Else{ \once \override Parentheses.padding = #-0.01 4.}
Le mercredi 1 mai 2024 à 10:22:02 UTC+2, Aaron Hill
a écrit :
On 2024-05-01 12:18 am, David Kastrup wrote:
> {
> \tweak Dots.extra-spacing-width #'(.2 . .2)
> 4.
> }
>
> Wish I could get the actual dots to move, but maybe so
On 2024-05-01 12:18 am, David Kastrup wrote:
{
\tweak Dots.extra-spacing-width #'(.2 . .2)
4.
}
Wish I could get the actual dots to move, but maybe someone else has an
idea for that.
Looks like the DotColumn is controlling things. This seems to work:
{
\once \override Staff.DotCo
Dirck Nagy writes:
> Hi all
>
> I know this is highly unusual, but is there a way to add parentheses
> around the DOT ONLY after the notehead?
>
> see following image:
>
> [cid:85851784-8a26-48b0-b2b4-b9a8e03b517c]
> FYI, I have a piece with sequences of octaves. Every instance has a
> note valu
Beautiful!
Thanks Pierre!
BTW, How are you ? I'm not active on Delcamp any more.
peace!
dirck
From: Pierre Perol-Schneider
Sent: Wednesday, May 1, 2024 12:32 AM
To: Dirck Nagy
Cc: lilypond-user@gnu.org ; dirckn...@hotmail.com
Subject: Re: parent
Hi Dirck,
See Harm's :
https://lists.gnu.org/archive/html/lilypond-user/2017-05/msg00371.html
E.g.:
\version "2.24.3"
#(define (parenthesize-dot parentheses-item)
(let* ((dot (ly:grob-object (ly:grob-parent parentheses-item Y) 'dot)))
(if (not (null? dot))
(begin
(set! (ly
Hi all
I know this is highly unusual, but is there a way to add parentheses around the
DOT ONLY after the notehead?
see following image:
[cid:85851784-8a26-48b0-b2b4-b9a8e03b517c]
FYI, I have a piece with sequences of octaves. Every instance has a note value
of a dotted quarter-note.
There i
On Fri, 11 Mar 2022 at 13:14, John McWilliam wrote:
>
> Hi,
>
> I wonder if anyone can help me code a cautionary
accidental, as in (#). If I am working with a key signature in G and write
fis no accidental is shown. Sometimes, however, I want to remind myself by
forcing an accident
I wonder if anyone can help me code a cautionary
accidental, as in (#). If I am working with a key signature in G and
write fis no accidental is shown. Sometimes, however, I want to remind
myself by forcing an accidental shown inside brackets, (#). How do I do
this?
Have you
Hi, I wonder if anyone can help me code a cautionary accidental, as in (#). If I am working with a key signature in G and write fis no accidental is shown. Sometimes, however, I want to remind myself by forcing an accidental shown inside brackets, (#). How do I do this? John McWillia
gt; Am So., 9. Feb. 2020 um 15:02 Uhr schrieb Freeman Gilmore
> >> :
> >> >
> >> >
> >> >
> >> > This is taken from the "Scheme Book".
> >> >
> >> > Question why double parenthesis for let ((rand (random 100)))
Hi Freeman,
> This is the form i am asking about:
> (let
> (
> (rand (random 100))
> )
> (
>...
> )
> )
In that form, the … is where the procedure(s) for the let function would
appear, though I’d probably indent it lik
On Sun, Feb 9, 2020 at 12:25 PM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi Freeman,
>
> > Ok you are getting closer to what i am asking.
>
> I’m glad!
>
> > Rerote(let ((rand (random 100))) ...) .I need to understand it
> so that i know which to use and when?
> > ((rand
Freeman Gilmore writes:
> On Sun, Feb 9, 2020 at 9:33 AM Thomas Morley
> wrote:
>
>> Am So., 9. Feb. 2020 um 15:02 Uhr schrieb Freeman Gilmore
>> :
>> >
>> >
>> >
>> > This is taken from the "Scheme Book".
>
Hi Freeman,
> Ok you are getting closer to what i am asking.
I’m glad!
> Rerote(let ((rand (random 100))) ...) .I need to understand it so
> that i know which to use and when?
> ((rand (random 100)) or (rand (random 100)
You would never use either, because the parentheses aren’t
matc
On Sun, Feb 9, 2020 at 11:45 AM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi Freeman,
>
> > I understand the above and below but not this let ((rand (random
> 100)))
> > Put in your form: (let ((rand (random 100))) ...)
>
> Here are the thoughts of a Scheme newbie — hopefully t
Hi Freeman,
> I understand the above and below but not this let ((rand (random 100)))
> Put in your form: (let ((rand (random 100))) ...)
Here are the thoughts of a Scheme newbie — hopefully they are correct! =)
Working from the inside out:
The first set of parentheses is needed to encap
On Sun, Feb 9, 2020 at 9:33 AM Thomas Morley
wrote:
> Am So., 9. Feb. 2020 um 15:02 Uhr schrieb Freeman Gilmore
> :
> >
> >
> >
> > This is taken from the "Scheme Book".
> >
> > Question why double parenthesis for let ((rand (random 100))
Am So., 9. Feb. 2020 um 15:02 Uhr schrieb Freeman Gilmore
:
>
>
>
> This is taken from the "Scheme Book".
>
> Question why double parenthesis for let ((rand (random 100))) ?
>
> Thank you, ƒg
Well, every expression needs to be wrapped into parenthesis.
One
Am 09.02.20 um 15:02 schrieb Freeman Gilmore:
This is taken from the "Scheme Book".
Question why double parenthesis for let ((rand (random 100))) ?
A let expression can have several definitions, f. e.
(let
(
(rand (random 100))
(notrand (* 6 7))
)
[…]
)
This is taken from the "Scheme Book".
Question why double parenthesis for let ((rand (random 100))) ?
Thank you, ƒg
plemented,
>
> Sorry I cannot be more helpful.
>
> Andrew
>
>
> On Thu, 16 May 2019 at 13:28, Stefano Troncaro
> wrote:
>
>> Hello everyone, is there a way to have two notes one the same parenthesis
>> in a pitched tril?
>>
>>
___
Hi Stefano,
I think this has been an enhancement request since 2008. I have no idea if
it has ever been implemented,
Sorry I cannot be more helpful.
Andrew
On Thu, 16 May 2019 at 13:28, Stefano Troncaro
wrote:
> Hello everyone, is there a way to have two notes one the same parenthesis
&
Hello everyone, is there a way to have two notes one the same parenthesis
in a pitched tril?
See the example:
\version "2.19.83"
\language "english"
\score {
\new Staff <<
\new Voice \relative {
\voiceOne
\pitchedTrill bf'2\startTrillSpan cf a
2018-05-21 17:09 GMT+02:00 Thomas Morley :
> 2018-05-21 15:03 GMT+02:00 Brent Annable :
>> On a side note, in my searches I noticed it's now possible to define
>> different barline types, and the bracket type looks like it would also do
>> the job very well here... [...]
>> (there seems to be some
2018-05-21 17:09 GMT+02:00 Thomas Morley :
> 2018-05-21 15:03 GMT+02:00 Brent Annable :
>> Hey Andrew,
>>
>> Wow, this looks like exactly like my score! Thank you very much, I managed
>> to tweak the values of this code to get exactly the shape I needed.
>>
>> On a side note, in my searches I notic
2018-05-21 15:03 GMT+02:00 Brent Annable :
> Hey Andrew,
>
> Wow, this looks like exactly like my score! Thank you very much, I managed
> to tweak the values of this code to get exactly the shape I needed.
>
> On a side note, in my searches I noticed it's now possible to define
> different barline
Hey Andrew,
Wow, this looks like exactly like my score! Thank you very much, I managed
to tweak the values of this code to get exactly the shape I needed.
On a side note, in my searches I noticed it's now possible to define
different barline types, and the bracket type looks like it would also do
Hi Brent,
Unless I am totally missing the point, this was discussed on the list a
couple of years ago, and a simple solution provided oin LSR 957. Is the
following not what you want?
Andrew
% LSR 957
#(define-markup-command (openBracket layout props heitgh) (number?)
(interpret-markup
:
startParenthesis = {
\once \override ParenthesesItem.stencils = #(lambda (grob)
(let ((par-list (parentheses-item::calc-parenthesis-stencils grob)))
(list (car par-list) point-stencil )))
}
endParenthesis = {
\once \override ParenthesesItem.stencils = #(lambda (grob
carsonmark=
> ca.rr@gnu.org] *On Behalf Of *Brent Annable
> *Sent:* Sunday, May 20, 2018 7:31 AM
> *To:* lilypond-user
> *Subject:* Parenthesis/bracket/brace questions
>
>
>
>
>
> Hi all,
>
>
>
> So I'm working on a score at the moment and
Brent Annable wrote:
2. I would like to parenthesize a couple of two-note chords in the tenor
part. Has anybody come up with a decent way to put parentheses around
entire chords yet? I've rummaged around the old threads but can't really
find anything that fits the bill.
Maybe you can make do
, 2018 7:31 AM
To: lilypond-user
Subject: Parenthesis/bracket/brace questions
Hi all,
So I'm working on a score at the moment and have run into two challenges:
1. Does anybody have an idea how to insert large, cross-staff square braces
(effectively parenthesizing the entire staf
rds I need; the solution to the second
one kind of works because the chord has a middle note that can be
parenthesized and made invisible (and I assume the dot as well, although I
haven't figured that out yet), then the parenthesis enlarged to span the
entire chord. But the chord before it doesn&#
Sorry for the german
Am 08.03.2017 um 14:22 schrieb Bernhard Kleine:
> Hallo,
>
> this little piece in the attachement has several difficulties: at first,
> the text does not start at the same place, secondly, there are
> parentheses in the notes I have not any idea how to set these, and
> thirdl
surprised to see that this:
>>>>>
>>>>> \parenthesize { c8 c }
>>>
>>> does not work to get two notes between two parenthesis?
>>>
>>> What's the logic behind that?
>>
>>
>> Well, the music-function `parenthesiz
Hi Thomas, (Harm?)
Thanks for the alternatives! :-)
MJ
On 04/14/2016 10:36 PM, Thomas Morley wrote:
2016-04-14 12:02 GMT+02:00 mj :
I am surprised to see that this:
\parenthesize { c8 c }
does not work to get two notes between two parenthesis?
What's the logic behind that?
Well
2016-04-14 12:02 GMT+02:00 mj :
> I am surprised to see that this:
>>> \parenthesize { c8 c }
> does not work to get two notes between two parenthesis?
>
> What's the logic behind that?
Well, the music-function `parenthesize' is a special in some way and
not ve
2016-04-14 20:08 GMT+02:00 mj :
> Hi David,
>
> On 04/14/2016 06:17 PM, David Wright wrote:
>>
>> ... which can take a lot of work, worth it sometimes but not always.
>
> Yes, seemed like an awful lot of work. Even had trouble understanding how I
> could use the examples on that page to get my desi
Hi David,
On 04/14/2016 06:17 PM, David Wright wrote:
... which can take a lot of work, worth it sometimes but not always.
Yes, seemed like an awful lot of work. Even had trouble understanding
how I could use the examples on that page to get my desired
word-on-a-rest...
Your suggestion is im
On Thu 14 Apr 2016 at 11:20:08 (+0100), Phil Holmes wrote:
> From: "mj"
> >Is it possible to lyric text on a rest? (it auto-skips, now)
> >
> >I'm using \addlyrics { \words }, and there is a quarter rest that
> >needs a word, just like all the other notes. Is that possible?
>
> See
> http://lily
- Original Message -
From: "mj"
To:
Sent: Thursday, April 14, 2016 11:02 AM
Subject: lyric on a rest | parenthesis
Hi,
Two short questions:
Is it possible to lyric text on a rest? (it auto-skips, now)
I'm using \addlyrics { \words }, and there is a quarter rest tha
this:
>> \parenthesize { c8 c }
does not work to get two notes between two parenthesis?
What's the logic behind that?
For the rest: I'm getting more and more used to lilypond, and depending
on the kind of music, it can be SO much faster t
Hi Kieren, thanks for the reply!
On 06/01/16 20:39, Kieren MacMillan wrote:
In the meantime, it’s fairly easy to add this as a markup.
Do you mean you have to manually align each one of the "(Ped.)" texts
manually? Because if that's the case, it would be quite hard to add them
to the correct
Hi Gilberto (et al.),
> It's a pity this is a bit more
> complicated to achieve, as I'd say the (Ped) indications are much more
> important than the (8a) indications, since we already show a 8a at a new
> system but the mixed pedal is just a single straight line. Maybe this could
> go to the issue
to get the parenthesized text, but this would be a lot
> of trouble for a hack! I speak from experience: you can see a relevant
> example at
> http://www.mail-archive.com/lilypond-user%40gnu.org/msg97099.html
> )
So about the parenthesis in the pedal indication, would you be intereste
topics now? I am not only receiving every single
e-mail about the break issue, as well as the thread here at nabble is a
mixture of all of them...
Cheers to you all,
Gilberto
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Spanner-text-in-parenthesis-on-a-new-system-t
On Sat, Dec 5, 2015 at 10:03 AM, David Nalesnik
wrote:
>
> {
> \override Staff.OttavaBracket.stencil =
> #(lambda (grob)
> (let ((text (ly:grob-property grob 'text))
>(lb (ly:spanner-bound grob LEFT)))
>(if (= (ly:item-break-dir lb) CENTER)
>(ly:ottava-bra
kup (list "(" text ")")))
(ly:ottava-bracket::print grob)
\ottava #1
\repeat unfold 100 {
c'''
}
}
> In the case of the ottava, the parenthesis in a new system are not
> required,
> but some authors do use them. But in the case
n Ped. lasts
for more than one system).
In the case of the ottava, the parenthesis in a new system are not required,
but some authors do use them. But in the case of the pedalling, it makes the
score much clearer in my opinion. See a faked version created on GIMP below:
<http://lilypond.10
2015-01-18 23:11 GMT+01:00 David Kastrup :
> Thomas Morley writes:
>
>> I'm ashamed I couldn't figure how to use a function with an optional
>> argument for it.
>>
>> Best I found is:
>>
>> #(define* (parenthesized-arpeggio #:optional (ctx "Bottom"))
>> #{
>> \override #ctx . Arpeggio.stenci
Thomas Morley writes:
> I'm ashamed I couldn't figure how to use a function with an optional
> argument for it.
>
> Best I found is:
>
> #(define* (parenthesized-arpeggio #:optional (ctx "Bottom"))
> #{
> \override #ctx . Arpeggio.stencil = #ly:arpeggio::brew-chord-slur
> \override #ctx
otes in different voices.
>>>
>>> http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines#arpeggio
>>>
>>> I tried to tweak the example to get parenthesis arpeggios across
>>> voices, with no success.
>>>
>>> Can
to tweak the example to get parenthesis arpeggios across
voices, with no success.
Can anyone help me?
--
Samuel DA MOTA
Do you mean?:
\version "2.19.15"
staffArpeggioParenthesis = {
\override Staff.Arpeggio.stencil = #ly:arpeggio::brew-chord-slur
\override Staff.Arpeggi
ollowing documentation, it explains how to create arpeggios
>> across notes in different voices.
>> http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines#arpeggio
>>
>> I tried to tweak the example to get parenthesis arpeggios across
>> voices, with
ak the example to get parenthesis arpeggios across
> voices, with no success.
>
> Can anyone help me?
> --
> Samuel DA MOTA
Do you mean?:
\version "2.19.15"
staffArpeggioParenthesis = {
\override Staff.Arpeggio.stencil = #ly:arpeggio::brew-chord-slur
\override Staff.Arpeggi
Hi,
On the following documentation, it explains how to create arpeggios
across notes in different voices.
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines#arpeggio
I tried to tweak the example to get parenthesis arpeggios across
voices, with no success.
Can anyone
parenthesis-open, the last has only a parenthesis-close, and the
rest has a regular parenthesis. I have seen this in printed music more
than once.
Coincidentally, I had the same problem the day before yesterday. Here is
what I have (using the \parenthesize command and modifying its behavior
On 28/09/2012 12:06, Rutger Hofman wrote:
> in my current score, there are long, consecutive lists of notes with
> articulations (dashes) in parentheses. Now it would improve
> readability a lot if the first of these parenthesized dashes has only
> a parenthesis-open, the las
Hello list,
in my current score, there are long, consecutive lists of notes with
articulations (dashes) in parentheses. Now it would improve readability
a lot if the first of these parenthesized dashes has only a
parenthesis-open, the last has only a parenthesis-close, and the rest
has a
Thank you Bill!
Indeed, that works great. I am making additional overrides, though:
*\once \override ParenthesesItem #'font-size = #0*
* \once \override ParenthesesItem #'padding = #1*
* \once \override Script #'padding = #1*
this way I achieve what I was looking for.
Thanks again.
--
Dani
You wrote:-
+++
I would like to ask for some advice on writing functions using Scheme.
I'm looking to have a up fermata object with parenthesis,
+++
At the risk of seeming naive, I ask whether you are reinventing the
wheel with this particular ex
As an additional note, maybe because of using 'TextScriptEvent on the
function definition, I have to override on a TextScript object to
successfully override any property on the parenUFermata object created.
Taking a look on how to override properties on an ordinary fermata object,
it seems you ha
Hello,
I would like to ask for some advice on writing functions using Scheme.
I'm looking to have a up fermata object with parenthesis, at the beginning
I was using *make-dynamic-script* to achieve that (of course I had to use ^
or _ to properly place it). Now I'm using *make-music*
t; }
> }
>
> The second bar (the line starting \teeny) puts large, clear parentheses
> around small notes, but the opening parenthesis collides with the notes'
> accidentals.
>
> Is it possible to build up the required [large open parenthesis + small
> accidental + s
size cis s
\override ParenthesesItem #'font-size = #5
\teeny \parenthesize ces \parenthesize c! \parenthesize cis
}
}
The second bar (the line starting \teeny) puts large, clear parentheses
around small notes, but the opening parenthesis collides with the notes'
accidentals.
Is it poss
Am Montag, 31. August 2009 schrieb Jethro Van Thuyne:
> Hi Frank,
>
> This does the trick in a bit unorthodox way:
>
> \relative c'' {
> \override TextScript #'extra-offset = #'(-2.2 . 1.9)
> a b c d |
> 1_\markup { \small "( )" }
> }
>
> But there will probably be a better way
On Mon, 31 Aug 2009 10:06:20 +0200, Frank Steinmetzger wrote:
> The fis in this chord is in parenthesis (basically) like this:
>
> -
>O
> ---/-\---
>| # O |
> ---\-/---
Hi Frank,
This does the trick in a bit unorthodox way:
\relat
Hi again
I was setting another piece yesterday and this had, as final note,
1
The fis in this chord is in parenthesis (basically) like this:
-
O
---/-\---
| # O |
---\-/---
However, lilypond gives me this:
-
O
-
# (O
Hi Jean-Alexis,
I finally came up with this solution: i use brackets. My scores
starts to look like Jazz ones ;).
Comments or ideas to draw parentheses instead are welcome!
Riffing on Mark Polesky's parentheses (which he calls "quick, dirty,
cumbersome, inelegant and inaccurate. Not my usu
\line { "b13" }
} }
}
}
Comments or ideas to draw parentheses instead are welcome!
Greetings,
Jean-Alexis Montignies
Le 9 janv. 09 à 20:57, James E. Bailey a écrit :
It's crude, and there's probably a better parenthesis glyph, but
i
On 1/12/09 3:21 PM, "Tom Hall" wrote:
> Carl D. Sorensen byu.edu> writes:
>
>> Yes, this is a job for scheme, because parenthesize is a music function, and
>> it needs to have music following it. That's why you can't move it into an
>> identifier.
>>
>> The custosNote example in Section 6.
Carl D. Sorensen byu.edu> writes:
> Yes, this is a job for scheme, because parenthesize is a music function, and
> it needs to have music following it. That's why you can't move it into an
> identifier.
>
> The custosNote example in Section 6.1.2 of the Notation Reference should
> give you the
Carl D. Sorensen wrote:
Yes, this is a job for scheme, because parenthesize is a music function, and
it needs to have music following it. That's why you can't move it into an
identifier.
The custosNote example in Section 6.1.2 of the Notation Reference should
give you the pattern you need to
On 1/12/09 10:21 AM, "Jonathan Kulp" wrote:
> Tom Hall wrote:
>> Thanks Jon
>>
>> that was really helpful. From your post and lily docs, I've cobbled together
>> the
>> following below, which seems to work OK, aiming to use a global variable to
>> save
>> some space.
>>
>> A question about t
Tom Hall wrote:
Thanks Jon
that was really helpful. From your post and lily docs, I've cobbled together the
following below, which seems to work OK, aiming to use a global variable to save
some space.
A question about this: is there a way to move the parenthesisation
(\parenthesize) to within
Thanks Jon
that was really helpful. From your post and lily docs, I've cobbled together the
following below, which seems to work OK, aiming to use a global variable to save
some space.
A question about this: is there a way to move the parenthesisation
(\parenthesize) to within the global variab
Jonathan Kulp wrote:
Sorry, Tom. I forgot in the first email that you wanted the
parenthesized note to be small. Here's the revised snippet, which I've
just added to the LSR as well.
Jon
Sorry again. I plead the early hour. :| I mistakenly used a guitar
clef with this. Change the
Jonathan Kulp wrote:
Tom Hall wrote:
Hello List
is it possible to combine harmonics notation with a small stemless
parenthesized
note indicating the sounding pitch of a string harmonic?
Something like
-but also including a small stemless notehead (\tiny?) for the e''
This is
common in C20
Tom Hall wrote:
Hello List
is it possible to combine harmonics notation with a small stemless parenthesized
note indicating the sounding pitch of a string harmonic?
Something like
-but also including a small stemless notehead (\tiny?) for the e'' This is
common in C20th notation.
I'm n
Hello List
is it possible to combine harmonics notation with a small stemless parenthesized
note indicating the sounding pitch of a string harmonic?
Something like
-but also including a small stemless notehead (\tiny?) for the e'' This is
common in C20th notation.
I'm not familiar enough w
It's crude, and there's probably a better parenthesis glyph, but it's
a quick and dirty solution. And perhaps a different way to think.
\version "2.11.65"
\markup \vcenter {
\fontsize #12 { ( }
\column {
\line {a}
\line {b}
\line {c}
}
:
Hi all !
I'm looking for a way to display a text on several lines with
parenthesis
around the line (no bracket, round parenthesis). I tried \columns and
\center-align. That's ok to stack texts but how can I put
parenthesis around
? (like \bracket does for squared bracket).
Thks a lot
Hi all !
I'm looking for a way to display a text on several lines with parenthesis
around the line (no bracket, round parenthesis). I tried \columns and
\center-align. That's ok to stack texts but how can I put parenthesis around
? (like \bracket does for squared bracket).
Thks a lot
Kieren Thanks a lot! You`re the best! I still dont uderstand it, ill
read about it, but it works great!
On Jul 9, 2006, at 9:52 AM, Kieren MacMillan wrote:
Ezequiel:
how can i make all my chord name be placed inside parenthesis
You can follow Erik's generous examples and instruc
Ezequiel:
how can i make all my chord name be placed inside parenthesis
You can follow Erik's generous examples and instructions: "try
learning Scheme basics and read about tweaks in the manual, and then
try to understand exactly what I meant in my previous suggestion, and
f
Hello how can i make all my chord name be placed inside parenthesis like
(Am) (F) (G)
Please help me!
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Was only meaning old fashioned from a editoral mark point of view... and
that Lilypond can render similar now.
Parenthesis were easier around slurs and ties for the engraver than to try
and keep dashes or dots evenly spaced throughout the slur or tie.
As I said previously most "edi
> The method of putting parenthesis around slurs and ties.. is old
> fashioned...
Mhmm, even I as a composer sometimes use parenthesized slurs/dynamic
marks/notes, etc. Being `old fashioned' is by no way a reason to not
support it.
Hi Gianluca,
The method of putting parenthesis around slurs and ties.. is old
fashioned...
The most acceptable way is to either used a dotted slur or tie or dashed
slur or tie..
Lilypond can do these already...
\tieDotted \tieDashed and don't forget to use \tieSolid to go back to normal
Gianluca D. wrote:
I'm trying to copy with Lilypond a nice sheet of music showing many editorial
parenthesis around slurs, ties and hairpins.
In the attachments, you can see two examples of what I'm talking about.
Hi,
if you're willing to fund its development, I can add par
pin::print)
However, it doesn't work well with ties and slurs, since the vertical
alignment is wrong. It shouldn't be hard to fix it for ties but maybe it's
more tricky for slurs since the vertical position of the left and right
parenthesis should be different in general.
To imitate th
Hi everybody!
I'm trying to copy with Lilypond a nice sheet of music showing many editorial
parenthesis around slurs, ties and hairpins.
In the attachments, you can see two examples of what I'm talking about.
Is there anyone who knows a general way to reproduce these expressions,
If you search the mailing list archives for "parenthesis note", for
example, you will find also several other answers, for example refering
to the example file called molecule-hacking.ly in the Regression Test
document for your LilyPond version at www.lilypond.org.
/Mats
Ilaria
I have to add parenthesis around a note head. Is
there a simple method to do this? I read the reply to the same question (from
Jan Nieuwenhuizen, date 12 nov 2002), but the links are missing. Can anyone help
me?
Massimo
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Hi,
I have a Choral with Trumpet 1 + 2 in one staff (Chord notation). Is it
possible to include a note within parenthesis over the complete staff
(for Trp. 1+2)?
The included note (chord) has to be played second time only and I want
to exclude it this way when they play the first turn
Try
\lyricmode{ Some text with "(pa" -- ren -- the -- "sis)" ...}
i.e. include it in double quotes.
/Mats
Basil Crow wrote:
Hi list,
Dumb question: How do you use an open parenthesis in lyrics? I'm using
"\lyricmode {"
Hi list,
Dumb question: How do you use an open parenthesis in lyrics? I'm using
"\lyricmode {" to begin my lyrics.
Thanks,
Basil
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Jule Slootbeek <[EMAIL PROTECTED]> writes:
> How, if i can, can you add ()'s around a note head in order to show
> which notes are and which notes are not chord tones in a melody?
Are you looking for something like this
http://lilypond.org/stable/input/regression/out-www/lily-862146200.ly
How, if i can, can you add ()'s around a note head in order to show
which notes are and which notes are not chord tones in a melody?
TIA,
Jule
Jule Slootbeek
[EMAIL PROTECTED]
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