Re: fret diagrams with marked root and roman numbers

BB writes: > \markup > \override #'(fret-diagram-details . ( > (number-type . arabic) > (finger-code . in-dot))) { > \fret-diagram #"s:3;f:1;6-3-2;5-2-1;5-5-4;4-4-3;" > % percent sign is for comments > % s:3 tells lilypond to make diagram 3x normal size > % f:1 is to show finger #'s in circle on

Re: Scheme question: convert a range

Simon Albrecht writes: > The subject certainly seems cryptic – it’s difficult to summarize, but > an example will make it clear immediately. > I want to write a scheme procedure, which takes a pair like #'(3 . 7) > and returns a list with all the numbers in the range: #'(3 4 5 6 7) > How is this d

Re: [feature request:] fret diagrams with fingering indications and additional text

Thomas Morley writes: > 2015-11-08 12:23 GMT+01:00 pls : >> Hi Harm, >> >> I finally managed to test your code and I really, really like it! I >> especially like the option to >> turn the annotations on and off. > > Glad you like it. > > Ofcourse

Re: [feature request:] fret diagrams with fingering indications and additional text

Thomas Morley writes: > Hi Patrick, > > I did some experiments, result attached. > > Please test. There is a README in it. > > Please be aware it's experimental code, not ready yet to put up a > patch, although it compiles as far as I tested... > (some debugging code is still present, most of it

Re: [feature request:] fret diagrams with fingering indications and additional text

Thomas Morley writes: > 2015-11-01 19:55 GMT+01:00 pls : >> Hey all, >> >> currently it's possible to add fingering indications (any character) inside >> of dots or "below" the strings. (In my attachment in landscape orientation >> it's rath

Re: how to override dot-placement-list (fret diagrams)

Thomas Morley writes: > 2015-10-29 23:53 GMT+01:00 pls : > >> >> My use case: I have created a huge library of predefined fret >> diagrams (https://github.com/Philomelos/lilypond-predefined-fretboards) >> and I would love to be able to e.g. display those diagrams w

Re: how to override dot-placement-list (fret diagrams)

Thomas Morley writes: > 2015-10-29 19:24 GMT+01:00 pls : >> Hey all, >> >> I would like to override some fingering information of predefined fret >> diagrams. The relevant information should be in the >> /dot-placement-list/ of the fret-diagram-interface (see

how to override dot-placement-list (fret diagrams)

Hey all, I would like to override some fingering information of predefined fret diagrams. The relevant information should be in the /dot-placement-list/ of the fret-diagram-interface (see http://lilypond.org/doc/v2.19/Documentation/internals-big-page#fret_002ddiagram_002dinterface). But I couldn

Re: quarter-tone tablatures notation

David Kastrup writes: > pls writes: > >> David Kastrup writes: >> >>> Thomas Morley writes: >>> >>>> Ok. I found a problem: you can't bend an open string ... >>> >>> When you "bend" with a bottleneck, it migh

Re: quarter-tone tablatures notation

David Kastrup writes: > Thomas Morley writes: > >> Ok. I found a problem: you can't bend an open string ... > > When you "bend" with a bottleneck, it might be feasible. So not sure > whether this would not warrant at least an option. > > And I'm not sure whether fretlass basses are on-topic for

Re: Note names inside dots

Thomas Morley writes: > 2015-10-24 23:20 GMT+02:00 Thomas Morley : >> >> Well, it's not related to my changes, as far as I can tell. See: >> >> \markup { >> \fret-diagram-verbose #'( >> (place-fret 4 0) >> ) >> } >> >> I could follow this one bac to 2.14.2, the oldest I've

Re: Note names inside dots

Hi Harm, I just tested your changes (from 2014) to fret-diagram.scm and I really like the new options. There is only one little issue: when one defines text inside dots for open strings an unwanted capo bar appears. Tiny example: \version "2.19.30" \markup \override #'(size . 5) \override #

lilypond-mode and electric-indent-mode (Emacs)

Hi all, lilypond-mode (Git-repository) and electric-indent-mode don't seem to get along too well in Emacs. (I'm currently using GNU Emacs 25.0.50.2 (x86_64-pc-linux-gnu, GTK+ Version 3.10.8) but I have experienced the same issues with all other Emacs-versions I have tried before.) When I press R

Re: idea for fretboard-diagram chords

Marc Hohl writes: > Am 18.09.2015 um 08:40 schrieb bart deruyter: >> Hi all, > [...] >> For inversions one might choose a number based on the n'th note of a >> chord, for example 2 as the second note from the root note, which in the >> case of c:m would result in a ees as the lowest note and disp

Re: Chords and what they mean

Thomas Morley writes: > 2015-09-17 10:47 GMT+02:00 Simon Albrecht : >> Hello Kaj, >> >> On 17.09.2015 09:27, 70147pers...@telia.com wrote: >>> >>> First I will declare, that I am not 100 percent sure this is a bug, but >>> friends of mine, musicians, say it probably is. Also, as I am not an exper

Re: how to add barre indications to automatic fret diagrams?

On 26.05.2015, at 23:58, Carl Sorensen wrote: > > Let's try again. I have checked this version; it has the warning code. Yes, it does. Looks very good to me! Thanks a lot, patrick ___ lilypond-user mailing list lilypond-user@gnu.org https://lis

Re: how to add barre indications to automatic fret diagrams?

On 26.05.2015, at 04:34, Carl Sorensen wrote: > On 5/25/15 5:25 AM, "pls" wrote: >> >> Works great! Thanks a million! > > Thanks for your feedback. > >> >> Should/Could LilyPond issue a warning message in the case of open strings >> whe

Re: how to add barre indications to automatic fret diagrams?

On 25.05.2015, at 01:16, Carl Sorensen wrote: > On 5/23/15 11:59 PM, "pls" wrote: >> >> \transpose f g { 1 } > > Here's a revised version of translation-functions.scm. It will generate > barres only if fingers are indicated, and multiple strings use th

Re: how to add barre indications to automatic fret diagrams?

On 23.05.2015, at 22:06, Carl Sorensen wrote: > > > On 5/23/15 6:34 AM, "pls" wrote: > >> >> Here is another test case for your patch: >> >> \version "2.19.20" >> >> << >> \new FretBoards { >> 1

Re: how to add barre indications to automatic fret diagrams?

On 23.05.2015, at 06:22, Carl Sorensen wrote: >> >> + some chords lead to unwanted barre indicators, e.g.: >> + or >> + (wrong fingers!) > > I will look into those. Thanks. Here is another test case for your patch: \version "2.19.20" << \new FretBoards { 1 1 \transpose g a

Re: how to add barre indications to automatic fret diagrams?

On 23.05.2015, at 06:22, Carl Sorensen wrote: > >> + some frequently used chords are missing, such as m7.5- and suspended >> chords. (I know of course from my own experience that predefined fret >> diagram tables unfortunately are never complete.) > > m7.5- is not commonly used in US consumer

Re: how to add barre indications to automatic fret diagrams?

On 22.05.2015, at 01:43, Carl Sorensen wrote: > I am now speaking solely in LilyPond internals terms. When \transpose is > applied to a chord, it changes the pitches of the chord, but does not > change the fingerings. And there is no reasonable system I can imagine > that would allow \transpos

Re: how to add barre indications to automatic fret diagrams?

On 21.05.2015, at 21:06, Carl Sorensen wrote: > > > On 5/21/15 8:39 AM, "pls" wrote: >> >>> >>> I thought about this issue quite a bit when I was creating predefined >>> fret >>> diagrams. There, we introduced the idea of a ch

Re: how to add barre indications to automatic fret diagrams?

On 21.05.2015, at 15:10, Carl Sorensen wrote: > On 5/21/15 1:30 AM, "pls" wrote: > >> >> Nice! Thanks a lot. >> >> Yes, transposing chords with open strings probably poses a problem. >> Fingering information would have to be included automatic

Re: how to add barre indications to automatic fret diagrams?

On 21.05.2015, at 02:44, Thomas Morley wrote: > 2015-05-20 13:16 GMT+02:00 pls : >> >> >> Begin forwarded message: >> >> From: pls >> Subject: Re: how to add barre indications to automatic fret diagrams? >> Date: 20. Mai 2015 13:12:30 MESZ >

Re: how to add barre indications to automatic fret diagrams?

On 21.05.2015, at 03:49, Carl Sorensen wrote: > > > On 5/20/15 7:30 PM, "Carl Sorensen" wrote: > >> >> >> On 5/19/15 12:45 PM, "pls" wrote: >> >>> Hi all, >>> >>> LilyPond¹s automatic fret diagrams r

Fwd: how to add barre indications to automatic fret diagrams?

Begin forwarded message: > From: pls > Subject: Re: how to add barre indications to automatic fret diagrams? > Date: 20. Mai 2015 13:12:30 MESZ > To: Stephen MacNeil > > Hi Stephen, > On 20.05.2015, at 13:02, Stephen MacNeil wrote: > >> sorry forgot one >

Re: how to add barre indications to automatic fret diagrams?

rob-property grob 'dot-placement-list } fMajorEShape = { } gMajorEShape = { \transpose f g { \fMajorEShape } } \new FretBoards { \barre \transpose f g { \fMajorEShape } \barre \gMajorEShape \barre \set FretBoards.minimumFret = #3 \barre \gMajorEShape } Is there any way t

Re: how to add barre indications to automatic fret diagrams?

On 19.05.2015, at 21:47, Stephen MacNeil wrote: > you can check here see if that's what you want. > > http://lsr.di.unimi.it/LSR/Search?q=fret-diagram Thanks, but unfortunately these snippets are all about customizing predefined fret diagrams and not about adding barre indications to automati

how to add barre indications to automatic fret diagrams?

Hi all, LilyPond’s automatic fret diagrams really are a very helpful feature! More often than not it helps to not having to predefine and store a diagram in a lookup table. But it has one little drawback: it doesn’t automatically include a barre indication when several strings are to be covere

Re: vertical alignment

Hi Ole, in measure 3 your friend swapped voices. It should read <<{bes1} \\ { ges1} >> instead of <<{ges1} \\ { bes1} >>. hth patrick On 05.05.2015, at 17:08, Ole Schmidt wrote: > Hi, > > A friend showed me his first leadsheed to proofread and we both stumbled over > the strange alignment in

Re: Thumb in fret-diagram

Thanks! On 05.05.2015, at 14:21, Stephen MacNeil wrote: > Hi patrick, > > This is the workaround I used to create fret-diagrams with a thumb. > > http://mglessons.com/lilypond/fret-diagram.ly > http://mglessons.com/lilypond/fret-diagram.pdf > > HTH > Stephen > > %% cut > > #(define-

Re: Thumb in fret-diagram

stakes drive me crazy ! > > Thanks > Stephen > > On Mon, May 4, 2015 at 2:43 AM, pls wrote: > This looks like a regression to me. See > > https://codereview.appspot.com/4176056/ (allow non numeric fingers (e.g. for > thumb)) > http://lilypond.org/doc/v2.19/input/re

Re: Thumb in fret-diagram

This looks like a regression to me. See https://codereview.appspot.com/4176056/ (allow non numeric fingers (e.g. for thumb)) http://lilypond.org/doc/v2.19/input/regression/dd/lily-caf6e8f6.ly (the “P” is not printed) hth patrick On 03.05.2015, at 17:35, Stephen MacNeil wrote: > Hi Harm > Th

Re: musicxml2ly

Hi Jan-Peter, I’m very familiar with musicxml2ly. I can offer to have a look at your files (tomorrow or sunday). Cheers, Patrick On 06.02.2015, at 11:57, Jan-Peter Voigt wrote: > Hi list, > > in the project, Iam currently working on, I am importing music-xml-files > created by Score Perfect.

Re: \startTrillSpan without the tr at the beginning?

Or: \version "2.19.11" { \once\override TextSpanner.style = #'trill \time 3/4 b' \startTextSpan b' b' \stopTextSpan } hth patrick On 25.01.2015, at 12:03, Pierre Perol-Schneider wrote: > Try : > > \version "2.18.2" > > { > b'-\tweak bound-details.left.text #'() \startTrillSpan

Re: \tempo - how to remove parentheses around metronome marks ?

Hi Harald, this is one possibility: { \tempo \markup { \concat { "Moderato " \smaller \general-align #Y #DOWN \note #"4" #1 " = " \smaller \general-align #Y #DOWN #"112" } } c'1 c'1 c'1 } hth patrick On 16.01.2015, at 00:01, Harald Christiansen wrote

Re: org-babel-lilypond export,automatic image trimming?

James and Phil, I know, it’s a bit late to join the party — but better late than never! ;) I experimented a bit with org-babel-lilypond (version 7.9.3f) in basic mode and it looks like -dpreview is not absolutely necessary to automatically trim images in org-mode. I didn’t have to manipulate my

Re: Information about Parts

Sounds like you might as well be interested in * http://www.projectabjad.org/ and * http://web.mit.edu/music21/. hth patrick On 09.01.2015, at 01:35, Matthew James Briggs wrote: > Thank you everyone for the info. Lilypond sounds totally awesome. > > Just a little more background because the

Re: Big Music Font Update

On 29.10.2014, at 09:56, Urs Liska wrote: > > > Am 29. Oktober 2014 07:56:30 MEZ, schrieb Federico Bruni : >> Il giorno mer 29 ott 2014 alle 0:50, tisimst >> ha scritto: >>> Sorry for the confusion, but I'm pretty sure I said, "look on the >>> MAIN page" (emphasis added). There are definite

Re: Two time signature at start of system

It’s the “grace note bug”. Workaround: insert \acciacatura s8 after \time 6/8 in your right-variable. hth patrick On 02.10.2014, at 14:50, MING TSANG wrote: > Dear lilyponders, > I didn't realize until I have coded a hymn with 92 measures that two time > signature at bar #78. So I code a test

Re: Dominant Seventh Sharp Fifth Chord

On 25.09.2014, at 14:48, bb wrote: > The description of chord naming is a bit short for my experience. > > I am looking for the code for a > Dominant Seventh Sharp Fifth Chord > > Say i. e. G^7#5 > > How can I do that? \chords { g:7.5+ } hth patrick > > Is there any extended turorial or

Re: How do you tell Lilypond not to jump strings when sliding?

On 16.09.2014, at 20:42, pls wrote: Jay, there is actually a way to achieve what you want. I am not sure if it’s documented: pretend that your single notes are chords, put them in angled brackets and use the command for string numbers after the closing brackets, like so: musicb = \relative

Re: Hairpin inside slur?

On 28.07.2014, at 12:52, Simon Albrecht wrote: > > Am 27.07.2014 23:17, schrieb pls: >> >> On 27.07.2014, at 22:18, Phil Holmes wrote: >> >>> I don't know. My guess: there is no reasonable slur that will miss the >>> hairpin if the ha

Re: Hairpin inside slur?

ave. There is probably no automated solution for this case so I might use the \shape function. patrick > > - Original Message - > From: pls > To: Abel Cheung > Cc: lilypond-user > Sent: Sunday, July 27, 2014 8:18 PM > Subject: Re: Hairpin inside slur? > > H

Re: Hairpin inside slur?

On 27.07.2014, at 22:11, Mike Solomon wrote: > > On Jul 27, 2014, at 10:18 PM, pls wrote: > >> Hey all, >> >> today I experimented with hairpins inside slurs and encountered a strange >> phenomenon: >> >> \version "2.19.11"

Re: Hairpin inside slur?

Hey all, today I experimented with hairpins inside slurs and encountered a strange phenomenon: \version "2.19.11" exOne = { \override Slur.height-limit = 20 \override DynamicLineSpanner #'outside-staff-priority = ##f c'32 ( g'32 ^\< c''32 g''32\! a''32 ^\> g''32 e''32\! g'32 ) } e

Re: Compile last n bars

example: \set Score skipTypesetting = ##t c d e \set Score skipTypesetting = ##f f g a hth patrick On 26.05.2014, at 22:48, pls wrote: > Hi David, > > you can find it in the Notation Reference under 3.4.2 Skipping corrected > music. lilypond.org seems to be down. Therefore I cop

Re: Compile last n bars

Hi David, you can find it in the Notation Reference under 3.4.2 Skipping corrected music. lilypond.org seems to be down. Therefore I copied the text from the documentation: 3.4.2 Skipping corrected music When entering or copying music, usually only the music near the end (where you are addi

Re: Is there a translator from LilyPond to XML?

ing version 2.0. > > > > On May 21, 2014, at 2:18 PM, pls wrote: > >> >> On 21.05.2014, at 18:44, Dennis Clason wrote: >> >>> I have a publisher interested in some of my work, but they want it in their >>> house style. They know about Lily

Re: Is there a translator from LilyPond to XML?

On 21.05.2014, at 18:44, Dennis Clason wrote: > I have a publisher interested in some of my work, but they want it in their > house style. They know about LilyPond, but it's "a fringe market they are > watching" (their words). Their preference would be for me to submit in > Finale or Sibeli

Re: Any advice for getting emacs working with lilypond on MacOsX?

-Frescobaldi-td161735.html. hth pls On 10.05.2014, at 15:01, rif wrote: > FWIW, I spent multiple hours in install hell trying to get a homebrew install > of frescobaldi to work, with zero success. AFAICT homebrew doesn't really > have forums or mailing lists? I might stick with

Re: Mac testers needed for Frescobaldi!

Hey Davide, no problems on OS 10.9.2! Thanks a lot! patrick On 22.04.2014, at 12:42, Davide Liessi wrote: > Dear Frescobaldi&LilyPond&Mac users, > as some of you may know, I'm trying to make Frescobaldi more > Mac-friendly, by packaging it as a native application bundle inside a > standard DMG

Re: Piano scoring with centered dynamics

Hi Westley, you are probably looking for something like this: << \new Staff \relative c' { c2 d4 e | c4 e e,2 | g'4 a g a | c1 | } \new Dynamics { s1\< | s1\f | s2\dim s2-"rit." | s1\p | } >> You find it here: http://www.lilypond.org/doc/v2.18/Documentatio

Re: short Musikmesse minutes

On 20.03.2014, at 08:35, Johan Vromans wrote: > > I use musescore for MusicXML -> LilyPond conversion. It does a much > better job than any other tool I know (including musicxml2ly). Hm, my experience has been quite different! 7 months ago I tested MuseScore v1.3 with 10 MusicXML-files of ope

Re: Is this reasonable/playable (guitar)?

On 06.03.2014, at 09:58, David Kastrup wrote: > David Kastrup writes: > >> David Kastrup writes: >> >>> pls writes: >>> >>>> sounds good. perfectly doable. no problems. I like the dorian runs >>>> but I’d rather start the repe

Re: Is this reasonable/playable (guitar)?

On 05.03.2014, at 20:49, David Kastrup wrote: > >> I am not top-posting > > I want to avoid ossia staves. They seem reasonably self-evident as > alternatives for the potentially less playable runs (probably the end is > the clincher). But how bad are those, anyway? The Midi sounds doable. >

Re: Ancient tablature template

On 04.03.2014, at 16:46, Marc Hohl wrote: > Am 02.03.2014 16:10, schrieb Schneidy: >> Hi LilyPonders, >> >> I'm working on an ancient tablature form. >> The idea is to get an simple tool that helps people to rewrite ancient tab >> together with a standard modern score. >> >> Herewith is a firs

Re: lilypond-musicxml2ly-dev

On 04.02.2014, at 09:41, Urs Liska wrote: > Am 04.02.2014 09:08, schrieb Martin Tarenskeen: >> >> Hi, >> >> When I look at the lilypond-musicxml2ly-dev fork from Philomenos.net on >> Github I see that the last commit has been 6 months ago. Also when I >> look at their code the Lilypond version

Re: understanding midi files

On 28.01.2014, at 12:24, k...@aspodata.se wrote: > http://www.cdik.se/pdf/midiformat.pdf describes the time signature > event on page 12. It is unclear written. Is there anyone here that > have a clear understanding about the last two parameters, named cc and > bb in the document ? > > And page

Re: Semi-transparent color in Lilypond

please reply to the list! On 27.01.2014, at 09:59, Rupert Snook wrote: > Thanks Patrick and Harm for the suggestions! These could work as workarounds, > but still not exactly what I'm after. I'm looking for a color that has an > opacity / transparency channel, and this channel could be set betw

Re: how to display a predefined guitar fretboard inside a \markup block

On 26.01.2014, at 21:00, Federico Bruni wrote: > There's a way to display a predefined guitar fretboard inside a \markup block? > See below an example of a simple leadsheet: I want to display the chord > fretboards below the title. I'm defining the fretboards with \fret-diagram > commands, but

Re: Semi-transparent color in Lilypond

On 26.01.2014, at 06:41, Thomas Morley wrote: > 2014-01-26 Rupert : >> Hi all, >> >> Is there a way to color objects semi-transparently in Lilypond? >> Perhaps one could use an rgba color >> instead of #red in the following example? There's at least a workaround in the lsr to give the illusion o

Re: Dashed line tuplet bracket

On 12.01.2014, at 19:11, "Phil Holmes" wrote: > - Original Message - From: "Phil Holmes" > To: "LilyPond User Group" > Sent: Sunday, January 12, 2014 5:48 PM > Subject: Dashed line tuplet bracket > > >> I've spent most of this afternoon creating a piece of Stockhausen in >> LilyPond

Re: What should be the default B7 chord?

On 11.01.2014, at 21:15, David Kastrup wrote: > Johan Vromans writes: > >> Carl Sorensen writes: >> >>> Would you like the first chord in the attachment (barred on fret 2) or the >>> second chord (open chord in first position)? >> >> I have a slight preferrence for the second although I don

Re: What should be the default B7 chord?

On 11.01.2014, at 20:06, Carl Sorensen wrote: > There has been a difference of opinion on why the default B7 guitar chord > shape should be. I'm making a poll to determine what the users would > prefer. > > Would you like the first chord in the attachment (barred on fret 2) or the > second cho

Re: musicxml2ly bug: Fails on empty node

On 21.12.2013, at 10:58, Urs Liska wrote: > What would be the necessary approach to port your -dev work back to main > LilyPond's musicxml2ly? Nothing special. It's a git repository. I simply haven't had the time (and probably won't in the near future) to prepare small documented patches and

Re: musicxml2ly bug: Fails on empty node

On 21.12.2013, at 09:14, James Harkins wrote:In case anybody is working on musicxml2ly:I just found that it doesn't handle the case of an XML document where the title node exists, but is empty. I've uploaded a zip archive of two musicxml documents.Hi James,we fixed this bug s

Re: Ambitus not in the beginning

On 25.11.2013, at 14:34, Kai Lautenschläger wrote: > As you can see in the following not so tiny example inserting the ambitus > makes the \RemoveEmptyStaves command ineffective. I reduced your example quite a bit and the problem is still there: \RemoveEmptyStaves does not show any effect in sta

Re: Primo symbol in LilyPond

On 24.11.2013, at 10:06, David Kastrup wrote: > David Kastrup writes: > >> Marc Hohl writes: >> >>> Am 24.11.2013 09:35, schrieb David Kastrup: >>> [...] What's wrong with primo = "1º" prima = "1ª" Shouldn't that do the trick without further trickery? >>> >>>

Re: stylesheet that override defaults

On 22.11.2013, at 14:48, MarcM wrote: > David, > > Thank you for providing the link to the documentation. I've seen the code > you mention in the doc > http://lilypond.org/doc/v2.16/Documentation/notation/displaying-rhythms#time-signature > and it is providing the following example: > > \score

Re: Reminder accidentals with octaviation

On 20.11.2013, at 13:03, Urs Liska wrote: > Am 20.11.2013 12:58, schrieb David Kastrup: >> pls writes: >> >>> On 20.11.2013, at 12:25, Urs Liska wrote: >>> >>>> a chord is repeated an octave higher, which is indicated by an \ottava. >>

Re: Reminder accidentals with octaviation

On 20.11.2013, at 12:25, Urs Liska wrote: > Hi, > > please consider the situation in the attached (or inline?) image. > > > > a chord is repeated an octave higher, which is indicated by an \ottava. > Does the repeated chord need accidentals or not? > Both accidentals in the first chord are n

Re: Odd \time and \appoggiatura interaction

On 09.11.2013, at 21:06, Frederick Bartlett wrote: > Urs, > > Thanks for that; I have been putting spacers everywhere. But now I have a new > problem: My wife just asked me (she's the musician, I'm just the engraver) to > transpose the piece up a half step. So, I put a \transpose c des {} ar

Re: FredBoards settings

On 08.11.2013, at 18:12, Jan Kašpar wrote: > Hello, > > at this documentation page: > > http://www.lilypond.org/doc/v2.17/Documentation/notation/common-notation-for-fretted-strings Hi Jan, you need to upgrade your LilyPond version to 2.17.x to be able to render this example taken from the 2

Re: How to combine accidental glyphs for new note names?

On 29.10.2013, at 07:52, ArnoldTheresius wrote: > Hello, > I see two options: > > 1. Build your own font which includes the additional glyphs (and all the > other accidental glyphs, too). > Then make LILYPOND use this new font for all accidentals. > > 2. Replace the stencil function of the Acc

How to combine accidental glyphs for new note names?

Hey all, I'd like to be able to call some rare accidentals by their own note names. For example "ceseses" should result in a triple flatted note c. I found a very useful snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=784. I just added three lines to test the new note name and it basically wo

Re: specific dot configuration

On 23.10.2013, at 17:46, "Phil Holmes" wrote: > - Original Message - From: "Urs Liska" > To: "lilypond-user" > Sent: Wednesday, October 23, 2013 4:33 PM > Subject: specific dot configuration > > >> Hi, >> >> I have a polyhonic situation with a b'2. and a b'1. unison (see the >> atta

Re: Half-diminished seventh chord

On 17.10.2013, at 13:04, Xavier Noria wrote: > Is there a way to get the "crossed-o" notation for a half-diminished seventh > chord (m7♭5)? I don't see it in > http://lilypond.org/doc/v2.16/Documentation/notation/displaying-chords. \chords { c:1.3-.5-.7 c:m7.5- } hth patrick > __

Re: b:7 chord in predefined guitar fretboards

Hi Frederico, On 13.10.2013, at 18:35, Federico Bruni wrote: > The default chord is derived from the shape of bes:7, so it requires a barré. > But there's also a handy shape in first position. Shouldn't this be the > default? > > I've tried to change the definition but there's something wrong,

Re: missing bar numbers after manual line breaks within incomplete measures: bug or feature?

On 01.10.2013, at 16:41, Alexander Kobel wrote: Hi Alexander, > > Any integer bar number at the start of the system would be misleading, as you > probably figured. In your example, the proper number to place after the break > would be 5.5, right? What if you put "5" there and the conductor tel

missing bar numbers after manual line breaks within incomplete measures: bug or feature?

Hey all, according to the NR "bar numbers are typeset by default at the start of every line except the first line". In the following example the second line starts with an incomplete measure which automatically results in a missing bar number. I would expect a bar number at the beginning of

Re: How to connect Midi keyboard to Lilypond?

On 27.09.2013, at 08:27, Johan Vromans wrote: > Laura Conrad writes: > >> I use , which I think has >> been mentioned elsewhere in the thread. > > As being a 404? http://utopia.knoware.nl/~hlub/uck/rlwrap/#midi_input > > -- Johan > > __

Re: [ANNOUNCE] New Portfile for Frescobaldi on Mac (Wilbert Berendsen)

On 18.09.2013, at 04:42, Guy Stalnaker wrote: > Davide, > > Success!! I followed your guide for uninstalling and reinstalling and it all > now works! > > Thank you very much for your continued help and guidance. And for the > Frescobaldi port! +1 > > Best regards, > > Guy > > Guy Stalna

Re: [ANNOUNCE] New Portfile for Frescobaldi on Mac (Wilbert Berendsen)

Hi Davide, thanks for your portfile and your detailed instructions! Now I have frescobaldi-devel up and running! I just wanted to mention that I got the following error: Error: org.macports.activate for port py27-cx_Freeze returned: Image error: /opt/local/Library/Frameworks/Python.framework

Re: explicit 7 on a half diminished 7

On 22.08.2013, at 18:40, Derek Klinge wrote: > Using Version 2.16.2-1 on a macbook > Thanks > > Derek > > > On Thu, Aug 22, 2013 at 9:35 AM, Derek Klinge wrote: > Exactly, how do I write a chordname exception for a Half Diminished 7th? \version "2.17.24" chordException = { -\markup { \sup

Re: printing actual "~" character in lyrics?

On 20.08.2013, at 10:15, Mark Polesky wrote: > I know it's an odd request, but what if I actually want > the ~ character to print in lyrics? None of these work: > > "~" > '~' > \~ > #"~" > ##\~ > #(string #\~) > > Thanks. > - Mark \char ##x007E hth patrick > > > __

Re: LilyPond meeting in Waltrop, Germany, 2013-08-16 to 2013-08-20

On 12.08.2013, at 19:51, Thomas Morley wrote: > > I'll arrive Thursday, leave Tuesday, sleeping in my tent. This applies to me, too! See you soon! patrick ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lily

Re: Comparing LilyPond with Sibelius, Finale, Musescore etc

On 23.07.2013, at 15:03, Phil Holmes wrote: > - Original Message - From: "Richard Shann" > To: "Mats Bengtsson" > Cc: > Sent: Tuesday, July 23, 2013 1:06 PM > Subject: Re: Comparing LilyPond with Sibelius, Finale, Musescore etc >> >> Well without considerable expense I can't really t

Re: Improper handling of acciaccaturas and grace notes

It's a well known issue. Workaround: use s8 instead of r8 in measure 5 (flute). hth patrick On 07.06.2013, at 16:44, Jacques Menu wrote: > Hello folks, > > I ran into this with irregular bars combined with repeats, but only with > multiple staves. > The source and PDF are attached. > > Thanks

Re: LilyPond blog! who wants to join?

fond of the pond :) On 01.06.2013, at 12:08, Renato Biolcati Rinaldi wrote: > "Il laghetto del larghetto".. > (laghetto= pond in Italian) > > Just kidding, but it's fun:-) > > Renato > > On Fri, 31 May 2013 23:59:12 +0200 > Janek Warchoł wrote: > >> 2013/5/31 Janek Warchoł : >>> this cannot

Re: MusicXML project platform

Hey all, in case you hadn't noticed: last year at the Waltrop meeting Julien Lerouge started to work on a LilyPond to MusicXML converter using LilyPond-engravers (based on Jan Nieuwenhuizen's to-xml.scm script and some of John Mandereau's ideas (see http://lists.gnu.org/archive/html/lilypond-d

Re: musicxml2ly enhancements

On 09.04.2013, at 09:01, Urs Liska wrote: > Am 09.04.2013 08:49, schrieb David Kastrup: >> Jacques Menu writes: >> >>> Hello folks, >>> >>> I've been experimenting with Sibelius 7.1.3 as a front-end to Lily, >>> i.e. as a note input engine. >>> >>> This lead me to fix some issues in musicxml2

Re: lilypond source and music sheet database

On 07.04.2013, at 19:29, Joseph Rushton Wakeling wrote: > On 04/07/2013 06:51 PM, Stjepan Horvat wrote: >> I realy like git too..Once i tried to make my own git server on my private >> web-server so when i finish the work i can send the customer his pdf folder >> link..but..that didnt work becou

Re: musicxml2ly formatting

Am 22.03.2013 um 00:52 schrieb Martin Tarenskeen : > > > On Thu, 21 Mar 2013, pls wrote: > >> Martin, >> IINM Julien Lerouge and me are the only ones who currently work on >> musicxml2ly. We publish our >> results on https://github.com/Philomelos/lilypon

Re: musicxml2ly formatting

Martin, IINM Julien Lerouge and me are the only ones who currently work on musicxml2ly. We publish our results on https://github.com/Philomelos/lilypond-musicxml2ly-dev. Feel free to use it and help to improve it! Some of our latest improvements: recognition of -Elements (title, composer, p

Re: Excellent paper on 'Copyfraud'

yes, thanks for sharing it! Am 08.03.2013 um 14:22 schrieb Pierre Perol-Schneider : > Thanks for this intersting info Mike. > Pierre > > 2013/3/8 Mike Blackstock > This paper might be of interest to anyone typesetting public domain > music from so-called copyrighted scores: > http://papers.ssrn

Re: Texmaker & LilyPond

Am 21.01.2013 um 22:39 schrieb Federico Bruni : > Il 21/01/2013 22:33, SoundsFromSound ha scritto: >> I'm on a PC, the link you posted seems to be Mac? >> >> Also, no I have not made a script - should/how can I? Then you don't need to make a script but you have to make sure that the folder whic

Re: Texmaker & LilyPond

I'm only guessing but perhaps you should have a look at http://lilypond.org/macos-x.html?! Did you set up a helper script called lilypond-book and did you make it executable? hth p Am 21.01.2013 um 21:10 schrieb SoundsFromSound : > If this helps, here is what it says: > >

Re: Guitar tab formatting

Am 17.01.2013 um 10:25 schrieb pls <p.l.schm...@gmx.de>:Am 16.01.2013 um 22:38 schrieb Mason Austin Green <mason.gr...@gmail.com>:Hello,For tablature, Is it possible to position note beams above the staff, similar to the tab style in MuseScore 2.0? Please see this link for an

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