Hello Wol,
That is more or less a different thing, since you want a different
notation for that, specifying both the fret of the note and of the
harmonic. When transcribing some Pastorius I defined a little
function for that which gives such results:
Regards,
Valentin
\version "2.20"
artific
[FORGOT TO REPLY TO THE LIST]
Hi Lukas,
That is a rather typical problem you get with harmonic in relative mode.
Basically in relative mode the octave of the pitch is saved relative to the
previous note. So this means that one would have to transpose the first note in
base pitch+octave, while
On 29/06/2020 10:30, Valentin Petzel wrote:
3) Forcing a string number can be done manually easily (though this is not
good if the tuning changes at some point). But in code it is quite a bit more
effort to achieve the same result, because we then would need to read the
string tunings from the co
Hi,
In Staceys example, I stumbled across the following strange thing
where \relative behaves strangely:
mus = \relative c,, { \harmonicByRatio #1/4 2. }
<<
\new TabStaff
{
\set Staff.stringTunings = \stringTuning
\tabFullNotation
\mus
}
\new Staff \mus
>>
Just to make t
Hi Pierre,
Using tags is pretty much the only way to achieve this from one source, but
you would still need different functions for Voice and TabVoice (unless you
combine them + tagging into one function, which might be useful, but
unflexible.
Valentin
signature.asc
Description: This is a dig
Hi Valentin,
Le lun. 29 juin 2020 à 13:30, Valentin Petzel a écrit :
...
> But the hard part would be getting Staff Notation and TabStaff-Notation
> right at the same time, because you usually want to notate this like this
>
Or similar to this. So you would need different functions for Tabnotat
Hi Lukas,
You might want to set restrainOpenStrings to #t in case the sounding pitch is
in fact an open
string (else minimumFret would be ignored), see appended file.
The order requirement to string tuning is most likely a bug, I guess Lilypond
tries to
minimize the used fret by traversing th
Hi Valentin,
1) Yes. Without my mistake it calculates on which fret the sounding note would
be, thus placing the note head onto the correct string. I’m sorry for that.
Yes - thanks much! Now it works as expected (at least by me):
If
i) #pitch is the pitch of an open string (as defined with \
Hello Carl,
They can be, although I had to correct a little mistake where I forgot to
replace 12 from my testing with the actual fret. You just need to be aware
that this will revert any \set minimumFret = ? done before as long as lilypond
cannot mask context properties. Also it might be a good
Hi Lukas,
I’m sorry, I messed that up. It should say
(calc-harmonic-pitch (fret->pitch (number->string fret))
I did my intropections with that using fret=12, and then I forgot to change
that when copying. See the attached file for the correction.
About your points:
1) Yes. Without my mistake
- Original Message -
From: "Lukas-Fabian Moser"
To:
Sent: Saturday, June 27, 2020 8:12 AM
Subject: Harmonics in tablature
Folks,
Stacy's question ("Three problems with harmonics") prompted me to try
LilyPond's tablature facilities for the first time.
Hi Valentin,
This is a certain limitation in how the harmonicByFret-Function works. It will
calculate the pitch for the given note, thus the Noteheads are automatically
placed onto higher strings. Thus you eighter will have to manually specify the
string number, or you might do something like in
On Sat, Jun 27, 2020 at 5:58 AM Valentin Petzel wrote:
>
> Hello Lukas,
>
> This is a certain limitation in how the harmonicByFret-Function works. It will
> calculate the pitch for the given note, thus the Noteheads are automatically
> placed onto higher strings. Thus you eighter will have to manu
Hello Lukas,
This is a certain limitation in how the harmonicByFret-Function works. It will
calculate the pitch for the given note, thus the Noteheads are automatically
placed onto higher strings. Thus you eighter will have to manually specify the
string number, or you might do something like i
12th/7th/5th fret over the open g, string". If you play this, you
definitely get the sounding pitches the lower staff indicates.
But why are the harmonics in tablature are printed for the d and a strings?
Either I fundamentally misunderstand the way harmonics should be read in
tablature, or
2011/6/14 Federico Bruni :
> Il giorno mar, 14/06/2011 alle 09.44 +0200, Janek Warchoł ha scritto:
>> general advice for playing harmonics - perhaps you know it already -
>> all harmonics are best heard when string is plucked near the bridge,
>> because strings plucked this way have strong overtone
monicByFret #7 a4\5
%tapped harmonics (TH)
\harmonicByFret #5 d4\4
- \harmonicByFret #5 d4\4
- \harmonicByFret #4 g2\3
+ \harmonicByFret #7 d4\4
+ \harmonicByFret #5 g2\3
%touch harmonics (TCH)
a4 \harmonicByFret #9 g2.\3
}
\version "2.14.0"
\header {
lsrtags = &qu
On Tue, Jun 14, 2011 at 09:44:27AM +0200, Janek Warchoł wrote:
>
> BTW, who will be applying the patch (i don't have puch ability)?
I can apply patches for you, after they've gone through the patch
review process.
Cheers,
- Graham
___
lilypond-user ma
2011/6/13 Federico Bruni :
> Il giorno lun, 13/06/2011 alle 20.10 +0200, Janek Warchoł ha scritto:
>> Concerning the last harmonic: it should be e'' (i.e. note on third
>> ledger line - remember that guitar is written in \clef "G_8")
>
> I still think that it should be e'
> The pitch I hear is the
m using
are different. It's a mystery to me...
Waiting for your comments.
Thanks,
Federico
\version "2.14.0"
\header {
lsrtags = "fretted-strings"
texidoc = "
Fretted-string harmonics:
"
doctitle = "Fretted-string harmonics in tablature"
}
13/Documentation/snippets/fretted-strings#fretted_002dstring-harmonics-in-tablature]
> there is an harmonic played on 5th fret
> of 4th string (a d in standard tuning), so the note must be a d two
> octave higher than the d of open string.
> Currently it's a g.
Yes, it should be d&
Il giorno mar, 24/05/2011 alle 11.33 +0300, Dmytro O. Redchuk ha
scritto:
> On Mon 23 May 2011, 20:17 Federico Bruni wrote:
> > I think it's pretty clear, but I might be missing something.
> > So we just need a guitar player, or someone who knows something about
> > physics (this is definitely not
Hi all,
I'm having difficulties to indicate in tablature where to place a
finger to get harmonics other than the first harmonic (see Ex. 1).
The first harmonic is normally produced in the 12th fret and sounds
in the same octave as if the string were stopped in the 12th fret
(one octave ab
Hallo list,
I have two problems with harmonics and tablature.
I've installed the 2.11.5-1 devel release to test the new features for
tablature,
I copied the snippet code from the website:
\paper {
# (define dump-extents #t)
ragged-right = ##t
indent = 0\mm
}
\l
24 matches
Mail list logo
