Re: score with dynamic beats

Hi, Am 12.04.24 um 17:36 schrieb Kieren MacMillan: Hi Raphael, I note that in one solution one uses \remove and in the other \omit to achieve the same thing. Is there any prospect of moving to a situation where only one operator is used to achieve a result, possibly by having a preferred a

Re: score with dynamic beats

> I note that in one solution one uses \remove and in the other \omit to > achieve the same thing. > > Is there any prospect of  moving to a situation where only one operator > is used to achieve a result, possibly by having a preferred and > deprecated options first? This is a general point,

Re: score with dynamic beats

Hi Raphael, > I note that in one solution one uses \remove and in the other \omit to > achieve the same thing. > > Is there any prospect of moving to a situation where only one operator is > used to achieve a result, possibly by having a preferred and deprecated > options first? This is a gen

Re: score with dynamic beats

I note that in one solution one uses \remove and in the other \omit to achieve the same thing. Is there any prospect of moving to a situation where only one operator is used to achieve a result, possibly by having a preferred and deprecated options first? This is a general point, not just re

Re: score with dynamic beats

Hi Gian Paolo, > how to write a score without time signature and bars placed on request? Just remove the Time_signature_engraver: \version "2.25.11" \language "english" \layout { indent = 0 ragged-right = ##f \context { \Staff \remove Time_signature_engraver } } { \key d \ma

Re: Score overruns page. Bug or something I did?

Hello! An easy fix, and that makes perfect sense. In other words, it /was/ something I did! :) Thank you Jean and Kieren for your prompt responses. Best wishes, Jakob On 06.02.2024 23.48, Jean Abou Samra wrote: It's not a bug —  by default, LilyPond forbids line breaks on a bar line when

Re: Score overruns page. Bug or something I did?

It's not a bug —  by default, LilyPond forbids line breaks on a bar line when there are notes straddling on that bar line. You can change this with ``` \layout { \context { \Voice \remove Forbid_line_break_engraver } } ``` Best, Jean signature.asc Description: This is a digital

Re: Score overruns page. Bug or something I did?

Well, yes and no. The original ignores barlines here and there. Bars 25-27 in T1 have 12 beats total, they are just distributed oddly against the 2/2 time. /Jakob On 06.02.2024 22.59, Kieren MacMillan wrote: Hi Jakob, In m25, T1 has 5 beats. Is that correct? – Kieren

Re: Score overruns page. Bug or something I did?

Hi Jakob, In m25, T1 has 5 beats. Is that correct? – Kieren

Re: Score layout - ragged bottom and page break?

Thanks, Michael - that looks like the perfect answer. Typical of me, I seem to have explored every page in the documentation except for that one. Thanks again, Alasdair On Mon, 13 Nov 2023, 1:04 am Michael Werner, wrote: > Hi Alasdair, > > On Sun, Nov 12, 2023 at 8:47 AM Alasdair McAndrew > w

Re: Score layout - ragged bottom and page break?

Hi Alasdair, On Sun, Nov 12, 2023 at 8:47 AM Alasdair McAndrew wrote: > How can I force each score with a book to have a last ragged bottom, and > each score beginning on a new page? > Might try putting each score into a \bookpart section. When I put multiple scores into a single PDF that's ho

Re: Score structure with alternate endings

Hi Michael, heh, I guess I've gotten so used to keeping my key signature in a separate voice it never occurred to me I could change keys at the level of individual voices. Thanks again, Andrew er/ihn/ihm/sein | he/him/his Berlin On Thu, Nov 2, 2023 at 4:18 PM Michael Werner wrote: > On Thu,

Re: Score structure with alternate endings

On Thu, Nov 2, 2023 at 9:43 AM N. Andrew Walsh wrote: > Another question: is it possible to set the key signature for the two > "alternate" sections to be different? I know I can hide one, but is it > possible for different voices to have/display key signatures that are > independent of one anoth

Re: Score structure with alternate endings

Hi Michael, excellent, I'll have a look at that. Another question: is it possible to set the key signature for the two "alternate" sections to be different? I know I can hide one, but is it possible for different voices to have/display key signatures that are independent of one another? Cheers,

Re: Score structure with alternate endings

On Thu, Nov 2, 2023 at 7:11 AM N. Andrew Walsh wrote: > One question: you add some extra padding between the two variants with an > \override; is there a way to do the same thing for modifying the padding > between two PianoStaff groups (but not change the staff-staff spacing > within each of the

Re: Score structure with alternate endings

Hi Michael, thank you so much for taking the time to write out an example. I was able to modify it to work for two PianoStaff objects. One question: you add some extra padding between the two variants with an \override; is there a way to do the same thing for modifying the padding between two Pian

Re: Score structure with alternate endings

On Wed, Nov 1, 2023 at 10:59 AM N. Andrew Walsh wrote: > Hi List, > Hi Andrew, > I have a client who's written a piece where he wants the last 16 bars to > have two different variations, to be freely chosen by the performer. Sort > of a choose-your-own-adventure score. It's scored for two voic

Re: Score, DS and Coda Question

> On 30 Sep 2022, at 20:48, Greg Lindstrom wrote: > >  > Oh, good gravy! IT IS in the snippets; I can't believe I missed it: > > Positioning segno and coda (with line break) > > https://lilypond.org/doc/v2.22/Documentation/snippets/repeats#repeats-positioning-segno-and-coda-_0028with-line-br

Re: Score, DS and Coda Question

Oh, good gravy! IT IS in the snippets; I can't believe I missed it: Positioning segno and coda (with line break) https://lilypond.org/doc/v2.22/Documentation/snippets/repeats#repeats-positioning-segno-and-coda-_0028with-line-break_0029 My apologies, everyone. I really do try to find things in th

Re: Score, DS and Coda Question

Greg,I think what you're looking for is present in the selected snippets section of the documentation:https://lilypond.org/doc/v2.22/Documentation/snippets/repeats#repeats-positioning-segno-and-coda-_0028with-line-break_0029On 30 Sep 2022, at 20:33, Valentin Petzel wrote:Hello Greg,could you mayb

Re: Score, DS and Coda Question

On 2022-09-30 11:22 am, Greg Lindstrom wrote: I've engraved a score which includes a "D.S." and Coda. I had no problem adding the Text (D.S. al Coda") and signs, but currently there is no break in the score between after the measure to go back to the sign and the actual coda. In other works I'v

Re: Score, DS and Coda Question

Hello Greg, could you maybe be a bit more specific about what you want to achieve? Maybe add an image or something. Cheers, Valentin Am Freitag, 30. September 2022, 20:22:01 CEST schrieb Greg Lindstrom: > Hello Everyone, > > I've engraved a score which includes a "D.S." and Coda. I had no prob

Re: Score vs. Individual Parts

As far as reducing the size of the paper, if it you just need to reduce it without any change in the layout, it is easy to do it at the level of the PDF output. Just print the PDF output to a new PDF with a certain percentage of scaling and choosing a personal page size (or choosing the page size

Re: Score vs. Individual Parts

Gilles Thibout made a very well lilypond library what handles all you are asking for. https://github.com/gilles-th/arranger.ly It has a steep learning line(at least my experience). Once the notes of your composition are written down, you do not need to copy them again. Check it out, it might b

Re: Score vs. Individual Parts

On 12/09/2022 18:25, Greg Lindstrom wrote: I have created my first full score for brass band and euphonium solo using Lilypond (and Frescobaldi). The score looks wonderful; I've had it bound at a local print shop and it looks downright professional. There are a number of things to correct and I

Re: Score vs. Individual Parts

Hello Greg, I will not give a very detailed answer because I do not have time to spend on so many points, but I hope to give you the right direction: @1) Checkout tags in lilypond. You can tag line breaks like \tag #'part \break @2) Checkout the documentation about changing the staff size: htt

Re: Score header and top-level markup

Hi Jean, thanks once more for the speedy and helpful reply! On 06/06/2022 14:43, Jean Abou Samra wrote: How can I change that? That sounds like an XY question. Sorry about that. I meant to imply: How do I swap the placement of the headers? What is the use case? Having a large, left-ali

Re: Score header and top-level markup

Le 06/06/2022 à 14:32, Simon Albrecht a écrit : Hi everyone, %%% \version "2.23.9" \bookpart {   \markup \fontsize #10 "general title"   \header {     title = "specific title"   }   \score {     { 1 }   } } why does "general title" appear below "specific title"

Re: Score and parts

> "bob" == bobroff@centrum is writes: bob> For different output in score vs part you can use tags. bob> http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html You can also create a 'global' music to put in parallel with each part. E.g., \version "2.2

Re: Score and parts

For different output in score vs part you can use tags. http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html -David - Jenifer Tribe wrote: > It is often useful to create a score and individual parts. > > Sometimes you need to mark up a point in each

Re: Score Wizard Fresco 3.1

>Date: Wed, 1 Jan 2020 17:31:10 -0700 (MST) >From: Michael Rivers > >The score wizard does nothing for me in Frescobaldi 3.1 (Windows version). I >uninstalled it and reinstalled the old version, whose score wizard works >fine. I see there is a version 3.1.1 as of January 4. The change log for it

RE: [SPAM] Re: Score Wizard Fresco 3.1

On 02.01.20 13:19, Peter Gentry wrote: > Date: Wed, 1 Jan 2020 17:31:10 -0700 (MST) > From: Michael Rivers > > The score wizard does nothing for me in Frescobaldi 3.1 (Windows > version). I uninstalled it and reinstalled the old version, whose > score wizard works fine. >

Re: Score Wizard Fresco 3.1

On 02.01.20 13:19, Peter Gentry wrote: Date: Wed, 1 Jan 2020 17:31:10 -0700 (MST) From: Michael Rivers The score wizard does nothing for me in Frescobaldi 3.1 (Windows version). I uninstalled it and reinstalled the old version, whose score wizard works fine. -

RE: Score Wizard Fresco 3.1

Date: Wed, 1 Jan 2020 17:31:10 -0700 (MST) From: Michael Rivers The score wizard does nothing for me in Frescobaldi 3.1 (Windows version). I uninstalled it and reinstalled the old version, whose score wizard works fine. If you mean

Re: score-lines-markup-list in Lyrics?

Am Mi., 12. Dez. 2018 um 09:53 Uhr schrieb David Kastrup : > > David Kastrup writes: > > > Thomas Morley writes: > > > >> Hi all, > >> > >> this works: > >> > >> \version "2.19.82" > >> > >> tst = \markuplist \italic #(make-list 2 "buzz") > >> > >> << > >> \new Staff { R1 \break R1 } > >> \ne

Re: score-lines-markup-list in Lyrics?

David Kastrup writes: > Thomas Morley writes: > >> Hi all, >> >> this works: >> >> \version "2.19.82" >> >> tst = \markuplist \italic #(make-list 2 "buzz") >> >> << >> \new Staff { R1 \break R1 } >> \new Lyrics \lyricmode { $@tst } >> >> This doesn't work: >> >> tstA = >> \markuplist \s

Re: score-lines-markup-list in Lyrics?

Thomas Morley writes: > Hi all, > > this works: > > \version "2.19.82" > > tst = \markuplist \italic #(make-list 2 "buzz") > > << > \new Staff { R1 \break R1 } > \new Lyrics \lyricmode { $@tst } >>> > > This doesn't work: > > tstA = > \markuplist \score-lines { \repeat unfold 80 a'16 } > > <<

Re: Score numbering

On Sun, 2 Dec 2018 at 11:32, Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com> wrote: > Hi Gianmaria, > I don't understand what (add-score #{ \score { {c} \midi{}} #} ) stands > for (copy/paste typo?) > Cheers, > Pierre > You're right Pierre. Copy and paste the following code that it's

Re: Score numbering

Hi Gianmaria, I don't understand what (add-score #{ \score { {c} \midi{}} #} ) stands for (copy/paste typo?) Cheers, Pierre Le dim. 2 déc. 2018 à 00:04, Gianmaria Lari a écrit : > > > > On Sat, 1 Dec 2018 at 16:55, wrote: >> >> Hi, >> >> I'm creating a songbook using Lilypond the direct way,

Re: Score numbering

On Sat, 1 Dec 2018 at 16:55, wrote: > Hi, > > I'm creating a songbook using Lilypond the direct way, not via > lilypond-book, but entering several \score and \markup sections. > Is there an easy way to get automatic numbering of the scores in the > output? I actually create each song by calling

Re: Score and parts with global variable

Andrew Bernard wrote > I am unable to understand why the \global information does not print four > times. How does this work? The template by the way does not give example > code for the \global variable. Hi Andrew, Whether the \global information is printed four times or not solely depends on th

Re: Score and parts with global variable

At 21:37 on 04 Nov 2018, Andrew Bernard wrote: >After a long time using lilypond, for solo instrumental music >exclusively, now setting a string quartet for the first time and >needing score and parts. I confess that I am confused about using a >global variable for tempo indications and so on and s

Re: Score and parts with global variable

Pardon me. Ignore question 2. I had failed to write the correct code as per the template example. Apologies for that particular noise. Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: score with linea

Thank you so match! :-) Il 04/10/2018 16:18, Torsten Hämmerle ha scritto: > Aaron Hill wrote >> Torsten, >> >> Not sure if you meant to attach code that demonstrates that, […] > Thanks for the hint, Aaron, > > I actually used the raw … /raw tags because I thought it a good idea. > Obviously, this

Re: score with linea

On 2018-10-04 7:18 am, Torsten Hämmerle wrote: I actually used the raw … /raw tags because I thought it a good idea. Obviously, this code remains hidden in some environments. Not familiar with those tags. I'm on a text-only email client, so I sometimes have to check the archives at lists.gnu.

Re: score with linea

Aaron Hill wrote > Torsten, > > Not sure if you meant to attach code that demonstrates that, […] Thanks for the hint, Aaron, I actually used the raw … /raw tags because I thought it a good idea. Obviously, this code remains hidden in some environments. So, just for the sake of completeness, her

Re: score with linea

On 2018-10-04 6:55 am, Torsten Hämmerle wrote: Hi Mario, It is possible to define arbitrary stave lines and line positions: You can even set individual thicknesses for these lines. Torsten, Not sure if you meant to attach co

Re: score with linea

Hi Mario, It is possible to define arbitrary stave lines and line positions: You can even set individual thicknesses for these lines. HTH, Torsten -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: score beginning at end of first page of a bookpart

Many thanks, This looks like what I need. But I have to study this home (I have internet only in an internet-shop). Francois http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail"; target="_blank">https://ipmcdn.avast.com/ima

Re: score beginning at end of first page of a bookpart

On 3/19/2018 12:03 PM, Ali Cuota wrote: I need to start a score at the end of page (in one case one system, other case 3 systems), but I don't know how to fix it. To get good help, provide a tiny example. This notation manual page might have the informa

Re: score gone off screen?

Vivyan wrote: I'm not sure why my score at times just prints off the page? When I insert bar checks at the 'end of [nth] meter' comments lilypond reports: Parsing... Interpreting music... 1.ly:61:3: warning: barcheck failed at: 5/24 | % end of 1st meter 1.ly:73:3: warning: barcheck failed a

Re: score gone off screen?

great thanks I'll look out for timing errors -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: score gone off screen?

You have a strange tuplet in the first bar (the second one with two quavers and one quarter). Then the program is unavble to find where it can insert a break. Regards, Jean Le lundi 27 novembre 2017 à 10:28 -0700, Vivyan a écrit : > I'm not sure why my score at times just prints off the page? > S

Re: score gone off screen?

Hi Vivyan, > I'm not sure why my score at times just prints off the page? That's almost certainly because you have a timing error somewhere in your score. Use bar checks. Hope this helps! Kieren. Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ e

Re: Score anecdote

Menu Jacques writes: > Hello folks, > > Some days ago, Jean-Pierre the clarinetist says: « Let’s work the > Poulenc sonata for clarinet and bassoon. Oh, that’s strange, I’ve got > two scores for you… Take that one, it’s more readable! ». > > That score I did myself two years ago with LP, precisel

Re: score as footnote/footer

Message: 2 > Date: Mon, 18 Apr 2016 23:12:55 +0200 > From: Simon Albrecht > To: Kieren MacMillan , bart deruyter > > Cc: Lilypond-User Mailing List > Subject: Re: score as footnote/footer > > On 18.04.2016 15:21, Kieren MacMillan wrote: >> Hi Bart, >

Re: score as footnote/footer

Hi Simon, > This isn’t about any markup but about footnotes, whose placement is, as David > said, hardcoded. Ah! My apologies. Still, what the OP wants can be done, with just a little layout-fragility: simply pile all three footnotes into Footnote #1, and then code Footnotes #2 and #3 with nul

Re: score as footnote/footer

On 18.04.2016 15:21, Kieren MacMillan wrote: Hi Bart, On Apr 17, 2016, at 2:27 PM, bart deruyter wrote: Back then it was not possible to get the scores horizontally next to each other. Really? I would have thought \markup { \line { \score { c' } \score { d' } \score { e' }

Re: score as footnote/footer

Hi Bart, On Apr 17, 2016, at 2:27 PM, bart deruyter wrote: > Back then it was not possible to get the scores horizontally next to each > other. Really? I would have thought \markup { \line { \score { c' } \score { d' } \score { e' } } } would have worked since \score was allow

Re: score as footnote/footer

You could also do something like this \version "2.18.2" \header { title = "FootNote" tagline = "FootNote" } %%% footOne = \markup { %% space \vspace #2 % \hspace #1 \dir-column { %% \vspace #0 \concat { "*" \hspace #1.5 \score { \relat

Re: score as footnote/footer

bart deruyter writes: > hey, > > maybe a bit late, but I've done this in footnotes in the past. There was > one issue though, footnotes are placed on top of each other like: > > 1. one score here > 2. second score here. > 3. third score here. > > What I needed back then was footnotes next to each

Re: score as footnote/footer

rkup \score { > \models > \layout { } > } > } > > > - Original Message - > > From: "Urs Liska" > > To: bobr...@centrum.is, "Lilypond-User Mailing List" < > lilypond-user@gnu.org> > > Sent: Sunday, April 1

Re: score as footnote/footer

um.is, "Lilypond-User Mailing List" > Sent: Sunday, April 17, 2016 9:35:16 AM > Subject: Re: score as footnote/footer > > > > Am 17. April 2016 11:28:23 MESZ, schrieb "bobr...@centrum.is" > : > >It is sometimes the case in an etude book that a mod

Re: score as footnote/footer

Urs Liska writes: > Am 17. April 2016 11:28:23 MESZ, schrieb "bobr...@centrum.is" > : >>It is sometimes the case in an etude book that a model of the etude >>showing a different general rhythm or articulation pattern will be >>given at the bottom of a page. Typically, the model will be only one

Re: score as footnote/footer

Hi David, Try: \version "2.19.39" \header { title = "Scores as footnotes" } \markup { \null \footnote \null \concat { "*" \hspace #1.5 \score { \relative { c'8 d e f g a b c} \layout { indent = 0 } } } \null \footnote \null \concat {

Re: score as footnote/footer

Am 17. April 2016 11:28:23 MESZ, schrieb "bobr...@centrum.is" : >It is sometimes the case in an etude book that a model of the etude >showing a different general rhythm or articulation pattern will be >given at the bottom of a page. Typically, the model will be only one >or a very few measures

Re: Score Layout, several questions

Am 06.04.2015 um 15:50 schrieb N. Andrew Walsh: oh, heavens! I'm sorry, I didn't mean I was trying to reproduce them (and yes, that's what I meant about the score: it looks like that, though with oval noteheads. Just figuring out what printing technology they were using would be interesting to

Re: Score Layout, several questions

non-continuous staff lines. > > -- > Phil Holmes > > > > - Original Message - > *From:* Andrew Bernard > *To:* N. Andrew Walsh > *Cc:* lilypond-user@gnu.org > *Sent:* Monday, April 06, 2015 2:14 PM > *Subject:* Re: Score Layout, several questio

Re: Score Layout, several questions

lines. >> >> -- >> Phil Holmes >> >> >> >> - Original Message - >> *From:* Andrew Bernard >> *To:* N. Andrew Walsh >> *Cc:* lilypond-user@gnu.org >> *Sent:* Monday, April 06, 2015 2:14 PM >> *Subject:* Re: Score La

Re: Score Layout, several questions

N. Andrew Walsh wrote > 3) Lastly, is there a general way to increase space between systems on a > page? I only have room for two to a page, but there looks like about .5cm > free along the bottom margin. I'd prefer to spread the systems out from > one > another a bit more; how can I do this? You

Re: Score Layout, several questions

om:* Andrew Bernard > *To:* N. Andrew Walsh > *Cc:* lilypond-user@gnu.org > *Sent:* Monday, April 06, 2015 2:14 PM > *Subject:* Re: Score Layout, several questions > > Where you refer to: > > "the originals are engraved using single-press typesetting (ie, each

Re: Score Layout, several questions

, 2015 2:14 PM Subject: Re: Score Layout, several questions Where you refer to: "the originals are engraved using single-press typesetting (ie, each note is its own block, so staff-lines and whatnot aren't continuous), so it's an interesting exercise in historical scor

Re: Score Layout, several questions

At 14:43 on 06 Apr 2015, N. Andrew Walsh wrote: >Thanks for the snippet. Do you know of any way to set that >*generally*? At the least, a way to set the difference between the >first and last Beam.positions values to be less than some maximum? Try experimenting with different values of Beam.dampin

Re: Score Layout, several questions

Where you refer to: "the originals are engraved using single-press typesetting (ie, each note is its own block, so staff-lines and whatnot aren't continuous), so it's an interesting exercise in historical scores.” Andrew On 6 April 2015 at 22:44:15, N. Andrew Walsh (n.andrew.wa...@gmail.com)

Re: Score Layout, several questions

Thanks for the snippet. Do you know of any way to set that *generally*? At the least, a way to set the difference between the first and last Beam.positions values to be less than some maximum? I'm unsure what you mean by "trying to engrave the gaps in the staff lines between the type sorts". Also

Re: Score Layout, several questions

Re beaming positions control: An example snippet: \version "2.19.17" treble = \relative c'' {   \once \override Beam.positions = #'(-3 . -3)   c8 e g a   \once \override Beam.positions = #'(3 . 3)   c, g e c } \score {   \new Staff { \treble } } You seem to have jumped in the deep end! Welcome

Re: Score content spilling off left side of page

Thanks. That seems to have helped. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Score content spilling off left side of page

On Wed, Mar 25, 2015 at 1:37 PM, Stan Mulder wrote: > For some reason a score I made won't fit all the text on the left side of > the page. I cannot find anything different about this score than previous > ones. > > The first page looks okay, but it's the subsequent pages with the instrument > ab

Re: Score and parts template

Phil Holmes philholmes.net> writes: > I believe that, as a tutorial template, it would be more useful to > illustrate how to accommodate key signature indications with transposing > instruments, since this remains the norm for most music. Ah, OK -- that makes perfect sense. It sounded at first

Re: Score and parts template

On Sun, Jan 11, 2015 at 5:29 AM, Phil Holmes-2 [via Lilypond] wrote: > I believe that, as a tutorial template, it would be more useful to > illustrate how to accommodate key signature indications with > transposing > instruments, since this remains the norm for most music. +1! That's exactly

Re: Score and parts template

- Original Message - From: "James Harkins" To: "Phil Holmes" ; Sent: Sunday, January 11, 2015 12:18 PM Subject: Re: Score and parts template On January 11, 2015 8:06:55 PM "Phil Holmes" wrote: So I assume the clarinet in A (which I'd mis

Re: Score and parts template

On January 11, 2015 8:06:55 PM "Phil Holmes" wrote: So I assume the clarinet in A (which I'd missed) has a lower range than the Bb? Clarinets in Bb and A have the same written range, extending down to the E below middle C. This note sounds as concert D on the Bb clarinet, and concert C# on

Re: Score and parts template

- Original Message - From: "James Harkins" To: ; Sent: Sunday, January 11, 2015 6:37 AM Subject: Re: Score and parts template From: Phil Holmes > Since the question came up about organizing LilyPond code for score and > parts, I thought I would make a quick demo o

Re: Score and parts template

From: Phil Holmes > > Since the question came up about organizing LilyPond code for score and > > parts, I thought I would make a quick demo of what I believe to be the > > standard way to do it. Somehow I pieced these ideas together from LP code > > that I found online (Mozart Horn Concerto, a

Re: Score and parts template

- Original Message - From: "James Harkins" To: "lily-users" Sent: Saturday, January 10, 2015 3:12 AM Subject: Demo: Score and parts template Hi, Since the question came up about organizing LilyPond code for score and parts, I thought I would make a quick demo of what I believe to b

Re: Score feedback request

Hi, 2014-09-06 11:06 GMT+02:00 Urs Liska : > In traditional Lied notation dynamics are placed between the piano staves. > I have a hard time finding it in the manual, but what you'd so is create the > dynamics in a separate music variable (for example "dynamics") and then > write "\new Dynamics \d

Re: Score feedback request

??? I don't know why my message has already been sent while the editor window is still open ... So I'll continue here Hi Aura, I don't think this question is really off-topic, it's just more rare that people ask about _what_ they do with LilyPond instead of _how_. Am 06.09.2014 10:37, schrie

Re: Score feedback request

Hello Aura, there’s one main thing I notice: the left hand has only one voice throughout, so you should better use \oneVoice instead of \voiceOne there. The same is for the last two bars of the right hand part. For the piano staff, a separate Dynamics context between the two staves might be in

Re: Score feedback request

Hi Aura, my reply is not complete and mentions only a few things I noticed: In general it looks good and looks like the output represents what you wanted (which is incredible to me if you can't see it). The most visible issue is that the piano pedal marks are not only under the piano staff a

Re: Score alignment

On 12 Jul 2014 10:54, "Phil Holmes" wrote: > > - Original Message - From: "Samuel Toogood" < sam_toog...@athsoc.org.uk> > To: > Sent: Saturday, July 12, 2014 9:42 AM > Subject: Score alignment > > > >> Apologies for asking such a basic sounding question, but I have looked >> and looked an

Re: Score alignment

- Original Message - From: "Samuel Toogood" To: Sent: Saturday, July 12, 2014 9:42 AM Subject: Score alignment Apologies for asking such a basic sounding question, but I have looked and looked and come up with nothing. Is it possible to horizontally align whole scores to the right ed

Re: score running out of page

thanks for the quick answers, Kieren and David! I had that before but could not remember what was the reason.. ole Am 11.01.2014 um 19:47 schrieb Kieren MacMillan : > Hi Ole, > >> My score is running out of the page, as in the in the link below. >> Can someone give me a hint what could be

Re: score running out of page

> Try bar checks. It's usually because of notes losing sync with the > beginning of the bars (which are the only place where line breaks are > allowed by default). As this question occurs from time to time, how about that: A warning (like for barchecks) if a note spans over the end of a measure.

Re: score running out of page

ole writes: > Hi, > > My score is running out of the page, as in the in the link below. > Can someone give me a hint what could be the reason for that? Try bar checks. It's usually because of notes losing sync with the beginning of the bars (which are the only place where line breaks are allowe

Re: score running out of page

Hi Ole, > My score is running out of the page, as in the in the link below. > Can someone give me a hint what could be the reason for that? It’s almost certainly a measure-duration problem. Are you using bar-checks? Kieren. ___ lilypond-user mailing li

Re: SCORE creator Leland Smith passed away

​thanks.. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: SCORE creator Leland Smith passed away

Thanks. A fascinating account. Well worth the time to read! t. On 12/30/2013 03:55 PM, Patrick Hubers wrote: I didn't see this mentioned yet: a pioneer passed away http://www.sibeliusblog.com/news/leland-smith-dies-at-88/ Regards, Patrick Hubers __

Re: Score examples

On 2013-09-02 13:50, Urs Liska wrote: > I'm compiling a selection of examples to show LilyPond's output quality. > I'm aiming at a collection of ca. 5 examples (1-page excerpts) of > LilyPond scores tweaked to publication quality and a similar number of > examples of out-of-the-box engraving. > The

Re: Score examples

2013/9/5 Simon Bailey : > thanks. :) i'm really happy with the output. i've been developing the house > style through the typesetting of 8-10 pieces so far, and it's starting to > look exactly how i'd like it. Indeed, i like this layout too! > mac preview doesn't seem to have the issues mentioned

Re: Score examples

Janek Warchoł wrote: > 2013/9/4 Tim Roberts : >> Simon Bailey wrote: >>> publication quality (i think): http://nota.bailey.at/achtsamkeit.pdf >> In Acrobat, this is lovely. > Except that it probably suffers from > http://code.google.com/p/lilypond/issues/detail?id=2658, doesn't it? Yes, under mag

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