2011/7/3 Gilles Sadowski :
>
>> I don't write much music for transposing instruments, so i cannot give
>> any advice, but i have a question that may trigger a discussion: how
>> to prepare scores with transposing instruments so that they are
>> structurally correct? Consider this canon:
>>
>> commo
Hi.
> >
> > I would love to put together a "Best Practices" example/snippet/document
>
> Good idea!
> I don't write much music for transposing instruments, so i cannot give
> any advice, but i have a question that may trigger a discussion: how
> to prepare scores with transposing instruments so t
2011/6/28 Kieren MacMillan :
> Hello all,
>
> I would love to put together a "Best Practices" example/snippet/document
Good idea!
I don't write much music for transposing instruments, so i cannot give
any advice, but i have a question that may trigger a discussion: how
to prepare scores with trans
Kieren,
From: Kieren MacMillan [kieren_macmil...@sympatico.ca]
Sent: 28 June 2011 16:39
To: James Lowe
Cc: Lilypond-User Mailing List
Subject: Re: [Best Practices] instrument changes
Q1: When you have a doubler-switch in the middle of a passage, do you use
Hi James,
Thanks for chiming in! Very helpful.
> 1. Always use music variables and THEN transpose them in the \score, rather
> than transpose them in the variable (if that makes sense?)
Definitely. This, I think, is Best Practice #1. In fact, "put the notes in
variables and [try to] do everyth
: [Best Practices] instrument changes
Hello all,
I write a lot of music for "doublers", i.e., instrumentalists who play more
than one instrument. Often (e.g., clarinet), these instruments have different
transpositions. Furthermore, I usually need to print parts (in "performance
pit
Hello all,
I write a lot of music for "doublers", i.e., instrumentalists who play more
than one instrument. Often (e.g., clarinet), these instruments have different
transpositions. Furthermore, I usually need to print parts (in "performance
pitch") and scores (both "transposed" and "c" scores).
