Re: Automatic beaming in vocal cadenzas

2013-10-26 Thread David Kastrup
Colin Campbell writes: > I D/L the patch and applied it, ran make with no errors. I then > re-compiled my sample file, but saw no difference in behaviour. I > gather your patch should have prevented the melisma created in a > cadenza by manual beaming, but they still seem to happen. Do you make

Re: Automatic beaming in vocal cadenzas

2013-10-26 Thread Colin Campbell
On 13-10-26 02:39 AM, David Kastrup wrote: Colin Campbell writes: After wrestling with a transcription of an unmetered piece by Mark Sirett (Thou Shalt Know Him), my wife and I were going bonkers trying to get lyrics aligned to the notes. The piece has no time signature and bars of uneven leng

Re: Automatic beaming in vocal cadenzas

2013-10-26 Thread David Kastrup
"Phil Holmes" writes: > - Original Message - > From: "David Kastrup" > To: > Sent: Saturday, October 26, 2013 4:49 AM > Subject: Re: Automatic beaming in vocal cadenzas > > >> Matthew Collett writes: >> >>> On 26/10/20

Re: Automatic beaming in vocal cadenzas

2013-10-26 Thread Phil Holmes
- Original Message - From: "David Kastrup" To: Sent: Saturday, October 26, 2013 4:49 AM Subject: Re: Automatic beaming in vocal cadenzas Matthew Collett writes: On 26/10/2013, at 4:10 pm, Colin Campbell wrote: We tried using \cadenzaOn to get the unmetered aspec

Re: Automatic beaming in vocal cadenzas

2013-10-26 Thread Phil Holmes
- Original Message - From: "Matthew Collett" To: "Colin Campbell" Cc: "LilyPond User Group" Sent: Saturday, October 26, 2013 4:28 AM Subject: Re: Automatic beaming in vocal cadenzas On 26/10/2013, at 4:10 pm, Colin Campbell wrote: We tried using \

Re: Automatic beaming in vocal cadenzas

2013-10-26 Thread David Kastrup
Colin Campbell writes: > After wrestling with a transcription of an unmetered piece by Mark > Sirett (Thou Shalt Know Him), my wife and I were going bonkers trying > to get lyrics aligned to the notes. The piece has no time signature > and bars of uneven length. We tried using \cadenzaOn to get t

Re: Automatic beaming in vocal cadenzas

2013-10-26 Thread Matthew Collett
On 26/10/2013, at 6:58 pm, Colin Campbell wrote: We tried using \cadenzaOn to get the unmetered aspect, but the fundamental problem is that \cadenzaOn turns off autoBeam, which in turn means that manual beaming in a cadenza creates unwanted melismata. > > The aim was to get v

Re: Automatic beaming in vocal cadenzas

2013-10-25 Thread Colin Campbell
On 13-10-25 09:49 PM, David Kastrup wrote: Matthew Collett writes: On 26/10/2013, at 4:10 pm, Colin Campbell wrote: We tried using \cadenzaOn to get the unmetered aspect, but the fundamental problem is that \cadenzaOn turns off autoBeam, which in turn means that manual beaming in a cadenza

Re: Automatic beaming in vocal cadenzas

2013-10-25 Thread David Kastrup
Matthew Collett writes: > On 26/10/2013, at 4:10 pm, Colin Campbell wrote: > >> We tried using \cadenzaOn to get the unmetered aspect, but the >> fundamental problem is that \cadenzaOn turns off autoBeam, which in >> turn means that manual beaming in a cadenza creates unwanted >> melismata. > >

Re: Automatic beaming in vocal cadenzas

2013-10-25 Thread Matthew Collett
On 26/10/2013, at 4:10 pm, Colin Campbell wrote: > We tried using \cadenzaOn to get the unmetered aspect, but the fundamental > problem is that \cadenzaOn turns off autoBeam, which in turn means that > manual beaming in a cadenza creates unwanted melismata. So turn the autobeaming back on. I

Automatic beaming in vocal cadenzas

2013-10-25 Thread Colin Campbell
After wrestling with a transcription of an unmetered piece by Mark Sirett (Thou Shalt Know Him), my wife and I were going bonkers trying to get lyrics aligned to the notes. The piece has no time signature and bars of uneven length. We tried using \cadenzaOn to get the unmetered aspect, but the