Hi, lilyponders:
\unfoldRepeats generates a midi file with "\repeat volta 2" music properly.
Is it possible to generate midi file with "D.S. al Code"; "segno"; "To Coda"
and "Coda" structure of a music? I like to listen the generated midi contains
all the D.S. al Code"; "segno"; "To Coda" and
Martin,
Thank You very much. Marc also suggested the same way. I am pursuing it now.
Emmanuel,
Ming
On Wednesday, February 26, 2014 7:21:06 AM, Martin Tarenskeen
wrote:
On Wed, 26 Feb 2014, Yming wrote:
>
> Sent from my NOOK
>
> MING TSANG wrote:
>
> Hi, lilyponders:
> \unfoldRepea
On Wed, 26 Feb 2014, Yming wrote:
Sent from my NOOK
MING TSANG wrote:
Hi, lilyponders:
\unfoldRepeats generates a midi file with "\repeat volta 2" music
properly.
Is it possible to generate midi file with "D.S. al Code"; "segno"; "To Coda"
and "Coda" structure of a music? I like t
Am 26.02.2014 11:58, schrieb Yming:
Sent from my NOOK
MING TSANG wrote:
Hi, lilyponders:
\unfoldRepeats generates a midi file with "\repeat volta 2" music
properly.
Is it possible to generate midi file with "D.S. al Code"; "segno"; "To
Coda" and "Coda" structure of a music? I like to liste
Sent from my NOOK
MING TSANG wrote:
>Hi, lilyponders:
> \unfoldRepeats generates a midi file with "\repeat volta 2" music properly.
>Is it possible to generate midi file with "D.S. al Code"; "segno"; "To Coda"
>and "Coda" structure of a music? I like to listen the generated midi contains
>a
(Following is a lengthy discussion on multiple voices - aimed at the newbie (such as
myself) and based on my recent experience. Apologies to the group's
experienced people for the length.)
Amelie has already answered the questions and her answer to #2 is right if the
question is truly about cho
(Following is a lengthy discussion on multiple voices - aimed at the newbie (such as
myself) and based on my recent experience. Apologies to the group's
experienced people for the length.)
Amelie has already answered the questions and her answer to #2 is right if the
question is truly about cho
Hi Chet,
> 1) I get beams on notes that I do not want to have beamed.
Use manual beaming by enclosing the notes you want beamed in square brackets,
e.g.:
[c8 d] e f [g a] b c
> 2) I have two cords that I want to slur. I can get a bottom slur or a top
> slur but I can not see how to place a top
I am new at trying lilypond and to compound matters I do not know music that well. I
did attempt with fair success at writing a piece that is usable.
I have three problems and I could not find information on them.
1) I get beams on notes that I do not want to have beamed.
2) I have two cords that
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On Sat, 2002-12-14 at 18:57, David Bobroff wrote:
> If I keep all the notes for a piece in one file what is the "proper" (not
> that there is one "right" way) method of adding any needed instances of
<---snip--->
> followed by '\break' in the part extracting file to place the line breaks
> where I
I've got a few Lilypond projects in varying degrees of completeness. I'm
finding that I need to settle on some general approach that will work well.
Some specifics:
Score vs Parts
If I keep all the notes for a piece in one file what is the "proper" (not
that there is one "right" way) method of
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