etting the
bound-details.right.text to your markup and making sure to-barline = ##t.
You could also use \textMark, you may need to override break-visibility =
#begin-of-line-invisible.
--
Mark Knoop
ctionLabel with a
> minimal offset to the right).
> TIA
> Stephan
> %%% MWE
> \version "2.25.4"
> tuneWithMarks = \relative c' {
> c4 4 4 4
> \once \override Score.CodaMark.extra-offset = #'(-2 . 0) % moves the mark
> but
> does
arkup { \rhythm
>{ 8 } = \rhythm { 8 } }
> Now I didn't think I differed *so much* from the docs example, but apparently
> I've done something wrong.
Your syntax works for me with 2.25.25 - are you sure you're running the same
version as the docs you're reading?
--
Mark Knoop
At 08:04 on 18 Apr 2025, Mark Knoop wrote:
> At 17:32 on 17 Apr 2025, Knute Snortum wrote:
>> Greetings,
>> I am trying to get a repeat tie to look more like a slur
>> and I'm having some trouble getting a staccato dot under a
>> shaped repeat tie. Here is
a better way to do this? Is this a bug in LilyPond?
Have you tried adjusting script-priority?
--
Mark Knoop
> On 12 Mar 2025, at 05:27, Lawrence Probes wrote:
>
> I want to study a template for a simple pop song lead sheet with multiple
> lines of melody, chords and lyrics.
>
I use this kind of thing:
%%%
%%% TITLE
%%%
%%% [20230112.mp] rev 2
%%%
\version "2.24"
\include "lilyjazz.ily"
\include
, but BarLine grobs are obviously needed
> instead.)
Attached is my take on this, which has developed out of David's original
engraver over the years.
Barlines are supported, although they are a hack - it's difficult to get
LilyPond to ignore an actual BarLine grob so I hijack a b
(and (ly:moment? pos)
(or (equal? pos measure-length)
- (ly:moment
--
Mark Knoop
or:
> Guile signaled an error for the expression beginning here
> #
> (let ((book-handler (if (defined? 'default-toplevel-book-handler)
> In procedure ly:moment Moment): 1
> Exited with return code 1.
> Is that a useable M[N]WE for you?
Thanks Kieren, yes. Will try to look at this today.
--
Mark Knoop
m.
> This is way above my pay grade. Here’s hoping someone
> updates OLL soon.
I'll have a look at this later today, but I'm using OLL with current head and
haven't hit any problems. If you're able to make a MWE using OLL that would be
helpful.
Mark
--
Mark Knoop
aper-column ranks to give an
indication of the horizontal length. This tends to estimate a larger height
than is required (which is better than too small), but leads to some wasted
vertical space.
Thanks,
Mark
instructionMark.ily
Description: Binary data
--
Mark Knoop
At 15:04 on 22 Dec 2024, Richard Shann wrote:
> On Sun, 2024-12-22 at 12:04 +, Richard Shann wrote:
>> On Sun, 2024-12-22 at 11:51 +, Richard Shann wrote:
>> > Is there a neat way to start a glissando mark further from the note
>> > than the defaul
details about writing music functions, see this excellent guide put
together by Jean:
https://extending-lilypond.gitlab.io/en/extending/index.html
--
Mark Knoop
Many thanks Valentin.
At 15:48 on 19 Nov 2024, Valentin Petzel wrote:
> Am Dienstag, 19. November 2024, 15:22:16 MEZ schrieb Mark Knoop:
>> This works, but crashes with broken hairpins:
> Hello Mark,
> the issue here is not the break, but the spanner ending on
> a multim
ly/init.ly:66:2: error: Guile signaled an
error for the expression beginning here
%% #
%% (let ((book-handler (if (defined? 'default-toplevel-book-handler)
%% In procedure ly:grob-object: Wrong type argument in position 1 (expecting
Grob): ()
r2 e'1~\< 1~ 1~ 1~ 1~ \break 1~ 1~ 1~ 1~ 1~ 1 R1\!
e'1~\< 1~ 1~ 1~ 1~ 1~ 1~ \break 1~ 1~ 1~ 1~ 8\! r r4 r2
}
--
Mark Knoop
d" 8\! r8 r4
e'2\ff\>~ 2~ 2\p\<^\markup \tiny "correct: stop at barline" r2\!
\break
\override Hairpin.to-barline = ##f
e'2\ff\>~ 2~ 2~\p\<^\markup \tiny "correct: continue to notehead" 8\! r8 r4
e'2\ff\>~ 2~ 2\p-\tweak color red \< ^\markup \tiny "wrong: stop at barline"
r2\!
}
--
Mark Knoop
nippets/contexts-and-engravers,
and also at the scm/scheme-engravers.scm file.
Cheers,
Mark
At 18:42 on 04 Nov 2024, Alex Harker wrote:
> Hello,
> I’m working on a score where I likely need to be able to
> notate multiple pedals (sometimes simultaneously) for a
> pedal steel part. I’d
uot;ma" changed
>> to "vb" and "mb" for the negative ottavations.
>
>> I included the new ottavation list in my lilypond file, and set the
>> ottavationMarkups to my new list.
> I don't see anything in property-init.ly
> thanks
The definition is actually in scm/translation-functions.scm
--
Mark Knoop
st.
Note that "8va" is an abbreviation of the single word "ottava", not (as is
commonly stated) "ottava alta", and therefore should be used for both
ottavations above and below the staff. "8vb" does not really exists, the
position of the marking and bracket show which direction to ottavate.
(However I realize that sometimes we need to engrave or replicate scores that
are less than fully "correct"...)
--
Mark Knoop
And to add on, updating the fonts needs to be done for each new release of LP.
I downloaded the fonts and then use a script that has the version number and
base location, such as...
—script
REV = “2.24.4"
LILY = "/opt/homebrew/share/lilypond"
cp lilyjazz/otf/* ${LILY}/${REV}/fonts/otf
cp l
Hello:
The following:
g4.
\once \override TextScript.script-priority = #-100
g16.^1^\turn^\markup { \small \sharp }\<
([a32^3\!] c16^5\> bes g^2 e\!) |
puts the fingering (1) above the turn.
How do I relocate it next to the "g"?
Thank you.
Mark
Timothy,
Perhaps this?
Mark
\version "2.24.3"
\relative c' {
\time 3/4
<<{b'4 c2~ | 8 [q]} \\
{d4 d2 (| \stemUp e4)}>> r8 r |
}
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Timothy
Lanfear
Sent: Wednesday
Paolo,
Thank you.
Mark
From: Paolo Prete
Sent: Tuesday, April 30, 2024 1:08 PM
To: Mark Stephen Mrotek ; lilypond-user
Subject: Re: Fw: Frescobaldi ... panic alternatives?
You'll find all you need at the main page:
https://github.com/paopre/Spontini
Cheers
O
Paolo,
Installation instructions?
Learning/notation manual?
I want to try it.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Paolo Prete
Sent: Tuesday, April 30, 2024 12:58 PM
To: Dirck Nagy ; lilypond-user
Subject: Re: Fw: Frescobaldi ... panic
This line:
\override Score.TimeSignature.stencil = ##f
means that the time signature will not be displayed (its stencil is set
to false). Either remove it, or if you need it for some other reason,
prefix with \once.
Regards,
Mark
At 10:13 on 20 Apr 2024, Hajo Baess wrote:
> This time w i
Welcome!
From: Butter Cream
Sent: Wednesday, January 24, 2024 4:29 PM
To: Leo Correia de Verdier ; Mark Stephen
Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Ties across voices; tried two methods
Thank you! I will implement your suggestions.
Sent via the Samsung Galaxy S20 FE 5G
Butter,
Use
\repeatTie
See
https://lilypond.org/doc/v2.22/Documentation/notation/long-repeats#normal-re
peats
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Butter
Cream
Sent: Wednesday, January 24, 2024 1:29 PM
To: lilypond-user@gnu.org
Subject: Ties
Stanton,
As far as I know (I use Lilypond 2.22.2) cut C is not available for 4/2.
Mark
-Original Message-
From: Stanton Sanderson
Sent: Thursday, January 11, 2024 6:12 PM
To: Mark Stephen Mrotek
Cc: LilyPond Users
Subject: Re: Cut time/half-time/alle breve & 8/4 time
Mark,
T
Stanton,
I think the piece is in 4/2.
Do you want a numeric time signature?
The cut C is used for 2/2.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Stanton
Sanderson
Sent: Thursday, January 11, 2024 3:15 PM
To: LilyPond Users
Cc: Stanton Sanderson
Joel:
Is this better?
\fixed c' {
2
|
2.
4 |
2 q |
2. q4 |
}
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Joel C.
Salomon
Sent: Thursday, January 4, 2024 6:11 PM
To: LilyPond Users
Subject: Slurs within chords
Knute,
Sort of off topic, yet if a rhythmic structure cannot be “felt” why is it
written?
Mark
From: Knute Snortum
Sent: Tuesday, December 26, 2023 6:56 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Aligning offset quintuplets and triplets
Okay, if I code
Knute,
In the original the first beat of the second measure is three against 2. The 5
against 3 does not start until the second beat.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Knute Snortum
Sent: Tuesday, December 26, 2023 4:06 PM
To: lilypond-user
John,
Look at
https://lilypond.org/doc/v2.22/Documentation/notation/special-rhythmic-concerns#aligning-to-cadenzas
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of John Burt
Sent: Tuesday, December 26, 2023 12:21 PM
To: lilypond-user
Subject: Hold a note
Many thanks, Aaron. A clear and helpful answer!
The “why” was simply an exercise in seeing if I could cleanup a LP file by
using such syntactic sugar (to which the answer is no :-) ).
Thanks again
..m.
> On 19 Dec 2023, at 07:05, Aaron Hill wrote:
>
> On 2023-12-17 9:33 pm, Mar
ic-function (pit dur) (ly:pitch? ly:duration?)
#{
#pit#dur\rest
#})
but that gives me an error.
Any suggestions?
--
--
-mark.
Jakob,
As I see it you have 5 voices in the music yet only 4 voices in your code.
Is this piece for organ?
You might consider putting the “pedal” into a separate staff.
Frescobaldi has a “wizard” under “file”, “score wizard”, “keyboard”, “organ”.
Mark
From: lilypond-user-bounces
Thanks, Aaron! Perfect!
..m.
> On 6 Dec 2023, at 19:41, Aaron Hill wrote:
>
> On 2023-12-06 12:32 am, Henning Hraban Ramm wrote:
>> You can override a whole Lyrics context with
>> \override Lyrics.LyricText.font-shape = #'italic
>> But that’s only suitable if you have your versions in differe
Thanks, Aaron! Perfect!
..m.
> On 6 Dec 2023, at 19:41, Aaron Hill wrote:
>
> On 2023-12-06 12:32 am, Henning Hraban Ramm wrote:
>> You can override a whole Lyrics context with
>> \override Lyrics.LyricText.font-shape = #'italic
>> But that’s only suitable if you have your versions in differ
\markup block with every
syllable in a {\italic baz} group?
Thanks!
.. mark.
---
\version "2.24.0"
mel = \relative c' { c4 d e f | a g a g | bes a g2 }
lyr = \lyricmode {
foo bar foo bar
%% the followin all italics
baz bop baz bop
baz bop baz
}
<<
\new Voice
lyjazz/supplementary-files/**/*.otf #{lilypond}/#{REV}/fonts/otf”
I would guess you need to copy the supplimentary file otfs. This are for the
chords and text
HTH
..mark.
> On 5 Dec 2023, at 06:29, Jan wrote:
>
> Dear Lilypond users,
> I’m trying to use lilyjazz for a jazz lead-s
then I can reverse that). If someone
> could get me a breadcrumb to that, that'd be grand.
> Thanks
> Luca
--
Mark Knoop
Ben,
Lilypond command is
\downprall
See:
https://lilypond.org/doc/v2.22/Documentation/notation/list-of-articulations#ornament-scripts
Ma
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Ben Bradshaw
Sent: Thursday, October 26, 2023 9:36 PM
To: Kenneth Wolcott
Bevan:
Look up
\repeatTie
in the documentation for your version of Lilypond.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Bevan Broun
Sent: Friday, October 20, 2023 5:48 PM
To: lilypond-user@gnu.org
Subject: slur at end of repeat on start?
Hi
I
g:
Since 2.25 there is also:
\override TupletBracket.span-all-note-heads = ##t
which I think does the right thing, at least in the Gould "old-style". Surely
this should be the default?
--
Mark Knoop
David,
Wow, so simple.
Thank you for the remedy.
Mark
-Original Message-
From: David Kastrup
Sent: Saturday, September 16, 2023 2:44 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: slurs
"Mark Stephen Mrotek" writes:
> Hello All:
>
>
&
Hello All:
\version "2.22.2"
\relative c'' {
\slurDown 4
(bes16) (a c bes d c ees d)
}
Produces this
What must be done to produce this?
Thank you for your assistance.
Mark
Paul,
Yes, Jean gave explicit instructions.
Thank you for the background.
Mark
From: Paul Hodges [mailto:p...@cassland.org]
Sent: Saturday, September 9, 2023 10:32 AM
To: Mark Stephen Mrotek ; 'Jean Abou Samra'
Cc: lilypond-user@gnu.org
Subject: Re: 2.22.2 and 2.24.2
Jean,
Thank you. That is exactly what I needed.
Might it be included in the referenced “graphical-setup-under-windows”?
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Saturday, September 9, 2023 9:04 AM
To: Mark Stephen Mrotek ; 'Paul Hodges'
Cc: lilypond-us
Jean,
I could not find instruction in
https://lilypond.org/doc/v2.24/Documentation/learning/graphical-setup-under-windows
as to how and when I created a folder in placed Lilypond 2.24.
I am sure that I am missing something.
Thank you.
Mark
From: Jean Abou Samra [mailto:j
down is the direction:
Click on the folder icon and navigate to the lilypond-x.y.z-mingw-x86_64 folder
you previously created. Inside this folder, open ‘lilypond-x.y.z’, then ‘bin’,
and finally select ‘lilypond’.
When was that done?
Your assistance is appreciated.
Mark
From: Paul
Jean,
Thank you.
My error in not being precise.
I am installing under Windows 10.
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Friday, September 8, 2023 5:08 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: 2.22.2 and 2.24.2
Le 9 sept
Hello All.
Can I keep an operational 2.22.2 while I attempt to download and install
2.24.2?
Thank you for your kind attention.
Mark Stephen Mrotek
Paul,
Thank you for the command and the recommendation from and experienced eye.
Mark
From: Paul Hodges [mailto:p...@cassland.org]
Sent: Monday, September 4, 2023 1:46 AM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: search terms
I think the "errant" dot
Knute,
Thank you for the two indices.
Mark
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Monday, September 4, 2023 7:07 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: search terms
On Sun, Sep 3, 2023 at 3:43 PM Mark Stephen Mrotek mailto:carsonm
eliminate two flags, one on
the e8 the other on the e16. I am using version 2.22,
Thank you for your kind attention.
Mark Stephen Mrotek
Hi.
> On 28 Aug 2023, at 11:36, David F. wrote:
>
> I am experiencing a very weird problem with Lilypond on macOS 13 Ventura.
> When using the Times New Roman font, the capital letter N is mis-printed.
>
I can confirm and replicate this under 13.4.1
> I do not think that my Times New Roman
You may wish to consider the Windows application “Fronimo.” It is, arguably,
the primary choice of lutenists and those needing such features as you require.
The various forms of tablature are an arcane subject of their own and whilst it
is a pity LP doesn’t cover them particularly deeply, it i
You wrote:
>
> use the alignBelowContext property to tell Lilypond where to put the Lyrics:
>
Thanks, Valentin!
I see how that is used now (section 5.1.7).
Much appreciated
..mark.
icesPerStaff = ##t
\include "satb.ly"
However the repeat lyrics are not where I expect them (they are below
the staff not below the other lyrics. Given that there are multiple
verses this is not really going to work.
Can someone tell me the correct way of doing this kind of setting?
TIA
..mark.
Thank you Werner!
Mark
-Original Message-
From: Werner LEMBERG [mailto:w...@gnu.org]
Sent: Friday, June 30, 2023 9:18 PM
To: ksnor...@gmail.com
Cc: carsonm...@ca.rr.com; will...@williamrehwinkel.net; j...@abou-samra.fr;
lilypond-user@gnu.org
Subject: Re: cross-staff stems
In March we
At 11:15 on 23 Jun 2023, Andrew Bernard wrote:
> In notation octavations both up and down are always 8 and 15. Nothing
> to do with lilypond specifically. So 8va, 15va, 8vb, 15vb. These apply
> to clefs and octavation lines.
Unless you're Olivier Messiaen...
--
Mark Knoop
exible solution for this. My custom function include file is attached
- it contains some examples at the bottom (commented out by default). I
think the text alignments are fixed. I'm not sure what problems you're
having with line-breaking - perhaps the list can help with those?
Regards,
Wait, I see there is already a \fontCaps command - does that not work?
At 15:10 on 16 Jun 2023, Mark Knoop wrote:
> Not offhand, but I'd start with make-small-caps in
> define-markup-commands.scm and strip out the is-lower logic.
> At 09:41 on 16 Jun 2023, Kieren MacMillan wr
per {
> scoreTitleMarkup = \markup \uppercase \fromproperty #'header:title
> }
> { c1 }
> Thanks,
> Kieren.
--
Mark Knoop
Thank you!
..m.
> On 16 Jun 2023, at 19:40, Kieren MacMillan
> wrote:
>
> Hi Mark,
>
>> Is there a way of finding out about the various objects and their names?
>
> https://lilypond.org/doc/v2.25/Documentation/internals/all-layout-objects
>
Many thanks, Jean.
I kinda knew there would be a simple solution, but I had trouble finding
“TrillSpanner.” Is there a way of finding out about the various objects and
their names?
..m.
> On 16 Jun 2023, at 18:39, Jean Abou Samra wrote:
>
> Le vendredi 16 juin 2023 à 17:54 +1
included. Does there exist such a feature for
trills?
In the example note how the trill and the hairpin don't match. I am
clearly missing something...
Any help appreciated, and many thanks!
.. mark.
---
\version "2.24"
tune = \relative c'' {
\clef treble
\time 4/4
sign pictured at [1], or anything similar?
>>>
>>> It's one standard for open meter.
>>>
>>> Here's the Dorico manual info: [...]
>>
>> Thanks, but ideally we would like to see a real-world example that
>> predates recent notation programs – they probably all try to implement
>> the stuff from Gould's book...
>>
>>
>>Werner
--
Mark Knoop
Knute,
I don’t know if that can be done.
Mark
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Thursday, June 1, 2023 8:36 AM
To: Mark Stephen Mrotek
Cc: cadenza ; lilypond-user@gnu.org
Subject: Re: Liszt's accents
I'm interested in how you apply a marcato articul
Cadenza,
It is a "marcato."
https://lilypond.org/doc/v2.24/Documentation/notation/expressive-marks-attached-to-notes#articulations-and-ornamentations
Mar3k
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.
David,
Your response assumes that all readers of mailing lists know what full
headers are, where the full headers are, and where in the full headers to
find the "unsubscribe".
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-us
same issue, but haven't dug into it yet.
>
> On Tue, May 2, 2023, 4:24 AM Mark Harris <mailto:regma...@gmail.com>> wrote:
>> Hi, I’ve recently tried to use Lilypond on a MacBook Air M2 with Ventura.
>> Quick Look is a vital part of my workflow, as I work with hundreds
extension com.apple.tips.TipsAppQuicklook-macOS does not implement file
previews”
Can anyone help me solve this?
Many thanks,
Mark
Thanks, Jean.
I read that section over a few times and completely missed the implication
of \etc
Gratefully!
-mark.
On 21 Apr 2023 at 16:27:58, Jean Abou Samra wrote:
> Le jeudi 20 avril 2023 à 22:56 -0700, Mark Probert a écrit :
>
> Hi.
>
> I the score I’m currently work
Hi.
I the score I’m currently working on littered with expressions like
fis2 r4 f4^\markup { \italic \smaller “schaftlich" } |
Is there a way to write a substitution macro that means I could write
fis2 r4 f4^\itmark “schaftlich" |
instead?
Thanks again
-mark.
Mike,
Try using \stemDown
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Mike
Dean
Sent: Monday, April 17, 2023 8:03 PM
To: Lilypond-User Mailing List
Subject: Re: Unterminated terminated tie
em functions which somehow
> never made it in.
Yes - please do so in the relevant github repo.
Cheers, M
--
Mark Knoop
C:/path/to/directory
> c) Double backslashes in the path and a double backslash at the end:
> C:\\path\\to\\directory\\
> d) Double backslashes in the path and no double backslash at the end:
> C:\\path\\to\\directory
>
>
>
> Thanks in advance.
>
>
> Jean
>
>
>
Jean,
I know you only asked for one test, but it works for me also. One caveat: I
accidentally put the font in a different directory than the .ly file, but
of course, typed the correct path to the font.
Mark
steps but keeps the notes on the scale,
> effectively changing the heard intervals (e.g., in C major, if you
> invert D around C like this, you get B, not B♭); LilyPond doesn't
> implement this.
Actually it does, see \modalInversion
--
Mark Knoop
{
>\override Tie.staff-position = 5
>\override Script.Y-offset = 1.5
>c''1--~ c''
> }
>
> --
> Knute Snortum
>
>
>
Perhaps try:
\version "2.24.0"
{
\override Tie.outside-staff-priority = #1375
c''1--~ c''
c''1--~ c''
}
%
And, of course, add "\once" for a particular instance.
HTH,
Mark
On Sat, Mar 25, 2023 at 8:36 PM Jean Abou Samra wrote:
> Le samedi 25 mars 2023 à 10:58 -0400, Mark Mathias a écrit :
>
> Oops... Except it doesn't. The accent remains black when I run it in
> 2.24.0. (I'm only beginning to get a glimmer of how to use Scheme with
&g
On Sat, Mar 25, 2023 at 10:41 AM Mark Mathias wrote:
>
>
> On Sat, Mar 25, 2023, 9:21 AM Aaron Hill wrote:
>
>> On 2023-03-25 6:10 am, Mark Mathias wrote:
>> > On Fri, Mar 24, 2023, 7:59 PM Leo Correia de Verdier <
>> > leo.correia.de.verd...@gmail.
On Sat, Mar 25, 2023, 9:21 AM Aaron Hill wrote:
> On 2023-03-25 6:10 am, Mark Mathias wrote:
> > On Fri, Mar 24, 2023, 7:59 PM Leo Correia de Verdier <
> > leo.correia.de.verd...@gmail.com> wrote:
> >> But if something more elegant is required (for i
.color = #red
> > }
> > \context {
> > \Voice
> > \override Script.color = #red
> > }
> > }
> >
> > should get you sorted.
> >
> > Michael
>
>
The "elegant" solution intrigues me, but the link to the thread appears to
be down.
Mark Mathias
Werner,
Knute has provided a visual that cannot be improved.
Mark
-Original Message-
From: Werner LEMBERG [mailto:w...@gnu.org]
Sent: Thursday, March 23, 2023 8:37 AM
To: carsonm...@ca.rr.com
Cc: will...@williamrehwinkel.net; j...@abou-samra.fr; lilypond-user@gnu.org
Subject: Re: cross
staff and therefore the
command had to be there.
Mark
From: Carl Sorensen [mailto:carl.d.soren...@gmail.com]
Sent: Thursday, March 23, 2023 8:41 AM
To: Werner LEMBERG
Cc: carsonm...@ca.rr.com; will...@williamrehwinkel.net; j...@abou-samra.fr;
lilypond-user@gnu.org
Subject: Re: cross-staff
Werner,
Got your request.
Have discarded several possible.
May I have the day to ruminate?
Mark
-Original Message-
From: Werner LEMBERG [mailto:w...@gnu.org]
Sent: Wednesday, March 22, 2023 10:32 PM
To: carsonm...@ca.rr.com
Cc: will...@williamrehwinkel.net; j...@abou-samra.fr; lilypond
therefore, as William and Jean noted, the command needs to be in the treble
voice.
Mark
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Thursday, March 23, 2023 7:08 AM
To: Werner LEMBERG
Cc: carsonm...@ca.rr.com; will...@williamrehwinkel.net; j...@abou-samra.fr;
lilypond-user
Leo,
Thanks for the code and the advice.
Mark
-Original Message-
From: Leo Correia de Verdier [mailto:leo.correia.de.verd...@gmail.com]
Sent: Wednesday, March 22, 2023 5:43 PM
To: Mark Stephen Mrotek
Cc: Jean Abou Samra ; lilypond-user
Subject: Re: cross-staff stems
Like this
Jean and William,
Thank you.
The documentation does not explicitly relate stem direction with location of
command.
So I am very fortunate to have your expertise.
Mark
-Original Message-
From: William Rehwinkel [mailto:will...@williamrehwinkel.net]
Sent: Wednesday, March 22, 2023 5:30
Jean,
Attached is a MWE
Want stem to connect c and a, also c an g.
Thank you for your kind attention.
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Wednesday, March 22, 2023 4:41 PM
To: Mark Stephen Mrotek ; 'lilypond-user'
Subject: Re: cross-staff st
were not created.
The snippet for the above directions does not use variables yet imbeds the
notation within the \PianoStaff.
Does imply that cross-staff stem is available only in that format?
Thank you for your kind attention,
Mark
Knute,
Thanks.
Mark
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Sunday, March 19, 2023 7:32 AM
To: William Rehwinkel
Cc: Mark Stephen Mrotek ; lilypond-user
Subject: Re: coloring edits
On Sat, Mar 18, 2023 at 9:37 PM William Rehwinkel mailto:will
Hello,
The documentation has examples of coloring note heads, stems, and staves.
Where would I look for instructions to color slurs and/or ties?
Thank you.
Mark
Dario,
While I would never discourage anyone from using Lilypond, what you want has
been done by Hal Leonard Publications in its Music Minus One series.
https://www.halleonard.com/series/MMONE?dt=item#products
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Jeff,
Thank you for the detailed instructions suited for a non-programmer!
Shall work on it in the morning.
Mark
From: Jeff Olson [mailto:jjoca...@gmail.com]
Sent: Sunday, March 12, 2023 7:57 PM
To: Mark Stephen Mrotek
Cc: Jean Abou Samra ; lilypond-user@gnu.org
Subject: Re: RE
Jean,
Shall follow you explicit structure printed at the bottom.
Please consider including it in the Learning Manual.
Thank you is inadequate for your efforts.
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Sunday, March 12, 2023 5:10 PM
To: Mark Stephen Mrotek
into one "book" without having to retype something that is already in
each movement?
Your efforts on my behave are greatly appreciated.
Mark
-Original Message-
From: Valentin Petzel [mailto:valen...@petzel.at]
Sent: Sunday, March 12, 2023 4:25 PM
To: Mark Stephen Mrotek
...@aikebah.net]
Sent: Sunday, March 12, 2023 3:51 PM
To: Mark Stephen Mrotek
Cc: lilypond-user mailinglist
Subject: Re: Variables and Bookpart
On 12 Mar 2023, at 20:38, Mark Stephen Mrotek mailto:carsonm...@ca.rr.com> > wrote:
Jean Abou Samra,
Thank you.
Yes variables must (a
attention is appreciated.’
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Sunday, March 12, 2023 11:23 AM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: Variables and Bookpart
Le dimanche 12 mars 2023 à 11:16 -0700, Mark Stephen Mrotek a écrit :
Hello
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