Hello all, I write a lot of music for "doublers", i.e., instrumentalists who play more than one instrument. Often (e.g., clarinet), these instruments have different transpositions. Furthermore, I usually need to print parts (in "performance pitch") and scores (both "transposed" and "c" scores).
I would love to put together a "Best Practices" example/snippet/document, but I want to make sure they *are* "best practices": a lot of what I do now would be better described as "crisis-mode hacking", in order to get the score ready in time for the performance. :) Has anyone else dealt with significant instrument changes (e.g., winds in an opera), and would like to share your process? Together, perhaps we can put together a truly useful Best Practices doc. Thanks, Kieren. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
