Ferenc Wagner writes:
> > \score {
> > << \context Voice = "melody" { \relative c' { c c c c | c } }
> > \new Lyrics \lyricsto "melody" { we shall o- ver- come } >> }
> >
> > \score {
> > << \context Voice = "melody" { \relative c' { c c8 e c4 c | c } }
> > \new Lyrics \lyricsto "melody" { we shall not o- ver- come } >> }
> >
> > \score {
> > << \context Voice = "melody" {
> > \relative c' { c
> > << {\voiceOne c8 e} \\ {\voiceTwo c4} >>
> > \oneVoice c4 c | c
> > }
> > }
> > \new Lyrics \lyricsto "melody" { we o- ver- come }
> > \new Lyrics \lyricsto "1" { shall not }
> > \new Lyrics \lyricsto "2" { shall }
> > >>
> > }
> >
> > The third score correctly combines the first two (although the split
> > lyrics are typeset one line too low). But that trick only works once
> > for a part -- the next assignment to "1" would put yet another line of
> > lyrics under the same split note, rather than the next one. Can notes
> > and text be associated closer somehow to avoid this?
>
> \new Lyrics creates a new lyrics context (ie. a fresh and
> independent line of lyrics); what you want is putting more
> words into the *same* context (line) you already created.
Yes, apparently I need to, but I can't figure out how to do it! Do you
know a way to put alternative lyrics into the same context, so that in
the example both `shall' and `shall not' are aligned with the second
note?
> Since "2" is a short lived voice context, I'm not sure if it
> will just work. As a side note, I found it more natural not
> to use the implicit voice creation syntax, but explicitly
> name contexts (and possible keep them alive) by the other
> method illustrated in the referred article.
--
Kilian Foth Phone +49 40 42883-2518
AB NATS, FB Informatik Fax +49 40 42883-2515
Universität Hamburg
Vogt-Kölln-Str. 30
22527 Hamburg
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