otten no response.
>>
>> Does anyone else feel this way? If not then it's moot but I am
>> beginning to regret being on the list.
>>
>> --
>> Jay Hamilton
>> Sound & Silence
>> www.soundand.com [1]
>> 206-328-7694
>>
>> ___
I don't understand why the acciaccatura note is before the time
signature in the third measure of this example
\version "2.18.2"
\header {
title = "acciaccatura test"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #&#
After trials and tribulations and a great deal of help from many of you
I finished the score to my opera The Map in 2012.
www.themaptheopera.com
On the 21st of March a performance (to garner more support for a full
production) of 5 scenes is Happening.
Thanks for the aid- truly
Jay
--
Thank
11:16 AM, Jay Hamilton
wrote:
I've not figured out how to (if it's possible) get a skip for 12 bars
in 5/8
version 2.18.2
I tried skipping 15
R1*15 which should have equalled the 60 beats but that was too many
skipped
bars, R1*10 got closer but still 5-8ths long and naturally
I've not figured out how to (if it's possible) get a skip for 12 bars in
5/8
version 2.18.2
I tried skipping 15
R1*15 which should have equalled the 60 beats but that was too many
skipped bars, R1*10 got closer but still 5-8ths long and naturally 9
would be short.
So is there a way to do thi
I'm feeling really stupid because I can't find this information (and I
know it's there) in the manuals either online or in the pdfs.
basically just want to hold the bars to 6 per line and yes I know I can
do this manually but would like to see the appearance if done
automatically.
Thanks in adv
Thank you for the solution and explanation.
This is something I wouldn't know how to notice in the manuals or even
to look for.
Best
Jay
--
Thanks for reading
blogs at
https://learnivore.com/users/music#
www.soundand.com
www.themaptheopera.com
Jay
__
r the finding the mistake that I just didn't catch.
Jay
Message: 2
Date: Sat, 20 Dec 2014 21:30:51 -0800
From: "Mark Stephen Mrotek"
To: "'Jay Hamilton'" , "'Lilypond User'"
Subject: RE: Re; Volta problem
Message-ID: <000
I'm resetting a cello part for a student everything works except the
last 3 measures.
The 1st ending should be after the tied g2. ~ g and it's not. What have
I got wrong? I've always hated this 'volta' thing I wish one could just
somehow put these endings in with \markup because I'm not intere
Hello
Where in the manual(s) is the alignment for bar numbers below staff? I
found the engrave details but nothing (that I could find with my limited
wisdom) refers to putting them below the staff.
Thanks
Jay
BTW gang my opera "The Map" which was completely set and somewhat
composed with lil
On 2013-08-09 07:34, Phil Holmes wrote:
- Original Message - From:
To:
Sent: Friday, August 09, 2013 3:25 PM
Subject: I don't understand how to get a png file in lilypond
Hi- I was hoping to understand how to get PNG or something I could
use in a html doc. But I don't
Please point
Thank you
whew
Jay
On 2013-07-30 20:52, bobr...@centrum.is wrote:
Jay,
The simple answer is; No, LilyPond will not run on a tablet. There
are, however, workarounds. One is the method Guy Stalnaker described
using Textastic for editing and DropBox as a repository. The
advantage to that method
a 2.16 template to find the error]
Jay
--
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Is there a 'simple' way to get a fermata over the breathe comma? I.E. I
suspect that using an s32 might MIGHT work but then in compiling lily
thinks the measure count is all screwed up.
Thanks
Jay
--
Jay Hamilton Sound and Silence www.soundand.com 20
tatement to
> point to your lilypond .exe of choice.
>
> --
> Phil Holmes
>
>
>
> - Original Message -
> *From:* Jay Hamilton
> *To:* Phil Holmes ; lilypond user
> group
> *Sent:* Sunday, December 23, 2012 5:04 PM
> *Subject:* Re: installing 2.16 and keepin
---
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
--
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Thanks it's interesting because I tried to find the index page in the manual and couldn't and typing in 'page number ' in the search box didn't return what I needed. So thanks for both links Jay Sent from my BlackBerry® PlayBookâ¢www.blackberry.comFrom: "Paul Morris" To: "i...@soundand.com" CC: "
Wow, I can even understand this, now.
Thanks
Jay
On Fri, Oct 26, 2012 at 3:37 PM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> Hi Jay,
>
> 2012/10/26 Jay Hamilton :
> > David-
> > When I tried to use the solutions suggested nothing happened, no log
>
t;
subtitle = "Dastgah-e Homayun #41"
composer = "trad"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{ "CC lic 2.5 some rights reserved Jay Hamilton 2012"
"see http://creativecommons.org/licenses/by-nd/2.5/";
} }
}
#(ly:set-
J
PS I've never gotten anything I've tried to convert-ly to compile.
--
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r's perspective. And hasn't been
in the last few iterations, it's just changed.
Jay
On Wed, Oct 24, 2012 at 2:14 PM, Janek Warchoł wrote:
> Hi,
>
> On Wed, Oct 24, 2012 at 9:16 PM, wrote:
> > Hello
> >
> > using version 2.14.1 [...]
>
> please
t; > remove
> > "Bar_engraver"
> > remove "Bar_number_engraver"
> > }
> > }
>
> Try:
>
> \layout {
> \context {
> \Score
> \remove "Bar_number_engraver"
>}
> }
>
> Toine
>
--
Jay Hamilt
> Fresco indicated they were wrong, however then it looks really wrong to
> me.
> >
> > I.E. shouldn't there be >> at the end of each staffGroup? but when they
> > were included they showed up as errors.
> >
> > Also the entire layout section was shown to
THis is s great, thank you very much.
Jay
On Sat, Aug 25, 2012 at 9:00 AM, wrote:
> Re: 2.16.0 PDF portfolio of documentation
--
Jay Hamilton Sound and Silence www.soundand.com 206-328-7694
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'm using win7)
These are small small concerns the major fix you have given me. Much
appreciated.
Back to composing.
Jay
On Sat, Jun 30, 2012 at 4:21 AM, David Nalesnik wrote:
> Hi Jay,
>
> On Fri, Jun 29, 2012 at 11:17 PM, wjm wrote:
>
>> On 30/06/12 15:45, Jay Hamilton wrot
great but the right,
top and bottom margins don't do anything.
Thanks
Jay
++
\version "2.14.1"
\header {
title = "The Map"
subtitle = "Theme 14 I wish to see the future"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'
e
> distance from the top of the printable area (i.e. the bottom of the top
> margin) to the first system on a page, when there is no (title or
> top-level) markup between the two].
>
> Hope this helps!
> Kieren.
--
Jay Hamilton Sound and Silence www.soundand.com 206-328-7694
a snippet search and there's nothing that I found that solved
this problem.
Thanks
Jay
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at, Jun 2, 2012 at 6:54 AM, Phil Holmes wrote:
> - Original Message - From: "Kieren MacMillan" <
> kieren_macmil...@sympatico.ca**>
> To: "Jay Hamilton"
> Cc: "lilypond user group"
> Sent: Friday, June 01, 2012 2:10 PM
> Subject:
s underlines, italics, etc. to markups, I imagine there
> are much more important improvements to be made in the docs than linking
> those two concepts explicitly.
>
> Cheers,
> Kieren.
--
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ow to underline a single word in the lyrics
> > I'd settle for italic if that's the only possibility but I couldn't find
> either in manual or repository.
>
>
> http://lilypond.org/doc/v2.15/Documentation/snippets/vocal-music#vocal-music-formatting-lyrics-syllab
.) cis16 d8. e16 d4 (b'8-.) r8
\grace b8 (c,4) a'-. \grace a8 (b,4) g'-.
\bar "|."
}
lower = \relative c {
\clef bass
\key g \major
\time 4/4
\override Staff.TimeSignature #' style = #' ()
r1
\clef treble
\break
\clef bass
\sustainOn ~ 2.\sustainOff r4
g,4 r
g,
t;
> http://jonasmuething.wordpress.com/
>
> Am 29.10.2011 um 18:34 schrieb Jay Hamilton:
>
> Jonas thanks for the reply here's the whole section I'm not seeing the
> problem you suggest. Also until
> %page 11 this compiled fine.
> Jay
> melody = \relative c'
see any of the other lines marked like that.
>
> Also if I remove the ^\markup {\italic \tiny "an uh moment"}
>
> then I get a different error later
>
> c8^\markup {\italic
>
> "slightly slower"}
>
> In fact I just deleted the section(s) that gave
That produced a new staff (with no other content) with the hairpin below it
so exciting but not the kind of solution I can use.
Thanks
On Sun, Jul 3, 2011 at 7:30 AM, Neil Puttock wrote:
> On 3 July 2011 15:25, Jay Hamilton wrote:
> > Ok I've missed that explanation before so
\>. Hairpins are engraved by default using this notation.
> c2\< c\!
> d2\< d\f
> e2\< e\>
> f2\> f\!
> e2\> e\mp
> d2\> d\>
> c1\!
> "
> I guess you might have to place the mp, pp, etc as markups - (but these
> might not then be seen by m
Thanks but what I want is one hairpin from the beginning to the end of the
piece not at the end of measure or mp.
Jay
On Sun, Jul 3, 2011 at 1:32 AM, Xavier Scheuer wrote:
> On 3 July 2011 05:49, Jay Hamilton wrote:
> >
> > Here you go- thanks Jay
> >
>
> Works fin
Here you go- thanks Jay
\version "2.12.3"
\header {
title = "21-03"
% composer = "Jay Hamilton"
% copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
%\center-column
% { "CC lic 2.5 some rights reserved Jay Hamilton 2011"
% "
com wrote:
>
> >
> > Hello-,
> > I expect the lyrics syllables to go with each note in the triplet figure
> but it won't in the following example- what has changed since I last did
> this?
> > Thanks-Jay
> >
> > \version "2.12.3&quo
note in the triplet gets a syllable.
>
> And now to something completly different: You typed "un- touched", did you
> mean "un -- touched"? The "--" triggers lyric hyphens.
>
> Regards,
> Jan-Peter
>
> --snip--
>
> \version "2.12.3&qu
yricmode { F G F G }
> >>
>
> %% doesn't work:
>
> <<
>\new Staff = "firstStaff" \new Voice = "firstVoice" { a4 g a g }
>\new Staff = "secondStaff" \with { alignAboveContext = "firstVoice" }
> \new Voice = "sec
Thank you that worked it's not exactly that way in the example of the docs-
Should that be changed?
Jay
On Mon, May 31, 2010 at 9:10 AM, James Bailey
wrote:
>
> On 30.05.2010, at 22:55, Jay Hamilton wrote:
>
> Hello all what am I doing wrong here?
> The 'ossia is be
Hello all what am I doing wrong here?
The 'ossia is below the staff and I would expect it to be above,
Thanks Jay
\version "2.12.2"
\header {
title = "different 3/4s"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
sure 1.
Thanks
Jay
\version "2.12.2"
\header {
title = "Enkidu"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{ "CC lic 2.5 some rights reserved Jay Hamilton 2010&
rmine the lyric font size.
Again, if I'm mislead please set me straight maybe I'm looking at this the
wrong way.
Thanks
Jay
On Sun, Mar 7, 2010 at 3:06 PM, James Bailey wrote:
> As I understand it, these kinds of things only work with extra-offset.
>
> On 07.03.2010, at 22:4
some sort of 'padding' verbage or what?
And I need to have markup {"Text"} be the same size as
\addlyric. But I don't understand how to figure out what the lyric size is
I do have
#(set-global-staff-size 25)
Where do I look to figure this out
Thanks
Jay
--
Jay Hamilton
aff \melody
> > \layout { }
> > \midi { \tempo 4=60 }
> > }
>
> \slurUp and \slurDown need to come *before* the note that starts the slur,
> not after the note that starts the slur.
>
> sorensen2:lilypond-working Carl$ cat slur_test.ly
> \version "2.12.2&quo
work.
Thanks
Yours-
Jay
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www.soundand.com
206-328-7694
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tra"
subsubtitle = "unfortunately the time signature is irrelevant"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{ "CC lic 2.5 some rights reserved Jay
brief, in the 'Note names
> in other languages' section of 1.1.1 but they correspond much better to
> the standard semitone and quarter-tone pitches than the Makam pitches
> do. So we have two approaches: either Makam as a self-contained entry
> in World Music or an extra section in 1.1.1 referring to non-Western
> pitches. I'd go for the former.)
>
> What about translations? Reading through the Makam snippet I noticed
> that it contained multiple translations alongside the core English text.
> How do I address the issue of divergence between English and the other
> texts?
>
> Best wishes,
>
>-- Joe
>
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ote-name table -- or if not in the documentation, in the snippet source
> that you get when you click on the example?
>
> Best wishes,
>
>-- Joe
>
--
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ow
people like me? And since I'm looking I just did a search in the 2.12. pdf of
the LM and 'makam' returns no results even though the manual says that it's
there. In the section 4 it's there but it did not come up from the search
function.
Yours-
Jay
Jay Hamil
Thanks, I really had to study that snippet to get how to make it work. And
you are right es is wrong -
Jay
On Sun, Aug 16, 2009 at 9:42 AM, Joseph Wakeling <
joseph.wakel...@webdrake.net> wrote:
> Jay Hamilton wrote:
> > I found the snippet for
> > \set Staff.keySignatu
u use this keySignature better yet what should I
be searching for in the manual to answer my own question?
Thanks
Yours-
Jay
Jay Hamilton
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Carl- Really clear instructions and finally I got it to work. whew!
Thank you.
Jay
On Thu, Jun 25, 2009 at 2:58 PM, Carl D. Sorensen wrote:
>
>
>
> On 6/25/09 2:37 PM, "Jay Hamilton" wrote:
>
> > A: I have tried over and over to follow the docs. AND I have
pond user group ,Mats Bengtsson
Message-ID:
<57124720906250218y147049adl25aea014295f8...@mail.gmail.com>
Content-Type: text/plain; charset="iso-8859-1"
On Thu, Jun 25, 2009 at 1:52 AM, Jay Hamilton wrote:
> Unfortunately, I have never been able to get convert-ly t
syntax.
> (Just remember to specify \version "2.10.0" or something like that in the
> file header, so that convert-ly knows what to do.)
>
> /Mats
>
> Jay Hamilton wrote:
>
>> Mats sent me this solution for multiple lines in the copyright and now the
>&g
Mats sent me this solution for multiple lines in the copyright and now the
bottom is overlapping and in one line. How do I make it work like it did in
2.10
\version "2.12.2"
\header {
title = "Positioning your finding"
composer = "Jay Hamilton"
copyrig
is
\layout {ragged-right = ##t
\context { \Staff
\remove "Note_heads_engraver"
\consists "Completion_heads_engraver"
\remove "Time_signature_engraver"
Lyrics \lyricsto "Tenor II" \text
I got what I needed.
Thanks for putting up with me.
;>
\layout { }
}
\markup { \column{
\line{ Verse 2. }
\line{ All the children laughed and played }
\line{ To see a lamb at school. }
}
}
\markup{
\wordwrap-string #"
Verse 3.
Mary took it home again,
It was against the rule."
}
}
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
; Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
>
> Copying to list.
>
> I don't know if one can nest contexts. Why are you nesting contexts?
>
> Am 22.03.2009 um 16:00 schrieb Jay Hamilton:
>
> > James,
> > Thank you for the suggestion I wi
\new Lyrics \lyricsto "Tenor II" \text
} }
Yours-
Jay
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I think I understand that if
there are no bar lines there is no new system but this seems odd.
Thanks
BTW the removes and override does do what I want it to in appearance.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
___
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I can't find in the doc where/if you can italicize a single word in lyrics
using \addlyrics or is there a different thing to do?
Yours-
Jay
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Ok Neil's second suggestion "voices" worked but I don't understand why it works
and why \\
should be avoided (or why to avoid \\ when it's all over the documentation as
the way to do polyphony ) and why the original way I tried it is not the way
it can work?
Yours-
Jay
Message: 5
Date: Mon, 5
experience.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- neilthorn...@gmail.com wrote:
From: "Neil Thornock"
To: jay...@linuxquestions.net
Subject: Re: Hairpins in Polyphony?
Date: Mon, 5 Jan 2009 07:50:10 -0700
See the corrected snippet - is this more what you want?
jor
\time 4/4
\override Staff.TimeSignature #' style = #' ()
4-.-.c,2 g'4
<<{d2 g,4 a }\\{g4 f e a }>> 2 r4
}
\score {
\context PianoStaff
<<
\context Staff = upper \upper
\context Staff = lower \low
want to get into book or such and prefer for my students to just flow
from one movement to the next.
If this is 'the' way to deal with such a problem something (and perhaps it is
in the new docs) should be mentioned or explained as it took me a while to
figure out what wa
o be short?
If not could it be more explanatory?
i.e.
Useful concepts and controlling input and output.
Yours-
Jay
Jay Hamilton
www.soundand.com
Date: Sat, 7 Jun 2008 09:04:47 +0100
From: "Trevor Daniels" <[EMAIL PROTECTED]>
Subject: GDP: Renaming NR 3
To: "Lily-Devel
a small ensemble but even so not sure what to write at
the beginning of each single line staff.
thanks
Yours-
Jay
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have you tried analysis brackets?
from 1.7?
It might work but it looks like you want to do this a lot and if so it's a lot
of copy and paste.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Su
I've only studied a little and
remember nothing about.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 8
Date: Fri, 4 Apr 2008 23:18:18 +0100
From: "Trevor Daniels" <[EMAIL PROTECTED]>
Subject: Re: GDP: Time to plan the revision of NR 2 "Specialist
T
#' (-4 . -4) \markup { "I'm a rest" }
doesn't work so what is a rest in this instance
Yours-
Jay
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etween text and GrobText?
Just need an clearer way to say whatever it is that is happening with this code.
Thanks in advance.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 6
Date: Tue, 19 Feb 2008 09:20:09 +0100
From: Nicholas WASTELL <[EMAIL PROTECTED]>
Subject: Re: wh
ffset and the text of the
label.
the words after the semicolon (;) look like they make sense but adorn and
articulation don't really make sense to a common English reader (me) can
someone explain what is meant here so I can translate it into something I might
understand?
Thanks
Yours
is here
annotations that you could send me?
Thanks
Yours-
Jay
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As a former librarian, I know that creating indexes is a total pain and
unfortunately should be as extensive and repetitious as possible.
Over-estimating the users ability/intelligence is a grave error.
Yours-
Jay
Jay Hamilton
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Graham-
I think on this side of the pond that key is as close as you'll come
I just read the section through and it makes perfect sense to me and I use
transpose etc frequently
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: [EMAIL PROTECTE
I have tried to use
note-digit
e'16-a
that won't work log gives me "unexpected notename pitch."
Tried from the manual
e'16-\rightHandFinger #4
and that did nothing no 'a'
version
2.10.25
Yours-
Jay
Jay Ham
the index you should get to the correct place.
If this isn't what you are looking for please explain more.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
-
Message: 1
Date: Mon, 7 Jan 2008 19:25:59 + (UTC)
From: Werner <[EMAIL PROTECTED]>
Subject: font and staff size
To: l
g the code from the LSR is confusing.
What's necessary and what can I leave out? or is this not the way to do it?
Yours-
Jay
Jay Hamilton
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Change the \ to a hypen -
Someone else has probably already told you this.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 8
Date: Mon, 31 Dec 2007 21:20:32 -0800 (PST)
From: guitarmiami <[EMAIL PROTECTED]>
Subject: Questions from new lilypond user
To: lilypond-user@g
Mats- There was no error log, and it certainly didn't in the print out on my
side. The mistake (a missing r2 ) is what I couldn't find/see.
Thank you.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: Mats Bengtsson <[EMAIL PROTECTED]
s e d fis2. cis4 e2. b8 cis d d d d d4 d r8 b4 cis8
d4 d
d8 d d d a'4 g ~ g2. b,8 cis d d d d d4 cis8 d ~ d4 r8 cis c4 cis e4. d8 d2 ~
d2. r4
\bar "|."
}
\score {
\new Staff \melody
\layout { }
\midi { }
}
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
\version "2.10.25"
In chordmode I am trying to get in some kind of spelling (I'm
assuming that one can't put a chord like I just did in chordmode).
Everything I've tried so far has either produced errors or no effect at all.
Yours-
Jay
Jay Hamilton
www.
(hehe :-), but do we have to copy their
> strange nomenclature? The question is, I suppose:
I've never touched Finale, but I've heard the word "tuplet" many times
before. It's certainly widely used in North America.
Cheers,
- Graha
Yours-
Jay
Jay Hamilton
www.soun
use the pdf version it's just easier than the
online one.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 1
Date: Tue, 11 Sep 2007 17:18:22 -0500
From: " Trevor Ba?a " <[EMAIL PROTECTED]>
Subject: Re: GDP: summary and directions, 11 Sep
To: "Graham Perciv
fluteLyrics = \lyricmode {
%19-I
bah bah bah bah bah bah bah bah bah bah bah bah bah bah
bah bah bah bah bah bah bah bah bah bah bah bah
}
\score {<<
\new Voice = "flute" \fluteMusic
\new Lyrics \lyricsto flute \fluteLyrics
>>
\layout { }
}
Yours-
Jay
Jay Hamilton
do a \noBeam to get the look correct.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: "Valentin Villenave" <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED]
Cc: "Neil Puttock" <[EMAIL PROTECTED]>, lilypond-user@gnu.org
Subject
Thank you that is what I was looking for- and thanks for the reference.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: "Neil Puttock" <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Subject: Re: Need advice re;
y the way why does the defining of crosses on and off work? And where is that
'shortcut' in the manual? I'm not sure for my purposes that I would use the
mua|b thing as those are essentially one time insertions.
Thanks
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EM
ed to both notes and
rests line up better.
\version "2.10.25"
\header {
title = "Tunnel Piece"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-align
{ "CC lic 2.5 some rights reserved Jay Hamilton 1989
ay finally) something about revert and didn't have time
to try it, though it made the most sense.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 2
Date: Tue, 28 Aug 2007 23:31:56 +0200
From: Mats Bengtsson <[EMAIL PROTECTED]>
Subject: Re: remaining Unset question
To: Valen
ric
\set
Staff.midiInstrument = "clarinet"
Which doesn't make sense as those items do have spaces and are alphnumeric
Here's the file changed as you suggested
\version "2.10.25"
\header {
title = "Tunnel Piece"
composer = "Jay Hamilton&
ersion "2.10.25"
\header {
title = "Tunnel Piece"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-align
{ "CC lic 2.5 some rights reserved Jay Hamilton 1989"
"see http://creativec
I remember that there is a way to label the instruments with an abreviation on
every system but I can't find it now in the 2.10.x manual which means I can't
figure out what it must be called to be able to find it.
Can someone please direct me? Thanks
Yours-
Jay
Jay Hamilton
www.so
The space between the staves on page one are quite wide but ok however the
second page they are considerably closer together. Is this correct? Or did I
do something to cause this?
\version "2.10.25"
\header {
title = "Sketch 1"
subtitle = "for guitar for now&qu
t;
}
\\
{
a2 \hideNotes a8. \unHideNotes a16
}
>>
}
\score {
\new Staff \melody
\layout { }
\midi { }
}
Please respond to this email using
[EMAIL PROTECTED]
Jay Hamilton
www.soundand.com
206-328-7694
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It's not exactly the way guitar music is presented and therefore for my
students it would be confusing. And it's cluttered.
Please respond to this email using
[EMAIL PROTECTED]
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: Ole Schmidt <[EMAIL P
. g4 r16 d'8. c8 r r16 f,8.
}
>>
}
\score {
\new Staff \melody
\layout { }
\midi { }
}
Jay Hamilton
www.soundand.com
206-328-7694
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