Rick,
All you have to do is change your paper.scm. That's
all I did, and I get 9x12 PDFs just fine. All you
have to do after that is find a printer that will
print 9x12 paper or go to your local copy shop. I've
attached my paper.scm file. Look at the section that
gives paper dimensions. The li
Sorry, the stems still collide. Well, voice 1 flag
collides with voice 3 stem.
Thanks
--- Rick Hogg <[EMAIL PROTECTED]> wrote:
> I asked this question last month and got an answer
> that almost helped, but is it possible to use
> X-offset
> in the <<\\>> environm
I asked this question last month and got an answer
that almost helped, but is it possible to use X-offset
in the <<\\>> environment? I need both voices to be
stem-up, so I created a blank second voice, using only
first and third for notation, but the flags still
collide (that is, << \\ \\ >>).
Th
Hello,
I'm copying a score (same one I've been working on for
months now, trying to make it perfect, waiting for
technology to catch up, etc, etc.) and one of the
things in this score is dynamic markings above or
below the bar lines. It helps spacing in some
aspects. So I'm wondering, how do I go
Hello,
I have a measure where I'm using << \\ >>, but I need
the stems for both voices to go up. Lily keeps giving
me this error:
pulcinella.notes.ly:255:93: warning: ignoring too many
clashing note columns
\change Staff = upper<< {s4. fis'''8-. r r | d-. r r
ais-. r r | fis-. r r d-. r r
Thanks for all the answers. Since 2.9.x is in
development, is it worth upgrading now, or should I
wait for the next stable release?
Thanks,
Rick
--- Daniel Johnson <[EMAIL PROTECTED]> wrote:
> Kieren MacMillan wrote:
> > In v2.9, there is! ;-)
> >
> > In the NEWS section of the documentation
Hello,
I'm just wondering if there's a way to adjust the
angle of a crescendo or decrescendo. I'm copying a
piece into Lilypond, and some of the shorter cres.
follow the direction of the line (e.g. angling up with
an ascending line, down with a descending line). I
really like the look of it and w
Kieren,
For some reason I can't get your link working, but I
looked in the documentation again and did find a
command staffsize=ht, but that looks like it only
applies when using Lilypond-book. Are there any
non-lp-book uses for this?
Thanks,
Rick
--- Kieren MacMillan <[EMAIL PROTECTED]>
wrote:
Hello,
Just wondering if it's possible to make the solo voice
in my saxophone/piano piece smaller in the piano
score? (e.g. saxophone staff size 12 piano staff size
14)
Thanks
__
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protecti
Another option instead of integrating LP with LaTeX just to import into OOo would be to learn LaTeX. I'm just starting off with LaTeX myself, and honestly, I think it will be better (more professional) looking and easier to integrate. All the same you should be able to import files into OOo, and
Okay,I've attached my notes file and my score file. Typeset the score file to see what I'm talking about. You might need to adjust the paper size if you haven't made the modification for 9 inch by 12 inch paper.Thanks!Rick Hogg <[EMAIL PROTECTED]> wrote: Mats,I tried to att
Hello,I would like to set the margins on the first page differently than on the following pages. Basically, the instrument name is too close to the top of the page on the other pages to be printable, but the first page is perfect. Is there any way to do this?Thanks,Rick
Ring'em or ping'em. Make
Mats,I tried to attach the piece, but it was kicked back at me by the list. I can include my code, and I'd be more than happy to email anyone willing to help with the attachment. I'm just going to attach the bar before the cadenza and the cadenza. I'm sure it'll probably be in the wrong octave,
Hello,I'm working on a piece, "Pulcinella" by Eugene Bozza, for any of you saxophonists out there, and I have an unmetered cadenza in the sax part that starts with a sustained dotted quarter note while the piano plays a run of 32nd notes that then continues in the saxophone line. I need to matc
Hello,Anybody? I've searched the archives to the best of my abilities and coming up empty-handed. Need to know how to attach arpeggio brackets between piano staves. Read belowThanksRick Hogg <[EMAIL PROTECTED]> wrote: Hello,Just wondering how to connect arpeggio brackets. I've done the \set Pia
Hello,Just wondering how to connect arpeggio brackets. I've done the \set PianoStaff.connectArpeggios = ##t and I've done \arpeggioBracket \arpeggio in both staves. Without the \set PianoStaff... set LP draws brackets, but not connected. With the \set PianoStaff... set LP draws a regular arpegg
\new Staff = "upper" \upper \new Staff = "lower" \lower >> }%%Thanks,RickThies Albrecht <[EMAIL PROTECTED]> wrote: Hi Rick!Rick Hogg schrieb:> Can anybody help me on this? How do I move the notes on the bottom > staff to the right?Are you looking
Can anybody help me on this? How do I move the notes on the bottom staff to the right? I know how to move expressions and other non-musical content, but I need to shift actual notes to be able to connect them to the note on the top staff.ThanksRickRick Hogg <[EMAIL PROTECTED]> wrote: Hello,I've c
Hello,I've come across a problem. I'm using cross-staff beams, in conjunction with voices using << \\ >>, but the note from the top staff doesn't line up with the notes from the bottom. Have a look:%\version "2.8.3"\layout { ragged-right = ##t }stemExtend = \once \override
In addition to my questions of earlier, one more:Is there any way to temporarily activate a second voice in a part? For example, in the piano part I'm working on, the left hand bounces between staves (beamed together) which I've figured out, but then it comes to a part where the right hand plays a
Hello,I'm working on inputting a score into LilyPond, but I've come across a couple issues:1. How do I extract the solo part from the score?2. How do I make the solo part smaller in the piano score (e.g. piano part full size, saxophone part smaller)?3. How do I tweak the solo part separate from the
I see a lot of emails on the list and in the archive addressing modifying the ".scm" and other files to change one preference or another. My question is, on Mac OS X, where are these files located? I have a hunch that I alter them in pico, vim or TextEdit.Thanks in advance,Rick
Get amazing trav
How do I get my cadenzas to maintain bar numbers? LilyPond halts numbering bars until after I turn off the cadenza, and I don't want that. Example:bar 55 | cadenza | bar 56I want:bar 55 | (bar 56 cadenza) | bar 57Thanks in advance!
How low will we go? Check out Yahoo! Messengers low PC-to-Pho
Quick question about examples in the tutorial: When I try out some of them, instead of concise little snippets, they take up the entire width of the page. For example, page 34-35 has "Piano and melody with lyrics":\version "2.7.39" melody = \relative c'' { \clef treble \key c \major \time 4/4 a b
Hello,I know somebody replied to this last night, but your response went to my junk mail folder which I emptied before realizing what was in there. Could you re-submit it please?Thanks for your reply!RickRick Hogg <[EMAIL PROTECTED]> wrote: I know it has something to do with an \override or someth
I know it has something to do with an \override or something, but how do I reposition chord symbols to not interfere with my music?\version "2.8.1"#(set-default-paper-size "letter")\paper { top-margin = 0.00\cm }% the header \header { title = "Cherokee" tagline = "Lea
Hello,I'm new to the mailing list, and have a couple questions:As my first attempt in Lilypond, I'm trying to input Miles Davis' "Donna Lee" complete with chords, but 1.) the chords print out below the music, and 2.) I can't seem to make a C7#5#9 or Bb7b5 Here's how my file looks:\version "2.8.1"\
27 matches
Mail list logo
