Re: An idea for a systematic development of a large score.

luis jure schrieb: > >on 2013-05-26 at 15:49 Urs Liska wrote: > >> When my son was 2 1/2 he was already an enthusiastic soccer player. >Once >> he kicked too hard and sat on his bottom. His thrilled comment: >"Boah, >> jetzt bin ich umgefallen, weil ich so stark geschissen habe" (sorry, >>

Re: An idea for a systematic development of a large score.

on 2013-05-26 at 15:49 Urs Liska wrote: > When my son was 2 1/2 he was already an enthusiastic soccer player. Once > he kicked too hard and sat on his bottom. His thrilled comment: "Boah, > jetzt bin ich umgefallen, weil ich so stark geschissen habe" (sorry, > untranslatable ...) what can i s

Re: An idea for a systematic development of a large score.

Am 26.05.2013 15:12, schrieb David Kastrup: Christ van Willegen writes: On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen wrote: Sorry, hobo is just the Dutch name for oboe. typo Well, as long as you don't use the Dutch name fagot for bassoon... An uncle of mine, not remembering the w

Re: An idea for a systematic development of a large score.

Christ van Willegen writes: > On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen wrote: >> Sorry, >> >> hobo is just the Dutch name for oboe. typo > > Well, as long as you don't use the Dutch name fagot for bassoon... An uncle of mine, not remembering the word for "journey", once famously wa

Re: An idea for a systematic development of a large score.

On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen wrote: > Sorry, > > hobo is just the Dutch name for oboe. typo Well, as long as you don't use the Dutch name fagot for bassoon... Christ van Willegen ___ lilypond-user mailing list lilypond-user@gn

Re: An idea for a systematic development of a large score.

Am 24.05.2013 23:17, schrieb Sarah k Alawami: Ok. yeah I'm trying to create a lot less work for my self especially now because if I get this job out of town I will be gone for 3 months and I want to do this as a gift. The variables and the systems idea will I think make it easier. why o why di

Re: An idea for a systematic development of a large score.

Ok. yeah I'm trying to create a lot less work for my self especially now because if I get this job out of town I will be gone for 3 months and I want to do this as a gift. The variables and the systems idea will I think make it easier. why o why did I not do this with the last assignment? lol!

Re: An idea for a systematic development of a large score.

On 24 May 2013, at 03:21 , Sarah k Alawami wrote: Actually I was thinking the variables for the piano since one of the sections repeats a lot in the right hand. Will all of that still compile if I have the files's variables like that or do I need to then create a veritable for the foe its

Re: An idea for a systematic development of a large score.

Sorry, hobo is just the Dutch name for oboe. typo Regards, Wim. On 24 May 2013, at 00:51 , David Kastrup wrote: Wim van Dommelen writes: Yes, that is possible if I understand correctly what you want to do. For example you can make a set of files: - clarinet-1.ly, contains the variabl

Re: An idea for a systematic development of a large score.

Actually I was thinking the variables for the piano since one of the sections repeats a lot in the right hand. Will all of that still compile if I have the files's variables like that or do I need to then create a veritable for the foe itself? On May 23, 2013, at 3:31 PM, Wim van Dommelen wrot

Re: An idea for a systematic development of a large score.

Wim van Dommelen writes: > Yes, that is possible if I understand correctly what you want to do. > For example you can make a set of files: > - clarinet-1.ly, contains the variable with the notes and everything > for clarinet 1 > - hobo.ly, the variable with the notes for the hobo, etc. Is that

Re: An idea for a systematic development of a large score.

Hi Sarah, On 23 May 2013, at 19:46 , Sarah k Alawami wrote: I was thinking of putting my variables in each file each variable only *once* in a file, I presume that way I can do a bit less less typing, at least in that file. will this still work in the end when I compile all files in to o

Re: An idea for a systematic development of a large score.

I was thinking of putting my variables in each file that way I can do a bit less less typing, at least in that file. will this still work in the end when I compile all files in to one score and parts for the choir and me and the pianist? Well, I won't need the score, how ever the person conduc

Re: An idea for a systematic development of a large score.

Hi wjm and list, On 17/05/13 02:26, wjm wrote: > Greetings! > After watching Sarah K Alawami's work on a score recently on this > user-list, but not having the musical and compositional skills to make > constructive remarks, and after reading the thread entitled 'stylesheet > structure', it occurre

Re: An idea for a systematic development of a large score.

I think this whole thread is very useful. Thanks for initiating it! And I totally agree about the value of this list for learners (and others). Of the many I subscribe to, it's always been the best, by quite a margin. t. On 05/17/2013 07:58 PM, wjm wrote: A bit of my LP background - - - Sever

Re: An idea for a systematic development of a large score.

Jan: When I click that link, I see this: What am I supposed to see there? Are there examples or something? Thanks, Ben Jan Nieuwenhuizen wrote > wjm writes: > >> After a lot of fiddling around I came up with this schema:- >

Re: An idea for a systematic development of a large score.

> lol. try nigh impossible if you have absolutely no knowledge of the terminal. > I tried frescoboldi in the windows environment and it sucked. I think for > this arrangement for now I'll have alto2.ly, alto1.ly, soprano2ly, soprano > 1-1.ly and soprano1.ly then the piano part.ly or what ever

Re: An idea for a systematic development of a large score.

On 17 May 2013, at 03:26 , wjm wrote: After a lot of fiddling around I came up with this schema:- I use a similar approach. This approach is well-facilitated in Frescobaldi, using the point- and-click correlation between the output pane and the relevant input f

Re: An idea for a systematic development of a large score.

I guess you all have looked at the scores by Nicolas Sceaux at http://nicolas.sceaux.free.fr/ already? They are very well structured. On 17 May 2013 09:18, Shevek wrote: > I do all of my composing in Lilypond, and have completed numerous large > ensemble projects of significant length. I'd esti

Re: An idea for a systematic development of a large score.

I do all of my composing in Lilypond, and have completed numerous large ensemble projects of significant length. I'd estimate I've written around 20,000 lines of Lilypond and Scheme code in the last two years. My preferred file structure continues to evolve, but it is basically the following: Proj

Re: An idea for a systematic development of a large score.

Greetings Jan, You wrote:- +++ > After a lot of fiddling around I came up with this schema:- That reads much like http://git.savannah.gnu.org/cgit/lilypond.git/tree/mutopia/Coriolan?id=60fdc53305e8628dad96b4ebea177bc6ee8d95cd what are we missing? +++ I hadn'

Re: An idea for a systematic development of a large score.

wjm writes: > After a lot of fiddling around I came up with this schema:- That reads much like http://git.savannah.gnu.org/cgit/lilypond.git/tree/mutopia/Coriolan?id=60fdc53305e8628dad96b4ebea177bc6ee8d95cd what are we missing? Greetings, Jan -- Jan Nieuwenhuizen | GNU LilyPond http://l

Re: An idea for a systematic development of a large score.

. Cheers, Carl Original Message From: Sarah k Alawami Sent: Thu May 16 22:03:48 EDT 2013 To: Lilypond-User List Subject: Re: An idea for a systematic development of a large score. does not sound like a bad idea. I'm gong to be working on an arrangement of oh come equal and ho

Re: An idea for a systematic development of a large score.

does not sound like a bad idea. I'm gong to be working on an arrangement of oh come equal and hope to get it done by November or so. it's a surprise for a very special friend of mine who is let's say very fragile in health and I want to give it to her choir. I'm thinking of writing all the parts