Thanks, Pierre.
Will, what’s more, it’s more semantically correct to set measurePosition
instead of measureLength (if you’d rather not change to 2.19.x and have
it done automatically :-) ).
Yours, Simon
Am 03.07.2015 um 16:10 schrieb Pierre Perol-Schneider:
Hi Bill,
2015-07-03 14:57 GMT+02:
Hi Bill,
2015-07-03 14:57 GMT+02:00 William Marchant :
> ...
> Note that there is a new bar number for every bar.
> ...
>
This is your choice.
I wouldn't do that. I'd consider this minuet's structure as 4x8 measures =
32 measures and I fully agree with Simon's remark about the bar numbering.
See
Hi All,
My recent question about Partial Bars in the middle of a "piece" has
stirred up a slew of other problems and questions. Here is an example
of the solution I used with Beethoven's Menuet in G thanks to Stephen
MacNeil.
Version 2.18.2
%Last bar of Part A which is
Hi Simon,
2015-07-03 10:53 GMT+02:00 Simon Albrecht :
...
> – As Lily correctly handles it, both alternatives always start at the same
> bar number (at least in this convention counting repeats only once). Thus,
> the close of the minuet would have bar 16a for the first, 16b for the
> second alte
Am 03.07.2015 um 11:01 schrieb David Kastrup:
Well, we are likely talking past each other. I was explicitly talking
about LilyPond's behavior in the 2.19 series (I may have forgotten
adjusting the version header in the examples I posted, though).
I see – that settles the matter.
Best, Simon
__
Simon Albrecht writes:
> Very good example. However, I have two major points to make here:
> – As Lily correctly handles it, both alternatives always start at the
> same bar number (at least in this convention counting repeats only
> once). Thus, the close of the minuet would have bar 16a for the
Kastrup:
Pierre Perol-Schneider writes:
Oops! here again.
Try the following example:
Your problem was that you declared partial bars at the end of each
movement to be "complete" and gave them bar checks and whole-bar rests.
That's not going to fly with LilyPond. It _is_ actua
Thank you for explanation David.
Cheers,
Pierre
2015-07-03 9:06 GMT+02:00 David Kastrup :
> Pierre Perol-Schneider writes:
>
> > Oops! here again.
>
> Try the following example:
>
>
>
> Your problem was that you declared partial bars at the end of each
> moveme
Pierre Perol-Schneider writes:
> Oops! here again.
Try the following example:
%% => http://lilypond.1069038.n5.nabble.com/Partial-Bars-td178358.html
\version "2.18.2"
global = {
\time 3/4
\key g\major
}
menuet = {
%% PART A
\mark\default
\repeat volta
Oops! here again.
2015-07-03 8:42 GMT+02:00 David Kastrup :
> Pierre Perol-Schneider writes:
>
> > Hi David,
> >
> > I've tried to follow your indications without success: I still get
> > warnings. Herewith is the example. I'd be very interseted to
> > understand what you mean, so if anyone ca
Pierre Perol-Schneider writes:
> Hi David,
>
> I've tried to follow your indications without success: I still get
> warnings. Herewith is the example. I'd be very interseted to
> understand what you mean, so if anyone can modify it to help me...
Well...
dak@lola:/usr/local/tmp/lilypond$ lilyp
Hi David,
I've tried to follow your indications without success: I still get warnings.
Herewith is the example.
I'd be very interseted to understand what you mean, so if anyone can modify
it to help me...
TIA, Cheers,
Pierre
2015-07-01 9:12 GMT+02:00 David Kastrup :
> Pierre Perol-Schneider wr
Hi to all,
I have received many replies to my question. Thank you all for the
help. The problem is solved.
Bill
On 15-06-30 08:56 PM, William Marchant wrote:
Hi,
I am making a copy of Beethoven's Little Menuet in G. Each of the
four parts begins with a partial bar. The barcheck failure wa
Pierre Perol-Schneider writes:
> Hi Bill,
>
> here's how I'd do:
[...]
In this example you can just throw out anything timing-related, remove
those bar checks which you placed after artificially shortened bars, and
the file will compile fine as of version 2.19.1. Making LilyPond
understand the
Hi Bill,
here's how I'd do:
\version "2.18.2"
global = {
\time 3/4
\key g\major
}
menuet = {
%% PART A
\repeat volta 2 {
% mes.0
\partial 4 s4 |
% mes.1-7
\repeat unfold 7 { s2. | }
% mes.8a
s2 % <= no barcheck (incomplete measure)
}
%% PART B
\repe
Chris Yate writes:
> On 1 Jul 2015 04:56, "Helge Kruse" wrote:
>>
>> Hi Bill,
>>
>> Can you please include a minimal compilable example that shows your
>> problem? I don't plan to do both
>> - goto the next shop or library to get that menut
>> - guess what 'part' expresses in the context of that
On 1 July 2015 at 07:28, Chris Yate wrote:
> On 1 Jul 2015 04:56, "Helge Kruse" wrote:
> >
> > Hi Bill,
> >
> > Can you please include a minimal compilable example that shows your
> problem? I don't plan to do both
> > - goto the next shop or library to get that menut
> > - guess what 'part' exp
On 1 Jul 2015 04:56, "Helge Kruse" wrote:
>
> Hi Bill,
>
> Can you please include a minimal compilable example that shows your
problem? I don't plan to do both
> - goto the next shop or library to get that menut
> - guess what 'part' expresses in the context of that piece
> - write an example that
Hi Bill,
Can you please include a minimal compilable example that shows your
problem? I don't plan to do both
- goto the next shop or library to get that menut
- guess what 'part' expresses in the context of that piece
- write an example that could probably the same problems yours have
Partial me
Hi,
I am making a copy of Beethoven's Little Menuet in G. Each of the four
parts begins with a partial bar. The barcheck failure warning tells me
that I cannot have a partial bar in the middle of a piece. I assume
there must be a workaround for this. Could someone point me to it please?
Bil
On 15/08/12 01:36, Xavier Scheuer wrote:
On 14 August 2012 13:34, Nick Payne wrote:
In the example below, Lilypond doesn't count the initial partial bar when
numbering the bars, but the partial bars at the end of the first repeat and
beginning of the second repeat each get their own bar n
On 14 August 2012 13:34, Nick Payne wrote:
> In the example below, Lilypond doesn't count the initial partial bar when
> numbering the bars, but the partial bars at the end of the first repeat and
> beginning of the second repeat each get their own bar number. Commercial
> scores
In the example below, Lilypond doesn't count the initial partial bar
when numbering the bars, but the partial bars at the end of the first
repeat and beginning of the second repeat each get their own bar number.
Commercial scores I have with this repeat structure treat these two bars
as t
On 02/04/12 22:55, Nils wrote:
Midi understands time signatures:
What I did in Laborejo.org is to start with a measure which has a timesignature
of the length of the upbeat and after that place the original timesig.
Ahh, from a playback point of view that's a nicer tweak than rests at the star
On Mon, 02 Apr 2012 17:12:46 +0200
Joseph Rushton Wakeling wrote:
> Hello all,
>
> A query about MIDI export, which relates to a feature request I have in mind
> but
> would like to confirm is feasible.
>
> Lilypond's MIDI export has problems with partial opening measures. This
> means
> t
Hello all,
A query about MIDI export, which relates to a feature request I have in mind but
would like to confirm is feasible.
Lilypond's MIDI export has problems with partial opening measures. This means
that import into other programs will fail to place barlines correctly, and that
MIDI p
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