ou for the
prompt response.
It's a little obscure; as it's written the manual says one thing without
reservation and then partially contradicts itself further down.
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Henry LawManchester, England
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l
lawshouse.org/music/minimal_example.jpg I tried it without
Pitch_squash_engraver, and also without improvisationOn and got the same
results.
Sigh ... I expect it's me, but I can't see what I'm doing wrong.
--
Henry LawManchester, England
__
e" { this is the bridge }
\context Lyrics = "first" \lyricsto "voiceThreeFour" { this is verse three
}
\context Lyrics = "second" \lyricsto "voiceThreeFour" { this is verse four
}
That was it! Thank you so much. I had dimly perceived the
ct.I suppose I could just write it as three verses, using \skip
to get the words into the right places horizontally; but it seems like a
kludge so if there's a better way I'd like to know what it is.
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Henry LawManchester, England
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otes ABCD. I've researched the error message as
best I can and can't make it make sense in this context.
Am I moving in the right direction or is this a dead end of confusion?
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Henry LawManchester, England
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rse it's an schoolboy error (that's the kind of mistake I'm making
right now) but I've reviewed the learning manual, especially "Music
expressions explained" and also the snippets without finding the answer.
Can someone help me please?
--
Henry LawMancheste
communities in multiple
countries over many hundreds of years) it would have been more
straightforward :-)
I'm impressed with how much of the oddity of music notation lilypond
does handle. Far more than any other scoring program I've any
acquaintance with.
--
Henry Law
On 30/04/16 13:49, Henry Law wrote:
\new ChordNames {
\set additionalPitchPrefix = "add"
\chordmode { c:5.9 c:m7.5- c:5+.9- }
}
Another wrinkle I've just found. If you want a minor chord with an
added ninth (say) you can't code, for instance, d:m.9 as it g
On 29/04/16 18:22, Henry Law wrote:
In a lead sheet I want to use the chord which I call an "added ninth".
Using the key of C as an example, I want the chord C-E-G-D: a plain
major triad with the ninth added on top.
I've documented my experiences in the relevant places in the th
kind of thing!
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it works fine with \chordmode too:
\version "2.18.2"
\new ChordNames {
\set additionalPitchPrefix = "add"
\chordmode { c:5.9 c:m7.5- c:5+.9- }
}
(Gives Cadd9 Cø C#5addb9 Cadd9 C9, exactly as required.)
--
Henry LawManchester, England
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On 29/04/16 22:20, Brett Duncan wrote:
You can also use "c1:5.9", which just adds the 9th over the basic triad.
I coded g2:5.9 in chordmode and got G9, which isn't the right chord.
I'm pursuing pop-chords.ly.
--
Henry Law
;m good at manuals. (In fact I googled for
"pop-chords.ly" and got the hits I need).
Thank you. Were you typing your reply before I sent my question?
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lilypon
.
Am I stuck? I'm hoping there is some magic somewhere to help.
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re going to have to play it on a keyboard and
save the (quantized) note values as MIDI.
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ved handling of the
"hyphen not finished yet" bug ...)
Thanks, Thomas, also for the pointer to the "techniques specific to lyrics".
3. On 28/03/16 13:05, Christoph Friedrich wrote:
> refrain-empty = \lyricmode {
> " " " " " " " &
songs have this
layout. Can someone tell me the right way to do it? (Small fragment
attached, showing how I don't want to do it!)
--
Henry LawManchester, England
\version "2.16.2"
global = {
\time 4/4
\key c \major
}
chordNames = \chordmode {
\global
\parti
Is there a co-operative effort forming on this? I'm pretty much a
novice ponder (and not even that on Lisp/Scheme ... I know-a nothing)
but a reasonable technician and a fairly experienced technical
writer/editor and I'd be happy to join in.
reply-to address is valid.
--
ne
}
But from http://www.lawshouse.org/music/DoubleWholeRest.pdf you can see
that the result is three bars' worth of rests (a double-whole rest and a
whole rest), with the number 3 above. Surely that's double-counting,
amounting to nine bars of 4/4!
Of course, it's me that's doin
On 24/03/15 22:46, tisimst wrote:
Remember: Indicate the start of the slur AFTER the note you want it to
start on and AFTER the note you want it to end on.
Aha! I knew there was something I'd misunderstood and/or forgotten and
that was it. Thank you so much.
--
Henr
1.pdf the slur
doesn't start on the last 16th but on the previous one, and the syllable
"two" is assigned to the three A's and the F#, leaving the syllable
"three" to match up with the 16th A's after the rests.
What am I doing wrong?
--
Henry LawMan
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