Re: "circa" metronome mark

Hi Jethro, > As the subjoined code obviously isn't working, how exactly would you code > this > in a correct manner? > >\tempo "Grave, solemn." 2 = 54-56 As already mentioned you have to use a markup command. The following markup should match the look of the \tempo command: \mark \markup \n

Optional \set command in changing \Score context, v.2.11.63

Hi list, in section 5.1.4 Changing context default settings of the manual it reads "The \set keyword is optional within the \layout block, so \context { … fontSize = #-2 } will also work." At least in case of setting skipBars to ##t within \Score context using optional \set

Re: Hairpin length at repeat bar lines

Hi Kieren! > Did my second (revised) response not solve your problem? > Yes, it solved my problem. But as you already mentioned, it's more of a not-so-much-liked workaround. As the (de-)crescendo isn't attached to the follow

Hairpin length at repeat bar lines

Hi everybody, in the code snippet below the crescendo hairpin at repeat bar lines is a bit too long. Any workaround? \version "2.11.63" \paper{ ragged-right=##t } \relative c '' { c1 \< \repeat volta 2 {c1 \!} } Kind regards, Thies -- GMX Download-Spiele: Preizsturz! Alle Puzzle-Spiele D

Re: Hairpin length at repeat bar lines

Hi Kieren, hi list, > > the crescendo hairpin at repeat bar lines is a bit too long. Any > > workaround? > > \once \override Hairpin #'bound-padding = #2.5 @Kieren: Yes, it helps... and no, it doesn't help... Using the proposed override the hairpin is shortened, but only in case there is no l

Hairpin length at repeat bar lines

Hi everybody, in the code snippet below the crescendo hairpin at repeat bar lines is a bit too long. Any workaround? \version "2.11.63" \paper{ ragged-right=##t } \relative c '' { c1 \< \repeat volta 2 {c1 \!} } Kind regards, Thies -- "Feel free" - 10 GB Mailbox, 100 FreeSMS/Monat ... Je

keep-inside-line ignores rehearsal marks, v2.11.60

umn #'keep-inside-line = ##t \override Score.RehearsalMark #'self-alignment-X = #-1 \repeat unfold 4 {c4 c c c} \mark \markup {"long Mark"} \repeat unfold 6 {c4 c c c} } Kind regards, Thies Albrecht -- Pt! Schon vom neuen GMX MultiMessenger gehör

Re: Accordion notation: registers, stradella

Hi George! George_ schrieb: 1) Somehow represent the different registers used on the accordion and in accordion music (circular, not rectangle) For register marks have a look at http://lsr.dsi.unimi.it/LSR/Item?id=194 Kind regards Thies ___ lilypon

Re: Second attempt - Chord gis ais b dis - getting its proper name

Hi Brett, hi list! We agree on the point that Tomas has to "roll his own" like you call it as long as he wants lily to display G#-minor-add2. And just to stop a debatte before it comes up: I understand your point an add2-chord being a different voicing than an add9-chord. I asked a musician

Re: Second attempt - Chord gis ais b dis - getting its proper name

Hi list! Brett Duncan schrieb: As far as I know this is called a G#-minor-add9, not add2. Perhaps this can give the clue. (I'm not sure whether this nomenclatur is still right for minor chords, but at least I makes sense to me.) Well, if the chord is structured from bottom to top as Tomas has

Re: Second attempt - Chord gis ais b dis - getting its proper name

Tomas Valusek schrieb: Hello, I'm transcribing a piece where a chord mentioned in subject occurs. It's minor chord with added second. I can't get the proper chord name in Lilypond 2.10.33 on Windows. The best I can get is dis:6-:sus4 - but I want something like gis:m:2. What now? As far as I kno

Re: Altering font

Hi Wilbert, hi everybody! First of all thanks for the quick answer. Wilbert Berendsen schrieb: From what I understand the *pfa files are generated files, and depending on desired font size, a symbol is taken from one *pfa or another. If I'm correct, to alter a symbol the best way is to alter

Altering font

Hi everybody! Currently I'm dealing with extending/altering lily's music font according to my needs. Now I'm stuck with the following: I want to alter a symbol, e.g. the notehead noteheads.s2. To do so I open feta20.pfa from /usr/share/lilypond/2.10.5/fonts/type1 in FontForge (v20061220), ch

Re: Orchestral score

Hi Jeremiah! I'm still running v2.8.X and I don't know what has changed since. Nevertheless I'm going to show you how I handle score layout. Perhaps my logical approach can give you the right clou... Reilly schrieb: I have a score with 22 staves, one system to a page. I want Lilypond to lay

Re: accordion symb.

jor \clef treble c \once \override TextScript #'extra-offset = #'(5 . 3) d \accBasson e f } } Kind regards, Thies Albrecht <> ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: accordion symb.

Hi Marcel! You don't write, what lily version you use... but have a look at the definitions to be found here: http://lsr.dsi.unimi.it/LSR/Item?id=194 Using them you should be able to raise them as a whole... (I prefer the extra-offset by the way...) Kind regards, Thies Albrecht -- &quo

Re: [Q] Rehearsal marks in parts

ll about. Kind regards, Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Aligning instrument names

correctly as I can't find a file containing it right now): \set Staff.instrument = \markup { \combine \hspace #5.0 "My Instrument" } You can easily adjust the space by changing 5.0. Kind regards, Thies Albrecht -- Der GMX SmartSurfer hilft bis zu 70% Ih

Re: Web site

Hi Paolozzi! Paolozzi schrieb: Danke schon für die Antwort aber Was kann ich machen um zu teilnehmen ? Tut mir Leid aber Sie haben nicht antworten an meine Frage. I just wanted to suggest that IMHO it would be best to participate by translating the lily-site as this should be the way the most u

Re: Web site

Hi Paolozzi! Paolozzi schrieb: Hello, I am french and don't speak English very well. I do a french web site and I speak about Lilypond. Participating by translating the official lily-site would be much better. Regards, Thies ___ lilypond-user maili

Re: problem with line breaking with polyrhythm

Hi again! > From my point of view there is little chance for a workaround. :-( Okay... I admit it was a little late... Try this workaround \score { << \new Staff { \time 4/4 a4 a4 \bar "" \break a4 a4 } \new Staff {

Re: problem with line breaking with polyrhythm

Hi Libero! > and I have to split a measure in the middle... Line breaks only work at "proper" bar lines. (see http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Line-breaking.html#index-g_t_005cbreak-1560) In your example the third 4:5 in the second staff overlaps the invisible bar. >From

Re: Accent vs. slur

other grob is affected by it. Kind regards, Thies Albrecht -- "Feel free" – 10 GB Mailbox, 100 FreeSMS/Monat ... Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.

Re: Sizing noteheads in a chord construct?

Kind regards, Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Problem setting ottavation text

es me the following error when parsing: Did you turn ottavation on before setting the text? see http://lilypond.org/doc/v2.8/Documentation/user/lilypond/Ottava-brackets.html#index-ottava-939 For me, when I don't turn it on before, I get the error message you p

Re: Connecting notes on separate staves...

Hi Rick! Rick Hogg schrieb: Can anybody help me on this? How do I move the notes on the bottom staff to the right? Are you looking for something like http://lilypond.org/doc/v2.8/Documentation/user/lilypond/Cross-staff-stems.html#Cross-staff-stems ? Kind regards Thies Albrecht

Re: accordion dissCant

centered on the notehead at leats for the "normal" case. Kind regards, Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: accordion dissCant

ot;. In addition remove the leading "\notes { s1*0^" and closing "}" as that's old syntax. @developers: What about adding this defintion instead of the non-working definition Marcel mentioned? Kind regards, Thies Albrecht

Re: line breaks

uot;visible" bar lines with note length crossing it. My guess: Line breaks are only possible where there are "real" bar lines (see above). Is this right? Kind regards, Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: line breaks

ake Lilypond break at "visible" bar lines with note length crossing it. My guess: Line breaks are only possible where there are "real" bar lines (see above). Is this right? Kind regards, Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Question about repeat alternatives

alternative with the additional music inside forth alternative. Kind regards, Thies Albrecht -- "Feel free" mit GMX FreeMail! Monat für Monat 10 FreeSMS inklusive! http://www.gmx.net ___ lilypond-user mailing list lilypond-user@gnu.org ht

Re: line breaks

as can be, to be sure, that I didn't miss a thing. Perhaps I missed something in this thread, so my last post could have been misunderstood. Example: \time 4/4 c4 c2 c2 c4 r2 End of Example -- Kind regards, Thies Albrecht -- Echte DSL-Flatrate dauerhaft für 0,-

Re: line breaks

d to the manual, that line breaking only works at bar lines where there is no note lasting longer than that bar. I asked that before, but got no response yet: Is this behaviour as expected or should line breaks work in that case? Kind regards,

Re: Articulation inside/outside (phrasing) slurs?

tside, #'inside nor #'around. What's the difference between setting the property for Script and PhrasingSlur? Example: \score { \new Staff \relative c'' { \override Script #'avoid-slur = #'outside a8 \( c d e a4 -. \) r2 } } -

Re: Aligning lyrics to an invisible Voice

e a lot more possiblities like adding a second voice to upper grand staff with invisible note heads etc. and setting stem direction for original upper voice to neutral. Kind regards, Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.or

Re: Alignment of Staff.instrument (v.2.7.34-1, WinXP)

Hi Han-Wen! Han-Wen Nienhuys schrieb: ... a quick glance at a real score shows me that they should be centered horizontally anyway... I think horizontally-centered as well as left-aligned should be okay. Right-aligned looks at bit uneven to me. Kind regards, Thies Albrecht

Re: Defining shortcuts for scheme code

ecuted shortcut influencing my output files. Kind regards, Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Defining shortcuts for scheme code

Hi everybody! To prevent having to use extensive scheme code inside my score I prefer to define shortcuts for often used code snippets, e.g. when setting ottavation on and off. In the following code example Point'n'click is turned off also IMHO I have only defined the shortcut without using

Alignment of Staff.instrument (v.2.7.34-1, WinXP)

.7.34" \score { << \new Staff { \set Staff.instrument = \markup {"lng"} \relative c'' {c1} } \new Staff { \set Staff.instrument = \markup {"short"} \relative c'' {c1} } >>

Re: modern-cautionary

Hi Art! At least for WinXP v2.7.33-3 it works fine using \score { \new Staff { #(set-accidental-style 'modern-cautionary) f''4 g''8 aes''8 a'4 d''4 } } If there is no other reason to neglect I would

Re: Putting Lyrics between barlines / Lyrics and \appogiatura

orget about what I've written before. To get rid of the barline relicts just use \context Lyrics = "lmelodySop" \lyricmode { \override BarLine #'transparent = ##t \lyricsto "melodySop" \verse } Kind reards, Thies Albrecht __

Re: Help needed on Single Staff Polyphony

\clef treble \relative { << {4 r8 4 8} \\ {c,2 es} >> } } >> Kind regards, Thies Albrecht -- DSL-Aktion wegen großer Nachfrage bis 28.2.2006 verlängert: GMX DSL-Flatrate 1 Jahr kostenlos* http://www.gmx.net/de/go/dsl

Re: Putting Lyrics between barlines / Lyrics and \appogiatura

relics): %% make sure that barlines aren't collapsed, when %% Bar_engraver is there. \override BarLine #'bar-size = #0.1 Kind regards, Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Problem with \relative

(above) c g -> c g (below) Every following note is set relative to its predecessor. You need to specify commata/apostrophes only if you want lily to raise/lower the next note . For mot einformation see: http://lilypond.org/doc/v2.6/Documenta

Re: Completion notes

t-and-click #f) global = \relative c'' { \time 4/4 s1 \break s1 \bar "|." } instr = \relative c'' { c2. c2. c2 } \score { \new Staff { << \global \instr >> } }

Completion notes

bar#1, correct bar line, next note on beat2, bar#2). But what I observed is that there will be no line break at the bar line neither if left to lily nor by manually inserting \break in a global section. Is that correct behaviour of lily? If yes, I would be happy about any hin

Re: Learning to use minimumVerticalExtent

little short-timed at the moment. But IIRC minimumVerticalExtent has become minimum-Y-Extent. Keep looking for 'minimum-Y-extent' in the list or documentation and you should be succesful. Kind regards, Thies Albrecht -- Lust, ein paar Euro nebenbei zu verdienen? Ohne Kosten, ohne Risik

Re: Captions with French words and accents

Hi Linda! > I would like to know how to typeset a caption under a musical example. What is your intent of putting a caption under an example? Is it some kind of (scientific) publication meaning you'll have a lot of musical snippets in one paper? That is what I derive from your first posting. In t

Re: LilyPond 2.6/2.4 and printing on a4 paper

Hi Jan! my scores are printed fine in the pdf/ps output, but when I try to print them on my printer, at the end of the page the score is not complete, it's just cut at the end of the printable page. It seems the page is rendered too big and the border of the page is too small for my printer. T

Re: footnotes on output sheet

Hi Stephen! Some text is aligned on the left and right side of the page as if the foot note was split into two columns... Do mean something like copyright = \markup \fill-line {{"left-aligned credit"} {"right-aligned credit"}} in the header section? Regards, Thies _

Forced Vertical extent (2.7.18, WinXP)

Hi everybody! Can anybody give me a short example on how to make the staves inside a system to take a forced vertical extent? The old style like in 2.6.X semms to be changed or broken. A thread in the bug-list couldn't help me. The same for the program reference. Thanks in advance, Thies

Re: Controlling stave separation

Hi Art! I tried \override Stem #’length = #0 but I get an unbound variable error. There's a little fault in syntax as you have to use an ' instead of ’ (\override Stem #'length = #0) Regards Thies ___ lilypond-user mailing list lilypond-user@gnu.or

Re: Whats wrong with my midi file?

Hi Jannik! Now it is playing only the last one [with some other stuff as well) I really dont get it... Maybe it will discourage you a bit... for me on native Windows v2.7.12 your file produces exactly what you desire... except for... first play drumvoice 1 6 times then nr 2 6 times then 3, 4

Percent repeats at line breaks (v2.7.12)

Hi everybody! Any idea or hint on how to automatically expand percent repeats once at line breaks. For example \repeat percent 50 {c d e f} should lead to several line breaks. At each new line the repeat should be unfolded instead of printing a percent symbol. A question about that by s

Re: Grid Printing

Hi everyone! May be it can be useful to have the option of printing a grid, ideally in light gray with a spacing of 1 staff-space, to deal with paddings and extra-offset's in a preliminary print-out... That's something I was thinking of some time ago. In my opinion it would be best to define su

Re: Can Span bar engraver only print at linebreaks?

Hi Mats! > \override SpanBar #'break-visibility = #center-invisible What version of Liyl did you use? When I'm trying it on 2.4.X it responds with the error "unbound variable: center-invisible". All in all I would also be very interested in the desired behaviour of Span_bar_engraver as particularl

RE: Argument transfer?

Hi Bruce! > Can Scheme code be used within a \score block? Take a look at the description of new features in Lily 2.4.X. You can find it here: http://lilypond.org/doc/v2.4/Documentation/topdocs/out-www/NEWS.html The section beginning with "LilyPond expressions can be embedded into Scheme..." migh

Instrument alignment in page head (v2.4.2)

ware of it. Kind regards Thies Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Copyright symbol

x27;t work for the copyright symbol and unfortunatly I haven't found a solution for this yet. (IIRC there was a thread dealing with misaligned strings, but I can't find at the moment.) Kind regards Thies Albrecht ___ lilypond-user mailing li

Re: moving sub. p under slur or tie

ces and up by 5 spaces \once \override TextScript #'extra-offset = #'(10 . 5) c_\markup{sub. p} d e f } } } Former syntax can also be found here:* http://lists.gnu.org/archive/html/lilypond-user/2003-04/msg00013.html Kind regards Thies Albrec

Re: percussion in lilypond

{ hh4 hh } down = \drummode { bd4 s bd s } drumContents = { << \new DrumVoice { \voiceOne \up } \new DrumVoice { \voiceTwo \down } >> } \score { \new DrumStaff { \drumContents } \midi {\tempo 4=120} } Kind r

Re: Percussion Decorations

that problem, too. Putting an asterisk in front and behind each search term should be a workaround. Kind regards Thies Albrecht ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user

Forcing volta brackets to be closed (v2.4.2)

ersion see subject.) Additionally I want the volta number of the third alternative to be set to "Fine". Kind Regards, Thies Albrecht ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: combine more then two accDots to set one origin ?

sicglyph #"accordion-accDiscant" } { \combine { \raise #1.5 \musicglyph #"accordion-accDot" } { \combine { \translate #(cons 1 0) { \raise #1.5 \musicglyph #"accordion-accDot" } } { \raise #2.5 \musicglyph #"accordion-accDot" } } } } } Just insert the code by "copy&paste" to your *.ly-file or make an extra file "accRegDefs.lyinc" for using it with all of your music. Usage of the definitons and the possiblity to alter them were explained by me in my early posting. Kind regards, Thies Albrecht ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: combine more then two accDots to set one origin ?

rst posting on a newsgroup and I had some prblems on finding out how to use the lilypond-user-group. Kind regards, Thies Albrecht ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user