> "D" == David Wright writes:
D> If one can save OSC files like MIDI files, could you please send
D> me one, and some instructions on how to play it.
score-with-notes.osc
Description: Binary data
If you by "play it" mean getting sound from it, set up whatever OSC
enabled player yo
> "D" == David Kastrup writes:
D> MusicXML export would likely be quite more useful for letting
D> LilyPond interface with other applications while preserving more
D> information about the original input.
Obviously. I'm commenting on a misunderstanding vs. potential use of
OSC r
> "D" == David Wright writes:
D> I've googled around for a file format, but all I find are
D> applications and program fragments. OK, an application might be
D> able to store an OSC protocol stream in a file, but that does not
D> make that a file format.
OSC has no more need
b> https://de.wikipedia.org/wiki/Open_Sound_Control is sayed to
b> replace MIDI. Is this something usefull for lilypond?
It should be. Storing and sending/receiving arbitrary data is
straightforward in OSC, in MIDI you'll have to build and parse sysex for
any non-standard (e.g. rhythms, b
Hello ponders.
Id like to set up a TempoSpanner, using all current settings for
MetronomeMark (offsets, paddings, fonts etc) and placing the
MetronomeMark in the usual manner, but also including a
spanner-interface to get stipled lines etc. towards the next \tempo mark
(or an explicit \tempoSpanSt
> "-" == -Eluze writes:
-> is it possible (and how) to redirect the generated list to a
-> special file?
ly:font-config-display-fonts seems to rely on side-effects, just
returning #, so not much hope there.
There is a hacky way to redirect stderr inside lilypond though:
#(begin (l
Use &> to redirect both stderr and stdout where you want it.
Great in any case where you're not too sure which std*** pipe youre
looking for, or dont care...
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>>>>> "a" == andersvi writes:
a> ... but how to add them at the right place?
Like always, reading the manual may be useful... Just glanced through
the section on Ossia staves in lilypond-notation.info, and guess what i
saw?
alignAboveContext = #"fir
Heres an update with some typos fixed.
Rach_Praeludium_Cmoll.ly
Description: Binary data
Theres the issue of an effective way to add the 2 extra staves in the
Tempo primo section. The way its done now makes it difficult to connect
the arpeggios in mms. 52 & 54. I guess it has something todo w
> "X" == Xavier Scheuer writes:
X> You have an "unwanted extra space" added at the end of the line
X> before the break when adding the new staves. Use \once \set
X> Staff.explicitKeySignatureVisibility = #end-of-line-invisible
X> just after you \new Staff { within your tempoP
Heres a version of the prelude:
Rach_Praeludium_Cmoll.ly
Description: Binary data
Any comments and suggestions for improvements are of course very
welcome.
Especially concerning the shaky staff-handling introducing the "tutti"
or "Tempo Primo" ending section.
And also the fitting of staffs on
heres the bug report just sent (wo. png-files):
\version "2.13.39"
%% rests in one voice crossing other voice
<<
{c4 c}\\
{ r8 c'' r c''}
>>
<>
%% Rests in mixed (rests+notes) columns don't obey Rest 'direction = #UP:
<<
{c4 c}\\
{\override Rest #'direction = #UP r8 c'' r c''}
>>
<>
%% wan
K> if you send a short example and desired behavior as a bug report
Ill set something up.
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Keith, thanks for the pointers, and a nice solution using stemNeutral.
> "K" == Keith E OHara writes:
K> It is less clear if the use of Stem 'direction to place rests, in
K> the notes-plus-rests case, was intentional.
Shouldn't the rests by default be placed where the voice goes in
> "E" == -Eluze writes:
E> you can also override the rest's position:
Yes, thanks. The problem is getting at the automatic behaviour which is
already available.
I beleive its a bug, that \stemDown obstructs explicit coming later.
\override Rest #'direction = #UP
Or perhaps ive mi
> "K" == Keith E OHara writes:
K> On Mon, 01 Nov 2010 12:25:12 -0700,
wrote:
>> Q: How Can i separate handling of rests from stem-directions in
>> polyphonic voice-handling?
>>
Hello Anders,
K>I would also have expected Rest 'direction to do what you
K> asked.
> James Bailey writes:
> You can always do \voiceOne \stemDown
Does the below work in your lilypond? Which version are you using?
\new Staff {
<<
\new Voice {\voiceOne \stemDown r8 c'' r c'' }
\new Voice {\voiceTwo c4 c}
>>
}
> What's odd? It looks normal to me.
The p
Hi Keith. Thanks for your answer.
> "K" == Keith E OHara writes:
K> I recommend that you continue as you are with Rest 'direction,
K> and whenever Lilypond puts the rests in the wrong places, use
K> pitched rests {f''\rest c'' f''\rest c'' }
Yes, i know about the explicit possi
Hello. Im doing some testing on Rachmaninovs C-minor praeludium.
Q: How Can i separate handling of rests from stem-directions in
polyphonic voice-handling?
Id actually want the default behavior of \voiceOne, except for pointing
the stems down.
<<
\new Voice {\voiceTwo \override Rest #'directi
> "MS" == Mike Solomon <[EMAIL PROTECTED]> writes:
MS> If there is any way to enclose these notes within a single box,
MS> please let me know. I can do it in an svg editor if need be,
MS> but it'd be ideal to be able to do it in Lilypond.
One way around is to draw a box using \ma
Heres a start on a cluster-chord function.
A question someone might help answer:
When using the music-function on a chord - ie "\clusterKord 2" - it
only 'eats' the first note of the chord, and appends the second one as a
separate note if i dont 'kill it' inside the music-function.
The code belo
> "M" == Mark Polesky <[EMAIL PROTECTED]> writes:
M> I'm finding myself able to make the clusters look however I want
M> them to look, but I want one all-encompassing function to apply
M> arbitrary cluster-styles on the fly.
M> It's not necessarily difficult, but I want to sup
Hello.
I need to notate some clusters using squared rhythmic note-heads,
something along the lines of this figure:
<>
Its possible to set up a music-function to generate a square markup
based on the pitches of a chord, but i think this way of notation
clusters is pretty standard so maybe someone
> "N" == Neil Puttock <[EMAIL PROTECTED]> writes:
N> Hi Anders, Have you looked at the LilyPond Snippet Repository
N> (http://lsr.dsi.unimi.it/)?
N> Try searching for `color'.
Thank you very much! This problem got solved in a satisfactory way.
The lsr site seems to be full of n
If anybody else needs this heres some first-aid to start with.
It works in the special case below (with input from a 'SequentialMusic
structure). It should use some lilypond-aware mapping-procedure finding
all the 'EventChord's in the input and applying the filtering to these,
leaving the rest in
>>>>> "a" == andersvi <[EMAIL PROTECTED]> writes:
a> Id like to make a smaller RhythmicStaff with some special qualities,
a> like smaller font etc. This one works fine, but i have a couple of
a> things id like to fix[1] (see below):
a&
> "V" == Vivian Barty-Taylor <[EMAIL PROTECTED]> writes:
V> The "doubled" Noteheads come about because RhythmicStaff
V> interprets all pitches as the same. I don't know what effect you
V> are wanting exactly
Thanks.
Im after what ive understood RhythmicStaff was meant for, a
Id like to make a smaller RhythmicStaff with some special qualities,
like smaller font etc. This one works fine, but i have a couple of
things id like to fix[1] (see below):
rytmestaff = #(define-music-function (parser location navn rytmer) (string?
ly:music?)
#{
\c
(Im paddling around here in the pond, and getting wetter every day. One
day i might switch from CMN to Lilypond as a main notation-tool if
theres not too many reefs... Atm. im translating some rqq/rtm-like
representations to generate ly-output. Of course im doing lots of silly
things, and hopefu
> "M" == Michael Watts <[EMAIL PROTECTED]> writes:
M> Just add \once to your lines
M> \set tupletSpannerDuration = #(ly:make-moment 5 48) and
M> \set tupletSpannerDuration = #(ly:make-moment 3 28)
Thanks alot.
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be something silly
i'm doing. Is it some issue related to ternary rhythms?
<>
Heres the output:
lilypond /home/andersvi/tmp.ly
GNU LilyPond 2.11.57
Processing `/home/andersvi/tmp.ly'
Parsing...
Interpreting music...
programming error: stopped tuplet bracket has left nor right b
(buffer-file-name) returns a string without backquote-escaping the
whitespaces.
Heres a replacement (try evalling this somewhere in emacs after
'lilypond-mode is loaded). Please test before including anywhere.
-anders
(defun subst-spc-w-bcksl (lista); what a hack!
;; escape
> "J" == James E Bailey <[EMAIL PROTECTED]> writes:
J> I just wish someone with a little elisp help could point me
J> toward the part of whichever file determines how the file is
J> processed in emacs so I could learn enough to be able to add " "
J> to it.
I beleive lilypond-c
> "K" == Kieren MacMillan <[EMAIL PROTECTED]> writes:
K> Hi Anders,
>> \override StemTremolo #'beam-slope = #0.3
K> The property is #'slope, as seen on the StemTremolo doc page.
K> Hope this helps,
K> Kieren.
Thanks alot.
___
Seems the Dillon example (showing violin-music) didnt get too far, but
point is illustrated well with first example. If anyone wants to see
more 'real-life' examples of slanted on-stem tremolos in beamed
note-groups, tell me and ill send some.
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LilyPond v. 2.11.57
I see there's an old thread (mar. 06) about slanting tremolo-beams on
stems of beamed notes.
How to tweak Lilyponds default way of slanting the tremolos?
I tried
\override StemTremolo #'beam-slope = #0.3
as suggested in the thread, but it only returns a warning and does'n
errh...
here it is:
elisp-lc.tar.bz2
Description: lowcasified elisp/lilypond*
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a> A big hurra for any developer changing all these camelcases to
a> lowercase, make a test-run and submit the changes! [See next email]
Heres a version of the whole lilypond/elisp directory with CamelCases
changed to lowercase. Ive tested it slightly here and it seems to
work. The revi
If the programs
lilypond
xdvi
gv
xpdf
timidity
are not found in normal places (ie in paths included in your $PATH
variable) youll either need to put them there or set emacs' variables
LilyPond-lilypond-command
LilyPond-dvi-command
LilyPond-ps-command
LilyPond-pd-command
LilyPond-midi
Inkscape sometimes opens files disregarding any pageformats or such,
presenting things zoomed out to an invisible scale. Try zooming in.
> "M" == Mehmet Okonsar <[EMAIL PROTECTED]> writes:
M> Hi to all when I do an svg backend the result opens in Inkscape
M> but I can't see anything?
> "H" == Helge Kruse <[EMAIL PROTECTED]> writes:
H> How can I get and install lilypond-mode (manually)?
Its part of the distribution.
http://lilypond.org/web/install/
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> "H" == Helge Kruse <[EMAIL PROTECTED]> writes:
H> I installed emacs-22.1 at my Windows XP SP2 system, but I
H> cannot find any lilypond-mode. I search for the
H> lilypond-mode.el file and entered in emacs "M-x lilypond-mode"
H> and got the reponse "[No match]".
H> How ca
[Sorry for doubles, but the image file wasnt included in the post sent
from the web-interface. AV.]
Hi there.
Is the strange beaming inside the tuplet in the first 4/8 measure of
this sniplet expected? Right now im overriding with manually setting
stemBeamCount to correct values, but its ver
It would be extremely useful for someone wanting to compare the
work and performance of Lilypond to other tools to look at
typesetting of some "real-life" examples, examples which have
already been used for such comparisons.
One such set of examples is at CCARH:
http://www.ccarh.org/publications
It would be extremely useful for someone wanting to compare the
work and performance of Lilypond to other tools to look at
typesetting of some "real-life" examples, examples which have
already been used for such comparisons.
One such set of examples is at CCARH:
http://www.ccarh.org/publications
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