Hi!
I removed some %{ and %} and tried to compile the whole piece I made, but I
received this weird message as an error :
/Applications/LilyPond.app/Contents/Resources/bin/../share/lilypond/current/ly/init.ly:37:1:
ERREUR : GUILE a signal'e une erreur pour l'expression d'ebutant ici
#
(if (or (p
Hi!
I tried to compile with the new development version. It takes 44 seconds for
4 pages of music for alto, double bass and piano. But there is two things to
notice :
1- I am using JEdit with LilyPondTool, might add some seconds.
2- I ask for a MIDI file, which is the longest process of the piece
Hi!
For the compiling time, I am surprised that sometimes it takes almost a
minute to compile only 3 pages of music for alto, double bass and piano! The
fastest is 30 seconds. I am using LilyPond 2.11.11 on a MacBook Intel Core
Duo with 512 Mb.
For the interface, the best thing for a text entry
Yes, exactly! Even if the amount of code necessary to do that is kind of scary.
Thanks!
Frédéric
2007/1/14, Mats Bengtsson <[EMAIL PROTECTED]>:
You mean something like
http://lsr.dsi.unimi.it/LSR/Item?id=204 ?
/Mats
Frédéric Chiasson wrote:
> Hi,
>
> I would like t
- Basic Polyphony, in the User's manual)
}
Maybe not "ethical" but the result is perfect!
Cheers,
Frédéric Chiasson
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Hi,
I would like to know if it is possible to write beamed eighth notes and
tuplets as tempo indications. I would like to write the following :
←(tuplet) = (3 beamed eighth notes) →
Also, is it possible to write articulations with the notes?
Thanks,
Frédéric
__
on "2.11.9"
\layout {
raggedright = ##t
indent = 0
}
global = { \clef treble \time 3/4 }
top = \relative c'' { \stemDown fis4~ \stemUp fis e fis }
bot = \relative c'' { 4~ 2. }
\score {
\new Staff {
\global
r2 << \top \\ \bot >>
}
}
2007/1/9, Frédéri
That is what I did since I couldn't tie the first "fis" with the second when
I was putting the first "fis" in the same voice as the "a" and "c"
underneath. But is there a way to make the first fis look as if it was in
the same chord?
Thanks for your help,
Frédéric
___
Hi!
I just worked with Graham to be able to use my score in SVG in Inkscape. A
one-page LilyPond score in SVG works well with Inkscape, but a multi-page
score in SVG does not. Does anyone know enough about SVG and/or Inkscape to
tell me how can I manipulate a multi-page score in SVG with Inkscape
Hi!
I'd like to know how to put ties between a chord from a single voice
separating to the same notes but in two differents voice contexts in
polyphony.
With this example, the ties does not appear, without any warning though.
Frédéric
P.S. I also tried 4~, but the ties still don't appear.
___
I tried :
mkdir ~/.fonts
mkdir /.fonts
But both don't make the fonts appear in Inkscape. In Gimp though, the
symbols appear.
Any other ideas?
Frédéric
(Mac OS X.4.8)
2007/1/8, Mats Bengtsson <[EMAIL PROTECTED]>:
Frédéric Chiasson wrote:
> Hello!
>
> I tried to
Hello!
I tried to open a SVG file from LilyPond in Inkscape. Since there was no
~/.fonts directory to copy the OTF fonts into, I copied them in those two
directories :
/Library/Fonts
/Applications/Inkscape.app/Contents/Resources/fonts
But it didn't work, did I miss something?
Frédéric
Hi again,
i'm trying to get a SVG file as an output so I can modify it with Inkscape.
For this, I am typing :
lilypond --format=svg
but it doesn't work. What is the right option for this?
Thanks again,
Frédéric
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Hi,
Using : LilyPond 2.11.9 on Mac OS X.4.8
I would like to put a markup text as : (left arrow) (quarter note) = (dotted
quarter note) (right arrow), for making Carter-like "rythmic modulations".
I don't know how to put arrows. Putting the arrow from the Mac text
character set doesn't work. I l
My point when I started this topic was not to change the whole definition of
the \times function. In fact, I think the function works quite well as it
is. I was mostly talking about improving the "interface" - i.e. the words
and the syntax we use to call the functions - to make it more intuitive,
When I started this topic, the point was to suggest a more intuitive syntax,
which is closer to the musicians' language and the output on the score. That
is why I proposed \tuplet (closer to musicians's language) and "3:2" (closer
to the output of the score). In my opinion, I though this function
re? I really don't know. Maybe you could develop this!
Regards,
Frédéric Chiasson
2006/12/30, Mehmet Okonsar < [EMAIL PROTECTED]>:
Does anyone in the list knows some helper software for instrumentation
topics,
instruments ranges, fingerboard positions on strings etc..
Please forgiv
Weird, it is supposed to reduce the font size (it works in my files). But I
know that for a single staff, you must use two commands to reduce the note
font and the spaces between the staff lines :
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
Hope that will help,
Frédéric
Hello,
Using : LilyPond 2.11.4, Mac OS X 10.4.8
I think I have found a bug. When using changed fonts with the function
make-pango-font-tree, the functions \italic and \bold don't work anymore.
What do you think?
Frédéric
The input code :
\version "2.11.4"
\paper{
#(define fonts (make-pan
Might it be possible to use
\tuplet 3:2 {x x x}
for the usual operation, and if we want to have many tuplets of the same
kind, to use
\tuplet 3:2 { {x x x} {y y y} {z z z} }
Might resolve the clarity problems.
Frédéric
2006/12/22, Han-Wen Nienhuys <[EMAIL PROTECTED]>:
[EMAIL PROTECTED]
Hello,
I tried for the first time to use parenthesises on notes but it doesn't
work. Am I doing something wrong?
\version "2.11.3"
\relative c'{
\parenthesize b1
}
Frédéric
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Yes, that makes sense.
Frédéric
2006/12/21, John Mandereau <[EMAIL PROTECTED]>:
Frédéric Chiasson wrote:
> But to avoid repeating \tuplet functions for long passages with the
> same tuplets, we could admit that kind of syntax :
>
> \tuplet 3:2 {c8 d e f g a b c d
You can use :
\set Score.markFormatter = #format-mark-box-letters
to put boxes around letters
Frédéric
2006/12/20, Neuro <[EMAIL PROTECTED]>:
Excuse me, I am almost newbie...
I have a quick small question here:
How do you mark a extra "boxed" rehersal mark such as "A1" ?
My script goes
Good!
Frédéric
2006/12/20, Kress, Stephen <[EMAIL PROTECTED]>:
Ok. Based on what everyone has been saying and seeming to come to an
agreement on, here's the details of the changes that we are proposing be
made.
1. \times is replaced by \tuplet since tuplet makes more musical sense
and con
« Although I like the idea of accepting both \tuplet 3:2 and \tuplet 2/3,
I don't like the notion of having \tuplet and \times. I suppose we
could keep \times as an old command and remove it from the manual to
avoid confusion... but that seems silly. Either eliminate \times, or
don't bother intr
Might be an idea, but why should we keep two functions making the same
function?
Does it cost that much on functionality to use two differents syntax in the
same function?
Frédéric
2006/12/19, Han-Wen Nienhuys <[EMAIL PROTECTED]>:
Jonathan Henkelman escreveu:
> Erik Sandberg gmail.com> writ
-- Forwarded message --
From: Frédéric Chiasson <[EMAIL PROTECTED]>
Date: 19 déc. 2006 17:45
Subject: Re: Constructive Criticism and a Question
To: [EMAIL PROTECTED]
Yeah, I prefer to keep the punctuation ":" and "/" to avoid confusion.
Frédéric
I tried the function and I don't see any incoherence using \tuplet instead
of \times in this situation. Maybe I don't understand the point well.
For me, I wouldn't mid at all to replace entirely the \times function by a
\tuplet function, giving both options of using a fraction (2/3) or the
engrav
Maybe, but it is more that it is "7:8" that would be engraved, and not
"7/8". So it is alright to separate both options.
2006/12/19, Paul Scott <[EMAIL PROTECTED]>:
Han-Wen Nienhuys wrote:
> Werner LEMBERG escreveu:
>
>>> I suppose you could add the command \times 3:2 {a b c} to do exactly
>>>
Yeah, that would be a good solution satisfying everyone.
Frédéric
2006/12/18, Kress, Stephen <[EMAIL PROTECTED]>:
You could compromise and use "2/3" to indicate current fractional time the
way it works now, but support using "3:2" to be more "musically intuitive".
I.e., the separator denotes
To answer Carl, yes! To put 2 notes instead of 3, I would put "2:3", which
means "2 instead of 3" or "2 for 3". As David Rogers said, it fits what is
printed, or what would be printed if the whole ratio was there.
Also, is there a reason why the function wasn't named simply \tuplet ?
Frédéric
unctions in
LilyPond by composers and musicians who are NOT programmers to make the
LilyPond language more intuitive, so the learning curve would be less steep.
That would be a great thing to do for an eventual LilyPond 3.0. And I would
be willing to give some of my free time for that!
Regards,
Frédé
code )))
?
Fred
2006/12/16, Erik Sandberg <[EMAIL PROTECTED]>:
On Friday 15 December 2006 22:07, Frédéric Chiasson wrote:
> Then, well, who can help me??
>
> Frédéric
>
> 2006/12/15, Mats Bengtsson <[EMAIL PROTECTED]>:
> > I'm certainly not any expert in Scheme codi
on the list and for the benefit of others who experience
similar problems.
/Mats
Quoting Frédéric Chiasson <[EMAIL PROTECTED]>:
> Thanks, at last I understood how to do it?
>
> One problem left, I copied the code displayed for "\once \override
> TextScript #'extra-
-- Forwarded message --
From: Mats Bengtsson <[EMAIL PROTECTED]>
Date: 15 déc. 2006 15:31
Subject: Re: How to use ^markup in a scheme function?
To: Frédéric Chiasson <[EMAIL PROTECTED]>
I'm certainly not any expert in Scheme coding for LilyPond. Please
always ke
Hi,
I tried to program a function to put a slash at a given offset on a note,
but the line with the ^\markup doesn't work.
Here is the code :
Slash = #(define-music-function (parser location xy note)
(pair? ly:music?)
#{
\once \override TextScript #'extra-of
Hi!
I would like to know what is going wrong with this code. I tried to change
the fonts but it doesn't work. But if I remove the set-global-staff-size
function, the fonts changed as I wanted. Is this a bug or there is something
with the make-pango-font-tree that I don't know?
I'm working on Mac
Hi,
Is it also possible to make a \markup at a specified distance frome the
notehead? I have asked this question already but nobody seemed able to
answer me.
Frédéric
2006/12/9, Mats Bengtsson <[EMAIL PROTECTED]>:
Use the staff-padding property to specify the distance from the staff.
However
tem (over the notehead), which can mean "slap tongue" in
modern saxophone writing.
Also, if you know the file where the slash is put with stroke-style =
"grace", please tell me so I can try to to put code for beamed notes with my
basic programming skills.
Thanks,
Frédéric
Sorry for not answering to everyone
-- Forwarded message --
From: Frédéric Chiasson <[EMAIL PROTECTED]>
Date: 8 déc. 2006 15:21
Subject: Re: Put a slash on acciaccatura beamed eighth notes
To: Mats Bengtsson <[EMAIL PROTECTED]>
Good, let's try it then. So in
e-music 'BeamEvent 'span-direction -1)))
(make-music 'EventChord 'elements
(list (make-music 'NoteEvent 'duration (ly:make-duration 3 0 1 1) 'pitch
(ly:make-pitch -1 1 0))
(make-music 'BeamEvent 'span-direction 1)
Well, I never tried jEdit on Mac. But I tried it on PC and the LilypondTool
didn't work out and I had so many problems that I discarded it after a week.
Maybe I should give it a second shot. It migth work better on Mac OS.
Thanks for the comments,
Frédéric
2006/12/7, Bertalan Fodor <[EMAIL PR
character counter in
the editor would be great, since the error messages give the line number
where the bug is. It would be a great improvement.
By the way, is there any editor having LilyPond tool other than jEdit?
Thanks,
Frédéric Chiasson
2006/12/7, Andreas v. Heydwolff <[EMAIL PROTEC
John Mandereau ([EMAIL PROTECTED]) has already started a french
translation of the tutorial, which appears automatically if the site detects
your computer uses french. You can contact him using the french user forum :
[EMAIL PROTECTED]
Frédéric Chiasson
2006/11/21, Mats Bengtsson <[EM
TextScript?
Fred2006/11/15, Joseph Wakeling <[EMAIL PROTECTED]>:
Frédéric Chiasson wrote:> I just saw a message about the tagline "Engraved by Lilypond" and I was> wondering if it is legal to sell our own partitions of our own> compositions engraved with Lilypond? Is the
Hi,I just saw a message about the tagline "Engraved by Lilypond" and I was wondering if it is legal to sell our own partitions of our own compositions engraved with Lilypond? Is there any limitation you put against a «commercial» use (for now, it is really «on the side» but still...)
is to add a> slash> as a text script and then move it around to the desired position.>>/Mats>> Frédéric Chiasson wrote:
> > Hello,> >> > I am trying to transcribe one of my own compositions on Lilypond> > 2.9.28. I need to have sla
anned examples if you need.
Thanks for your answers,Frédéric Chiasson
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