I didn’t know that there was
a repository on GitLab. https://lilypond.org/development.html links to
https://git.savannah.gnu.org/gitweb/?p=lilypond.git … which is neither
really nice to look at nor easy to use (at least for me), but I’m familiar
with GitLab.
Thanks,
Peter
--
Peter Crighto
er, which
made it very easy to just see what changed compared to the prior version
(if you took a look at it with every release).
Cheers,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
https://www.petercrighton.de
forum (or I forgot).
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
https://www.petercrighton.de
On Fri, 27 May 2022 at 10:28, Andrew Bernard
wrote:
> Hello All,
>
> Having had to abandon the Openlilylib (OLL) work I took over from Urs
> Li
On Sat, 17 Apr 2021 at 08:22, Jean Abou Samra wrote:
>
> Le 16/04/2021 à 23:19, Peter Crighton a écrit :
> > when using \magnifyStaff it seems as though the dots of a percent
> > repeat sign will scale accordingly, but not the slash. I cannot
> > imagine th
d any method to manually override the slash size. Any
ideas?
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
On Thu, 25 Mar 2021 at 11:36, Peter Crighton wrote:
> On Wed, 24 Mar 2021 at 23:40, Peter Crighton
> wrote:
>
>> On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
>>
>>> Silly me, the code was plain wrong. Here is a fixed version.
>>>
>> That wo
On Wed, 24 Mar 2021 at 23:40, Peter Crighton wrote:
> On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
>
>> Silly me, the code was plain wrong. Here is a fixed version.
>>
> That works beautifully in my test file, thanks a lot! I’ll test it more
> tomorrow in my ac
On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
> Le 24/03/2021 à 22:06, Peter Crighton a écrit :
>
> Thank you. It fixes the error, so the score at least compiles again. But
> it sadly also renders my use of \override
> RehearsalMark.outside-staff-priority = ##f useless.
On Wed, 24 Mar 2021 at 21:11, Jean Abou Samra wrote:
> Le 24/03/2021 à 20:06, Peter Crighton a écrit :
>
> On Wed, 24 Mar 2021 at 18:35, Jean Abou Samra wrote:
>
>> Le 24/03/2021 à 15:15, Peter Crighton a écrit :
>> > I am working on some chord charts, sheet m
On Wed, 24 Mar 2021 at 18:35, Jean Abou Samra wrote:
> Le 24/03/2021 à 15:15, Peter Crighton a écrit :
> > I am working on some chord charts, sheet music that only includes one
> > ChordNames context. See the reduced example below.
> >
> > I am now running into a p
"Bar_engraver"
\override BarLine.bar-extent = #'(-2 . 2)
\override ChordName.Y-extent = ##f
\override ChordName.Y-offset = -1
\override ChordName.X-offset = 0.5
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
nsistency would be good … either with adapting the text or having a
new logo. But it’s obviously early days with the new website, just to keep
it in mind.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
t (regarding
both skill and time), although I had always hoped I would be able to some
day.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
working on including this snippet fixed it, even for
the shortest possible syllable “i”:
https://lists.gnu.org/archive/html/lilypond-user/2019-05/msg00389.html
There is a very minor drawback, in that the snippet adds a barely
noticeable space after a multisyllabic word. I opened a different thre
On Thu, 26 Mar 2020 at 10:14, Kevin Barry wrote:
> Hi Peter,
>
> On Tue, 24 Mar 2020 at 15:06, Peter Crighton
> wrote:
> > I want the lyrics to be absolutely free of melismatic hyphens. How can I
> make sure of that? I have ensured that the note heads take as little space
it Beam
\omit Dots
\omit Flag
\omit MultiMeasureRest
\omit Rest
\omit Slur
\override StaffSymbol.line-count = 0
\omit Stem
\omit Tie
\omit TimeSignature
}
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
oes it have to be 0.5?
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
On Fri, 20 Mar 2020 at 23:04, Timothy Lanfear wrote:
> On 20/03/2020 16:17, Peter Crighton wrote:
> > I haven’t run LilyPond with scripts before. If there’s any
> > documentation or code examples I should look at, I’d appreciate being
> > pointed in the right direction.
&
On Fri, 20 Mar 2020 at 15:22, David Wright
wrote:
> On Fri 20 Mar 2020 at 12:50:23 (+0100), Peter Crighton wrote:
>
> > So I need to be flexible with what paper variables I choose for each
> book.
> > I can include just those that I need, but I still need to access a
&g
ent = 0
}
\paper {
\someVariable
}
But I don’t know if that’s possible. Maybe all it needs is some other
syntax around the content of someVariable, other than curly braces, or it
is possible with some Scheme magic, but I’m out of ideas.
--
Peter Crighton | Musician & Music Engraver based
}
\paper {
\paperSizeOne
% \paperCategoryThree
}
\relative c' {
c1 \break
c1
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
ge.space-alist.first-note = #'(fixed-space . 0)
\override RehearsalMark.break-align-symbols = #'(left-edge)
\override RehearsalMark.outside-staff-priority = ##f
\override RehearsalMark.Y-offset = 0
\override RehearsalMark.extra-offset = #'(-4 . -4)
}
}
rks appear in front of a staff,
vertically centered and horizontally aligned with each other (which they
already do with break-align-symbols set to left-edge – I’ll shift them to
the left a bit in the end).
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
On Fri, 7 Dec 2018 at 03:00, Ben wrote:
> On 12/6/2018 7:49 PM, Peter Crighton wrote:
>
> Hello all,
>
> I have the following (reduced) scenario where one voice has a chord with a
> glissando in it and I want to tweak both glissandos differently. Is it
> possible? The second
"
one = \relative c'' {
g2
-\tweak Y-offset #0.25
\glissando a
}
two = \relative c'' {
\context Voice = "one" {
c2
% this tweak is never applied
% -\tweak Y-offset #-0.25
\glissando d
}
}
\new Staff <<
\new Voice = "one" \on
On Sun, 7 Oct 2018 at 21:12, Thomas Morley wrote:
> Am So., 7. Okt. 2018 um 19:53 Uhr schrieb Peter Crighton
> :
>
> > How would I go about either shifting the parentheses vertically or
> making them smaller? They probably make sense how they are now with regard
> to shar
On Sun, 7 Oct 2018 at 00:27, Thomas Morley wrote:
> Am Sa., 6. Okt. 2018 um 23:48 Uhr schrieb Peter Crighton
> :
> >
> > Hello all,
> >
> > I need the bass note of a chord symbol to be in parentheses, like so:
> > C(/G)
> >
> > How could I achie
Thanks,
Peter
--
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http://www.petercrighton.de
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Am Do., 14. Juni 2018 um 19:57 Uhr schrieb David Kastrup :
> Peter Crighton writes:
>
> > Hello all,
> >
> > I’ve found a weird behaviour:
> >
> > \version "2.19.81"
> > \relative c''' {
> > \slurUp
>
as if it works only when there are
no other notes at all before the acciaccatura.
Would there be a better way to get the desired result than to use the
\shape function for now?
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, German
will go with this in my project … I
think it makes the most sense in this kind of music. It is an album of 12
songs, so I might change my mind again when I have listened to and
transcribed all the songs. I’ll go with whatever makes most sense
consistently
the style of music matter? In Early Music I’d be even
more inclined to notate in d \mixolydian, but in this case it is a pop song
where people might only expect to see major or minor keys.
Curious to hear what you all think.
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver base
mmand line:
>
> pdftk lilyoutputname*.pdf cat output concatenated-file.pdf
Thank you both, Abraham and David.
It seems like the least effort now is to produce several PDF files and
concatenate them, which means I also have to manually create a table of
contents. Had I known beforehand that wo
ize 17)
}
}
}
Thanks,
Peter
--
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pen source, but you need a licence – the personal one should
suffice, though.
I don’t know if it would make things easier than with your current
approach, but maybe something to look into?
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
Is there either a way to automatically alter the placement if there is a
repeat sign present (some formatBrokenRepeatOttavaText procedure that
triggers only if there is a repeat sign), or to manually override the
placement of the broken bracket? (I had no luck with \alterBroken
shorten-pair.)
Thanks
hat possible?
>
There seem to be different ways. (I didn’t know about :9^7.) I use:
\set additionalPitchPrefix = #"add"
ges:5.9
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
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___
lilypo
e-alist.first-note = #'(fixed-space . 0)
\override Clef.space-alist.time-signature = #'(extra-space . -2)
proportionalNotationDuration = #(ly:make-moment 1/2)
\override SpacingSpanner.uniform-stretching = ##t
\override SpacingSpanner.strict-note-spacing = ##t
\override NonMusicalPaperColumn.padding = #0
}
}
\paper {
indent = 0
ragged-right = ##f
}
Thanks,
Peter
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the X-offset
for every NoteColumn or ChordName to get the desired consistent output.
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2017-04-26 23:19 GMT+02:00 Peter Crighton :
> Hello all,
>
> I am still working on a
. 2)
\override ChordName.Y-offset = #-0.9
}
\context {
\Score
\remove "Bar_number_engraver"
\override SpacingSpanner.strict-note-spacing = ##t
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver
2017-04-25 0:01 GMT+02:00 Thomas Morley :
> 2017-04-24 23:02 GMT+02:00 Peter Crighton :
> > Hello all,
> >
> > when removing both the Clef and BarNumber engraver, an occasional
> > RehearsalMark at the beginning of a line affects the horizontal position
> of
>
\mark \default
\repeat unfold 2 {
\repeat unfold 3 {
c4 c c c
} \break
}
}
\layout {
\context {
\Staff
\remove "Clef_engraver"
}
\context {
\Score
\remove "Bar_number_engraver"
}
}
Thanks,
Peter
--
Peter Crighton | Musician & Musi
r.strict-note-spacing = ##t
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2017-03-09 18:00 GMT+01:00 Peter Crighton :
> Hello all,
>
> I have a layout for lead sheets that only show chords
{
\transparent \fontsize #1 "|"
"Title"
}
}
Also, the PDF file’s title would be “| Title”, which is annoying (but could
probably be avoided by adjusting \bookTitleMarkup).
I don’t suppose there is a way to change a markup’s reference point to
being the baseline?
--
Pet
normally has, but at
least with LilyPond’s standard text font and with Gentium Book Basic, which
is the one I’m currently using, it doesn’t work.
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Peter Crighton | Musician & Music Engraver based in Mainz, Germany
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2017-03-10 12:27 GMT+01:00 Alexander Kobel :
> H
move "Bar_number_engraver"
proportionalNotationDuration = #(ly:make-moment 1/2)
\override SpacingSpanner.uniform-stretching = ##t
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
_
tle = "e"
}
{
c'1
}
}
Can this behaviour be changed?
Thanks,
Peter
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Alright, I wrote to the Bug list.
--
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http://www.petercrighton.de
2016-09-10 21:32 GMT+02:00 Simon Albrecht :
> On 10.09.2016 20:38, Peter Crighton wrote:
>
>> I came upon some unexpected behaviour when usi
Fantastic, I will make use of this a lot! Thank you!
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2016-09-11 20:46 GMT+02:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Yep, nice work Harm.
>
> 2016-09
staff ^x
music = \relative c {
c4 c c c\x
\x
q q q q\x
}
\new StaffGroup <<
\new Staff \keepWithTag #'staff <<
\clef "treble_8"
\music
>>
\new TabStaff \keepWithTag #'tabstaff <<
\tabFullNotation
\music
>>
>>
2016-09-06 0:48 GMT+02:00 Thomas Morley :
> 2016-09-05 23:47 GMT+02:00 Peter Crighton :
> > Hello all,
> >
> > how can I add an automatic space next to parentheses, so they don’t
> collide
> > with other elements like other parentheses, noteheads, accidentals,
>
19.47"
staffSize = #16
#(set-global-staff-size staffSize)
\new TabStaff <<
\relative c' {
\tabFullNotation
\compressFullBarRests
\override MultiMeasureRest.thick-thickness = #(/ staffSize 2)
R1*11
}
>>
Cheers,
Peter
--
Peter Crighton | Musician & Music E
king = \tabRestFix
} <<
\tabFullNotation
\relative c' {
c8[ r16 c]
}
>>
Cheers,
Peter
--
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http://www.petercrighton.de
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right (including their parentheses), so the parentheses don’t overlap:
\version "2.19.41"
\relative c'' {
\parenthesize cis4
\parenthesize c
\parenthesize ces
\parenthesize ces
}
Cheers,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
htt
2016-02-17 14:02 GMT+01:00 David Kastrup :
> That requires a change in the parser. If you put up a respective
> request, I'll take a look whether I can implement it in one of the next
> versions.
How and where do I do that?
--
Peter Crighton | Musician & Music Engraver based
} {
\improvisationOn
8 8 8 \tieFixSlash 8~ 8 8 8 8 |
8 8 8 \tieFixSlash 8(~ 8 8 8 8) |
}
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Thank you, works perfectly!
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2016-01-10 9:44 GMT+01:00 Malte Meyn :
>
>
> Am 10.01.2016 um 02:50 schrieb Peter Crighton:
>> (if (or (music-is-of-ty
\once \override TieColumn.tie-configuration = #'((0 . 1) (0 . -1))
c d e f
}
>>
}
>>
>>
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
__
BY-SA) available on this repo :
>
> https://gitlab.com/sigmate/transcription-pools-vibes-solo
>
> Looking forward to hear your feedback!
Very cool! I don’t quite have a use for it at the moment, but I very
well might soon. Starred the GitLab project, so I keep an eye on it …
horizontal line? So it would look
something like this (without the enormous spaces, of course):
C
—
E
I tried altering the values of the snippet, but couldn’t come up with
something useful.
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l
> the modified lines. If it were two commits (one "work" and one
> "clean-up") it would be much more obvious.
Sure, thanks, I’ll keep that in mind! This time I only copied what was
already there without thinking about that, sorry.
--
Peter Crighton | Musician &
2015-10-13 19:19 GMT+02:00 Simon Albrecht :
> On 13.10.2015 02:06, Peter Crighton wrote:
>
>> 2015-09-08 0:23 GMT+02:00 Simon Albrecht > simon.albre...@mail.de>>:
>>
>>
>>
>> Am 07.09.2015 um 22:52 schrieb Urs Liska:
>>
>>
>>
ould be updated with a version switch.
>>
> Done. I included the new file in the issue.
Is anything preventing that fix from being included into openLilyLib? Or
should I go ahead and create a pull request for it?
For now I have updated my local copy of the file and the fix seems to be
w
2015-06-11 9:21 GMT+02:00 David Kastrup :
> Peter Crighton writes:
>
> > Hello all,
> >
> > I have defined a function \ringOn which adds a tweaked TextSpanner. The
> > resulting dashed line has different dash sizes in a Staff and a TabStaff,
> > due to Staff.
\music
>>
\new TabStaff <<
\tabFullNotation
\music
>>
>>
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2015-06-01 15:50 GMT+02:00 Vaughan McAlley :
> On 1 June 2015 at 12:14, Peter Crighton wrote:
> >
> > 2015-05-31 23:43 GMT+02:00 Simon Albrecht :
> >>
> >> Am 31.05.2015 um 18:25 schrieb Jacques Menu:
> >>
> >> Hello Peter,
> >>
&g
This also works for hyphens, by the way:
\markup \null --
Very useful, thanks, Pierre!
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2015-06-02 23:31 GMT+02:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Hum
ks, to
add the markup below the staff and remove it from the other voice:
\editionMod cello 17 0/1 cello.Voice.A _\divisiaIII
\editionMod cello 17 0/1 cello.Voice.B \once \omit TextScript
--
Peter Crighton | Musician & Music Engraver based in M
aIII = ^\markup { "div. a 3" }
\score {
{ a1\divisiaIII }
}
another way would be to add an additional _\divisiaIII with the
edition-engraver and remove/omit the markup that has been placed above the
staff. Would that be doable? Simply adding \once \omit TextScript obviously
also removes
2015-05-30 21:25 GMT+02:00 Thomas Morley :
> 2015-05-30 20:28 GMT+02:00 Peter Crighton :
> > Hello all,
> >
> > I have a variable divisiaIII = ^\markup { "div. a 3" } that should by
> > default appear above the staff (hence the ^). Now I need it to appear
&
be able to call the default direction just with
\divisiaIII.
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I’m not at all experienced with Finale and only have Finale 2012. If that
is sufficient for you, I can do it.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2015-05-21 19:47 GMT+02:00 Urs Liska :
> Anyone ready for a new Finale chall
2015-05-16 3:51 GMT+02:00 Thomas Morley :
> 2015-05-16 3:14 GMT+02:00 Peter Crighton :
> > Hi all,
> >
> > I have this rather long chord name that is taking too much horizontal
> space
> > in a sheet I’m working on. How can I move the “/F” part beneath the rest
far down to
me. I would rather have it vertically center-aligned with the F.
\version "2.19.15"
\chords <<
bes:7sus4/f
>>
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___
r you?
Like this:
\version "2.19.15"
\new PianoStaff \with {
\remove "Keep_alive_together_engraver"
} <<
\new Staff \relative c' {
\clef "treble"
c1 \break c1
}
\new Dynamics {
s1\f s1\p
}
\new Staff \with {
\RemoveEmptyStaves
} \relative c {
\clef &
paper size 2.
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#x27;( (()) (()) ( ((0 . 4) (0 . 1) (0 . 0) (0 . 0
>r8 r2 \repeat unfold 8 { R1 }
> }
>
>
> My only guess is that the tweaking is happening at the wrong time--too
> late? Even though 'control-points is showing a change, the item has already
> bee
em erstellen” and the
corresponding text should refer to the first snippet and “Arpeggio über
mehrere Systeme in anderen Kontexten” to the second.
This should probably be fixed to avoid confusion.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.peterc
It does exactly what I need, thanks again!
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2015-03-26 23:30 GMT+01:00 tyronicus :
> Peter Crighton wrote
> > For further videos I now want to skip GIMP and just let LilyPond create
&g
Of course, I have no idea why I didn’t think of putting the titles into the
header, it’s so obvious …
Thank you both!
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2015-03-26 23:11 GMT+01:00 tyronicus :
> I think you could do this
1
print-page-number = ##f
oddFooterMarkup = \markup {
\column {
\fill-line {
\fromproperty #'header:copyright
}
}
}
evenFooterMarkup = \oddFooterMarkup
}
\score {
\relative c' {
R1*4 \break
R1*4
}
}
--
Peter Crighton | Musician &am
2015-02-04 0:07 GMT+01:00 Noeck :
> So I hope there is more help around here on
> the list.
>
Have a look at this mailing list thread:
http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg00157.html
That multi-mark-engraver works great.
--
Peter Crighton | Musician & Music E
2014-11-17 0:29 GMT+01:00 :
> >>>>> "Peter" == Peter Crighton writes:
>
> Peter> Hello all, I’m in the process of creating sheets that only
> Peter> contain lyrics and correctly aligned chords. (This belongs to
> Peter> other sheets with m
.avoid-slur = #'ignore
> \tuplet 3/2 { c,2( b'4) } r2
> c,4( b') r2
> }
>
> LilyPond will usually try to place the slur outside of a tuplet number,
> but in certain cases (like this one) the output is nicer when avoid-slur is
> set to ignore.
Also, h
y, both versions are quite inelegant. If somebody has an idea how to
approach this better, I’d be very grateful!
Ideally I could completely separate chords and lyrics at the input stage
and then put them together line by line in a score. But I have no idea how
to even begin with such an approach.
Ch
2014-11-16 0:13 GMT+01:00 Thomas Morley :
> 2014-11-15 23:36 GMT+01:00 Peter Crighton :
> > Hello,
> >
> > I need to offset a repeat bar line at the beginning of a system without
> > moving the bar line at the end of the system above before the line
> break. Is
>
which is not desired.
Does anybody know a solution?
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
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2014-10-25 17:51 GMT+02:00 David Nalesnik :
> Hi Peter,
>
> On Sat, Oct 25, 2014 at 10:41 AM, Peter Crighton
> wrote:
>
>> I now wanted to improve the function to also skip MultiMeasureRests and
>> first tried replacing 'rest-event with 'multi-measure-re
2014-10-24 23:01 GMT+02:00 Peter Crighton :
> 2014-10-24 16:54 GMT+02:00 Robin Bannister :
>
>> So it looks like LilyPond wants to merge the rests,
>> but will do this only if they seem identical.
>>
>>
>> Having read through the regression snippet
>&g
ime I dive into Scheming I might be getting further by myself
before I have to ask on the list. :)
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
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2014-10-24 13:57 GMT+02:00 Peter Crighton :
> 2014-10-24 11:05 GMT+02:00 Robin Bannister :
>
>>
>> The source file music-functions.scm defines
>> music-map
>> which you can use for this:
>>
>>
>> bgr = #(define-music-function (parser location m
2014-10-24 11:05 GMT+02:00 Robin Bannister :
> Peter Crighton wrote:
>
> But I would like to be able to use the function [...]
>>
> > so it doesn’t only affect the next note,
> > but a sequence of notes enclosed in { … }:
>
>
> The source file music-functions
}
>>
But I would like to be able to use the function as follows, so it doesn’t
only affect the next note, but a sequence of notes enclosed in { … }:
\new Voice <<
\relative c' {
c4 d e f
}
\relative c' {
\bgr { e4 f g a }
}
>>
Can somebody point me in t
onome. Here I am using toml only
> because I don't know what percussion instrument is actually involved.
>
> What might be the explanation for this? and how to stop it?
I don’t get this behaviour (in 2.19.13).
How do you playback the MIDI file? Are the metronome-notes actually in the
2014-10-07 20:16 GMT+02:00 David Kastrup :
> Peter Crighton writes:
>
> > 2014-10-05 16:38 GMT+02:00 David Kastrup :
> >> >
> >> > Okay, thanks for explaining. For now I am content with using “\omit
> >> > Staff.KeySignature” and “\revert Staff.Ke
2014-10-05 16:38 GMT+02:00 David Kastrup :
> Peter Crighton writes:
>
> > 2014-10-05 11:15 GMT+02:00 David Kastrup :
> >
> >> Simon Albrecht writes:
> >>
> >> > Am 04.10.2014 um 23:13 schrieb Peter Crighton:
> >> >> As you can see i
2014-10-07 0:56 GMT+02:00 Peter Crighton :
> 2014-10-05 16:13 GMT+02:00 Thomas Morley :
>
>> 2014-10-05 15:45 GMT+02:00 Peter Crighton :
>> > Does anybody have more ideas for this (see below)? How can I move the
>> > beginning and end of OttavaBrackets horizo
2014-10-05 16:13 GMT+02:00 Thomas Morley :
> 2014-10-05 15:45 GMT+02:00 Peter Crighton :
> > Does anybody have more ideas for this (see below)? How can I move the
> > beginning and end of OttavaBrackets horizontally, or rather change their
> > alignment to the note head?
>
2014-09-25 6:32 GMT+02:00 Peter Crighton :
> No, I've checked all the sounds and I also checked the generated MIDI
> file, the notes are actually missing, so the problem is definitely caused
> by LilyPond.
> Am 25.09.2014 04:51 schrieb "tisimst" :
>
>> Just thi
Does anybody have more ideas for this (see below)? How can I move the
beginning and end of OttavaBrackets horizontally, or rather change their
alignment to the note head?
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2014-09-25 3:39 GMT+0
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