Simon Albrecht writes:
> Which may still entail different metronome markings for different
> groups or performers simultaneously, as in the example I gave, or for
> example in Britten’s War Requiem. True, it would require the user to
> really specify the metronome markings only in the top staff o
On 21.07.2018 12:47, David Kastrup wrote:
Simon Albrecht writes:
On 21.07.2018 09:08, David Kastrup wrote:
It’s also sensible as well as intuitive and mnemonic to address the
Timing alias here:
\set Timing.tempoHideNote = ##t
Only if you move the Metronome_mark_engraver in polyrhythmic situa
Simon Albrecht writes:
> On 21.07.2018 09:08, David Kastrup wrote:
>>> It’s also sensible as well as intuitive and mnemonic to address the
>>> Timing alias here:
>>>
>>> \set Timing.tempoHideNote = ##t
>> Only if you move the Metronome_mark_engraver in polyrhythmic situations.
>> If you don't and
On 21.07.2018 09:08, David Kastrup wrote:
It’s also sensible as well as intuitive and mnemonic to address the
Timing alias here:
\set Timing.tempoHideNote = ##t
Only if you move the Metronome_mark_engraver in polyrhythmic situations.
If you don't and Timing is at Staff level... The Midi is als
