On 04/12/2022 17:46, J Martin Rushton wrote:
Hi all,
Our handbell team rings some pieces from normal scores, and some from a
tablature notation. I had a go at converting one of our favourite pieces
from tablature to scores, but some of the bars become so complex that
I'm not sure this helps a
On Mon, 2022-12-05 at 04:40 -0500, Michael Werner wrote:
> Though I had to go look up what quaver and crotchet meant - this
> debased and corrupted version of English we speak over here led me
> astray for a bit.
:-)
- I wouldn't be that cruel to our cousins and friends.
It's always puzzled me, wh
Yup. And now that you've got the basics from the Learning Manual it's time
to go have a look at the Notation Reference for the more detailed look.
Specifically
http://lilypond.org/doc/v2.23/Documentation/notation/multiple-voices
There's a whole lot of documentation - like, lots and lots and even mo
Thanks Pierre
That section seems to point me back to my original attempt:<< \relative
c' {\stemDown g'4 4 g4 4 } \\ \relative c' { s8 b'8 s8 d8 e4
d4 } >> | << \relative c' { 4 4 } \\ \relative c'
\autoBeamOff { c'8 8 e,8 8 } >> 4 4 |which
was adapted from the manuals.Best,Martin
On Sun, 2022-12-0
See.
https://lilypond.org/doc/v2.23/Documentation/learning/i_0027m-hearing-voices.html
Cheers,
Pierre
Le dim. 4 déc. 2022 à 23:09, J Martin Rushton <
martinrushto...@btinternet.com> a écrit :
> Hi Pierre
>
> Yes, I like that. I hadn't come across \tiny before, it does help make
> things nicer. I
Hi Pierre
Yes, I like that. I hadn't come across \tiny before, it does help make
things nicer. I assume that the "tenor bells" is simply an artefact
from a template - I can't see that it does anything. In the alto bells
would you advise the rest? Remember that ringers are following a line
and a
Hi Martin,
Sorry but the last attempt is hardly readable.
As Michael suggested previously, precising voices might help ; also, you
could change some voice sizes for a better reading.
E.g. something like:
sopranBells = \fixed c'' {
\voiceOne
| %mes. 13
g4 r8 g8 4 4
| %mes. 14
g4 4 4 4
Hi Michael
It just takes having to explain something to sort it. Those two
problematic bars are now:
which is much better. I still don't really like the tied quavers where
a crotchet is rung, but then you can't have everything! The relevant
code is:
g8 ~ 8 8 ~ 8 4 4 | 8 ~ 8 8 ~ 8 4 4 |
for th
Hi Michael
I've mocked up the same two bars in LibreOffice as tablature:
Where you see a dot and a number, the dot indicates half a beat's rest,
so that row three of the first beat is interpreted as r8 b8 In the
second bar, first beat, the "5 6" is c8 b8 The bolded top row
indicates the tune, w
Hi Martin.
Well, I'm still pretty new to Lilypond but I have done some handbell
music. I don't play them myself - my mother is the musician while I'm her
tech support, I guess would be the way to phrase it. My approach with
the more complex pieces her group was doing was to generate a somewhat
si
Hi all,
Our handbell team rings some pieces from normal scores, and some from a
tablature notation. I had a go at converting one of our favourite
pieces from tablature to scores, but some of the bars become so complex
that I'm not sure this helps at all.
Has anyone else done handbells on Lilyp
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