You get them if the file is parsed. Make sure that lilypond parsing is
choosed in the SideKick dockable.
They can disappear if there is a problem in your source file.
Bert
Thermo wrote:
I use JEdit to edit my Lilypond files.
Sometimes I can see the outlining triangles on the left and sometime
stefanozanobini wrote:
It's a pity.
I had already thought, that I could create the .ly file quite fast
with the .pmx file, but I don't understand why pmx2ly is not more
avaible. It would be useful.
As with any open source project, the problem is maintenance. I guess
that nobody was
interest
Note also that this collision problem is solved automatically if you
upgrade to the latest
development version 2.11.x.
/Mats
Trevor Daniels wrote:
You've probably spotted by now that the correct
syntax is
\context { \Score \override BarNumber #'padding = #3 }
Score with a capital S is the
The \flageolet articulation is intended for this purpose. At least in
string music, the resulting circle has the size and layout that I
recognize from string music. I haven't seen any woodwind parts with
harmonics but would be surprised if the circle really was that small
that your example gives. I
Please always keep the discussion on the mailing list
lilypond-user@gnu.org,
for the benefit of yourself since you get access to the collected
expertise on the
list and for the benefit of others who experience similar problems. I
have never
used LilyPond on a Mac. I hope you have read section
h
On Mon, Aug 4, 2008 at 3:18 AM, Werner LEMBERG <[EMAIL PROTECTED]> wrote:
> It's not specific to dotted notes but to notes which have longer
> durations, and which get squeezed far too much -- the same problem
> occurs for, say, half notes and whole notes. I simply want to control
> these squeezin
Thanks! The marks I have seen in print are about 70% of the current
\flageolet diameter, but I don't want to trouble anybody with making
new markups and then tweaking them to centre them over the note heads.
I will suggest the original, unaltered articulation.
Andrew
2008/8/4 Mats Bengtsson <[EMA
2008/8/3 Trevor Daniels <[EMAIL PROTECTED]>:
> Hi Francisco
>
> Not a bad suggestion. I've tried to fix the
> issues you mentioned - still not perfect, but
> better. Revised code attached.
Trevor: great.
Measures filled of eighth notes are much prettier in my original, here
I suppose that the s
Hi -
I'm working on indexing, and I have a question for those of us who use
the function index.
When looking for a command such as \repeat or \alternative, which would
you find more helpful: having duplicate index entries (i.e., one with
the backslash and one without) or having an entry only for
2008/8/4 Francisco Vila <[EMAIL PROTECTED]>:
> Measures filled of eighth notes are much prettier in my original, here
> I suppose that the shortest common duration is 1/8, otherwise all
> noteheads look as if they were left shifted, but I don't know where
> exactly to put the setting. This would al
2008/8/4 Palmer, Ralph <[EMAIL PROTECTED]>:
> Hi -
>
> I'm working on indexing, and I have a question for those of us who use
> the function index.
>
> When looking for a command such as \repeat or \alternative, which would
> you find more helpful: having duplicate index entries (i.e., one with
> t
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Am Montag, 4. August 2008 schrieb Palmer, Ralph:
> I'm working on indexing, and I have a question for those of us who use
> the function index.
>
> When looking for a command such as \repeat or \alternative, which would
> you find more helpful: having
It looks good to me. The only nitpick that I found is that the ges in
the headword should be a fis. Thanks for your help on the docs!
Andrew
On Mon, Jul 28, 2008 at 7:53 AM, Carl D. Sorensen <[EMAIL PROTECTED]> wrote:
> Dear LilyPond Users,
>
> Notation Reference Section 2.7 Chord notation of the
My only suggestion is in one of the snippets, but I can't edit it (I
guess only contributor or an LSR admin can modify).
Valentin, in the snippet "Stem and beam behavior in tablature" (#494)
can you replace
\override Beam #'damping = #10
with
\override Beam #'damping = #+inf.0
(Rune gets cred
This looks great!
In the trills section, could you clarify that \startTrillSpan will
always convert the subsequent music expression into grace notes and
also include an example with no visible grace notes:
c1~\startTrillSpan s c~ c4\stopTrillSpan
Andrew
On Mon, Aug 4, 2008 at 8:55 AM, Franci
Hi Andrew,
2008/8/4 Andrew Hawryluk <[EMAIL PROTECTED]>:
> Thanks! The marks I have seen in print are about 70% of the current
> \flageolet diameter, but I don't want to trouble anybody with making
> new markups and then tweaking them to centre them over the note heads.
> I will suggest the origin
That is marvellous. I will definitely include it.
Andrew
On Mon, Aug 4, 2008 at 11:06 AM, Neil Puttock <[EMAIL PROTECTED]> wrote:
> Hi Andrew,
>
> 2008/8/4 Andrew Hawryluk <[EMAIL PROTECTED]>:
>> Thanks! The marks I have seen in print are about 70% of the current
>> \flageolet diameter, but I don
On Mon, Aug 4, 2008 at 10:05 AM, Andrew Hawryluk <[EMAIL PROTECTED]> wrote:
> This looks great!
> In the trills section, could you clarify that \startTrillSpan will
> always convert the subsequent music expression into grace notes and
> also include an example with no visible grace notes:
> c1~\st
I would look for a command with the back-slash
if I knew it, or for the topic if I didn't, so
I would suggest:
@funindex \repeat
@cindex repeats
@funindex \alternative
@cindex repeat alternatives
@cindex alternative repeats
@cindex first-time bar
@cindex second-time bar
plus lots more, like,
@
Good call, Andrew. This makes the beams "really" horizontal. Thanks!
Jonathan
Andrew Hawryluk wrote:
My only suggestion is in one of the snippets, but I can't edit it (I
guess only contributor or an LSR admin can modify).
Valentin, in the snippet "Stem and beam behavior in tablature" (#494)
Thanks, Francisco, Reinhold, and Trevor -
Trevor, I've already included _lots_ of @cindex entries. The question
for me was whether to include the function itself both with and without
the backslash, or just with the backslash. Since I sometimes can
remember the name of the function, but not whethe
On Mon, 2008-08-04 at 11:34 -0300, Han-Wen Nienhuys wrote:
> On Mon, Aug 4, 2008 at 3:18 AM, Werner LEMBERG <[EMAIL PROTECTED]> wrote:
> > It's not specific to dotted notes but to notes which have longer
> > durations, and which get squeezed far too much -- the same problem
> > occurs for, say, hal
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Joe Neeman wrote:
| Try overriding the extra-spacing-width property on the ChordName grob
| (the extra-spacing-width property is part of the item-interface, which
| is supported by ChordName).
|
| You could also try overriding the padding property of
On Mon, Aug 4, 2008 at 7:23 PM, Joe Neeman <[EMAIL PROTECTED]> wrote:
>> The spacing is controlled by 2 values in the end: the ideal length of
>> the spring, and the width of the fixed part (the remaining is the
>> stretchable part). I guess you want to increase the fixed width for
>> these notes
Kenny Stephens yahoo.com> writes:
> Our church has a handbell group whose members are not all musically literate.
> To
> keep themselves from having to learn to read music, they mark their notes
> using
> differently colored highlighters.
>
> Is there a means by which I can color the notes based
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