Ditto here with the latest LPT. Once the PDF has been opened in the viewer,
I get permission denied every time, even if I close the PDF preview before
building the ly file. Can't delete the PDF with Windows Explorer either. I
have to close jEdit to stop Java locking the PDF.
With the previous vers
Which version of LilyPond are you running?
Nick Payne wrote:
Ditto here with the latest LPT. Once the PDF has been opened in the viewer,
I get permission denied every time, even if I close the PDF preview before
building the ly file. Can't delete the PDF with Windows Explorer either. I
have to c
Ok, I could reproduce it, now I will try to find out.
Nick Payne wrote:
Ditto here with the latest LPT. Once the PDF has been opened in the viewer,
I get permission denied every time, even if I close the PDF preview before
building the ly file. Can't delete the PDF with Windows Explorer either.
Werner wrote:
> \tieDown doesn't exist as far as I know
It exists.
- Mark
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Werner wrote:
> But it's a pity, that something like
>
> \midi {
> \context {
> \Score
> % midi-out all voices but not harmonies from ChordNames
> % \???
> }
> }
>
> doesn't exist. It would be easier.
Commands that are too specific are not as useful. The syntax allows
you to create as many sc
Hi all,
I'm having problems to install jEdit and LilyPondTool on my Mac OS X 10.4. When
I download the latest development version (4.3pre17) and click on it jEdit
starts but doesn't continue to »run startup scripts«. Nothing happens. (Same
with slightly older versions but not with 4.2) I manage
Yes, it has recently been discussed on the jedit users list:
The startup was caused by a settings directory at
/Users/GarryFre/Library/Jedit directory. The command locate to find
perspective.xml was not reporting the existence of this spurious file.
removing this directory and it's files solv
2009/7/21 Bertalan Fodor (LilyPondTool) :
> Ok, I could reproduce it, now I will try to find out.
Members of the Spanish list report that are not able to install it
correctly. It runs perfectly for me under Linux, but what's not clear
is whether it is necessary to install the dependant plugins fro
As this is still the beta release, the best way is:
- install the latest from the plugin repository (that will include the
necessary dependencies)
- then overwrite the files with the ones in the zip file I released.
If you don't want to download so much, get the following plugins:
ErrorListPlug
There is a file called activity.log in the jedit settings folder (in
your home directory look for .jedit/activity.log) . Send it to me privately.
Patrick Schmidt wrote:
Hi Bertalan,
I deleted the file »jedit« in /Users/myname/Library/ but when I relaunched
jEdit 4.3pre17 the program stopped a
... well, the settings directory on Mac is ~/Library/jEdit, but there
can be $HOME/.jedit hanging around causing problems
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Hi Bertalan,
I deleted the file »jedit« in /Users/myname/Library/ but when I relaunched
jEdit 4.3pre17 the program stopped again early and the file »jedit« reappeared.
http://www.java.com recommends to update Java via the apple-function
Software-Update. It is up to date. Any other ideas? Thanks
I am trying to move the espressivo sign down below the staff in the
following example:
\version "2.12.2"
\relative c'' {
c4_\espressivo a8 a b g
}
Could someone help me or direct me in the right direction? Thanks!
-
Josh Nichols
SDG
__
Josh Nichols wrote:
I am trying to move the espressivo sign down below the staff in the
following example:
\version "2.12.2"
\relative c'' {
c4_\espressivo a8 a b g
}
Pardon?
It is below the staff here for me... If you want to increase the
distance to the staff, you can use
Alexander Kobel wrote:
Josh Nichols wrote:
I am trying to move the espressivo sign down below the staff
[...]
\override Voice . Script #'padding = #whatYouWantInStaffSpace
But: Why does this work? I've found some other mail about it, but
according to what I understand from
http://lilypond.o
Dear LilyPond users,
Marc Hohl has done a good job of improving tablature notation. We're just
ready to add it to LilyPond 2.13.4.
In the process of adding it, a question come up about the name for some
notation.
In rock (and maybe jazz) guitar, there is a note described as a "dead note"
that i
Carl Sorensen wrote:
> In rock (and maybe jazz) guitar, there is a note described as a "dead note"
> that is notated in both tablature and staff notation with a cross-style
> notehead. This note is played on a muted string, so it gets rhythm but no
> real pitch.
Just to clarify: a "cross-style"
On 21 Jul 2009, at 20:20, Carl Sorensen wrote:
... a question come up about the name for some notation.
In rock (and maybe jazz) guitar, there is a note described as a
"dead note"
that is notated in both tablature and staff notation with a cross-
style
notehead. This note is played on a mut
Carl Sorensen wrote:
> 1) What instances (other than a drum staff) are you aware of
> where a note uses a cross symbol rather than a standard note
> head?
>
> 2) For each of the instances you identified in part 1), what do
> you call the resulting note?
Below I've listed all the uses of the x-sha
On 21 Jul 2009, at 20:20, Carl Sorensen wrote:
I'd prefer to get the most useful name for the notation, but I'd
also like
to avoid instrument-specific names if possible.
There is a Unicode name for it:
MUSICAL SYMBOL X NOTEHEAD
U+1D143
(And there is a list of noteheads up to U+1D15B MUS
There is an informative section called "Unpitched Sounds" on p.190
of Kurt Stone's book. Basically he says unpitched sounds should be
notated with x-shaped heads on an extra line (usually above the
staff) with a textual performance direction written at first
occurence, using opposing stem-directio
On 21 Jul 2009, at 21:18, Mark Polesky wrote:
There is an informative section called "Unpitched Sounds" on p.190
of Kurt Stone's book. Basically he says unpitched sounds should be
notated with x-shaped heads on an extra line (usually above the
staff) with a textual performance direction written
Given the wide variation in the use of the
x-shaped note head I think the only possible
name to use is one that reflects the shape of
the note head - crossNote, crossNoteHead or
similar - rather than trying to find a suitable
generic name which adequately covers all these
disparate uses.
Trevor
On 7/21/09 3:00 PM, "Trevor Daniels" wrote:
>
>
> Given the wide variation in the use of the
> x-shaped note head I think the only possible
> name to use is one that reflects the shape of
> the note head - crossNote, crossNoteHead or
> similar - rather than trying to find a suitable
> generi
"Trevor Daniels" wrote:
> Given the wide variation in the use of the
> x-shaped note head I think the only possible
> name to use is one that reflects the shape of
> the note head - crossNote, crossNoteHead or
> similar - rather than trying to find a suitable
> generic name which adequately covers
Carl Sorensen-3 wrote:
>
> 2) For each of the instances you identified in part 1), what do you call
> the
> resulting note?
>
I've never heard the term 'dead note' but 'ghost note' is very common.
Doesn't matter if it's a string or wind instrument. Neither is it limited to
woodwinds, it occurs
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