On 2024-12-14 17:51, Jason Yip - sripedia_getpgrp(a)slmail.me wrote:
On 2024-12-14 16:14, tran li - litran39(a)hotmail.com wrote:
However, to manually (I mean, here, not to use LilyPond's auto-beaming
functionality for subdivide beams, because even till now I still
cannot be clea
On 2024-12-14 16:14, tran li - litran39(a)hotmail.com wrote:
However, to manually (I mean, here, not to use LilyPond's auto-beaming
functionality for subdivide beams, because even till now I still cannot
be clear how subdivide beams in auto-beaming works and trying relevant
commands often canno
On 2024-11-07 12:06, Richard Gress - rgress(a)nd.edu wrote:
Jason, the new commands as presented in the 2.25 docs makes more sense
than in 2.24, and doesn't require timing commands - bravo to you and
whoever else worked on this.
Thank you!
The English instructions have a few
gramma
On 2024-11-06 23:35, Leo Correia de Verdier -
leo.correia.de.verdier(a)gmail.com wrote:
What is needed is for the secondary beam (the sixteenth beam) to be broken
between each quintuplet group in the first measure of the left hand.
It looks like this won't be possible at the moment. I am still
On 2024-07-04 09:09, Jason Yip - sripedia_getpgrp(a)slmail.me wrote:
On 2024-07-03 22:06, Werner LEMBERG - wl(a)gnu.org wrote:
Even though you want this special subdivision at just one point in
your example, do you have examples where this special subdivision
occurs at multiple points in the
On 2024-07-03 22:06, Werner LEMBERG - wl(a)gnu.org wrote:
Even though you want this special subdivision at just one point in
your example, do you have examples where this special subdivision
occurs at multiple points in the same beam? My former suggestion
acts as a offset of # of beamlets for eve
On 2024-07-02 21:33, Werner LEMBERG - wl(a)gnu.org wrote:
My beam subdivision algorithm tries to strictly respect metric
values as subdivision is intended to ease readers' track of the
current measure position. Adding features that loosen that
strictness such as one to support your desired output
Replying from my current email address since the one you cc'd me is
abandoned, wish I could update the git commits' email addresses without
breaking changes haha.
On 2024-07-02 09:47, Werner LEMBERG 'wl at gnu.org' wrote:
``` { \once \set subdivideBeams = ##t \once \set
minimumBeamSubdivisionI
On 2024-04-29 06:48, Jean Abou Samra - jean(a)abou-samra.fr wrote:
You can do \set Score.midiChannelMapping = #'voice as an alternative to that.
Also \new Voice { } should work (untested) instead of \new Voice { s256 }.
I don't think there's a better way.
Setting midiChannelMapping property did
Hi,
Does anyone know how to manually set the midi channel # for a staff to
something other than the default of channel 0/1? Without having to
create dummy staffs with just `s256` as the voice content preceding the
desired staff? The staff in question usually only has one voice, so I
modified
u! Hey! You! You!
What I expect is:
Hey! You! Hey! You!
By the way, if I input it three times it gets triplicated. If I do it
once, it is normal.
Thanks,
Jason
OK- I was trying to make it easier for you to see the section by editing
the content.
Below is the whole piece.
Jason
\language "english"
> \version "2.16.2"
> \header {
> title = "The General Confession"
> composer = "Jason Silver&
s
| a:1.3.5.9 | a:1.3f.5.9 |
}
I get an error with the minor add 9.
Thanks!
Jason
*Yes, We Can Do That!™*
--
*Jason Silver*
CrookedBush.com Inc.
Web Application Development and Hosting
613.344.1717
jasonsil...@crookedbush.com
Croo
I wonder if someone would explain the purpose of the pound signs when
indicating measurements?
For example, this seems to work:
system-system-spacing #'padding = .8
But I often see examples with # marks like:
system-system-spacing #'padding = #2
Thanks!
Jason Silver
*Yes,
ber of the examples use the dot. Also, the "\omit"
function is not recognized by my versions (was using version 12.4, but
updating to the most recent stable version has the same problem).
--Jason Yust
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sensitive code I can look at? I can't
seem to find where aikenHeads is defined.
Jason
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Is it possible for Lilypond to print page numbers in the format "Page 'x' of
'y'"? For example "Page 1 of 3", with 3 being the total number of pages. I've
dug around trying to find an example of this but haven't had any luck.
Thanks!
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gt;> }
>>
\new Staff = basses <<
\clef bass
\new Voice = "three" { \voiceOne << \baritone >> }
\new Voice = "four"{ \voiceTwo << \bass >> }
>>
>>
\layout { }
}
Regards,
Jason Merrill
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y, but I don't know what to do about it. Any
suggestions?
Regards,
Jason Merrill
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suppose. Traditional archives (libraries and such) aren't expected
to be easily editable by future generations, but if we can preserve
editing capabilities, that would make a more useful archive in my
view.
Regards,
Jason
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Downsides are that
it is proprietary and not free, and takes what seems to me a rather
indirect route towards solving my particular problem.
Any other suggestions? Any comments on the likelihood of being able
to compile lilypond into a music interchange format at some point in
the future?
Regar
on this problem. Am I wrong in thinking
that lilypond files aren't really archival? Is there some solution I
haven't thought of?
Regards,
Jason Merrill
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r two quick examples into a document, or a powerpoint slide or
something like that, it's hard to beat the click and drag model of
latexit. If no such utility exists, does anyone have a sense of how
hard it might be to hack latexit to interpret lilypond?
Regar
nual I could find that apply to choral
music, but any pointers to any other resources that cover using
lilypond in a choral context would also be appreciated.
Regards,
Jason
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> > > well. What about alternative beginnings, or even an
> > > alternative somewhere in the middle?
> > >
> > > Can someone tell me how I would do this?
> > >
A technique/hack I got from one of Sven's tunes.
\repeat volta 2 {
[repeated music, before alts]
\cadenzaOn
\set Score
Exactly, so the root of the poblem is that this doesn't work:
book {
parta = { ... }
partb = { ... }
score { parta partb header{ ... } }
}
or, slightly more general case:
book {
parta = { something1 }
partb = { something2 }
score { parta partb header{ ... } }
parta = { something3 }
partb = { s
thing works fine except for set_one.ly. I tried putting the
variable defs inside score but that didn't work. It works if I don't
use variable, but I rely heavily on using variables. Any ideas?
Thanks,
Jason
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lilypo
Is it possible to reassign the frequencies associated with individual
notes for midi output? If so, how?
Thanks -Jason
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m trying to use scons to build
my tune set. scons _always_ calls the build command, whether is is
gcc, lilypond, latex, ..., from the top directory.
Thanks -Jason
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05 4:44 PM
To: Young, Jason
Cc: lilypond-user@gnu.org
Subject: Re: compound time signatures on different staves
On 6-Jul-05, at 8:04 AM, Young, Jason wrote:
> Here's my problem: I need to express 4 concurrent staves of music,
> each with a different time signature, but having the m
is, but only saw the compound time signature feature for a single staff.
Thanks for any advice or direction you can offer!
~ Jason
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, let me know
and I'll try to want to do it less!
Thanks
On 4/28/05, Graham Percival <[EMAIL PROTECTED]> wrote:
>
> On 27-Apr-05, at 4:25 PM, Jason Addison wrote:
>
> > How can I indicate alternate sections other than the ending?
> >
> > For example,
_begining_.
So it is like this (letter = bar):
A B C D
A B C E
F B C D
A B C E
And I want (number indicates repeat):
1
2 12
43 34
AF B C DE
And, how can I do this (middle measure repeats):
12
A B CD E
I know how to do alternate endings, but not anything else.
Thanks,
Jason
h the
chord symbols).
Thank you very much.
-Jason Flatley
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Arvid,
Thanks so very much for your help. With your instructions, I managed
to get things working (at least as far as I can tell at this point).
Thanks,
Jason
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using
vim, and it will not do it either (according to the manual, vim
"should" do these things on its own once lily is installed. I've tried
putting the several .el files in various site-lisp directories...anyway
I guess it shows I've no idea what I'm
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