m now. Plugins can create problems.
I'm not against plugins, it's just something to think about.
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t;<
\new Voice {
\partcombine \soprano \alto
}
\new Voice = "soprano-hidden" {
\override Slur #'transparent = ##t
\override Tie #'transparent = ##t
\override NoteColumn #'ignore-collision = ##t
\hideNot
is disih
e eih
f fih fis fisih
g gih gis gisih
a aih ais aisih
b bih
c
}
\score {
\new Staff {
\melody
}
\layout{}
\midi{}
}
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ond/issues/detail?id=2270
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d its behavior on
different computers, stuff would stop working without the user having a
clue that this was not intended output.
Now that's a strong argument against LC_PAPER. I'm guilty of making
such tweaks too.
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_
Quoting David Kastrup :
Pavel Roskin writes:
Doesn't TeX respect LC_PAPER?
No. TeX/LaTeX is letterpaper by default. You have to ask for a4paper
in the LaTeX source (or, in plain TeX, meddle with \hsize, \vsize and
stuff) explicitly to change the layout. While dvips has a default
On Wed, 29 Aug 2012 01:19:48 +0200
David Kastrup wrote:
> Pavel Roskin writes:
>
> > Hello!
> >
> > I have noticed that Lilypond 2.16.0 uses A4 paper size even if the
> > locale is set to en_US.utf8. I can force the letter output by using
> >
> > -dpa
mmand line?
I used strace and didn't see Lilypond open any file in the home
directory, such as ~/.lilypondrc or something.
Should not Lilypond respect the LC_PAPER setting from the locale?
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ns of
slurs, dots and other elements. They are used for fitting more than
one voice on a single staff.
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k-spanners are graphs.
One can walk over k-spanners from one point to another.
Try asking Italian mathematicians how they call k-spanners.
The Italian Wikipedia is not of much help:
http://it.wikipedia.org/wiki/Glossario_di_teoria_dei_grafi
But the French Wikipedia uses the word "spanne
l to make it call the version with which I'm
> working? Thanks!
>From Frescobaldi menu:
Edit->Preferences->LilyPond Preferences
I didn't try it on Windows, but I think it should work.
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ow what it would do wrong.
Maybe the score would compile but produce subtly wrong output.
If you have time and desire to check the PDF and the MIDI output, it
should not be a big deal for you to change the version number in the
plain text file.
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7;' {
> \time 3/4
> \override Staff.TimeSignature #'stencil =
> #time-signature-hide-numerator c d e
> }
Even simpler:
#(define time-signature-hide-numerator
(lambda (grob)
(let ((denom (number->string (cdr (ly:grob-property grob 'fraction)
(grob-interpr
quot;standalone" set. Likewise, "Expressive headword" is standalone.
I believe "large" is something else, but "standalone" is what you are
looking for.
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h a
> backport, some feedback from downstream might help in pinpointing and
> documenting the source of current problems, and thus create a bit more
> of a time buffer for a qualified decision.
Patching sources to make them compile on a distro is a job of a
distro. We can help if
o, but not with \markup \bold or
with \mark \markup \bold. There is something special about \tempo.
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rnate versions for tight situations.
There are more cases than just \tempo that may need it.
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graded to
the git version of Lilypond. But I would gladly use 2.16 at least on
some systems once it's available in Fedora.
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Hello David,
Sorry for replying so late :(
On Wed, 18 Apr 2012 15:31:15 +0200
David Kastrup wrote:
> Pavel Roskin writes:
>
> Yup. define-event-function can only be used to return _one_
> postevent.
Too bad. I'm glad I don't really need one :)
> > There i
to a tie.
%% Insane publisher
%tieStart = (
%tieEnd = )
% Sane publisher
tieStart = ~
tieEnd = {}
{ c'' \tieStart c'' \tieEnd }
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Hello!
I'm trying to define macros that would change tempo and print tempo
indications at once. Since both the tempo and the markup are written
after the note, I'm trying to use define-event-function.
That's what I'm trying to do:
\version "2.15.36"
rit = #(define-event-function (parser locatio
Hello!
I cannot use define-event-function for tempo changes. That's what I'm
trying to do:
\version "2.15.36"
rit = #(define-event-function (parser location) () #{
^"rit." \tempo 4=40
#})
\new Voice { \tempo 4=50 c'4 e'4 \rit g'2 }
I get an error:
event.ly:3:10: error: syntax error, unexpect
es.
You may want to use this as the starting point:
http://lsr.dsi.unimi.it/LSR/Item?u=1&id=792
Perhaps you'll need to attach the additional clef to the staff clef, not
to the time signature.
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. But I wish Shift-Del and Shift-Ins worked as expected.
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On Thu, 9 Feb 2012 19:50:24 +0100
jakob lund wrote:
> 9. feb. 2012 19.25 skrev Pavel Roskin :
> > On Thu, 9 Feb 2012 17:15:50 +0100
> > Nils wrote:
> >
> >> Hello,
> >>
> >> I like to work with full tuplet numbers because it makes it clear
>
would like to change the "3:2" of a triplet in a more
> correct "2/3".
>
> How can I get this format into
>
> \override TupletNumber #'text = [...] %old:
> #tuplet-number::calc-fraction-text
{
\override TupletNumber #&#
) d''4
}
\new Staff { \clef bass c4 d4 }
>>
\layout {}
}
g'8*1/2 is shown as 1/8 but plays as 1/16. c''4*3/4 is shown as 1/4
but plays as 3/16.
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decided at that point). In the
first case, it should be relatively easy to fix.
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nsparent and have
no extent."
I don't see any indication whether the break is a page break, a page
turn or just a line break.
I could not find any open issue for that.
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lilypo
.
I hoped maybe there is a way to insert a glyph into the beginning of
any measure. A rest with overridden stencil and spacing tweaks would
do the trick, but it would need a separate voice, which is somewhat
intrusive.
Thanks for your input anyway!
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://lsr.dsi.unimi.it/LSR/Item?u=1&id=792
Finally an implementation with no grace notes, no \partial, no changes
to MIDI and no changes to other voices!
I'll appreciate if somebody could please look at the snippet and tell
me if something could be improved.
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se decent release engineering. *.old, *.orig and
*.a don't belong to the source release.
Maybe you could host the source it on Gitorious or Github? Perhaps
NIFF belongs there too (fully unpacked and converted to UNIX newlines).
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27;t
make conclusions about the real developers from my answers. I'll try
to limit my participation in the list to more useful activities.
> I'll go bug Nicholas now, since my post succeeded in luring him out
> to answer. ;-) -Mark
Good luck!
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s a great potential to do everything
articulate.ly does without the script and with more control over the
output, and I hope that the code would improve with regard to the MIDI
support. Still, the articulate script serves an important role as a
pl
command without adding code to
convert-ly to convert it to the new syntax.
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-ly. You'll need to guess
the original version and supply it with the --from argument. And then
there will be something that would need manual conversion...
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and avoid
silent rests, but I prefer to keep voices sorted by the pitch, the
first voice being the highest and the last being the lowest.
Don't forget voiceThree and voiceFour, they can fix the clashes. I
use stemUp and stemDown as the last resort.
I don't use temporary voice eve
a way to reserve horizontal space on the staff without
reserving any duration? Then I could use a silent rest plus the "staff
spacer" without hiding anything.
The rendered output is attached.
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ianoStaff \with {
\override StaffGrouper #'staff-staff-spacing #'minimum-distance = #12
} <<
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recisely centered, but they would be aligned with each
other and other marks that lie between staves.
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should be able to generate much better MIDI files
with less tweaks. The infrastructure is there. We can specify how every
note looks, so we should be able to specify how every note sounds.
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ted interfaces. The test suite may lie somewhere in between,
so maybe I'll find some ideas there.
Speaking of my problem, it looks like I need to find the grob for the
pianostaff. The pianostaff context doesn't seem to have information
about the actual layout of the staves in a pa
ongerstem c4 >>
I get this in the output:
programming error: no pure Y common refpoint
Does anyone have an idea how to deal with it?
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