Am 22.03.2014 11:01, schrieb Anthony:
Well, I've put in a fair bit of time and effort over the years. The
problem, as always, is finding time to play, and also remembering what
worked last time :-) Many moons ago, I proofread the entire main
manual about three times! I've dug into the code and
- Original Message -
From: "Anthony Youngman"
To: "Kieren MacMillan" ;
Sent: Saturday, March 22, 2014 1:45 AM
Subject: Re: minor chords (and a possible transition to a new topic)
Oh - and sorry Phil, "page-count = 1" didn't work. Although ii
On 22/03/2014 07:50, Simon Albrecht wrote:
Am 22.03.2014 02:45, schrieb Anthony Youngman:
And I don't tend to dig deep into all the "esoteric" settings - there
are so many of them that I don't understand, that I tend to shy away
from them. I shouldn't, but I'd rather just use standard bells an
Am 22.03.2014 02:45, schrieb Anthony Youngman:
And I don't tend to dig deep into all the "esoteric" settings - there
are so many of them that I don't understand, that I tend to shy away
from them. I shouldn't, but I'd rather just use standard bells and
whistles - when I need to use all sorts of
Hi Wol,
>> \override Score.NonMusicalPaperColumn.line-break-permission = ##f
> m not met that.
>
> My first reaction though, is why would what appears to be a line-break
> setting affect the number of pages?
Sorry — should have been
\override Score.NonMusicalPaperColumn.page-break-perm
On 19/03/14 18:13, Kieren MacMillan wrote:
>> there is no setting that says "force everything onto one page, beauty be
>> damned"
>
> Does
>
> \override Score.NonMusicalPaperColumn.line-break-permission = ##f
>
> not work for you?
>
> Cheers, Kieren.
m not met that.
My first reactio
> there is no setting that says "force everything onto one page, beauty be
> damned"
Does
\override Score.NonMusicalPaperColumn.line-break-permission = ##f
not work for you?
Cheers, Kieren. ___
lilypond-user mai
- Original Message -
From: "Anthony"
To:
Sent: Tuesday, March 18, 2014 5:34 PM
Subject: Re: minor chords (and a possible transition to a new topic)
On 17/03/2014 10:40, Robert Schmaus wrote:
But there's another thing that surprises me in this discussion: I alway
On 17/03/2014 10:40, Robert Schmaus wrote:
But there's another thing that surprises me in this discussion: I always thought that
Lilypond is mainly being used and intended for "classical" (exact) music.
I think it's always been intended to produce "beautiful music for any
usage requirement". Th
Robert Schmaus writes:
> Oh, I'm sorry. I was looking into the problem some months ago and
> found a email correspondence between David kastrup and others about
> the removal of the "accepts" technique. I have never seen that it was
> later replaced by this new command.
There is no new command.
Oh, I'm sorry. I was looking into the problem some months ago and found a email
correspondence between David kastrup and others about the removal of the
"accepts" technique. I have never seen that it was later replaced by this new
command.
My apologies!
Also for sending an accidental reply ju
Robert Schmaus writes:
> -
> Von meinem Fliewatüüt gesendet.
[full-quote without content elided]
I think Jazz musicians really should get off the habit of only writing -
when it would be so much easier to get their meaning if they were just a
bit more verbose.
--
David Kastrup
__
-
Von meinem Fliewatüüt gesendet.
> On 17 Mar 2014, at 11:57, David Kastrup wrote:
>
> Robert Schmaus writes:
>
>> So, again, it boils down to whatever works. There's no standard to
>> this, and frankly, I've never experienced that as a problem. Jazz
>> music is improvised music, and I don't
Robert Schmaus writes:
> So, again, it boils down to whatever works. There's no standard to
> this, and frankly, I've never experienced that as a problem. Jazz
> music is improvised music, and I don't know a jazz musician who has
> problems "improvising" here as well. Everyone has different
> pre
So, again, it boils down to whatever works. There's no standard to this, and
frankly, I've never experienced that as a problem. Jazz music is improvised
music, and I don't know a jazz musician who has problems "improvising" here as
well. Everyone has different preferences, sure, but problems rea
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