient.
41 matches
Mail list logo
