Hi AndrewBy making it only a *little* more fiddly and tedious I can get pretty close.I feel your pain...Damian\version "2.19.83"\header { tagline = "" }{ \time 1/8 \clef bass \override Score.TupletBracket.bracket-visibility = ##t << { \once \omit TupletNumber \once \omit TupletBra
The rhythm itself is easy to play in isolation but it looks from this snippet
as if it would be very difficult to judge the speed so as to coordinate with
the other players.
Damian
On 22 September 2019 at 15:41, Michael Gerdau wrote:
10 quintuplet 32nds are grouped 3, 5:4, 3
Aha...I
> 10 quintuplet 32nds are grouped 3, 5:4, 3
Aha...I see.
This triggers the next curiosity question:
Are conductors or human musicians supposed to count that out or is that purely
for machine reproduction?
Again I’m only curious.
Kind regards,
Michael
__
Hi Michael
10 quintuplet 32nds are grouped 3, 5:4, 3
Damian
On 22 September 2019 at 11:56, Michael Gerdau wrote:
Hi Andrew,
I‘m not convinced I understand the intended meaning of the picture you posted.
The meaning I do think is intended in turn would be a trivial tautology, just
like w
Am So., 22. Sept. 2019 um 01:22 Uhr schrieb Andrew Bernard
:
>
> I have come to an impasse in a score I am setting. Is it even remotely
> possible to have a tuplet nested _across_ two tuplets with lilypond? See
> attached image.
>
> [Don't blame me for the musical aspect of this - it's not my music
Hi Andrew,
I‘m not convinced I understand the intended meaning of the picture you posted.
The meaning I do think is intended in turn would be a trivial tautology, just
like when you have a stream of tuplet 3/2 8th you could group any 3 notes along
the stream without additional information.
Cou
Hello Damian,
Thanks for your effort. But look here:
\version "2.19.83"
{
\override Score.TupletBracket.bracket-visibility = ##t
<<
{
\time 1/8
% \once \omit TupletNumber
\tuplet 5/4 {
s32 s s
\tuplet 5/4
{
\stemDown
g'32[ 32 32
Hi AndrewThis gets you the rhythm\version "2.19.83"{ << { \time 1/8 \once \omit TupletNumber \tuplet 5/4 { s32 s s \tuplet 5/4 { \stemDown g'32[ 32 32 32 32] } s s s } } \\ { \tuplet 5/4 8 { g'32[
Andrew,
Nested tuplets are presented at
http://lilypond.org/doc/v2.19/Documentation/notation/writing-rhythms#tuplets
Scroll down to the fourth example.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Andrew Bernard
Se
Hi Karim,
It's 15/8. but he uses beat markers not barlines, so each span bar is
one quaver. I am sorry to say this is one voice. I don't even know how
to fake it using another voice. [How people are expected to play this
precisely is another matter!]
Andrew
On 22/9/19 10:35 am, Karim Hadda
Dear Andrew,
It seems that the composer has two voices here. the lower one :
\tuplet 5/4 {
fis32 gis, d c16} then
\tuplet 5/4 {
r16 b b32}
It is indeed graphically messed up.
If we can have a look at the time signature, (or at least the measure) we can
figure it out.
But indeed. It is really b
11 matches
Mail list logo
