Gordon Gilbert <[EMAIL PROTECTED]> writes:
> I would like to produce a sheet for the guitarists with
> the chords in A, and a notation to use "capo 2", but leave
> the original melody in B.
Did you try to \transpose b a the chords?
--
Feri.
___
lilyp
Hi, and happy new year for everyone !
I'm trying to traslate to a global score pieces of viol music written by Marin
MARAIS. The thing is
that I ahve to use markups that don't exist in lily2.2.5. Is it possible to
draw those markups and
insert them in my pdf ?
Or would it be more simple to
Jean-marc LEGRAND <[EMAIL PROTECTED]> writes:
> The thing is that I ahve to use markups that don't exist
> in lily2.2.5. Is it possible to draw those markups and
> insert them in my pdf ?
Inserting raw Postscript is possible, search for it in the
Tips and Tricks document.
--
Feri.
I am writing a song in lead-sheet format. I have an introduction that
is polyphonic (manual 2.16). The last measure of the introduction has a
pickup into the melody proper. I can't get a lyric on that pick-up.
In single-staff polyphony, how can you treat the top line as melody with
lyric and
Hello all,
I tried to change the alignment of instrument names with no success:
\override Staff.InstrumentName #'self-alignment-X = #1
but this does not work.
What am I doing wrong?
Thank you,
Thomas
2.4.2 on cygwin
___
lilypond-user mailing list
Ferenc Wagner writes:
> > \score {
> > << \context Voice = "melody" { \relative c' { c c c c | c } }
> > \new Lyrics \lyricsto "melody" { we shall o- ver- come } >> }
> >
> > \score {
> > << \context Voice = "melody" { \relative c' { c c8 e c4 c | c } }
> > \new Lyric
Please send a (small) example of what you tried. Also, don't forget
to tell what version of LilyPond you use, otherwise you might get an
answer that's not fully relevant to you.
Take a look at the the example for Vocal ensembles to see how to set
the lyrics to one of several lines of music in a sin
Charles Gran <[EMAIL PROTECTED]> writes:
> I am writing a song in lead-sheet format. I have an
> introduction that is polyphonic (manual 2.16). The last
> measure of the introduction has a pickup into the melody
> proper. I can't get a lyric on that pick-up.
The { ... \\ ... \\ ... } construct
Inline TeX or LaTeX commands can also be used, unless you
have upgraded to the latest development version.
/Mats
Ferenc Wagner wrote:
Jean-marc LEGRAND <[EMAIL PROTECTED]> writes:
The thing is that I ahve to use markups that don't exist
in lily2.2.5. Is it possible to draw those markups and
ins
Kilian A. Foth wrote:
Ferenc Wagner writes:
> > \score {
> > << \context Voice = "melody" { \relative c' { c c c c | c } }
> > \new Lyrics \lyricsto "melody" { we shall o- ver- come } >> }
> >
> > \score {
> > << \context Voice = "melody" { \relative c' { c c8 e c4 c | c } }
Mats Bengtsson writes:
[...]
> > Do you
> > know a way to put alternative lyrics into the same context, so that in
> > the example both `shall' and `shall not' are aligned with the second
> > note?
>
> That's trivial. If you give a
Hello.
I had a file with the following:
-
\version "2.2.0"
#(set-global-staff-size 16)
\include "all.inc.ly"
\score {
\staves
\paper {
orientation = "landscape"
linewidth=27.0\cm
}
}
-
which produced the expected landscape-oriented sheet.
I used "convert-ly
Kilian A. Foth wrote:
Mats Bengtsson writes:
[...]
> However, a simpler solution is to avoid to keep the original
> Voice context for the upper music line when the music splits
> into two voices. This is easiest done by not using the
> <<{...} \\ {...}>> feature (untested):
> \score{
> <<
On Monday 10 January 2005 07:26 pm, Albert Einstein wrote:
> The link shoud be: http://www.openguitar.com/files/cma0.pdf
Thanks. Stupid mistake. And using \thumb instead of \ft
is a better idea too, but my definition. I didn't get the
"thumb script", but it's a terrible idea for guitar music.
L
> Did you search for "landscape" in the index of the manual for
> version 2.4.2?
>
That's what I said here:
> >The only thing that works is
> >
> > #(set-default-paper-size "a4" 'landscape)
> >
> >at the top of the file.
But then, the overall aspect isn't attractive yet:
> >Well, more or les
Did you search for "landscape" in the index of the manual for
version 2.4.2?
Of course, a warning from convert-ly would still be nice, I
include a Cc: to bug-lilypond.
/Mats
Gilles wrote:
Hello.
I had a file with the following:
-
\version "2.2.0"
#(set-global-staff-size 16)
\include "all.inc
MichaÅ DwuÅnik wrote:
> On Mon, 10 Jan 2005 14:10:28 +0100, Bertalan Fodor <[EMAIL PROTECTED]> wrote:
>
> Best regards and many thanks for "TeX" example
>
If you take a look at
http://lists.gnu.org/archive/html/lilypond-user/2004-11/msg00713.html
you'll see that the 'TeX' method is not perfect.
According to the regression tests, LilyPond does not typeset beams
across manual repeat signs. That is true. However, it does place beams
across repeat-voltas, if the repeat sign is mid-bar. Is there a way to
avoid that without using manual beaming?
I use LilyPond 2.2.4.
I tried so search the lis
In lyricmode \skip 1 goes the next note in a series of 8th notes? I
can't seem to get this number to represent anything.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
The following is a snippet from a song I want to enter in Lilypond
version 2.2.0
However the notes within << >> are skipped due to a melisma? (I think
it's the melisma that gets me in trouble)
the "My" should fall on the << ges8 \melisma (f8) \melismaEnd \\ es4 >>
but instead that part is skipp
20 matches
Mail list logo
