Am 24.01.2018 um 02:58 schrieb joedavnport:
Q1. Is there a way to create (and show) an empty stave in a score,
rather than creating {s1 s1 s1} spaces?
You can write s1*3 instead of s1 s1 s1 ;)
Q2. Sometimes I want to omit a phrasing for certain files (e.g. showing
repeat marks), instead of
Hi LilyPond,
Here are some general questions on coding, which I think can be answered in any
way that works. The first, however, is more specific.
Q1. Is there a way to create (and show) an empty stave in a score, rather than
creating {s1 s1 s1} spaces?
-because I'm lazy.
Q2. Sometimes I want t
Wow, nice !
Thanks a lot, this really helps :-p
"LaTeX-like" text footnotes are nearly done.
After doing these footnotes and endnotes, I will probably try to implement
drop caps support.
(My secret wish is to get rid of lilypond-book...)
Regards,
Bertrand
__
Hello,
to work with foot- or end-notes its good to know the current position in
music - of course this doesn't make sense for a paragraph of pure text ;-)
So I digged for a way to fetch the current position in music - these are
only some hints for me to remember and perhaps for you to try:
--s
Thanks Jan-Peter !
I agree with your idea of using asterisks instead of numbers when annotating
scores (but for text, numbers seems more elegant).
For the moment, I will try to do LaTeX-like footnotes for markuplines.
Indeed, this would be a good solution for now :
- A column of footnotes on each
It may be totally unrelated but that reminds me of this:
http://lists.gnu.org/archive/html/bug-lilypond/2010-12/msg00425.html
Cheers,
Xavier
Hi Xavier,
this is related to the footnote snippet ... if you have footnotes at a
pagebreak, the footnote might be on the wrong page. For these endnot
Hello Bertrand,
I reworked this snippet a little bit to display asterisks instead of
numbers. This is the way we usually see those little footnotes in
published notes - but it still faces a similar problem:
If you have several staffs, the remarks are ordered first in system-
*then* in timing-o
On 8 February 2011 23:40, Bertrand Bordage wrote:
>
> Hello,
> I'm currently trying to find some solutions to this issue
> : http://code.google.com/p/lilypond/issues/detail?id=737
> I started implementing a solution for endnotes (attached). It is based on
> this snippet : http://lsr.dsi.unimi.it/L
Hello,
I'm currently trying to find some solutions to this issue :
http://code.google.com/p/lilypond/issues/detail?id=737
I started implementing a solution for endnotes (attached). It is based on
this snippet : http://lsr.dsi.unimi.it/LSR/Item?id=728
As you can see, there is a problem when classif
Gilles Thibault proposed the function \shiftMusic #1 { }. How can I
loop through an arbitrary range (for example: #-7 .. #14)?
Thanks for any help
Thomas
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Gilles
thanks, it works - at least in this case. Whether the algorhythm is
general enough I cannot judge
Thomas
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leaving away the old stuff I get to this solution - which does not work.
Any help available
Thomas
\version "2.12.1"
#(define ((shift-pitch amount) p)
(let* ((o (ly:pitch-octave p))
(a (ly:pitch-alteration p))
(n (ly:pitch-notename p)))
(set! n (+ amount n))
(while (<
I am looking for a way to create sequences in a key. The old posting I
found (Re: command for 'sequences'? Rune Zedeler Fri, 21 Sep 2001) is
written for an old version.
leaving away the old stuff I get to this solution - which does not work.
Any help available
Thomas
\versi
Mats Bengtsson <[EMAIL PROTECTED]> writes:
> Take a look at the example file input/test/music-box.ly
> in the distribution. I think it does more or less what
> you're trying to achieve.
>
> /Mats
Wow! That is amazing. *peers* So it takes a sequential list of
pattern - note pairs and applie
Take a look at the example file input/test/music-box.ly
in the distribution. I think it does more or less what
you're trying to achieve.
/Mats
> Does anyone know how to perform an operation (using the Guile
> interpreter) that combines two sequences of notes? I'm not entire
??? !
Information is not knowledge. Belief is not truth.
Indoctrination is not teaching. Tradition is not evidence.
David Raleigh Arnold [EMAIL PROTECTED]
% here we have flowing2.ly:
\header {
title =
Wow. Too many trailing spaces.
r8 | \partial 8 g8 | c2:3- f:3-.7| c4
c8 d [es () d] c4 | d:min es4 c8:min r8 | f4 f8 g [es() d] c g |
c2:min f:min7 | c4 c8 d [es () d] c4 | g:7^3.5 c:min | d4
es8 d c4. \bar "|." |
-
Flowing2 with lyrics truncated:
r8 | \partial 8 g8
| c2:3- f:3-.7| c4 c8 d [es () d]
c4 | d:min es4 c8:min r8 | f4 f8 g [es() d] c g |
c2:min f:min7 | c4 c8 d [es () d] c4 | g:7^3.5
c:min | d4 es8 d c4.
)
> > (display (cadr a))
> > )
> > x)
> > ---
> >
> > I noticed by looking at what displayed that (car a) was the
> > \myduration sequence and (cadr a) was \music. However, the two
> > resulting sequences do not act like ordinary lis
hat displayed that (car a) was the
> \myduration sequence and (cadr a) was \music. However, the two
> resulting sequences do not act like ordinary lists, and normal mapping
> functions do not work. In addition, (car a) is the unevaluated form
> of \myduration, with information about how many tim
Does anyone know how to perform an operation (using the Guile
interpreter) that combines two sequences of notes? I'm not entirely
sure how to iterate from note to note, and I'm not sure how to get at
the notes after they have been evaluated for unfolding repeats.
I wanted to pair two
#x27;s for this trick.
> > nemo.
>
> It's not difficult to add a feature in ly2dvi to first run the
> input files through a preprocessor like m4 or cpp, if there's
> a public demand for it. Adding another macro language within
> Lilypond, on the other hand,
> On mar, 2001-10-02 at 11:37, Rune Zedeler wrote:
>
> >
> > > Do you plan to put it in
> > > next realease (something just like \gacen{d}) ?
> >
> > No, I am quite sure that this will never be implemented in lilypond.
> > If one could just run ly2dvi as a filter then it would be no problem to
On mar, 2001-10-02 at 11:37, Rune Zedeler wrote:
>
> > Do you plan to put it in
> > next realease (something just like \gacen{d}) ?
>
> No, I am quite sure that this will never be implemented in lilypond.
> If one could just run ly2dvi as a filter then it would be no problem to
> run it like th
Olivier Guéry wrote:
> But as you describe it, it's don't work...
No, I'm afraid not.
Using cpp was a bad idea, and running ly2dvi as filter causes troubles.
You could process the input with the m4 preprocessor instead:
define(gracen,\slurDown \grace {$1 8 () s} \slurBoth)
- and call t
On lun, 2001-10-01 at 20:16, Rune Zedeler wrote:
> Den 29-Sep-01 skrev Jérémie Lumbroso:
>
> [scheme]
> JL> Would you mind writing me one that would replace :
> JL> \slurDown \grace {d8 () s} \slurUp
> JL>
> JL> by :
> JL> \gracen {d}
>
> Well, I would use the c preprocessor for that purpose.
>
Den 29-Sep-01 skrev Jérémie Lumbroso:
[scheme]
JL> Would you mind writing me one that would replace :
JL> \slurDown \grace {d8 () s} \slurUp
JL>
JL> by :
JL> \gracen {d}
Well, I would use the c preprocessor for that purpose.
just do
#define gracen(x) \slurDown \grace {x8 () s} \slurBoth
in t
jos wrote:
> I have a lilypond question: is there a command for
> making sequences of notes?
Not a command but it's easy in scheme
Notice how I just use the lilypond transpose for keys different from C
major.
\version "1.4.1"
#(define ((shift-pitch amount) p)
(let
jos wrote:
>
> David Raleigh Arnold wrote:
> >
> > Nice thought. \Seq1? (down by default) \Seq5up? What about
> > accidentals?
> >
> > I would guess that macros within xemacs would actually save more typing
> > than
> > commands in lilypond when what you are doing is composition shortcuts.
>
Nice thought. \Seq1? (down by default) \Seq5up? What about
accidentals?
I would guess that macros within xemacs would actually save more typing
than
commands in lilypond when what you are doing is composition shortcuts.
I don't know whether or not there is any interest or movement in that
di
HI
I have a lilypond question: is there a command for
making sequences of notes? A sequence is a series of
notes within a certain scale (eg g major), based on
a cell of notes eg, 'g a b c'. A sequence would then
be for instance:
g a b c a b c d b c d ec d e f# d e f# g
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